Christian Movie Reviews


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Family movie reviews for "Christian" sorted by average review score:

Newsies
Released in DVD by Disney Studios (08 April, 2003)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Kenny Ortega
Starring: Christian Bale
Except for feature-length animation, the musical has gone the way of the dinosaur. The Walt Disney company took a stab at reviving the live-action musical in 1992 with Newsies, a throwback picture with a curious subject. In 1899, the pint-sized newsboys delivering the New York papers go on strike against the unfair practices of news magnates Joseph Pulitzer and William Randolph Hearst. The production is heavy on kiddie humor, although Christian Bale (the child star of Spielberg's Empire of the Sun) is charismatic as one of the older leaders of the revolt. The adult stars don't fare as well, with Robert Duvall doddering around as Pulitzer and Ann-Margret and Bill Pullman doing decorative duty. The film was not well received when first released, but hindsight reveals its charm (and allowed the young target audience to catch up with the picture on video). The first-time director is Kenny Ortega, the choreographer of Dirty Dancing, who brings plenty of energy to the action. --Robert Horton
Average review score:

Musical Bomb
No wonder the HOllywood musical has been in the doldrums until the recent rebirth of "Chicago" and "Moulin Rouge." This dismal, embarassing mess set the musical back ten years. The mob of "newsies" all look like California surfin' dudes who were called in to jump and leap around and do Kenny Ortega's trademark Flashdance routines. All the news boys are fresh faced, clean and neat. Even though they live in a flophouse, they act like they've never missed a meal. And then the great Ann-Margaret is brought in for a brief cameo before promptly vanishing from sight. Most embarassing is the movie's attempt to be multicultural by placing a young black kid smack in the middle of all the scenes featuring the historically all-white news boys at the turn of the century. It'd be interesting if this was remade by a real musical talent with some real talented youngsters. And at least make the scenery look like it wasn't just thrown up and freshly painted moments before the scene was shot.

Extra! Extra! Read all about it!
"Newsies" is one of the greatest Disney movies! If you haven't seen it or haven't bought it for your children you need to go run out and get it NOW!!! This movie is not only entertaining, but it teaches them numerous values and not to mention history. The cast is amazeing, lead man Christian Bale does an amazeing job. The songs are fun and funky along with the dance moves that really express what the news boys are feeling. "ALL it takes is one voice to make a diffrence unless that voice is silenced" is one of the strong heart-felt qoutes in this great movie...I hope my voice has made a diffrence in your opinion of this movie! Go get it!!! ;)~

Extra,Extra
Newsies was awesome...its the best movie...i loved it and glad my friend told me about i watch it all the time whenever possible and get told "your watching that again" lol but i would suggest everyone buying it and watching it! its a great musical i'd put it right behind "sound of music"


Saturday Night Live: The Best of Chris Farley
Released in DVD by Vidmark/Trimark (10 October, 2000)
MPAA Rating: NR (Not Rated)
Starring: Chris Farley
The Best of Chris Farley blasts through 68 minutes of the wildly hilarious characters the comic actor created while with Saturday Night Live in the early 1990s. Farley was a comedic gem--not only because he created such bizarre, repulsively funny characters, such as Matt Foley, Motivational Speaker, or Lori Davis, cosmetics infomercial queen, but because he lived completely inside the character, delivering lines with whatever fury, stupidity, hypertension, insecurity, or femininity the situation demanded. Clearly, Farley loved making people laugh and he wasn't afraid to use his big bulk to do it, whether it entailed stripping as a Chippendale's dancer, belly flopping on coffee tables, rolling around on a couch as Tom Arnold, or punching his forehead in dismay on the "Chris Farley Show." What's great about this collection is all of those characters appear; what's disappointing is that some don't linger long enough, while others appear a bit too long. The cafeteria-lady number could've been cut short in lieu of a longer Tom Arnold segment, or Herlihy Boy could've been removed altogether in favor of complete "Chris Farley Show" segments. Still, if you forgot how side-splitting Farley's portrayal of Dom DeLuise or the French-fry-stuffing Gap girl was, this video will happily jog your memory. --Karen Karleski
Average review score:

A worthy remembrance of the tragic death of a comic genius
It's safe to say that Chris Farley is my favorite comedian of all time, bar none, that ever graced the stages of SNL, or every graced the silver screen, for that matter. Watching this DVD is like taking a trip down memory lane - one where you laugh out loud at Matt Foley, or Benet Browler, or even Barney, the overweight stripper trying out for the Chip 'N Dales. These characters are what opitimizes Chris Farley: they are memorable, loud, sweaty, and funny. They don't just blend into the background on numerous one-off skits like so many other SNL actors have, but instead, have created legends that will live in the memories forever of anyone who watched SNL in the 1990s.

And yet, it is in this, that this DVD will make you want to cry when it's over. Tim Meadows' touching speech at the end summed up so well why we loved Chris so much, and what a tragidy his untimely death truly was for the world. This DVD is a must-have for anyone, if for nothing else, than as a testiment to what one man, so depressed and down on himself, can do when he truly enjoys his work, and truly enjoys brightening people's lives.

That said, there are a couple downsides to the DVD:
1) Lunchlady land could have been cut shorter to include more memorable scenes that were left out
2) On the original SNL airing of this, they had the Little Women spoof-skit where Chris Farley falls through the ice. It was HILARIOUS, one of his best ever. Yet, they left it off the DVD and subsequent airings of the SNL episode on comedy central. WHY? Every Chris Farley fan I know has this same complaint!

BUT THIS DVD NOW!

"Holy Canoli"
I love this movie. I absolutley LOVE Chris Farley! He was the funniest man alive - no-one has ever been able to replace him! This show is the funniest movie you'll ever see! Every time I see it I laugh so hard that I almost pee my pants! This movie is a must see. My friends and I love to quote this show everytime we are together! Buy it and you'll NEVER regret it - unless that is, that you don't have a sense of humor! :)

We all miss him...
Though the opening sequence may give some a bad impression, this movie is undoubtably Chris. My favorite characters is Barny, the ChipenDales dancer, Matt Foley, and, of course, Chris as himself on the Chris Farley show.

This movie is for any Chris Farley fan.

WE
MISS
YOU
CHRIS!!![.]


The Temptations
Released in DVD by Hallmark Home Entertainment (25 July, 2000)
MPAA Rating: NR (Not Rated)
Director: Allan Arkush
Conceived as a television miniseries, this portrait of the epochal Motown vocal group scores as one of the most detailed re-creations of the '60s pop milieu ever filmed. Told largely through the eyes of founding member Otis Williams (Charles Malik Whitfield), The Temptations portrays its protagonists as soul Everymen whose early triumphs closely followed, and helped expand, Motown Records' emergence as "the Sound of Young America," providing an inspirational fable for black Americans.

Inevitably, of course, the story is also a cautionary tale about the price of success for both the Temps and their mentor, Motown founder Berry Gordy (Obba Babatunde). With hit records and tours, Williams and his partners grapple with drugs, alcohol, depression, jealousy, and delusions of grandeur. In particular, the galvanic lead singer David Ruffin (Leon) serves as both a focal strength and potential destroyer for the group, as his ego combines with a mounting cocaine habit to create a monster. At the same time, Gordy's eventual decision to leave his and the label's home, Detroit, for Los Angeles marks a loss of innocence for the group and their label-mates. The film provides ample insider detail about how the former Ford assembly-line worker created and controlled his unique hit factory.

