Ash Scattering Movie Reviews


Unfortunately Titled Thriller Has Super Hot Babe.....
Asia Argento is , god is she good
Increase to 4 stars for Asia!My personal technical review:
Picture - 3.5, Sound - 3.0, Sound/Jazz - 4.5
This is quite an ususual little movie with unusual colors, good use of sky (in shots), and I suppose it's a bit of a love story.
The overall picture is dark but clear. It is not true 16x9 but is a nice widescreen presentation. You will probably have to watch this movie at night or in a very dark room. With that, the weird blues will jump out at you.
This film will *make* fans for Asia Argento. For those of us who have enjoyed watching her since "The Church", she has matured and looks great. No doubt as you collect DVD's of her father Dario Argento, you will also buy everything Asia Argento appears in. Both of them are quite addicting.
A male lead has a part-time or volunteer job as a DJ and plays jazz LP's. Sometimes in the soundtrack you will hear clicks and pops -- as vinyl records must have been used. It was an interesting effect. Other than that, the jazz background music is excellent and never lasts long enough. Enjoy the Peggy Lee song at the end! Actually, the movie is fairly entertaining, but Ms. Lee's song for the closing credits is the best part of film, since that song is used as a theme throughout.
The case includes a Chapter List and duplication of the cover on one sheet.
*
But, I caught this on one of my cable stations one Sat. evening 'cause I'm a big fan of heist cine, and this *is* one, albeit wrapped in a rather odd love story. Tawk about opposites attracting! The grade school teacher trails live wire Beatrice one day and asks her out for a drink. What follows is one of the most passionate and interesting court ships I've ever seen on film. They go to Paris to find their love. I thought that was a rather nice touch. But, always, always, one muddy alley away, one warehouse loft away, one scummy tavern away are the boosters and druggies threatening to pull her back in the mire. Beatrice does one more job out of a since of obligation to her ex-partners and to help her pallie (played with greatness by Rupert) pay some drug bills.
The heist at the jewelry shoppe nearly gets botched when her companion loses nerve: they are saved when the driver slaps a man with a car lug wrench. And Beatrice comes away with a 'well, I did get a rush from this, but I can't afford this type of rush anymore. They are 'way too risky'. So she and the teacher find a way to get a house in the country side. And one day, in a break of monotony and ennui, Beatrice calls up Rupert from a road side phone...just to check up on her pallie, you know?
You can just about guess what happens next, but by the time this part of the film happens, if you are anything like me, you find yourself into the story so deeply that you let the obvious cliches run their course. That's what I did.
Also, this is one of the most attractive of the modern British gangster/heist cines I've seen. Many of them have that dark or greyness as if the directors were trying to capture years of sooty, foggy decadence on film. My overall opinion is that if you see this, it will entertain you....