Billiards Movie Reviews


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Family movie reviews for "Billiards" sorted by average review score:

Southern Comfort
Released in DVD by MGM/UA Video (22 May, 2001)
MPAA Rating: R (Restricted)
Director: Walter Hill
Starring: Keith Carradine and Powers Boothe
More than merely Deliverance in the Louisiana bayou, Walter Hill's taut little tale of weekend-warrior National Guardsmen on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new group. "They're just Louisiana versions of the same rednecks I served with in El Paso," he tells the levelheaded Keith Carradine.

The barely functional unit of city boys and macho rednecks invades the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of a guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorize the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of.

Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker

Average review score:

Suspense and tension galore in this swamp thriller
This is one of those flicks where even though you may know what's gonna happen, it still has your belly all wound up real tight with tension, simply because you just don't know when or how it's gonna happen. It's a very formulaic movie with the stereotypical characters, yet that is quickly overlooked as the director does a nice job with the element of surprise and realism.

The movie is essentially about a bunch of wanna-be National Guards sent out on a routine weekend mission in the swamps of Louisiana, only to find themselves at war with some mean locals. When water appears where land should be, the troop has no choice but to borrow some unattended boats belonging to some Cajun locals. Of course, things go awry when the troop member, plagued with idiocy, shoots a round of blanks at the locals for sheer fun. Things heat up real fast as the wanna-be guards begin the fight for survival in an unknown territory with only blanks. Some scenes get you so riled up, you'll be at the edge of your seat shouting "what the . . . !" Unfortunately, the captain and another member sometimes come across as poor actors, but depending on how you see it, that could be explained as an approach to portray realistic men who just don't know what the heck they're doing. Afterall, from the beginning, the Sergeant pleads with them to act like real soldiers for once in their life.

The film seems to work best as a "survival of the fittest" story instead of a macho-type, action-packed war movie. The eerie swamp certainly contributes to many nerve-racking moments. Slightly puzzling ending, but still a relatively good film. Certainly above standard.

Superb And Thoughtful Action Movie!
This tautly-told tale of the explosive mix of subcultures under extreme conditions is a gem seldom discussed in movie circles, but is indeed a near-cult favorite of Vietnam vets who recognize the allegorical message of its gritty and ironic twists of plot associated with the casual and almost nonchalant attitudes of several Louisiana National Guard reservists off on a weekend military exercise during the early 1970s in the foreboding and eerie bayou country. Famed action director Walter Hill wastes little time in setting the dilemma into motion, and by disobeying orders and "improvising" a way across a large river by "borrowing" some Cajun moon-shiners' boats, the squad soon finds itself engaged in escalating misunderstanding and quite plausible sequences of violence, murder, and mayhem.

For anyone ever in the military of that era, it is a profoundly accurate depiction of just how easily disorganized, untrained, and undisciplined troops who are poorly indoctrinated and even more poorly led can find itself disastrously out of control under circumstances they can no longer positively influence. Moreover, left to their own devices,and slowly decimated through casualties inflicted by their erstwile opponents, they unnecessarily and fatefully add to their own predicament by taking action that makes their predicament much worse. They also find, to their horror, that relatively untrained civilians with guns and attitude can be formidable opponents. The stealth, familiarity with the terrain, and downright viciousness employed by the local Cajun moon-shiners makes this a captivating study in how slender are the threads that binds us together in a large and pluralistic society such as ours. Speaking of terrain, the way in which Hill uses the topography and atmosphere of the swamps and savannas of the bayou make it an essential and unpredictable aspect to their efforts to extricate themselves from this background of madness.

In what is perhaps the best-delivered performance of his many-faceted career, Powers Boothe provides a rational coda to the irrational aggression swirling around him as Hardin, a white collared and college educated trooper who has only recently joined the unit, and whose efforts to corral the others that he characterizes as rednecks, into a more cohesive fighting force finally work to their advantage. Fred Ward is also excellent here, as is Keith Carradine, Peter Coyote, and Alan Autry, who later gained fame as the resident stud-muffin southern boy featured in the TV series version of "Heat Of The Night". Also an essential ingredient in delivering a movie with a knockout punch is Ry Cooder's haunting score, which provides a wonderful mix of southern twang and Cajun chords in accompanying this extremely well told tale. For anyone interested in an allegorical approach to our Vietnam troubles told interestingly and provocatively, I can highly recommend the movie, and am glad it is finally out in DVD. Enjoy!

Weekend Discomfort
This is a relatively short film (105 minutes) which is tightly organized and brilliantly directed by Walter Hill who co-authored the screenplay with producer David Giler. It focuses on nine members of the Louisiana National Guard who, during a field training session in 1973, find themselves in armed conflict with swamp residents whom the "weekend warriors" have provoked. Almost immediately, it becomes obvious that the Guardsmen lack the leadership, experience, and weapons they need so they begin an escape journey through totally unfamiliar and naturally perilous territory, pursued by the wily and hostile Cajuns. In certain respects, the swamp becomes the main character. The Guardsmen's fear is intensified by the fact that their maps are useless. They have no idea where they are, much less in which direction to proceed. As they slog along, they are picked off one at a time. Eventually....

The acting is generally first-rate. Powers Boothe (Hardin) and Fred Ward (Reece) are especially noteworthy, with Boothe portraying someone who is solid, sensible, practical, and mature in sharp contrast to Ward's character whose attitude and behavior suggest a potentially dangerous psychosis. Keith Carradine (Spencer) is less impressive, perhaps because his character throughout much of the film seems so laid-back, indifferent, almost aloof. Peter Coyote (Poole) makes a brief but memorable appearance. Others in the cast are OK. Special mention should be made of Ry Cooder's musical score which is most impressive when integrated with festive activities in a Cajun village. The tone of the celebration is juxtaposed in stunning contrast with the terror which has consumed the reservists.

