Grandparents Day Movie Reviews

In "Death at Bargain Prices," Steed and Mrs. Peel once again find extraordinary goings-on in the most ordinary places, in this case a department store that serves as a front for madman tycoon Horatio Kane's biggest takeover bid yet--of London (he has rigged the store with a nuclear device). Mrs. Peel works undercover as a clerk, prompting Steed's priceless line, "I asked where to find you and was told, 'Our Mrs. Peel is in ladies' underwear.' I rattled up the stairs three at a time." This episode was directed by Charles Crichton, who later directed A Fish Called Wanda. "Castle De'ath" is a truly haunting episode, both because of its red-herring ghost story and the scandalous peek at Mrs. Peel's navel, not to mention her nocturnal investigation of a foreboding Scottish castle in her nightgown. What brings her and "McSteed" (outfitted in a kilt) to the castle is the death of an agent in scuba gear, who when found was four inches taller than when he was alive. "It all has to do with the price of fish," whispers McSteed. In "The Master Minds," Steed and Mrs. Peel investigate a series of raids on state security. Each, Steed notes, "has been boldly conceived and superbly executed" by "a diabolical mastermind." This leads the duo to a special school for geniuses whose lesson plan includes brainwashing. Highlights of this episode are a student's come-on to Steed ("I wonder if I might lure you away from brainwork for something more physical") and a climactic fight seen only in shadow behind a screen on which a military training film is being projected backward. Grade: A. All three episodes are in glorious black and white. --Donald Liebenson

With a provocative swat on her leather-clad bottom, John Steed (Patrick Macnee) first clashes swords with his new partner, Mrs. Emma Peel (Diana Rigg), in "The Town of No Return," the episode that launched the fourth season of The Avengers. "Town" begins on a characteristically surreal note as a figure emerges from the sea in what looks like a giant Hefty bag. Out pops an impeccably dressed gent who notes to a nonplussed fisherman, "Looks like rain," which brings us to Bazeley-by-the-Sea, a quaint but odd village where four agents have disappeared. Will Steed and Mrs. Peel be numbers five and six? Like one of the treats Steed offers Peel on their Bazeley-bound train, this episode is "a marzipan delight." In "The Gravediggers," Steed and Mrs. Peel dig up a sinister plot to sabotage Britain's radar defense system. But this doesn't quite explain how Mrs. Peel finds herself tied to a train track with a miniature locomotive chugging toward her! "The Cybernauts" was the first episode to air in the United States. Steed and Mrs. Peel are up against automated assassins made by an inventor who plots to create an electronic dictatorship. A highlight is an elegantly dressed Mrs. Peel's karate fight. All three episodes are in glorious black and white. --Donald Liebenson

"Now that you've seen me, what do you think?" a gentleman inquires of his blind date. She pulls out a gun and fires. This typically provocative prologue sets the stage for a killer episode from the fourth season of The Avengers. John Steed and Emma Peel become clients of Togetherness, an exclusive marriage bureau that also traffics in assassinations. This episode is of note for reportedly being the first in which Diana Rigg portrayed Mrs. Peel. Her character engages in some un-Emmalike behavior, such as when she argues angrily with Steed and later gets tipsy on a bottle of champagne. But all is forgiven with the scene in which she lists her criteria for a husband, among them "stamina." One intriguing question: Did the character of the fashion photographer ("Fabulous, baby, yeah") inspire Mike Myers's Austin Powers?

"A Surfeit of H20" has been ranked by one Avengers-appreciation Web site as among the top five of the Mrs. Peel era. This intoxicating episode really pours it on, with vintage witty dialogue, assorted crackpot characters, and, of course, a diabolical madman--a vintner who is flooding the countryside with his own manmade rain.

Also on this volume is one of the must-own episodes from the fourth, and arguably best, season of The Avengers. The unsettling first half of "The Hour That Never Was" plays like something out of The Twilight Zone. Royal Air Forces Camp 472 in Hamelin is splitting up, and John Steed may be cracking up. He and Mrs. Peel emerge from an auto wreck to find the air base deserted, all the clocks stopped at 11, an unconscious rabbit, and a dead milkman. When Steed returns to the air base, a reunion party with all the previously missing men is in full swing. Nitrous oxide gives the climactic fight with a diabolical dentist a goofy spin. --Donald Liebenson