Based on the biography coauthored by Williams and former manager Shelly Berger, the project gets a vital boost from behind the camera, thanks to executive producer Suzanne DePasse, herself a former Motown exec, and director Allan Arkush (Rock 'n' Roll High School). That lineage probably pulls some punches in terms of individual characters and Gordy's machinations, but it also affords The Temptations its convincing detail, as does the generous running time--a mixed blessing, due to the original two-part broadcast, which might have benefited from tightening for this video version. Giving the show its greatest kick are the group's original hits, performed and choreographed convincingly in lip-synched sequences. --Sam Sutherland

Average review score:

Tempting Temptations
This was an excellent movie, it gave us a glimps of what goes on inside of each star life. I really enjoyed when they all got back together for the Temptations Review. After watching this movie I begin to seach the web for an "Temptations Review" DVD with all of the singers old and new. Is there anywhere that I can purchase this DVD with all of them on it, singing all of their songs. I really, really, would like to get this DVD

Temptations - Today, Tomorrow & Always Forever!
The Motown sound lives within the very essence of me. When this movie came out, I had to have it. Watching this movie draws you even closer in knowing each individual Temptation more on a personal basis. The Temptations are "the sound" of Motown. Nobody can even come close to being as good as they are. The Temptations are and always will be #1 in my heart! I have even purchase The Temptations Live In Concert to complete my set. God bless each and every Temptation past & present. And to you Otis, my friend, never let your candle go out. You have brighten so many lives, including mine. God bless you my friend.

Fantastic Movie
I wasn't able to watch the movie when it aired on NBC. But I purchased the DVD a year ago and fell in love with the movie. Watching actor Leon portrayed David Ruffin's character was wonderful and somewhat spooky. He played that role to a tee. Leon sounded like David, had the same mannerism as David that it was so amazing.
I was proud at the performances by all the actors in the movie. Even though she had a small part, I was proud of Rhonda Ross Kendrick who is Diana Ross' and Berry Gordy's daughter who played Maxine, Paul's wife, I was proud of her performance as well.
Sure there were inconsistencies in the movie. Yes, the producers of the movies should have let the audience, particularly the younger audiences know what happened to the lives of these wonderful, yet troubled men who made up the Tempting Temptations.
(...)want to know about all that, read Otis' book or do research for yourself. But other than that, the movie was excellent in my book. The choreography in this movie was OUTSTANDING. The music was fantastic and the costumes was fabulous.
I would recommend this movie wholeheartedly. Yes, in some ways this movie is factual as well as fictional, but it is still worth watching and it will make you go out and read the book and do your own research about this fantastic group who will always be the number one in my book.


Hannah and Her Sisters
Released in DVD by Mgm/Ua Studios (06 November, 2001)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Woody Allen
Starring: Woody Allen, Barbara Hershey, Michael Caine, Mia Farrow, and Dianne Wiest
Considered by many to be Woody Allen's best film, even over Annie Hall. Hannah and Her Sisters follows a multitude of characters: Hannah (Mia Farrow), who plays den mother to her extended family; her sister Lee (Barbara Hershey), emotional and a bit of a flake, who's involved with a much older artist (Max Von Sydow), who treats her like a child; and Hannah's other sister, Holly (Dianne Wiest), a neurotic who feels incapable of managing her life. Hannah's husband Elliot (Michael Caine) falls in love with Lee, which sets off a series of upheavals. Allen gives one of his best performances as Hannah's ex-husband Mickey, who--much like Allen himself--is obsessed with death and unhappiness. But a simple summary doesn't begin to capture the warmth and intimacy of this movie; though the story follows a capsizing family, the outcome is surprising, joyous, and richly human. --Bret Fetzer
Average review score:

Amusing but not his best
This movie, "Annie Hall", and "Midsummer Night's Sex Comedy" are very fun to watch, cute and fluffy, but ultimately shallow. As for this movie, I honestly feel that its funniest aspect is its Harry James soundtrack, which cracked me up. But it just doesn't hold a candle to some of his deeper, more ironic, and better realized movies, such as "Crimes and Misdemeanors" and "Bullets Over Broadway".

