Adams Movie Reviews
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Joshua Logan directed William Inge's play on Broadway and carried it to Hollywood, earning Oscar nominations for Best Picture and Best Director in his screen-directing debut. Holden is years too old for the role but oozes sex appeal and makes a swoony stud when he takes his shirt off (or when, better yet, it's ripped from his back by a boozing Russell), and Novak is a lovely lost girl yearning for something she can't quite grasp. Arthur O'Connell earned an Oscar nomination as Russell's tippling boyfriend. The film was a huge popular and critical hit, but Logan's stiff and strident direction hasn't dated well. He makes his points in big capital letters--subtlety was never his strong point--and loses the natural beauty of the Kansas locations when he takes the climactic picnic scenes into an obviously artificial soundstage. Picnic remains a loved American classic, largely for Holden's tough-guy vulnerability and James Wong Howe's brilliant widescreen color photography. --Sean Axmaker

A PICNIC IN THE COUNTRY
Pretty colors and nice visuals
Don't pass this one up!The casting is excellent. Rosalind Russell as the spinstery school teacher is flawless, and her hen-pecked boyfriend (Arthur O'Connell) is great too. As another reviewer noted, Verna Felton, who plays "Mrs. Potts", allows us to put everything into a peaceful perspective......even the "chaos" that ultimately ensues is a normal part of life, as her stable persona continually demonstrates. Cliff Robertson is fine as Alan Benson - he does not allow his role to overtake that of Holden and Novak....a lesser-known actor may have worked better for his role.
Holden (and I must admit to being a huge William Holden fan) is superb. Just enough cockiness and false-bravado contrasting with a genuine naiveté of the real world around him (he's "experienced" with football and women, inexperienced with just about everything else). So many of his scenes are gems - his first confrontation with "Bomber", his "women" stories to Alan, and my personal favorite, the scene where he and Millie (his "unofficial date" for the picnic) are driving to the fairgrounds. After singing a rendition of "Old McDonald" together, Holden turns to Millie and says "Hey kid, here's one my old man taught me". Then, after a pause (and realizing he is with a 15 year old girl), Holden shakes his head and instead starts up another verse of "Old McDonald". Priceless!!
If the movie has any "problems" at all, they are minor. Susan Strasberg ("Millie"), who is supposedly Kim Novak's bookwormy, unattractive sister, is anything but unattractive. It will take more than a pair of pointy horn-rimmed glasses to put her out of Madge's league! And there is something a little "stand-offish" about Novak's performance at times, although I have never been quite able to identify what it is.
But this movie is 5 stars all the way. Sit back and enjoy a movie for the ages, when actors could still act and a great and enjoyable story was still told. If you need violence or vivid sexual imagery to hold your attention, don't bother. Otherwise, you may love this film!


Plot-Free Pot-Fest -- Big Whoop about Very Little!Cheech and Chong, already celebrated novelty song artists with several best-selling albums to their credit just had to take their "message" to the next level. "Up In Smoke" gave them plenty of exposure and secured a solid fandom. 25 years later, though, the laughs drop drastically on the dime-bag-scale.
When I was still in high school (and I didn't give in to the smoking of anything, then or now), I may have enjoyed this sort of nonsense more. As a middle aged intellectual, I can offer only a few tired smirks. Give me Laurel & Hardy instead!**
The best
ganja jokes galore!

Ah, Pillow Talk between Doris and Rock
Fun and entertaining!
An all time favorite!
Pennebaker's access to the legendarily private troubadour enables us to witness Dylan's shifting moods as he performs, relaxes with his entourage (including then lover Joan Baez, road manager Bob Neuwirth, and poker-faced manager Albert Grossman), and jousts with other musicians (notably Animals alumnus Alan Price and Scottish folksinger Donovan), fans, and press. It's a measurement of the filmmaker's acuity that the conversations are often as gripping as Dylan's solo performances. Grossman's machinations with British promoters, Baez's hip serenity, a grizzled British journalist's surrender to the fact of Dylan's artistry, and the artist's own taunting dismissal of a clueless sycophant are all absorbing.
With the exception of the studio recording of "Subterranean Homesick Blues," the live performances (including five newly restored, complete audio tracks excised from the original film but included on the DVD version) are constrained by crude audio gear. Their urgency, however, is timeless, as is Pennebaker's film, a legitimate cornerstone for any serious rock video collection. --Sam Sutherland

