Forensic Science Movie Reviews
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Included on the DVD are three additional short parodies--Swing Blade (which the makers of George Lucas in Love cite as their inspiration), Film Club, and Evil Hill. Swing Blade is a blissfully short, truly inspired melding of Sling Blade and Swingers, with a Billy Bob Thornton look-alike trying to make it on the L.A. singles scene, and Film Club is a goofy take on Fight Club, but with independent filmmaking taking the place of bare-knuckle brawling ("I want you to shoot me, and make sure you give me lots of head room."). Only Evil Hill, which purports to tell you how Dr. Evil of Austin Powers became truly evil, loses its momentum in its 10-plus minutes, as it attempts to mix Austin Powers references with both Notting Hill and the Marilyn Monroe mythos. Sometimes imitation isn't the sincerest form of flattery. --Mark Englehart

you have to see this
The Force is strong with this one...Enjoy!
You'll love "George Lucas in Love"
Steven Spielberg's 1993 mega-hit rivals Jaws as the most intense and frightening film he'd ever made prior to Schindler's List, but it was also among his weakest stories. Based on Michael Crichton's novel about an island amusement park populated by cloned dinosaurs, the film works best as a thrill ride with none of the interesting human dynamics of Spielberg's Jaws. That lapse proves unfortunate, but there's no shortage of raw terror as a rampaging T. rex and nasty raptors try to make fast food out of the cast. The effects are still astonishing (despite the fact that the computer-generated technology has since been improved upon) and at times primeval, such as the sight of a herd of whatever-they-are scampering through a valley. --Tom Keogh
The Lost World: Jurassic Park
After the global phenomenon that was Jurassic Park, it was a given that novelist Michael Crichton would conjure up a sequel and that Steven Spielberg would then commit it to film. Considering the potential profit involved, it was practically a commercial mandate. Perhaps it was inevitable that both efforts were contrived, and well below the talents of Crichton (well, maybe) and certainly Spielberg, who just didn't have the heart for this recycling after the artistic triumph of Schindler's List. What we're left with, for better and worse, is a redundant blockbuster that still benefits from Spielberg's mastery of high-intensity action sequences and the further development of amazing computer-generated special effects. What's missing is the awe and wonder that made Jurassic Park a technical marvel and a dazzling product of scientific imagination. The story's a no-brainer: after the deadly fiasco of the original dinosaur theme park, we're taken (along with returning star Jeff Goldblum) to a second island where genetically engineered dinosaurs still thrive under the watchful eye of Goldblum's biologist girlfriend (Julianne Moore). But a devious capitalist (Arliss Howard) is determined to export dinosaurs to a new park in San Diego, financing a hunt-and-capture expedition that results in another series of fatal disasters. In Spielberg's hands this movie's more exciting than it has a right to be, given the creative paucity of Crichton's novel and David Koepp's adapted screenplay. The special effects are state-of-the-art, and the T. rex's rampage through the streets of San Diego is nothing short of spectacular; but apparently an improvement upon the shortcomings of Jurassic Park was too much to hope for. --Jeff Shannon