Great film, great story.
This film is considered by many to be Allen's comic masterpiece. The ensemble cast includes the best in the business during the mid 80's: Michael Cain, Mia Farrow, Barbara Hershey, Carrie Fisher and an extraordinary performance from Max Von Sydow. We have all the Allen concerns in this film - death, love, religion, ethics and the comic situations that arise in family relationships when its members choose the wrong path. The adulterous (Michael Cain) husband falls in love with his wife's sister, whom also happens to be involved in a relationship with an older man, (Max Von Sydow) which, ironically, in the end, frees her from this affiliation because of its smothering nature. Cain puts in a magnificent performance, as the guilt-ridden adulterer who cannot keep his impulses under control. The way he goes about instigating the affair is adolescent-love-struck-infatuation- behaviour at it most laughable form.

Allen plays Allen, of course, but at his most charming and funny best. As a hypochondriac, he needs his pseudo illnesses in order to have meaning in his life. After a simple physical, the doctor hints that he might have something seriously wrong him; soon Allen suspects that he could have a brain tumour (the size of a basketball) and frets and frets until almost having a nervous breakdown. Later, to his great relief, he's told he's fine, but his life changes and now must discover life's 'true' meaning. This is true to the mark because after a 'close call' some of us do in fact go on a 'what's the meaning of life' journey. This of course is a natural thing to do. He tries everything from Nietzsche to Catholicism and finally discovers something very simple.

This is a family saga that is at once tragedy and comedy where you'll be laughing one second and crying the next. All the characters are searching for one meaning or another except Hannah. In the eyes of her family she's perfect. But she's anything but perfect and comes to realize this ... Mia did a wonderful job playing Mia and I had a great amount of sympathy for the character by the end of the film.

This is a film that one never grows tired of - it is undeniably a work of genius.

"woody allen's film hits the jackpot!"
In one of woody' best film, he is able to captivate the lives of 3 totally different sisters (and a hypocondriac husband) into an oscar winning film! The first sister is of course Hannah, the kind nurturing mother/ wife, who has remained good friends with her ex (allen) and her new husband (Michael Caine in an oscar winning role) who finds her hard to live with, because she gives so much and expects so little in return. The other sister is Lee (Barbra Hershey who is great) the beautiful, but emotionally sad sister, who wants to escape from her college professor boyfriend, and eventually falls in love with Hannah's husband.
The last sister is Holly (Dianne Wiest in an oscar winning role) the eccentric original person, who strives to find herself, while accidentally bringing down her sister hannah, and her rival April (Carrie Fisher). But by the end of the fillm they have all found happiness. Hannah has become more close to her husband. Lee has shrugged off her affair with Hannah's husband (who has fallen back in love with Hannah), and found new love. woody Allen (who has converted to Catholicism, but then tries several other religions) becomes lesser of a hypocondriac,and Holly & woody allen have married. And Allen (unable to have a child with hannah has a child with Holly)! crackerjack cameos by Maurren O' sullivan, and Daniel Stern! A great film all around! A+!


Beauty and The Beast - Criterion Collection
Released in DVD by Home Vision Entertainment (02 June, 1998)
MPAA Rating: NR (Not Rated)
Directors: Jean Cocteau and René Clément
Starring: Jean Marais and Josette Day
Beauty and the Beast is one of the all-time great movie fantasies, and one of the most gorgeous pictures ever made. It was the first feature film by French director Jean Cocteau, a writer, poet, and painter with ties to the surrealists. (In fact, his first film, The Blood of a Poet, was delayed after the scandal caused by L'Age D'Or, made by his fellow surrealists Luis Buñuel and Salvador Dali.) The haunting, surreal visuals (candelabra made of human hands, for example) and a sensitive performance by Jean Marais as the Beast imbue the film with an indelible, mythical power. --Jim Emerson
Average review score:

Sublime
Movies just don't get any better than this Cocteau masterpiece. The film, especially the scenes in the Beast's palace, overflow with a dreamlike quality that is positively spellbinding. The imagery and creativity put to work by Cocteau and company should be used as textbook examples of how to create astonishing magic with restraint. Criterion's restoration is, as always, beyond reproach. This production company is, arguably, the finest in the business. The images are crisp and clean and so beautifully touched up that the entire film has a fantastic sheen normally attributed to Hurrell and Richie glamour shots of the 20's and 30's. In my opinion, the seductive qualities of "La Belle et la Bete" have yet to be replicated in any other film. There have been many fantastic movies made since "Beauty" but none really come close to matching Cocteau's brilliance and sense of cinematic wonderment. A must have for lovers of cinema. For me, this is a desert island DVD along with "Cries and Whispers," "Brief Encounter" and "Nights of Cabiria" all of which just happen to be part of the Criterion Collection.

Simply some of the finest cinema ever made!
If you're considering buying any one item here, you have just found it. This is quite simply one of the top five films ever made, combining such a lyrical reading of the story, memorable acting and special effects that couldn't be better illustrated in any other context. It is as if Cocteau is holding a wand.

SKIN DEEP.....................
Indeed! This is the 'ultimate' version of the fable created by the legendary Jean Cocteau and starring Jean Marais as you know who ...... The restoration is magnificent, crisp, pristine images and lots of required extras on this version including the Philip Glass score [absolutely a double-plus].

It's a dreamy, semi-nightmarish vision - never quite duplicated [copied?] by Hollywood ~ and light-years ahead of its time. Superior and expertly detailed costume and set design.

Forget the cartoon version - silly bland fare by comparison.


Beauty and The Beast - Criterion Collection (Restored Edition)
Released in DVD by Public Media Inc (11 February, 2003)
MPAA Rating: NR (Not Rated)
Directors: Jean Cocteau and René Clément
Starring: Jean Marais and Josette Day
This is definitely not the Disney version. While it remains faithful to the plot of the classic fairy tale by Leprince de Beaumont, Jean Cocteau's 1946 French romantic fantasy is the product of a sophisticated, mature sensibility in its tones and textures and, above all, in its surprising emotional power. With sparkling black-and-white imagery that, for once, is actually dreamlike rather than cute or kitschy, and with a Beast (Jean Marais) who is almost as glamorous with his silky blonde facial hair as he is clean shaven, the movie casts a seductive spell. It might actually be a little too rich and unsettling for kids. Even the costumes and the draperies are entrancingly ornate. Viewers intoxicated by this enveloping vision should consider moving on to Cocteau's even more aggressively other-worldly 1949 masterpiece Orpheus, in which Marais plays the doomed poet of ancient Greek legend, updated to a Parisian "punk" milieu of motorcycles and black leather. --David Chute
Average review score:

Sublime
Movies just don't get any better than this Cocteau masterpiece. The film, especially the scenes in the Beast's palace, overflow with a dreamlike quality that is positively spellbinding. The imagery and creativity put to work by Cocteau and company should be used as textbook examples of how to create astonishing magic with restraint. Criterion's restoration is, as always, beyond reproach. This production company is, arguably, the finest in the business. The images are crisp and clean and so beautifully touched up that the entire film has a fantastic sheen normally attributed to Hurrell and Richie glamour shots of the 20's and 30's. In my opinion, the seductive qualities of "La Belle et la Bete" have yet to be replicated in any other film. There have been many fantastic movies made since "Beauty" but none really come close to matching Cocteau's brilliance and sense of cinematic wonderment. A must have for lovers of cinema. For me, this is a desert island DVD along with "Cries and Whispers," "Brief Encounter" and "Nights of Cabiria" all of which just happen to be part of the Criterion Collection.

Simply some of the finest cinema ever made!
If you're considering buying any one item here, you have just found it. This is quite simply one of the top five films ever made, combining such a lyrical reading of the story, memorable acting and special effects that couldn't be better illustrated in any other context. It is as if Cocteau is holding a wand.