"Where have all the martlets gone?" That's the not particularly intriguing mystery that gentleman spy John Steed (Patrick Macnee) and his partner, Mrs. Emma Peel (Diana Rigg), root out in "Silent Dust," one of three episodes on this DVD from the 1966 season of The Avengers. It has something to do with a fertilizer that "went wrong" and a plot to defoliate all of England "if necessary." A highlight is a wounded Steed's delirious fantasy in which a mustachioed Mrs. Peel, garbed in Old West duds and clutching a jug of Red Eye, removes a bullet. The climactic chase has horsebacked bad guys tallyhoing after Mrs. Peel, giving new meaning to the phrase "fox hunt." "Room Without a View" is better, as Steed and Mrs. Peel check out a hotel in which seven guests--all physicists--have mysteriously disappeared from room 612. Steed gets the episode's best line. He informs Mrs. Peel that a by-the-book bureaucrat requires everything in triplicate. Regarding his ravishing partner, he smiles, "I wonder what he'll think of you." In "Small Game for Big Hunters," Steed and Mrs. Peel do the voodoo that they do so well. Local farmers are in comas. Is it "the curse that follows one across continents"? Why has the Kalayan jungle been re-created in the English countryside? And what's with those incessant and infernal tribal drums? James Villers makes a diabolical villain as hunter Simon "That's not all I've shot" Trent. All three episodes are in black and white. --Donald Liebenson

Not a masterpiece, but still suitable for framing, is "The Girl from Auntie," one of three episodes on this DVD from the 1966 season of The Avengers, in which an art dealer, who supplies his clients "anything for a price" (including the Mona Lisa!), kidnaps Emma for auction to enemy agents. This episode features perhaps the series' quaintest assassin, an elderly "lady" who dispatches her victims with knitting needles. Highlights and comical characters abound, including a game Emma Peel impersonator who gets the episode's best line. "Six bodies in an hour and 20 minutes," Steed remarks. "What do you call that?" "A good first act," she replies. In a wickedly funny Beatles reference, four corpses tumble out of a closet. Their names: John, Paul, George, and... Fred. "The 13th Hole," is not quite up to par, but the impeccable chemistry between Patrick Macnee and Diana Rigg as gentleman spy John Steed and his ravishing partner, Mrs. Emma Peel, respectively, is palpable. Mrs. Peel scores a hole in one with the episode's best line. After he is nearly bogeyed by a golf ball, Steed credits his fortified hat with saving his life. Remarks Mrs. Peel, "It really is the height of pessimism to have a hat lined with chain mail." The final episode, "The Quick-Quick-Slow Death," has all the right moves, as Mrs. Peel goes undercover at a dance studio. The kinkiest moment comes courtesy of an Italian shoemaker. "Look," he gushes over Mrs. Peel's wiggling piggies, "they talk to me. You naughty little chatterboxes, you." The fade-out alone is worth the price of purchase. Instead of riding, rowing, or sailing off into the sunset as is customary, Steed and Mrs. Peel engage in a little Fred and Ginger action. All three episodes are in black and white. --Donald Liebenson

In "The Living Dead," reports of a ghost seen in the chapel of a private estate, owned by the 16th Duke of Benedict, bring agents John Steed (Patrick Macnee) and Mrs. Emma Peel (Diana Rigg) into the British countryside to investigate. Another agent is killed while looking for evidence, and soon after, Mrs. Peel disappears. What Steed finds while searching for his partner is a particularly imaginative invention by writer-producer Brian Clemens, a nice blend of science fiction, conspiracy tale, and the usual unflappable charm of the two principals. In the second episode on this DVD, "The Hidden Tiger," the villains within an organization called PURRR intend to overwhelm England with ordinary household kittens who are made savagely violent by radio transmitters altering their brain waves. The script by Philip Levene is a succession of clever little mysteries (how did a big-game hunter get mauled to death while he was inside a cage?), and the outrageousness of several scenes (a seemingly doomed Steed is tied to a chair, surrounded by furry kittens) is a hoot. Steed and Mrs Peel are paired off with their Russian counterparts in "The Correct Way to Kill," a Brian Clemens story in which a finishing school called Snob is churning out English gentlemen outfitted exactly like Steed and providing cover for murder. A good episode but not a great one, although one gets to see Mrs. Peel fencing, and the understated satire on Steed's British conformism is fun. --Tom Keogh

Philip Levene wrote the first show on this volume, "Never, Never Say Die," in which computerized duplicates of brainy scientists and others are causing some havoc. The best part of the show is the setup, in which a corpse walks out of a mortuary and--despite being shot, hit by a car, and electrocuted--keeps on with its rampage. "Epic" is a spooky episode in which Mrs. Emma Peel (Diana Rigg) is kidnapped by a mad director who holds her prisoner in a studio while filming The Destruction of Mrs. Peel. Series coproducer Brian Clemens wrote the inventive script, which finds poor Mrs. Peel in a movie-cliché nightmare, being shot at in a Western saloon, in a World War I setting, and by Indians and Chicago gangsters. Clemens was also behind "The Superlative Seven," which features some familiar faces (Donald Sutherland, Brian Blessed, Charlotte Rampling) in an Agatha Christie-like tale of seven people brought to an island, where one of their numbers is killing off the others. The slightly conventional plot is spruced up by an international conspiracy element, a surprise ending, and the dramatic arrival of Mrs. Peel onto the island--by parachute! --Tom Keogh