Rounders Movie Reviews

The only thing I can come up with to compare this documentary to wuld be the 1953 Bowman baseball cards. That was the year Bowman went to photographs, with 64 black & white 2 1/2" x 3 3/4" cards and 160 in color. These remain some of the most beautiful baseball cards ever made, particularly card #32 of the St. Louis Cardinals' Stan "The Man" Musial. When we see footage of Musial in this documentary, his uniform a beautiful combination of black and red, this is just something transcendent about that image. Even when these are just home movies taken before a game, seeing Ted Williams, Hank Greenberg, Bill Dickey, Carl Hubbell, Robin Roberts, and Jackie Robinson in color is just so captivating. Even shadowy footage of Satchel Paige in the major leagues at last is memorable. Then there are the shots of some of the living Hall of Famers such as Honus Wagner and Cy Young, including film of the greatest outfielders of the first half century: Ty Cobb, Babe Ruth, and Tris Speaker. I have seen black & white photographs of their joint appearance, Ruth ill and not wearing a uniform, but this is in color and the pictures are in motion.

The producers have to come up with something for somebody to say while we watch these fascinating images, and there is a mixture of recollections from former players, poetic observations from sportswriters, and some actual commentary on what we are seeing (I have reason to suspect that some of this is leftover audio from Burns's "Baseball" since they are the same voices). But you will probably have to watch this 57-minute documentary a couple of times to catch everything that is being said because a real baseball fan is just going to lose themselves in these pictures. Players are often identified, which is good because since they are not in black & white some of them are actually hard to recognize. But in terms of the most shocking images that would have to be reserved for the section on the old ballparks where we see Chicago's Wrigley Field when the outfield wall was not covered with ivy and there were no bleachers for the fans. If that does not give you a sense they we have gone back into the distant past when baseball was a game, nothing will.

And while many of the players and ballparks captured on film here were gone long before I was born, I recognized most of them anyway. I especially thrilled in seeing the black & white footage from the 1934 World Series -- the hard slides, the beanballs, the old-school herky-jerky pitching deliveries -- and the color footage from the '38 Series at Wrigley Field. Here you also get to see the fabled Green Monster at Fenway Park, before it was either Green, or called "Monster" -- covered in billboards for razor blades or Lifebuoy soap.

If I had to complain, I'd say that for a beginning or casual fan, the footage presented is confusing at first, since graphics and explanatory voiceovers are kept to a minimum in the first twenty minutes. Eventually, however, all the ballparks shown are identified by name, as are many of the players. The narration is misty-eyed and minimal, and not all of the poems or literary passages recited may be to your liking. However, it should be understood that HBO is quite adept at this form of documentary, and "When It Was A Game" was at the forefront of the HBO revolution. And it's also hard to argue with hearing Burgess Whitehead and Eldon Auker and Tommy Henrich speak for themselves.

Go out and watch "When It Was A Game" for yourself -- with the sound on, painting a word-picture of a time you can no longer see for yourself, or even with the sound off, just to look at the footage (Pepper Martin's juggling trick has to have been done with mirrors!). Then when someone asks you what you watched on TV yesterday, you can say, "Oh, the 1934 World Series..."

/Capelle