SKIN DEEP.....................
Indeed! This is the 'ultimate' version of the fable created by the legendary Jean Cocteau and starring Jean Marais as you know who ...... The restoration is magnificent, crisp, pristine images and lots of required extras on this version including the Philip Glass score [absolutely a double-plus].

It's a dreamy, semi-nightmarish vision - never quite duplicated [copied?] by Hollywood ~ and light-years ahead of its time. Superior and expertly detailed costume and set design.

Forget the cartoon version - silly bland fare by comparison.


Glory
Released in DVD by Columbia Tristar Hom (20 January, 1998)
MPAA Rating: R (Restricted)
Director: Edward Zwick
Starring: Matthew Broderick, Denzel Washington, Cary Elwes, and Morgan Freeman
One of the very best films about the Civil War, this instant classic from 1989 is also one of the few films to depict the participation of African American soldiers in Civil War combat. Based in part on the books Lay This Laurel by Lincoln Kirstein and One Gallant Rush by Peter Burchard, the film also draws from the letters of Robert Gould Shaw (played by Matthew Broderick), the 25-year-old son of Boston abolitionists who volunteered to command the all-black 54th Regiment of the Massachusetts Volunteer Infantry. Their training and battle experience leads them to their final assault on Fort Wagner in South Carolina, where their heroic bravery turned bitter defeat into a symbolic victory that brought recognition to black soldiers and turned the tide of the war. With painstaking attention to historical detail and richness of character, the film boasts superior performances by Denzel Washington (who won the Oscar for Best Supporting Actor), Morgan Freeman, Cary Elwes, and Andre Braugher. Directed by Edward Zwick (cocreator of the TV series thirtysomething), this unforgettable drama is as important as Schindler's List in its treatment of a noble yet little-known episode of history. --Jeff Shannon
Average review score:

Overrated
I like this movie, but come on! More than 250 reviews and only a few less than 5 stars. Its good but not that good. Broderick's preformance is aweful (as his New England accent), its overly melodramatic and shamelessly manipulative, not very historically accurate, too PC, and the battle scenes are too santitized.

Again, I like the movie but I just think this movie is overrated.

**Note-To the reviewer below-Why is it "conservative" to think that the Civil War was not about slavery - I do not consider myself conservative but I am historically literate enough to know that slavery was a primary detail and not the over-reaching cause of the war while many conservatives I know think that the war was only about slavery.

A Moving Experience
I am neither a miltary history or Civil War history aficionado, so I'll defer on matters of the film's historical accuracy.

But if you're interested in a gripping, moving American war story, beautifully rendered in period costumes and sets, and depicted with outstanding performances, this is it.

The story of the Massachusetts 54th reminds me of several historical "could haves" that filmmakers enjoy dramatizing. Here, it's the idea that perhaps the experience and sacrifice of soldiers like those in the 54th could have had a salutory impact on race relations immediately after the war. Like I said, perhaps. How this was, at the individual level, the struggle to almost the correct the wrongs done a century before.

Anyway.

For me, it comes down to this when I saw it in the theater: there wasn't a dry eye in the house when the lights came up. Maybe that says something about the film. Or about us. I hope everyone who decides to watch this is as moved as I was.

Massachusetts 54th
The Glory of this moving true story of Shaw and the Massachusetts 54th is unbelievable! The heroic deeds of this regiment have been beautifully recorded in this film as well as in writings of Louisa May Alcott, author of Little Women, and in a beautiful monument in Boston Commons. This film was a fitting tribute to a brave group of men who gave their lives to preserve the union, and one commander, who was man enough to call a black man his brother.