What was there was good
Jurassic Park-Lost World Disc SetBoth Films are so action packed with whimscal characters and unforgetable moments! These movies rock the house.
Jurassic Park and The Lost WorldSpielberg's dinosaur adventure Jurassic Park is up there with the all-time greats. Taken from Michael Crichton's thrilling novel, Jurassic Park is one of the most entertaining and exciting films ever made. The special effects are from FX maestro Stan Winston, who did the special effects for Aliens (1986) and Terminator 2 (1991). The seamless combination of CGI and robotic creatures creates some truly terrifying action set- pieces.
Despite what some critics thought when the film was released, I feel that all the principal actors give good performances, especially Sam Neill as Alan Grant and Jeff Goldblum as Dr. Ian Malcolm. But admittedly, the special effects are the main attraction, and Winston's dinosaurs (which won him another Oscar after Terminator 2) are truly frightening. Great entertainment.
The film's transfer onto DVD is first- rate, with superb picture and sound. The special features are exceptional, with a 50 minute 'making of' of the film and trailers for Jurassic Park, the Lost World and the teaser for Jurassic Park 3. Most interesting, however, is the footage of early pre-production meetings with Spielberg and the FX team discussing how certain shots and effects should be done. Also, there's a Phil Tippett animatic "Raptors in the Kitchen", showing how claymation assists the director in visualising the shots and camera angles. Also there are storyboards, production photos and web links. A 5 star film, 5 star extras. Excellent entertainment.
The Lost World is an exciting adventure starring Jeff Goldblum, Vince Vaughn, Julianne Moore and Pete Postlethwaite. The film picks up four years after the incident at Jurassic Park, where a corporate businessman Peter Ludlow (Arliss Howard) plans to take dinosaurs off the second island (Isla Sorna, where dinosaurs have been breeding) and bring them to a theme park in San Diego.
Spielberg knows what the audience wants; the film has more dinosaurs, even better CGI and impressive animatronic dinosaurs from the maestro Stan Winston. The action throughout the film is exciting and while not as astonishing as Jurassic, the effects are first-rate. John William's music for the film is suitably jungle -driven, with a dark and exhilarating score that fits the film's tone. There are problems, the tagged- on ending with the T. Rex stomping through San Diego is silly, and although the action is good, the story isn't one of Spielberg's best. That said, the principal cast are fine, especially Goldblum as Malcolm ("Ooh, aah, that's how it always starts, and then later the running and screaming") and Postewaite as Roland Tembo, a game hunter intent on shooting one of the Tyrannosaurs. Silly in parts, it's still an exciting adventure movie, with enough action and light humour to satisfy audiences.
The DVD extras are great, with a 50 minute 'making of', deleted scenes, trailers for all 3 Jurassic movies, a huge amount of conceptual drawings, storyboards, a featurette 'The world of Jurassic Park', marketing, posters and toys, production notes and web links. Great stuff.

Steven Spielberg's 1993 mega-hit rivals Jaws as the most intense and frightening film he'd ever made prior to Schindler's List, but it was also among his weakest stories. Based on Michael Crichton's novel about an island amusement park populated by cloned dinosaurs, the film works best as a thrill ride with none of the interesting human dynamics of Spielberg's Jaws. That lapse proves unfortunate, but there's no shortage of raw terror as a rampaging T. rex and nasty raptors try to make fast food out of the cast. The effects are still astonishing (despite the fact that the computer-generated technology has since been improved upon) and at times primeval, such as the sight of a herd of whatever-they-are scampering through a valley. --Tom Keogh
The Lost World: Jurassic Park
After the global phenomenon that was Jurassic Park, it was a given that novelist Michael Crichton would conjure up a sequel and that Steven Spielberg would then commit it to film. Considering the potential profit involved, it was practically a commercial mandate. Perhaps it was inevitable that both efforts were contrived, and well below the talents of Crichton (well, maybe) and certainly Spielberg, who just didn't have the heart for this recycling after the artistic triumph of Schindler's List. What we're left with, for better and worse, is a redundant blockbuster that still benefits from Spielberg's mastery of high-intensity action sequences and the further development of amazing computer-generated special effects. What's missing is the awe and wonder that made Jurassic Park a technical marvel and a dazzling product of scientific imagination. The story's a no-brainer: after the deadly fiasco of the original dinosaur theme park, we're taken (along with returning star Jeff Goldblum) to a second island where genetically engineered dinosaurs still thrive under the watchful eye of Goldblum's biologist girlfriend (Julianne Moore). But a devious capitalist (Arliss Howard) is determined to export dinosaurs to a new park in San Diego, financing a hunt-and-capture expedition that results in another series of fatal disasters. In Spielberg's hands this movie's more exciting than it has a right to be, given the creative paucity of Crichton's novel and David Koepp's adapted screenplay. The special effects are state-of-the-art, and the T. rex's rampage through the streets of San Diego is nothing short of spectacular; but apparently an improvement upon the shortcomings of Jurassic Park was too much to hope for. --Jeff Shannon

