Forensic Science Movie Reviews
More Pages: Forensic Science Page 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87


Only for the serious science fiction addict

Roger Corman And His Babe Army Are Here!

decent story, and good use of mid to low budgetThere are some holes in the story, though it is original. The acting is pretty good, and there is an intensity feeling throughout most of the movie that you may or may not like. The ending could have been better, it feels like the producers were glad to get it over with (probably from shooting in the desert).


Destroying a Classic.The only thing BEOWULF shares with the classic poem is the name of the hero, the name of the king (Hrothgar), Grendel, and Grendel's mother. That's where the similarities end.
The plot of this film is terrible. The acting is lame (Lambert does a decent job, but his character just doesn't fit in this world). The soundtrack is horrendous and feels like something out of a rave instead of a castle on the outer limits of space. The special effects aren't too bad, but considering the multi-million budget of this movie, they are rather crummy. The lighting in the movie is terrible and detracts from what little action occurs on screen. The dialogue is really bad too, but I guess the sfx budget kept the filmmakers from hiring decent writers.
Overall, BEOWULF is terrible. Not only does it rip apart a classic piece of English literature, but it's even a disgrace to the sci-fi/fantasy genre. Not recommended at all.
Pass On This OneAt some point in the future, in a time never elaborated upon by the filmmakers, a fortress stands watch on the borderland between good and evil. The soldiers in the fort, led by a king named Hrothgar and his right hand man Roland, fight endlessly with a mysterious creature who shambles out of the dark each night to claim a new victim. The garrison rapidly diminishes under the onslaught of this malevolent apparition until one day a man rides up to the fort claiming that his destiny involves fighting evil. This man is Beowulf, played with mind deadening woodenness by a bleach blonde Christopher Lambert. The men manning the fort are naturally suspicious of this new arrival, but after Beowulf fights the creature to a standstill the men are more accepting of his presence. In no time at all, Beowulf antagonizes Roland, wins the admiration of Hrothgar, and catches the eye of the king's busty daughter Kyra. The killings continue unabated until the big showdown between Beowulf and Grendel, the name of the being haunting the soldiers in the castle. A further surprise appears in scenes involving Hrothgar's dream encounters with a mysterious blonde apparition, a woman who has something to do with the death of the king's wife and who eventually plays a big role at the end of the film.
Initially, I warmed to "Beowulf." Despite Lambert in the lead role, most of the actors did a better than expected job in their roles. The gorgeous Rhona Mitra did an adequate turn playing Hrothgar's daughter. Charles Robinson, who played Mac on "Night Court," does as much as he can in the role of the fort's chief weapons master, and the actors playing Hrothgar and Roland did acceptable work as well. The set pieces looked better than average for a B movie, as did the armor and weapons used by the characters. The movie starts with a nice fight scene between Beowulf and a small army outside of the fort, and this too gave me hope that the movie would rise above my original expectations. As the movie wore on, I discovered my interest waned considerably. The CGI effects used for Grendel and his mother looked cheesy and uninteresting, and Lambert's portrayal of Beowulf tended to grate after the first thirty minutes. The soundtrack contributed greatly to my sense of irritation. The filmmakers saw fit to imbue this project with a booming techno beat, and used it every chance they got whether the scene called for it or not. Sometimes this music does work, but far too often it distracts and annoys. To keep boredom at bay, I began to count how many times Beowulf executed fancy back flips during the combat sequences. In fact, it seemed that the only thing Lambert's character did after awhile was jump around, strike poses, and mutter cryptic phrases about the evil in the fort. As the final credits rolled, I knew I had just finished watching a typical B movie stinker.
The "Beowulf" DVD is far from a bare bones sort of release. There is a trailer for the film, along with additional trailers for films like "Scream 3." A short behind the scenes featurette is also available. The movie itself looks good for a low budget bomb, and you should still have a good time watching the nice looking women in this movie even if you cannot stomach the lousy dialogue or abominable special effects. "Beowulf" is a must see for those who get a kick out of science fiction cheese films or fans of Christopher Lambert, but all others should stay away.
Good Action Movie With Midevil Fantasy Twist
After dispensing with a few space-jockey clichés, the movie focuses on a Mars-bound rescue mission commanded by Jim McConnell (Gary Sinise), whose team (Tim Robbins, Connie Nielsen, Jerry O'Connell) has been sent to retrieve the sole survivor (Don Cheadle) of a tragic Mars landing. During the sequence en route to Mars, De Palma's in his element with two suspenseful scenes (including a dramatic--albeit somewhat silly--space walk) that are technically impressive. But when this Mission gets to Mars, the movie grows increasingly unconvincing, finally arriving at an alien encounter that more closely resembles an astronomical CGI video game. But this is a $75 million Hollywood movie, and no amount of technical wizardry can lift the burden of a juvenile screenplay. Kudos to Sinise, his costars, and the special effects wizards for making the most of hoary material; shame on just about everyone else involved. --Jeff Shannon