Glory (Special Edition)
Released in DVD by Columbia Tri-Star (30 January, 2001)
MPAA Rating: R (Restricted)
Director: Edward Zwick
Starring: Matthew Broderick, Denzel Washington, Cary Elwes, and Morgan Freeman
One of the very best films about the Civil War, this instant classic from 1989 is also one of the few films to depict the participation of African American soldiers in Civil War combat. Based in part on the books Lay This Laurel by Lincoln Kirstein and One Gallant Rush by Peter Burchard, the film also draws from the letters of Robert Gould Shaw (played by Matthew Broderick), the 25-year-old son of Boston abolitionists who volunteered to command the all-black 54th Regiment of the Massachusetts Volunteer Infantry. Their training and battle experience leads them to their final assault on Fort Wagner in South Carolina, where their heroic bravery turned bitter defeat into a symbolic victory that brought recognition to black soldiers and turned the tide of the war. With painstaking attention to historical detail and richness of character, the film boasts superior performances by Denzel Washington (who won the Oscar for Best Supporting Actor), Morgan Freeman, Cary Elwes, and Andre Braugher. Directed by Edward Zwick (cocreator of the TV series thirtysomething), this unforgettable drama is as important as Schindler's List in its treatment of a noble yet little-known episode of history. --Jeff Shannon
Average review score:

Overrated
I like this movie, but come on! More than 250 reviews and only a few less than 5 stars. Its good but not that good. Broderick's preformance is aweful (as his New England accent), its overly melodramatic and shamelessly manipulative, not very historically accurate, too PC, and the battle scenes are too santitized.

Again, I like the movie but I just think this movie is overrated.

**Note-To the reviewer below-Why is it "conservative" to think that the Civil War was not about slavery - I do not consider myself conservative but I am historically literate enough to know that slavery was a primary detail and not the over-reaching cause of the war while many conservatives I know think that the war was only about slavery.

A Moving Experience
I am neither a miltary history or Civil War history aficionado, so I'll defer on matters of the film's historical accuracy.

But if you're interested in a gripping, moving American war story, beautifully rendered in period costumes and sets, and depicted with outstanding performances, this is it.

The story of the Massachusetts 54th reminds me of several historical "could haves" that filmmakers enjoy dramatizing. Here, it's the idea that perhaps the experience and sacrifice of soldiers like those in the 54th could have had a salutory impact on race relations immediately after the war. Like I said, perhaps. How this was, at the individual level, the struggle to almost the correct the wrongs done a century before.

Anyway.

For me, it comes down to this when I saw it in the theater: there wasn't a dry eye in the house when the lights came up. Maybe that says something about the film. Or about us. I hope everyone who decides to watch this is as moved as I was.

Massachusetts 54th
The Glory of this moving true story of Shaw and the Massachusetts 54th is unbelievable! The heroic deeds of this regiment have been beautifully recorded in this film as well as in writings of Louisa May Alcott, author of Little Women, and in a beautiful monument in Boston Commons. This film was a fitting tribute to a brave group of men who gave their lives to preserve the union, and one commander, who was man enough to call a black man his brother.


Glory
Released in DVD by Columbia/Tristar Studios (20 January, 1998)
MPAA Rating: R (Restricted)
Director: Edward Zwick
Starring: Matthew Broderick, Denzel Washington, Cary Elwes, and Morgan Freeman
One of the finest films ever made about the American Civil War, Glory also has the honor of being the first major Hollywood film to acknowledge the vital contribution of African American soldiers to the country's historic struggle. Based on the books Lay This Laurel, by Lincoln Kirstein, and One Gallant Rush, by Peter Burchard, and the wartime letters of Robert Gould Shaw, the film tells the story of the 54th Regiment of the Massachusetts Volunteer Infantry, an all-black unit comprising Northern freemen and escaped slaves. Under the command of Shaw (played by Matthew Broderick), the 54th served admirably in battle until they made their ultimate demonstration of bravery during the almost suicidal assault on the Confederate Fort Wagner in Charleston, South Carolina, on July 18, 1863. Glory achieves its powerful impact by meticulously setting up the terrible conditions under which these neglected soldiers fought, and by illuminating the tenacity of the human spirit from the oppression of slavery to the hard-won recognition of battlefield heroism. Although Denzel Washington deservedly won an Oscar for his supporting role as a runaway-slave-turned-soldier, Glory faced some tough competition at the 1989 Academy Awards (against popular hits like Driving Miss Daisy and Dead Poets Society) and was shut out of nearly all the major categories. Since then, it's been duly recognized by historians and critics as a classic film of its genre. --Jeff Shannon
Average review score:

Overrated
I like this movie, but come on! More than 250 reviews and only a few less than 5 stars. Its good but not that good. Broderick's preformance is aweful (as his New England accent), its overly melodramatic and shamelessly manipulative, not very historically accurate, too PC, and the battle scenes are too santitized.