What was there was good
Jurassic Park-Lost World Disc SetBoth Films are so action packed with whimscal characters and unforgetable moments! These movies rock the house.
Jurassic Park and The Lost WorldSpielberg's dinosaur adventure Jurassic Park is up there with the all-time greats. Taken from Michael Crichton's thrilling novel, Jurassic Park is one of the most entertaining and exciting films ever made. The special effects are from FX maestro Stan Winston, who did the special effects for Aliens (1986) and Terminator 2 (1991). The seamless combination of CGI and robotic creatures creates some truly terrifying action set- pieces.
Despite what some critics thought when the film was released, I feel that all the principal actors give good performances, especially Sam Neill as Alan Grant and Jeff Goldblum as Dr. Ian Malcolm. But admittedly, the special effects are the main attraction, and Winston's dinosaurs (which won him another Oscar after Terminator 2) are truly frightening. Great entertainment.
The film's transfer onto DVD is first- rate, with superb picture and sound. The special features are exceptional, with a 50 minute 'making of' of the film and trailers for Jurassic Park, the Lost World and the teaser for Jurassic Park 3. Most interesting, however, is the footage of early pre-production meetings with Spielberg and the FX team discussing how certain shots and effects should be done. Also, there's a Phil Tippett animatic "Raptors in the Kitchen", showing how claymation assists the director in visualising the shots and camera angles. Also there are storyboards, production photos and web links. A 5 star film, 5 star extras. Excellent entertainment.
The Lost World is an exciting adventure starring Jeff Goldblum, Vince Vaughn, Julianne Moore and Pete Postlethwaite. The film picks up four years after the incident at Jurassic Park, where a corporate businessman Peter Ludlow (Arliss Howard) plans to take dinosaurs off the second island (Isla Sorna, where dinosaurs have been breeding) and bring them to a theme park in San Diego.
Spielberg knows what the audience wants; the film has more dinosaurs, even better CGI and impressive animatronic dinosaurs from the maestro Stan Winston. The action throughout the film is exciting and while not as astonishing as Jurassic, the effects are first-rate. John William's music for the film is suitably jungle -driven, with a dark and exhilarating score that fits the film's tone. There are problems, the tagged- on ending with the T. Rex stomping through San Diego is silly, and although the action is good, the story isn't one of Spielberg's best. That said, the principal cast are fine, especially Goldblum as Malcolm ("Ooh, aah, that's how it always starts, and then later the running and screaming") and Postewaite as Roland Tembo, a game hunter intent on shooting one of the Tyrannosaurs. Silly in parts, it's still an exciting adventure movie, with enough action and light humour to satisfy audiences.
The DVD extras are great, with a 50 minute 'making of', deleted scenes, trailers for all 3 Jurassic movies, a huge amount of conceptual drawings, storyboards, a featurette 'The world of Jurassic Park', marketing, posters and toys, production notes and web links. Great stuff.