It was such a long time ago
Wonderful film that will turn you into a Dylan fanThis film shows Bob's manager cursing and threatening a hotel worker, Bob Dylan yelling and going crazy over someone throwing glass(very funny), Great concert footage and footage of Bob singing in hotel rooms, Bob making the press look stupid, Bob's sly manager milking BBC people for every dollar in order to get Dylan to perform for them, Dylan completely ignoring Joan Baez as she sings, Dylan making jokes about Donovan, Dylan smoking every second, Dylan's card video for Subterranean Homesick Blues, Dylan being swarmed by fans and screaming for people to get a girl who jumped on his car off, Bob meeting a crazy old lady who acts like she is someone big in England and shows off her power by telling Bob and his friends to stay at her mansion (very strange), Bob obsessing over what number his songs are on the charts and what his picture looks like in the paper, so on and so on.
Just buy this movie if you like Dylan, if your just starting to like him, if you never heard of him. It is a welcome relief from today's bad music with overly scripted artist who can't play instruments and who don't write the words to the songs they sing. After watching this you?ll want to download all of Dylan?s songs.
Don't Look Back

"An Introspective Look at "Michael Mania" during the '80's"You also get some snippets of the songs "State of Shock (1984)", "We Are The World (1985)", and "Dirty Diana (1988)", which are unavailable on any "Michael Jackson" video release, past or present. The special effects on "Smooth Criminal", "Speed Demon", and "Leave Me Alone" are phenominal, and rank up their with "Thriller", "Black or White", and "Ghosts." Too bad no live performance footage from the "BAD World Tour 1987-1989" was included, but what's here is golden. Hopefully this VHS will be remastered for a DVD re-release some time soon.
A stunning display of michael!
Must have for all MJ fans
More than just a parade of celebrities paying homage to Townshend and fellow Olympians Roger Daltrey and John Entwistle, the select visitors here challenge the Who to add new colors to old warhorses (Noel Gallagher's psychedelic tinge on "Won't Get Fooled Again") and delicate semiclassics (Eddie Vedder's sympathetic duet with Townshend on "I'm One"). By the end of a robust evening, Daltrey's voice is shot and Townshend looks ready for a shot of vitamins, but anyone who would declare the Who a bunch of worn-out grandpas is spoiling for a Mod-era stomping. This is an essential set for Who loyalists and a wonderful show for everyone else. --Tom Keogh

Long Live The Who For Godsake !!!!!This is truly amazing stuff. The selection of the songs is great too, since includes some rare songs hard to get on video, like "Relay" or "Bargain", and the versions here are awesome.
Keith Moon will be so proud of Zak Starkey (as his dad is for sure). He just has the "Keith Moon" spirit, and that's why The Who are like in the old days in this concert.
John Entwistle as always, superb!!.
Daltrey's in great shape, with a stronger or deeper voice than in the 80s concerts like "Rocks America" or "Tommy Live - 20 anniversary".
Pete Townshend is very inspired and wild. His acoustic performance for a couple of songs in the middle of the show, is superb too.
John "Rabbit" Bundrick is excellent as always and adding the right keyboards for the songs that originally didn't include them.
The only thing I don't like about this concert is the guest singers. I would prefer to listen to Roger singing "Substitute", for example. The only one I enjoy here is Noel Gallagher in "Won't Get Fooled Again", seems he limits to play the guitar (which adds a lot of power to this particular song) and adds backing vocals to the chorus.
Buy this DVD or VHS. The Who were back and this was their testimony. Unfortunally John Entwistle passed away :-(
Legends still tearing it up!!
Great production/sound, not the typical Who song selectionThe song selction is great. It has most of the FM Who standards + some rarely played songs (Relay, So Sad About Us, etc.) that the die hard fans hope for.
There are guest appearances that are actually appealing (I would tend to dislike this addition to any show). Highlight of the appearances is Paul Weller (formerly of The Jam) doing an acoustic duet with Pete Townshend.
Overall, it is a much more inspired performance compared to the 1982 Toronto show, or the Isle of Wight DVD.
Check out John Entwistle's bass solo on 5:15 with the "bass cam" giving you a view down the frets. That is a great example of the care that was taken in the production of this release. The Stones recently added this to a few songs in their recent HBO special (think I know where the inspiration for that one came from). Another highlight is Townshend's acoustic version of Drowned.
The special features are pretty good. This is the only DVD I own that has a multi angle feature (finally I was able to get use out of that button on my remote). There is some cool rehearsal footage that you don't want to miss.
I have watched this DVD several times. Think anybody that buys it will be doing the same, especially if they have a surround sound system.


Perhaps the Best Romance Film
A Sparkling Romance with WitLisa Nary
Finally An Affair To Remember is on DVDCary Grant, and Deborah Kerr meet on a Ocean Cruise well they meet and they fall in love. But one problem They are both already engaged to different people. Well as the Ocean Voyage goes on they get more and more romantic. Well when they get off the boat they make an agreement that 6 Months from that day they would meet at the top of the Empire State Building to see if they still love each other. Well that day comes and Cary Grant is on the top floor. But as Deborah Kerr is running to the Empire State Building she gets ran into by a car and is paralyzed. But at the end Cary Grant finds her and they Kiss and Get Married. Great Movie. The way that all movies are supposed to be.


