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All Aboard!
Brian Genesse is a fantastic B-movie action starThe final scene of the movie is awesome as his Mexican Federale friend hands him the Tequila bottle for the second time and poor Brian is still out of breath after his first swig. A wide eyed Brian mutters "My turn?", as he grabs the bottle from his friend, not quite ready to take another gulp of the potent liquor.
Nice action movie. After seeing it, I am going to buy it.
...

All Aboard!By the way, Bentley Mitchum as the ringleader of this bunch of goons is my pick for Best Actor when they hand out the Oscars. All things considered, I think he'll be overlooked, but he's the baddest bad guy I've seen in a long time! I was actually rooting for him over the boring "hero" who did nothing but skulk around in a black leather coat, hiding and climbing back and forth between railway cars.
If you want to go along for an entertaining ride, I'd recommend boarding "Death Train". :)
Brian Genesse is a fantastic B-movie action starThe final scene of the movie is awesome as his Mexican Federale friend hands him the Tequila bottle for the second time and poor Brian is still out of breath after his first swig. A wide eyed Brian mutters "My turn?", as he grabs the bottle from his friend, not quite ready to take another gulp of the potent liquor.
Nice action movie. After seeing it, I am going to buy it.
...
Music is only a part of this disc's attractions, but it is powerful and well-integrated into the flow of the film, and it puts the viewer directly in touch with Gesualdo's tortured soul. Two vocal groups exemplify different views on how it should be performed. Il Complesso Barocco uses instruments, very discreetly, to support the voices; the Gesualdo Consort has five unaccompanied voices. Both sing with the expressive intensity the music requires. --Joe McLellan

has its moments, but....
Gesualdo..........gesUALdo.........GESUALDO!!In short, Gesualdo is the most imortant (besides Franz Tunder, Walter Von de Vogelwiede, and Busnois) who ever graced God's green Earth (which, incidently, is less green because of Gesualdo's wacking).
If I could give this 23 stars I would give it 17 and a half, but that's still more than the five I gave it here.
ONE OF HERZOG'S FUNNIEST & A GREAT INTRO TO THE MUSIC

DESPERATE SANITY?The artistically apposite worlds of Jackson Pollock, and Robert Crumb are revealed in "JACKSON POLLOCK: LOVE AND DEATH ON LONG ISLAND" and "THE CONFESSIONS OF ROBERT CRUMB". Striking views of Pollock's work are commented on by artists including his wife, painter Lee Krasner. Ed Harris, the star and director of the Academy Award© winning film "Pollock" discusses Pollock's blazing rise to fame and his difficulties coping with it.
Somehow a sad look at the destructive, hyper life of what may have been a madman. Is being an artist be difinition a kind of insanity?
Finally a Pollock movie that keeps us awake!

Good Sherlock Holmes outing with a clever, inventive script
Ankers, Rathbone Rock!

Excellent collection of wide ranging moviesRepo Man is simply a classic 'indie film' - humour, insight, bizzare plot twists - it's all here. A must see. Straight to Hell is similar to "Dusk Till Dawn" - yet somehow better. But the standout is Three Businessmen --- Cox goes Becketesh to wonderful results.
If you like screwball comedies, punk rock, action movies, romantic comedies, sci-fi, and high faluting art things you'll love this collection!


2 greats and 1 skinflick
Death in Venice distills themes found throughout Britten's work: the loss of innocence; the relation between illusion and reality; tensions between society and the alienated individual; mysterious encounters that defy rational explanation. This carefully organized production offers virtuoso performances by Robert Tear as the writer and Alan Opie as a sort of doppelganger in a half-dozen cameo roles. It will delight hard-core Britten enthusiasts, but is not the most suitable way to begin an acquaintance. Those approaching Britten's operas for the first time are advised to start with the witty Albert Herring, the spooky Turn of the Screw or the tragic Peter Grimes, all of which exist in good video recordings. --Joe McLellan

Excellent production but problem with storyAlthough this is in English, I wish subtitles were available, as they would have made it decidedly easier to understand the entire opera. Fast moving choruses are indecipherable without them. I definitely got more out of this by reading through a libretto as I watched. Still, if you can embrace the story, this is recommended. By the way, the production is not from 1973 but from 1990.

The cast is small and excellent: Robert Gard is the aging writer, Christoph von Aschenbach, whose genius has dried up but seems about to revive in the contemplation of an aristocratic boy he encounters in Venice. John Shirley-Quirk contributes equally to the effect in a half-dozen cameo roles that he pioneered in the first production under Britten's supervision. Steuart Bedford conducted that premiere, working closely with the composer. Director Palmer takes full advantage of the film medium's freedom to make Venice a character--monumental and crumbling buildings, seascapes, canals, bridges, and gondolas; the visuals are often breathtaking. --Joe McLellan

Tadzio Too Robust

5 For Movie - Minus 1 For Image Quality.The reason to get this film is the fight coreography. While it kind of looks undercranked, it's not obvious, unlike some of those Alexander Lo Rei 'Ninja' films during the 80's. And the treat is watching Kam Yin-Fei. She is AWESOME. Not only does she have a lot of power, reminiscent of Michelle Yeoh's on-screen fighting, but she's also very acrobatic. She does as many flips and leg sweeps as the lead character Xiao. Xiao is not a very sympathetic character, but he is a great on-screen fighter and verry acrobatic. He does multiple flips in one spot, not unlike Li Yi Min in some of his films. Lung Fei is also great, but there is some body doubling when his character does some flips.
The downside of this DVD is the picture quality. It is full screen and looks like it was taken from a VHS source. I also had a problem with the sound effects during the fight scenes, but I think that was more a fault of the original makers of the films. Some of the body blows, for instance, had the same sound effect as the 'slap' sound made when one guy blocks a hit with his arms. You realize how important proper sound effects are to making a fight work in a kung fu film.
The special features are interesting, but nothing special. Gordon Liu's interview isn't very enlightening. It's rather distracting that the voice doing the translating only picks out every other sentence (it's like he only had one shot at translating), he translates for both the interviewer AND Liu, and in his British accent, he sometimes throws in British terms, like 'bloke'. The demonstration of Hung Gar is interesting, but is more for show than actual learning value.
Overall, the film deserves a 5. The fight coreography is well paced and top notch. And watch for the girl. It's a wonder why she didn't do any other kung fu films of note. She could have been another Moon Lee or Michelle Yeoh if she was doing her thing in the late 80's. 'Death Duel Of Mantis' - a film you shouldn't pass up on.
By the way, Bentley Mitchum as the ringleader of this bunch of goons is my pick for Best Actor when they hand out the Oscars. All things considered, I think he'll be overlooked, but he's the baddest bad guy I've seen in a long time! I was actually rooting for him over the boring "hero" who did nothing but skulk around in a black leather coat, hiding and climbing back and forth between railway cars.
If you want to go along for an entertaining ride, I'd recommend boarding "Death Train". :)