Not many people know this is "Minority Report's" prequel...Warned by his friends not to get the implant, Quaid does so anyway. But something goes terribly wrong. Soon, his wife, friends and co-workers are all trying to kill him...but why? The answer may kill him.
Arnold Schwarzenegger is perfect for the role of Quaid. People can argue all they want about how bad an actor he is, but you can't say that after seeing this movie. He pulls the film's acting and stunts off with ease, all the while spitting out his catchy one-liners ("Consider this a divorce!").
Sharon Stone is probably at her best here, (...)This movie made her).
Paul Verhoeven directs this film, and there are no arguments that this is his finest work - by far. He was the director who went on to make such "critically acclaimed" (...)films such as "Showgirls" and "Hollow Man." His only other film that was remotely good was "Basic Instinct," but this is still ten times better (...)
The special effects in this movie are excellent; supposedly, they spent millions and millions on the fake Mars sets, and I bet they're glad it paid off.
I recently bought the "Total Recall" Limited Edition DVD with a newly remastered digital makeover, Dolby Digital 5.1, behind-the-scenes documentary(s), a commentary by Verhoeven and Schwarzenegger, and much, much more. If you can find one now (it was limited edition so it might be off the market, now) I would recommend picking a copy up. (...)P>"Total Recall" stands as Arnold's most "thinkative" film and best conspiracy-type thriller. In fact, it is one of the best sci-fi/futuristic thrillers ever.
(...)
Anyway, I'm getting off the subject. "Total Recall" is a good movie, and a darn good one at that. It provides everything we want - and more - in a movie.
4.5/5 stars - maybe I'm overrating it. However, I feel it deserves that many stars...
Awesome movie
One of the most original and best of all timeTotal Recall is tells the story of Douq Quaid(Schwarzenegger). He's a man that dreams about going to mars. He's a normal guy who has a construction job. He's married to his wife Lori(Stone) and they are new to the place they are living. It's set any where from a 100 to 150 years from now. Space travel is a common thing, and like I said Quaid wants to go to mars. Everyone he knows is steering him away from the whole idea of going. He sees a commercial on tv from a company called Recall. Recall puts an implant into your memory that acts as a vaction. It makes you feel like you've gone on a vacation because it's in your memorys. Quaid goes to Recall and thats where the movie really picks up.
While he's at Recall they find out his memorys have already been erased. The company puts it off as they did nothing to him but are unsuccesful. Quaid then finds himself being hunted by different people who want him dead. He doesn't why and he must follow the clues that are left for him to find out why.
That's kind of the cliff notes version of the movie. Like I said it's a complex storyline that changes a lot. You have to see it to fully understand it.
Arnold is outstanding. This is probaly the best acting he ever did in any of his movies. His action scenes are great in the movie. You see him kill plenty of guys plenty of different ways. His character Quaid is probaly the most complex character he's every played, because Quaid isn't sure who he really is. It's really great and Arnold does a great job.
The special effects are great. They did win the Oscar for best effects in 1990 and it's easy to see why. The different mutants they create on mars are great. When people are stuck in the vaccum of mars they really do look like there going to explode. The different explosions and blasts just look great, and it's another reason to watch the film.
I love Total Recall. It's a movie masterpiece. If your an Arnold fan it's definetly a must see. Most sci fi fans should get a kick out of it as well. Even people that like a good mystery or a fast paced movie should enjoy it a lot. This Special Edition comes in a cool Tin case that's kind of like a KIWI shoe poish case that makes a good collectors item. Don't miss out on this movie. You'll regret it.

Loosely adapted from the novel by French author Pierre Boulle, Planet of the Apes was released at the height of racial and political unrest in America, adding resonance to its story of a NASA astronaut (Charlton Heston) stranded on a planet where superior apes dominate inferior human slaves. The film's final image--in which a horrified Heston realizes the fate of humankind--remains one of the most indelible in all of science fiction cinema.
Beneath the Planet of the Apes (1970) continues the original's distant future scenario, pitting militant apes against mutant humans dwelling in the subterranean ruins of New York City. Its phenomenal success spawned Escape from the Planet of the Apes (1971), in which simian scientists Cornelius and Zira (Roddy McDowall and Kim Hunter, reprising their roles from Planet) travel backward in time, setting the stage for the ape supremacy of the first two films. McDowall returned in Conquest of the Planet of the Apes (1972) as Caesar, the son of Cornelius, leading an ape revolution that bridges the historical gap of the previous films. Battle for the Planet of the Apes (1973) ended the five-film cycle with McDowall again playing the chimpanzee leader Caesar, defeating gorillas and human mutants to establish the hierarchy introduced in the original film.
The Apes films present a classic what-if scenario that hasn't lost a bit of its potency. As if to prove its cultural endurance, the cycle returned to its origins with director Tim Burton's remake of Planet of the Apes--one of the most eagerly awaited films of 2001. --Jeff Shannon