Frankly, I am unable to explain why, when I inquire, so few of my countless "film buff" friends have even heard of this film, much less seen it. Those who then act on my strong recommendation and see it tell me later how much they enjoyed it. Veterans of the Viet Nam War indicate that it reminds them of their own experiences with the Viet Cong. Some of the veterans compare this film with Platoon. See it and judge for yourself.


On the Line
Released in DVD by Miramax (05 August, 2003)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Eric Bross
Starring: James Lance Bass and Joey Fatone
Befitting its boy-band sensibility, On the Line is an amiable vehicle for 'N Sync's Lance Bass, who makes his star-producer debut with this bright-eyed romantic comedy. Bass plays a Chicago adman who meets the girl of his dreams (newcomer Emmanuelle Chriqui) on the "L" train but fails to get her name and phone number. His roommates (including 'N Sync bandmate Joey Fatone) devise a scheme to find the elusive "L-train girl," and like the similarly plotted Serendipity, this love-struck scenario plays out with standard-issue subplots and supporting characters, propelled by a pleasant pop soundtrack and a soulful appreciation for the music of Al Green (who makes one of several celebrity cameos). On the Line was sanitized for a younger audience (with obvious dubbing to replace cruder language), but the squeaky-clean approach is refreshing, even when an end-credit sequence (featuring 'N Sync's Chris Kirkpatrick and Justin Timberlake) suggests a comedic vitality that the rest of the movie lacks. --Jeff Shannon
Average review score:

A real time waster
My parents met eachother 33 years ago on the "EL" which is the only reason I could even stand this movie which is just so syrupy and predictable.(Was there any doubt that Kevin would get the girl?) And where did he get the money for those ads when it seemed like his job involved little else but fixing the copy machine? There were two bright spots: the hialrious Jerry Stiller and the "behind the scenes" with a cameo by Justin Timberlake & Chris Kirkpatrick.

one more thing: it's the "EL", not "L train."

great movie
even my parents loved the movie. usually they ask who comes out in it and when i said nsync they thought it was going to be a stupid movie but it was pretty good. i cant stop renting it at blockbuster or watching it on encore.

Great Music/Great Story!
Finally ,quality entertainment! It comes few and far between these days. This movie was wonderful and had the best soundtrack. It had a great storyline with some of the best music I have heard in a long time. Lance Bass and Joey Fatone are not only great singers but actors , as well. Joey proves to be quite the comediene in this movie. I enjoyed watching this movie with my daughter. We have watched it several times since purchasing it and also had to purchase the CD Soundtrack. If you are looking for a good little movie to sit down and enjoy ,this is the one.


A Glimpse of Hell
Released in DVD by Fox Home Entertainme (03 June, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Mikael Salomon
Average review score:

A total waste of time....
If I could give this movie a -1 star rating I would emphatically do so.

With a poorly written script, mediocre acting (not the least of which is James Caan doggedly referring to sailors as "soldiers"), inacurate uniform details and an amazingly incompetent misportrayal of both Clayton Hartwig and Kendall Truitt this is easily the worst movie I have ever seen.

I have often watched "real life dramas" made into movies and wondered how much is true and how much is "Hollywood". Well - I can say with absolute certainty and first hand experience that this movie is 99% Hollywood and 1% Truth.

If you really want to know about what happened aboard the USS Iowa and why it may have happened you are much better off reading the book, "A Glimpse of Hell" (which still has its faults and problems, of course) and forgetting about this farce of a movie.

Who am I? I am GMG3 Kendall Truitt's ex-wife and I lived this movie. Take my word for it - this movie stinks!

A dramatization of the mysterious explosion on the USS Iowa
Told from the point of view of a young ensign on the ship, it attempts to show that the Iowa was a dilapidated ship whose command structure was ignorant of anything except self-promotion. Fearing that newer high-tech gadgets would make its own guns obsolete, the gunners take increasing risks in an effort to come up with more spectacular results. Possibly they took one risk to many or possibly there was a mechanical failure but something went tragically wrong and killed 47 people. To this day there are many unanswered questions about the incident.

I did not find this movie to have any spirit, nor did it succeed in showing any new plausible theory about how the accident happened or why the Navy would think that a cover-up would be in its best interests.

There were no special features on the DVD of note.

Very Good
A very good movie overall. An outstanding view of men standing up for what they believe in the face of those that would oppose them and ruin their careers.

James Caan turns in a fine performance as the Captain of the USS Iowa and Robert Sean Leonard another fine performance as the ensign that sometimes opposes the Captain and questions the Navy, even though his father is a Navy legend. These two strong personalities clash over the explosion on the Iowa and its causes.

The men of the Iowa have their own ideas of how to impress the Captain, who is on a career upswing, possibly the next Admiral and they hope to ride his coat tails. The mixture of their ideas and the Captains seeming aloofsness to his men make for a disaster when while trying to stretch the limit of the machinery a gun turret explodes. Many men die but the Navy seems content to brush it under the rug.

But the question remains, was it a horrible accident or a dereliction of duty. The facts presented here weigh in on both sides of the argument. What is the final choice? What happens when the brass get involved? Will they find a scapegoat? Will they hold someone accountable? Or will they use the faulty machinery excuse? Was there a cover-up? A whitewash? Or does the Navy tell you the truth?

Watch this excellent movie to find out.


Acceptable Risk
Released in DVD by Artisan (Fox Video) (22 October, 2002)
MPAA Rating: NR (Not Rated)
Director: William A. Graham
Average review score:
No reviews found.

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