It's Really As Bad As They Say It Is
This movie is often misunderstood and underrated by viewers.I would say that this movie is scientifically accurate, the effects(especially the computer graphics), the story, the plot, the casting, the soundtrack are all very good. I would say that in order to accurately rate this movie, these criterias must be taken into consideration before giving it a "single star".
The idea of humans originating from Mars may not be acceptable to some but that's exactly the whole point of this movie...to inspire the viewers about human exploration to Mars. It is true that the tests performed by Viking landers show no sign of life on Mars, but there is no evidence yet that there have never been any form of life on Mars. We would only know that when we send humans to Mars.
As we know, we already have the technological capability to actually send people to Mars. The only reason this is not being done is because of political reasons. This movie appeals for human exploration to Mars.
Imagine how this movie visualized many of the the intriguing questions in a very entertaining way!!
Artificial Gravity (in order for humans not to sustain brain/bone damage due to low-gravity during long-range travel exposure), the huge long crater found on Mars that's about the size of United States, the face found in Cedonia-Mars (which is very very true - see NASA homepage for more details), the sudden explosion of life on earth!!
The only thing that would have perfected this movie was accurately visualizing low gravity on Mars.
This is good entertainment for both amateur and professional astronomers. I would enjoy watching this movie rather than Star Wars Episode 2!!!
FAVORITE MOVIE OF ALL TIME!!!Personally, I don't see why alot of the people on here are dissing it. When it comes to movies, it's very hard to please me. If you are going to take someones word, take mine, BUY IT! If not at the least rent it a the video rental store and see the movie for yourself.

Spawn wages an inner battle between good and evil as he tries to come to terms with selling his soul and what it could mean for humankind. Despite excellent effects and great potential, Spawn seems to come up short. While White certainly displays verve in his characterization of the twisted hero, he cannot overcome some forced dialogue. On the flip side, the usually engaging John Leguizamo portrays the sinister Violator--an evil monster masquerading as a rotund, weird-looking clown--as an irritating lackey who spews overbearing sarcasm and incessantly banal one-liners. Admitted, many of Spawn's action sequences are fun, and the transitions effectively brisk, but more could have been done to explore how Simmons grapples with his humanity in these daunting circumstances. But if you want sizzling action sequences and digital effects, this film should keep you happy. --Bryan Reesman

ouch.
I want to violate the little girlie-man who directed thisIt was a good idea, the opening sequence is fantastic. The hell vortex? Then the example of Simmons in action? Excellent. You know he's a good guy straight away. But a crap script, horrendous miscasting of Leguizamo as Clown, and a dumbing down of the major themes turned this potential blockbuster into a B-movie nightmare.
Get the anime version... Though this is good too...
Recklessly adapted from the novel by sci-fi author and Scientology founder L. Ron Hubbard and set in the year 3000, the film is no worse than many cheesy sci-fi flicks, but the sight of Travolta as a burly, dreadlocked alien from the planet Psychlo provokes unintentional laughter from first frame to final credits. As Terl, the Psychlo security chief who conquers Earth and hatches a secret scheme to steal all the gold from Fort Knox (which sits conveniently in wide-open vaults), Travolta hams it up as if he knows he's in a camp-fest. (In a cameo as a long-tongued Psychlo seductress, Travolta's wife, Kelly Preston, only adds to the absurdity.) Barry Pepper (the praying sharpshooter from Saving Private Ryan) tries his best to convey charisma as Jonnie, the human slave who leads an uprising against Terl's tyranny, but he's adrift in a foolish plot that makes even smart humans look stupid.
The decrepit look of a dreary future is convincingly established (the ruins of Washington D.C. recall Logan's Run on a grander scale), but in the wake of its ludicrous climax, the best that Battlefield Earth can hope for is a Dune-like fate: it might improve in a longer director's cut--but that's wishful thinking. --Jeff Shannon