Perhaps the Best Romance Film
A Sparkling Romance with WitLisa Nary
Finally An Affair To Remember is on DVDCary Grant, and Deborah Kerr meet on a Ocean Cruise well they meet and they fall in love. But one problem They are both already engaged to different people. Well as the Ocean Voyage goes on they get more and more romantic. Well when they get off the boat they make an agreement that 6 Months from that day they would meet at the top of the Empire State Building to see if they still love each other. Well that day comes and Cary Grant is on the top floor. But as Deborah Kerr is running to the Empire State Building she gets ran into by a car and is paralyzed. But at the end Cary Grant finds her and they Kiss and Get Married. Great Movie. The way that all movies are supposed to be.

Some of his choices for guests are a bit puzzling: Bryan Adams adds little excitement to "Sad Songs (Say So Much)," while singer Ronan Keating of the British group Boyzone, a virtual unknown in the United States, is superfluous on "Your Song," perhaps Elton's most enduring tune (revived to considerably better effect on the Moulin Rouge soundtrack). On the other hand, Billy Joel is a good foil for Elton on "Yellow Brick Road," Mary J. Blige adds some soulful fervor to "I Guess That's Why They Call It the Blues," Kiki Dee shows up to duet with Elton on "Don't Go Breaking My Heart" for the first time in several eons, and the young American singer Anastacia is a revelation on a hard-rocking "Saturday Night's Alright for Fighting." --Sam Graham

Good performance, but...This would have been great had he put something out similar to "Here and There", where the first part was an intimate, "unplugged" performance, and the second half was more of a rock show.
There should be a video collection from past and present compiled in 2 DVDs. I think it's gresat to see him in the early days doing "Your Song" when he really didn't have much money, or some of the live shows he did for TV that haven't been seen in years. Not to mention all the videos he's done since the mid-70s. I remember seeing "Step into Xmas" and "Don't Go Breaking My Heart" as promo videos. I think having it end with the "West Coast" videos would be great. I'm disappointed that they are passing off this show as a "Greatest Hits" DVD, with the same cover as Greatest Hits 1970-2002.
5 Stars for Elton, 1 star for DuetsThese classics would've been better off with Elton singing solo.
I'm so upset. But the DVD is certainly worth purchasing.
Try the Barcelona concert, too. That one is certainly a kickin' DVD.
Player-by-Player of "One Night Only"For starters Elton is excellent. His voice is fine, unlike what some say, and he plays piano beautifully. *****
Davey Johnstone- Incredible. He's always perfect, singing and playing guitar. Great job, Davey. *****
John Jorgenson- What is WITH this man? He must have had seven coffees before the show because he NEVER gets tired! He plays like seven different instruments. He's practically a one man band. *****
John Mahon- I think percussion is the essential part of a recording (I'm an amateur drummer) and John does a great job at what he does. *****
Billy Trudel and Ken Stacey- I can't really give a starred review as their voices are lost with everyone else's. ****
Bob Birch- Excellent bass player. He even gets into the funk on "Philadelphia Freedom." Good job. *****
Curt Bisquera- Why in the name of Keith Moon did they hire this guy? They didn't need double drums, all they needed was Nigel! **
Nigel Olsson- Breathtaking. Priceless. Excellent. *****
You may be noticing that I didn't include Guy Babylon in here. Why? He plays the synthesizer/ keyboards throughout the show and gives it a too-modern feel. Don't ever do this to us again Elton. Hire James Newton-Howard on the organ/harpsichord/Moog/Arp/Elka/clavinet and a full orchestra just NOT THIS GUY!
Great overall.

Superbly directed by Roger Nygard and hosted by Denise Crosby (who played Tasha Yar on Star Trek: The Next Generation), the film offers splendid interview segments with all of the original Star Trek cast, and many from later Trek series, but the real story here lies with the devoted fans who are profiled with an equal balance of fascination, bemusement, and respect; they're a bit weird, to be sure, but these die-hard Trekkies are never unduly patronized. Instead, Crosby and Nygard respond as all Trek insiders have in the past: with astonished affection.
Filmed in 1996-97 at a variety of locations and conventions, Trekkies visits a vast array of Trekkers, Trekkies, and just plain folks who love the series and its pop-cultural progeny. Uplifting, thoughtful, comprehensive, and frequently hilarious, this good-natured film (sanctioned by Paramount without being subservient) is guaranteed to entertain fans and nonfans alike, and a proposed sequel would be wholeheartedly welcomed. --Jeff Shannon

Actually a pretty good movie.
Good natured fun
Funny and interesting