Collecting Movie Reviews
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A Film Not to Be Missed
Believe the glowing reviews hereIf you love WAGES OF FEAR, you'll love LE TROU.
Comparing this masterpiece to other escape movies like THE GREAT ESCAPE (yes, Bresson's is an exception) is like comparing TAXI DRIVER to MANIAC COP 3 (Maltin,...).
'clanging rocks into sublime meditation' great phrasethere is one breathtakingly surreal shot towards the climax of this film, gave me a thrill like all great suspense pictures and its effect is heightened by the fact that the camera until this point has been relentlessly trained on the 4 characters for the entire movie, it comes like a bolt from the blue.
Brilliant movie, deserves to be ranked with Bresson's a man escaped, i can't think of any english language escape films that come close to these two. And of the two the more accesible is this one


What's next....Peace in the Mideast?Overall, these are the clearest and sharpest versions I have seen in my lifetime.
In comparison to some of the non Key Video versions that were out on VHS these offerings from MPI are stunning.
My only letdown was, as others have mentioned, is that there could have easily been more additional material offered.
A short commentary was offered on the restoration of Orson Welles' "The Third Man" by Criterion and was fascinating.
Something similar to this would have been easy to produce and Holmes fans like myself who have put up with public domain trash copies for decades would have eaten up such a documentary.
I also have wondered for years if there are any out-takes from the films that still exist.
How fascinating that would have been, and would still be....hint....hint.
At the very least, Filmographies of Rathbone and Bruce, or trivia facts about the series or the actors, or the productions, or at least even the trailers should have been included.
Little things, such as pointing out the appearance of a young dark handsome Milburn Stone in "Faces Death" who later became "Doc" on Gunsmoke.
There are several instances where the Captioning is lazy. Such as in "Faces Death" when Holmes says "anno Domini" in a sentance and the caption writer just put "Domino."
Even with occassional lapses in the captioning, it was indeed nice to have them captioned.
Of all the films in this Volume, the one I found most curious was "Faces Death."
Even after reading the liner notes, I still wonder why some of the extreme deterioration marks on individual frames could not have been repaired by computer.
Much worse deterioration existed on the "Third Man" and it was restored flawlessley. And oddly, there are a few sections of the Key Video version of this Film that are clearer than this MPI restored version.....?....
Was this a real case of Wet vs. Dry printing or laziness on the part of those in the restoration process?
All that said, the other three films are near pristine, especially Holmes in "Washington". I think there will never be another version of these prints released that will surpass the quality of this offering.
Lastly, for the snobby Holmesian purest who nearly worship the Brett/Granada versions of the Holmes stories, I think this offering will go a long way in explaining to many why Rathbone is beyond doubt the nearset thing to Holmes incarnate that has or ever will exist.
The Granda versions are draining, dripping with overcharachterization and forced melodrama...did I mention contrived?
Brett often behaves like a nerotic narcasisstic snot who sees and loves his own image off a distance in a mirror somewhere.
These films with Rathbone and Bruce are timelessly engaging, underplayed, entertaining, perfectly moody and just downright fun in every aspect. Rathbone and Bruce had a chemistry that so completely complimented each other.
Rathbone especially....you never catch him playing Sherlock Holmes...he just "is" Sherlock Holmes.
Now, if we can just get the first two Rathbone and Bruce films restored and captioned and in our libraries....well what's next...Peace in the Mideast?
Outstanding transfers,but...
Sherlock Holmes Faces RestorationPrevious reviewers have already commented on how Universal moved Holmes ahead into the WWII era, and had him chasing down Nazi's, spys, and assorted modern "evil-doers." Never-the-less, the series appeal lies not in the historical context, but in the charisma of Rathbone and Bruce as the series' Holmes and Watson.
These films are not great cinematic milestones, but they are great fun - pure entertainment, and as each new generation discovers Holmes, they always key in on this series as the all-time favorite. If you haven't seen these films before, or even if it's been awhile since you saw them on TV as a kid, do yourself a favor and pick this set up - you won't regret it.


Barney's Rhyme Time Rhythm
Our 18 months daugther loves it!
Hooray I Love Barney!

Adventures begin in 1795!Bonuses include interviews with Jonathan Frid (Barnabas Collins), Kathryn Leigh Scott (Josette duPres), Jerry Lacy (Reverend Trask), and music composer Robert Cobert.
The 1795 Flashback continues in the next collection.
so far,the best!
Perfect Gothic AtmosphereAn added note for non-US buyers: Although not stated, this set of DVDs and all the previous in the collection are code free (region code 0), meaning you can watch them on any dvd player in the world. Bravo to MPI Home Video for doing this!


Superboh for a BBC of our own... *sigh*
Political Humor at its best... Part 2!Included in this set is what I feel is the funniest episode of the series where Jim Hacker is about to hold his first press conference. You would never believe that simply the way you sit could totally change the impression of what is being said until you see this! BRILLIANT!
Also included is a great tribute to Paul Eddington, a life cut short way too soon.
Hilarious!!!