It's really that bad!
Could It Really Be That Bad?All that sounds very well, but there are three things wrong with the movie: John Travolta, the script, and everything else. Travolta's work has always been up and down, sometimes great and sometimes truly dire, but his appearance here as the evil invader Terl is easily the single worst performance he has given in his entire career. No matter how you look at the thing, Travolta is as much like a bad guy from outer space as banana pudding--and really, I do believe that any self-respecting dish of banana pudding could have done a better job.
As for the script, it's really one of the strangest things I've ever heard. In scenes with the aliens (called Psychlos), the dialogue actually sounds rather like a bad parody of a Noel Coward drawing-room farce. The dialogue for the humans is equally absurd, playing out like a cross between BRAVEHEART and the more uninspired pages of a Barbara Cartland novel. And while I'm willing to suspend disbelief to a certain extent, the plot has zero plausibility--even to the point of insulting viewer intelligence.
As for everything else, to give the film its due there are occasional design ideas and shots that seem interesting--but they are buried under a ton of very bad ideas that have been very badly executed. The costume and make-up designs for the Psychlos look rather like bad drag at a leather bar for the fashion-challenged, the lovely braids of our hero and his tribe seem to have been lifted from Malibu Barbie, and all the big-scale special effects are very obviously miniatures. Now, I wouldn't go so far as to say that I'd gouge my eyes out with a kitchen spoon before I'd sit through this debacle again, but I will say this much: someone would have to pay me, and even then I'd demand a remote control with a fast-forward feature.
As for the DVD package, the transfer is okay--but I did notice that the soundtrack was noticeably off for several minutes of the film, and oddly (and typically) I wasn't entirely sure if this was a flaw in the DVD or if the director/producers actually intended it to be that way! There are also several short documentaries, all of them very repetitive and very ironically self-congratulatory about what a great film BATTLEFIELD EARTH is. As for the audio commentary track, I really couldn't be bothered to sit through the movie a second time to listen to it. My recommendation? Well, if you're like me and you just have to see the film to find out if it's really as bad every one says it is... go ahead. But for all others, just trust me on this one, okay?
GFT, Amazon Reviewer
How could you go wrong! :D

Mc Tiernan's BLUNDERBALL - pitiful and useless...Add to it this French actor, Jean Reno, who absolutely doesn't belong in here and ridiculizes himself more than anything else and you have a zero movie, one of the worse ever directed by McTiernan, maybe his worst, along with "Medicine Man". The advice I could give McTiernan is try to be more personal and independent, and to write screenplays of his own. What are the use and interest spending so much dough to produce things like this? The film was a big box-office failure and it's not surprising. A terrifying blunder. (Re)Watch 1975 Norman Jewison great classic instead.
Great movie, if you have the mind of a 10 year-old15 minuets of the movie is done with a night vision camera, so everything you see is either dark green or picth black.
Most of the action happens within the rollerball arena. There are only a few action sceens on the streets of the city.
weak and pointlessJonathon gets talked into going to the fast rising sport in Russia called rollerball and not only does he join but he becomes the top star and posterboy. to further boost ratings the league starts promoting violence. of course jonathon fights this and there in lies the point of contention.
i felt the editing fo the movie was choppy and most importantly they never really explained the rules of the game. i never knew anything about rollerball as a sport. it was the heart of the film (and the title) and yet they never gave it a minute to show the audience what it was all about.
part hockey, part lacrosse and part sci-fi fantasy future sport that had crowds to their feet on screen but managed to bore me. if this sport is so good, why not explain it. draw the vierwer in and make him love it. the writing was bland and the flow of the movie was anti climatic.
i see most other reviewers did not like it. how did anyone like this movie? believe the naysyers and seek greener pastures elsewhere.


EASYILY,ONE OF THE WORST FILMS EVER !!!!!!
Angela Bassett is the Best!The second half of the film turned into " Friday the 13th: In Space ". The stranger sent James' character on a wild goose chase meanwhile he ( predictably ) picked off each crew member one by one. By this time I was confused because I was in the mood to see a space film and not a cheap rendition of " The Texas Chainsaw Massacre ". Except the stranger used his out-of-space strength to get rid of the crew members.
Once again the filmmakers threw in elements that weren't needed and didn't make sense. The romance between Angela and James was weak. They could have had more time together before having to save each other's lives. Robin Tunney and Lou Diamond Phillips weren't believable as a couple. Not only was Lou Diamond way older than Tunney, the two had zero chemistry and were as boring as a PBS talk show. James Spader was not believable nor was he exciting. Hello! The lead character of a SCI-Fi picture should be exciting. Angela Bassett and Peter Facinelli were the only ones that kept my interest. I'd watch Angela Bassett in anything because she never lets a film down no matter how bad it is. The climax was my favorite part. Other than that it was two hours of noise and boring blue scenery.
supernova
A box-office smash, Nimoy's The Voyage Home (1986) is the franchise's most accessible adventure--a high point offset by William Shatner's comparatively dreadful Star Trek V: The Final Frontier (1989). Meyer (and his penchant for quoting Shakespeare) returned for The Undiscovered Country (1991), a conspiracy thriller that put the series back on track, inspiring fans to invoke the "even number" rule in rating their franchise favorites. Generations (1994) gracefully passed the torch to TV's The Next Generation, bidding farewell to Captain Kirk with honor and integrity intact. Highlighted by the evolving humanity of Brent Spiner's android Lt. Cmdr. Data, First Contact (1996) explored Star Trek history with a logical (hint) surprise encounter, and Insurrection (1998) provided an adequate expansion of the successful NextGen series. Taken as a whole, these ten films demonstrate the consistent vitality of Roddenberry's original vision, stoking any Trekker's appetite for "ongoing missions" in Nemesis and beyond. --Jeff Shannon

Big Brother is watching and laughing...at you.
Good But Not Good Enough