A THOUGHT PROVOKING BLAST FROM THE PAST
The Best Science Fiction Series EverPlanet of the Apes- The Best in the series. Starring Charleton Heston as Taylor and Roddy Mcdowal(Did I spell that right?) as Corneleus. The ending us shocking and it is the only one the critics like.
Beneath the Planet of the Apes- Not as good as the first, but still excellent. Starring James Franciscus as Brent and our friend Charelton Heston as Taylor again.
Escape from the Planet of the Apes- The Best of the sequels and the last with original characters. Starring Mcdowall as Corneleus and Ricardo Montalban as Armondo.
Conquest of the Planet of the Apes- The revolt of the Apes is very well done. It's the only ape film rated PG. Starring Mcdowall as Corneleus's son Caeser and Ricardo Montalbon as Armando.
Battle for the Planet of the Apes- Sadly, the last of the series and another battle between the apes anf d humans. Starring Mcdowall as Ceaser again.
Behind the Planet of the Apes- a documentory for all the films. I haven't seen it, but my uncle said it was good.
So here are your options: 1. Buy this on DVD or video 2. rent them 3, Watch them on AMC.
Go Apes!!!!!!!!!!
We must have Anamorphic Widescreen and a extended #5!
The film is thoroughly entertaining, and not just for the breathtaking sequences of destruction that follow Godzilla's emergence and his battles with the alien space monster. These do have a preternatural beauty. But the human story, if you can call it that, holds your interest due to the shear preponderance of improbabilities it generates. You laugh at the "mistakes"--assuming they weren't planted there as amiable self-deprecation. --Jim Gay

The last Hurah for Godzilla and Tri-Star Pictures
One Of The Best In The Series!The human drama is excellent! The monster battles are colorful and the special effects are a drastic improvement! The only thing that bothers me is that Orga's hands are so huge that they look immovable and fake. Oh well. That's really the only flaw that I will complain about. Long live Godzilla!
A real taste of what Godzilla is and how Powerful he is!He is practically indestructable because of his amazing regenerative cells and his nearly-impenetrable shielding skin/armour. Also, the power he can pack into his fire breath is what people have come to expect from a super being like Godzilla.
On the more humourous side, we also learn - once and for all - that you DON'T get Godzilla mad as does the alien after their first encounter. Godzilla simply comes back, angrier, meaner and more cunning than ever; he can adapt and learn from his previous mistakes and fights and teaches this "meteor thing" or whatever it is, a damned lesson: You can't just expect to have the power and spirit of Godzilla by taking some skin cells from him and taking his form. Godzilla is bigger than the sum his parts BY FAR!
A great movie. Toho is finally making Godzilla stories which live up to the reputation of the very monster they created - an indestructable (or nearly indestructable as Godzilla can be badly hurt as we have already seen) super monster, created by human monstrosity (i.e. nuclear radiation resulting from atomic testing), come back to destroy humanity and all sources of the pollution which caused Godzilla to come into existence in the first place; almost like a modern-day version of the Frankenstein monster, except that the creature created by Frankenstein was initially a humble, innocent, beautiful, child-like human being not meaning any harm. Whereas Godzilla is destructive right from the start...
Enjoy!


Great Film - But It Raises Some IssuesHowever, the film raises some extremely serious questions. When the predator first attacked, and people realized what they were dealing with, why didn't any of them pause and ask, "Why does he hate us?" The people acted terrorized by the violent actions of the predator, and struck back for the purpose of killing him. Was that sort of response compassionate, diverse, tolerant or inclusive? Rather than unilaterally attacking the predator with an army headed by three cowboys, shouldn't everyone have attempted to form a coalition (perhaps involving the United Nations) and worked to appease the predator? Shouldn't they have settled for passing some resolutions against the predator, then employing inspectors to verify his compliance? The people gave no thought whatever to the predator's cultural or religious background -- they just tried to kill him as soon as possible, apparently thinking that was the only way to protect themselves from a totally irrational being. Can you imagine how things would be in real life, if the good guys merely killed terrorists as quickly as possible, as was done in this movie? Obviously if you kill them, they can't harm anyone any more -- but is that a compassionate, inclusive, tolerant and diverse manner in which to react to a murderous terrorist?
Great sequel
Great sequel