This is It
Look no further!
Awesome Workout!

I'd give it five stars if longer
i love capercaillie
Our only view of the Band in the US
The film focuses on the anguished plight of Paul "the Badger" Brennan, an aging Boston-Irish veteran of the salesman circuit, weary of his job and unable to hide his exhaustion from customers and colleagues alike. "I don't want to seem negative," he says in one of the film's many dreary motel rooms, but Paul is negative, and meager sales reflect his attitude. The resulting portrait serves as a two-way mirror of hard-scrabble American survival, simultaneously humorous and heartbreaking, and so honestly revealing that no performance (with the possible exception of Jack Lemmon's in Glengarry Glen Ross) could ever hope to match its level of richly nuanced humanity. Door-to-door salesmen became dinosaurs with the advent of telemarketing and Internet retail, but Salesman is a timeless masterpiece of cinematic truth. --Jeff Shannon

The American 'cinema verite'
Sad/beautiful?The "salesmen" themselves are unforgetable; their performances in the homes of anyone who will let them get a foot in the door are fascinating and nerve wracking as you find yourself sympathizing both with the salesmen and the prospective buyers at the same time. It's this dynamic tension that gives the film some real drama. Better than what could have been scripted.
I never saw this film on video so I can't comment on any improvements in quality. But I will say this: the film looks and sounds beautiful on DVD. Also, with the DVD is an interview (mostly pretentious banter revolving around the distinction of "direct cinema"), commentary with the Maysles and Charlotte Zwerin (editor) and film trailers.
A Peek at Times Gone By

Excellent as always, though oriented toward die-hard fans
The best show, now on DVD
Now Entering...The Nostalgia ZoneTechnically, the digital remastering to DVD has brought new life to Rod Serling's brainchild. The video presentation is crisp and well defined, bringing out the subtle details so well, that you will find yourself completely absorbed in the nuances of Serling's vision, and the outstanding production values for this early 60's series (just keep in mind that this is pre-Computer Generation era). The audio was clear, and blissfully noise free, but a bit low on the volume when compared to the title and menu audio tracks (both on the geyeballh version of the earlier disks, and the intro sequences on the later disks). The shows are presented in their original format, so no widescreen version is necessary. And television always translates well to...well, television. Although the extras include a Rod Serling bio, a brief synopsis of each of the 5 seasons that the series ran, and a Twilight Zone history, these features are identical on each disc. The true gem of the extra features is the episode synopsis and review. Each disc is unique in this respect, with a plot summary and some background "inside info". Although mostly taken from the book "The Twilight Zone Companion," I found this feature to be the most interesting.
Each collection has its ghitsh and gmissesh, but the series is, overall, a rewarding experience. The only "disappointments" that I found were the collection's lack of a subtitles option (which I really would have appreciated), and the fact that the episodes are not in order (which slightly detracts from observing the actual progression of growth within the series). That makes this more of a 4 1/2 star rating (but you can't do that, can you?). If you have ever enjoyed even one episode of this legendary series, you will not regret buying these collections. And if you've never seen it, give it a try...you'll be hooked.

Fans of Chahine will recognize startling re-creations of two of his most famous films, Cairo Station and The Sparrow, but you don't need to know his work to feel the strain of his conflicts. Inspired by his real-life bypass surgery and the self reassessment it triggered, Chahine is more critical than you might expect; he forgives himself his sins, naturally, but never quite lets himself off the hook. Followed by Alexandria Again and Forever, which stars Chahine himself as Yehia. --Sean Axmaker

Mix of styles worth your timeThere are elements of "8 1/2" and "All That Jazz" in the story of a film maker who faces a trial in which the child and young man he was testify against the person he has become. The surrealist settings are cheap but fun and the central performance is nicely done. The many characters and switches in time are a bit complex and it helps to have a little knowledge of modern Egyptian history, but there is humor and insight worth your time.
Youssef Chahine Master Filmmaker
Artistic and insightful
Jacques Becker's film tells the story of five men who attempt an escape from the Santé Prison. The men dig their way through the cell floor until they break through a ceiling of the Paris sewer system through which they can reach freedom. The main character is a young man of the upper class who is sentenced to prison after his wife falsely accuses him of assault and who arrives in the cell as the escape is being planned. He is invited by his cellmates to join the escape; they fear that otherwise he will give them away. And then things begin to happen. I won't tell anymore, because I don't want to give the story away, but trust me, you will be at the edge of your seat.
This film came at a turning point in French cinema. It opened in Paris in 1959 in the same week as "Breathless," Jean-Luc Godard's great first feature film. Like the early films of the French New Wave "Le Trou" made a major break with French films of the past. The sets are austere in the extreme, the actors were all unknowns, and the film was about people down in their luck. This is the first great French film noir. Had Becker not died a few months after the film opened, he might have become one of the pillars of the French New Wave. The New Wave directors, in fact, revered him. "Le Trou" is a great film, one that Americans should feel especially close to, because it is so close in temperament to American gangster films of the '40s. And it is not just an important film, but wonderful entertainment as well.