Again, I like the movie but I just think this movie is overrated.

**Note-To the reviewer below-Why is it "conservative" to think that the Civil War was not about slavery - I do not consider myself conservative but I am historically literate enough to know that slavery was a primary detail and not the over-reaching cause of the war while many conservatives I know think that the war was only about slavery.

A Moving Experience
I am neither a miltary history or Civil War history aficionado, so I'll defer on matters of the film's historical accuracy.

But if you're interested in a gripping, moving American war story, beautifully rendered in period costumes and sets, and depicted with outstanding performances, this is it.

The story of the Massachusetts 54th reminds me of several historical "could haves" that filmmakers enjoy dramatizing. Here, it's the idea that perhaps the experience and sacrifice of soldiers like those in the 54th could have had a salutory impact on race relations immediately after the war. Like I said, perhaps. How this was, at the individual level, the struggle to almost the correct the wrongs done a century before.

Anyway.

For me, it comes down to this when I saw it in the theater: there wasn't a dry eye in the house when the lights came up. Maybe that says something about the film. Or about us. I hope everyone who decides to watch this is as moved as I was.

Massachusetts 54th
The Glory of this moving true story of Shaw and the Massachusetts 54th is unbelievable! The heroic deeds of this regiment have been beautifully recorded in this film as well as in writings of Louisa May Alcott, author of Little Women, and in a beautiful monument in Boston Commons. This film was a fitting tribute to a brave group of men who gave their lives to preserve the union, and one commander, who was man enough to call a black man his brother.


The Temptations
Released in DVD by Hallmark Home Entertainment (25 July, 2000)
MPAA Rating: NR (Not Rated)
Director: Allan Arkush
Conceived as a television miniseries, this portrait of the epochal Motown vocal group scores as one of the most detailed re-creations of the '60s pop milieu ever filmed. Told largely through the eyes of founding member Otis Williams (Charles Malik Whitfield), The Temptations portrays its protagonists as soul Everymen whose early triumphs closely followed, and helped expand, Motown Records' emergence as "the Sound of Young America," providing an inspirational fable for black Americans.

Inevitably, of course, the story is also a cautionary tale about the price of success for both the Temps and their mentor, Motown founder Berry Gordy (Obba Babatunde). With hit records and tours, Williams and his partners grapple with drugs, alcohol, depression, jealousy, and delusions of grandeur. In particular, the galvanic lead singer David Ruffin (Leon) serves as both a focal strength and potential destroyer for the group, as his ego combines with a mounting cocaine habit to create a monster. At the same time, Gordy's eventual decision to leave his and the label's home, Detroit, for Los Angeles marks a loss of innocence for the group and their label-mates. The film provides ample insider detail about how the former Ford assembly-line worker created and controlled his unique hit factory.

Based on the biography coauthored by Williams and former manager Shelly Berger, the project gets a vital boost from behind the camera, thanks to executive producer Suzanne DePasse, herself a former Motown exec, and director Allan Arkush (Rock 'n' Roll High School). That lineage probably pulls some punches in terms of individual characters and Gordy's machinations, but it also affords The Temptations its convincing detail, as does the generous running time--a mixed blessing, due to the original two-part broadcast, which might have benefited from tightening for this video version. Giving the show its greatest kick are the group's original hits, performed and choreographed convincingly in lip-synched sequences. --Sam Sutherland


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