Good movie
The adventure continuesAnyway, it is still Star Trek (unlike Nemesis).
Worthy follow up to KhanThe Enterprise limps back to Earth for decomissioning with her crew nursing the wounds from their prior campaign and still dealing with the grief of their loss. Before long, McCoy is going out of his mind (courtesy of a Spock mind-meld), and after a conversation with Sarek, Kirk realizes his error in leaving his departed friend behind. Before you can say "violation of starfleet regulations", Kirk and his loyal crew have stolen the Enterprise and are racing back to Genesis in search of their departed crewman. Add to the mix Christopher Lloyd as a Klingon captain out to steal the Genesis weapon, and you've got the makings of a solid Trek movie, and definitely the strongest of the 'odd' numbered films. (always hailed as the worst)
Also of note is that this is also Leonard Nimoy's first effort at directing a movie, and he really does a pretty good job considering he was on a tight budget. The effects weren't the best, but the acting is pretty decent, and it's a worthy effort to fill in the plot gaps between ST's II and IV.... after all, you can't have Star Trek without Spock, and they rewrote him into the series in as non-cheesy a manner as possible.


Good movie
The adventure continuesAnyway, it is still Star Trek (unlike Nemesis).
Worthy follow up to KhanThe Enterprise limps back to Earth for decomissioning with her crew nursing the wounds from their prior campaign and still dealing with the grief of their loss. Before long, McCoy is going out of his mind (courtesy of a Spock mind-meld), and after a conversation with Sarek, Kirk realizes his error in leaving his departed friend behind. Before you can say "violation of starfleet regulations", Kirk and his loyal crew have stolen the Enterprise and are racing back to Genesis in search of their departed crewman. Add to the mix Christopher Lloyd as a Klingon captain out to steal the Genesis weapon, and you've got the makings of a solid Trek movie, and definitely the strongest of the 'odd' numbered films. (always hailed as the worst)
Also of note is that this is also Leonard Nimoy's first effort at directing a movie, and he really does a pretty good job considering he was on a tight budget. The effects weren't the best, but the acting is pretty decent, and it's a worthy effort to fill in the plot gaps between ST's II and IV.... after all, you can't have Star Trek without Spock, and they rewrote him into the series in as non-cheesy a manner as possible.


Good movie
The adventure continuesAnyway, it is still Star Trek (unlike Nemesis).
Worthy follow up to KhanThe Enterprise limps back to Earth for decomissioning with her crew nursing the wounds from their prior campaign and still dealing with the grief of their loss. Before long, McCoy is going out of his mind (courtesy of a Spock mind-meld), and after a conversation with Sarek, Kirk realizes his error in leaving his departed friend behind. Before you can say "violation of starfleet regulations", Kirk and his loyal crew have stolen the Enterprise and are racing back to Genesis in search of their departed crewman. Add to the mix Christopher Lloyd as a Klingon captain out to steal the Genesis weapon, and you've got the makings of a solid Trek movie, and definitely the strongest of the 'odd' numbered films. (always hailed as the worst)
Also of note is that this is also Leonard Nimoy's first effort at directing a movie, and he really does a pretty good job considering he was on a tight budget. The effects weren't the best, but the acting is pretty decent, and it's a worthy effort to fill in the plot gaps between ST's II and IV.... after all, you can't have Star Trek without Spock, and they rewrote him into the series in as non-cheesy a manner as possible.
I have to admit being disappointed how short the title feature was, however the "directors commentary", "making of" and the "easter egg" were great.
Of the other 3 short films on the disc, only "Evil Hill" was worth watching. The inconsistent quality of the other films have made some reviewers legitimately complain about the value for money of the disc.
That being said, George Lucas in Love is a MUST SEE for any one who considers themself a fan of the original Starwars trilogy. It is hilariously funny, with subtle references enough for any diehard while also being accessible for the casual fan.