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Family movie reviews for "Collecting" sorted by average review score:

Insomnia - Criterion Collection
Released in DVD by Criterion Collection (27 July, 1999)
MPAA Rating: Unrated
Director: Erik Skjoldbjærg
Starring: Stellan Skarsgård and Sverre Anker Ousdal
This 1997 film from Norway and neophyte director Erik Skjoldbjærg delivers the goods with unsettling effectiveness. It's an intense, smart, and taut thriller if only because what it eerily implies is creepier than the film's reality. Opening with a churning, chilling murder of a young woman, Insomnia invites the viewer--as well as its protagonist, celebrated Oslo homicide cop Jonas Engström (Stellan Skarsgård)--into the mind and thoughts of a killer by making Engström fatally flawed himself. While in pursuit of the murderer, Engström makes a mistake; he accidentally shoots his partner and friend and covers up his deed in a panic. But he overlooks a minor detail: the real killer has seen him commit the crime. What ensues is a layered, complex, and unnerving descent into chaos, brought on by the inability to sleep in this land of the midnight sun. Engström suffers from insomnia, which warps his logic and resolve, and before long he's totally unraveled and unsure of his every move. But not before a twisty transference and countertransference occurs between cop and killer. The two play a game of high-stakes one-upmanship that surprises in the end. Insomnia is fresh and psychologically bent, full of Scandinavian despair and dark humor, and it boasts a film noir pulse beneath its blinding light. --Paula Nechak
Average review score:

the good shoots in both
I like both films (Hollywood and original one). Both of them present the great performance and story telling. The actors of both are doing great. However, there seems to be concerned of politic correctness in Hollywood version and losing the tone of reality in discussion of the confusion vs. clarification in morality

The original one shows the less moral detective being struggling between the consciousness and delusional sense. Despite the sex scandal around him before he lands his job in that small town and dog killing to manipulate the evidence, he grabbed one girl's leg while driving her to see the crime scene. Also, he sexually assaults the hotel clerk behind the desk. The scene that really touches me is that when the detective placed the weapon that kills his partner under the innocent young man's bed to put him into guilty plea. That scene would not happen in the Pacino's role in the new version. In Hollywood's one, there is struggle between consciousness and denying. However, Pacino's struggle is mostly being contributed to the dead of his partner from the friendly fire and nature environment. Pacino's role of new version is still more "perfect" in morality with the tones of demanding audiences' sympathy rather than the discussion of integrity of the detective's role. For me, Al Pacino's role is also to play as the victim under the stress of insomnia and current incident surrounding him. On the other hands, Stellan Skarsgard's one would demand less sympathy and could show you the sense that everyone could play as devil as guilt'

A Film Noir in Broad Daylight: Gripping Thriller from Norway
A dead body of brutally killed teenage girl was found, and her body, it becomes clear soon, is washed carefully all over. An ace detective is sent to the crime scene to invesigate this unusual case with his partner, but the invesigation gets more complex when Jonas, the detective, takes one wrong step in doing his job. And the killer seems to know his fatal mistake.

The original "Insomnia" made in Norway and directed by Norwegian Erik Skjoldbjaerg, is no "Se7en"-like thriller. And it is also different from the remake by Christopher Nolan in its overall tone. The original gives colder and more sinisier feeling behind the cool mask of the detecive, which is gradually enhanced by the never-ending, dazzling daylight around the North Pole that goes on around the clock. Like any good noir, the film offers many surprises in the story, making the protagonist cross over the thin line between good and evil. Sorry that I cannot tell you much, but I can say that the acting of Stellan Skarsgard, who tends to be typecast in Hollywood films (see "Deep Blue Sea" or "Ronin" -- though I like films themselves), is nothing but compelling and stunning. A bit more subdued than Al Pacino, he delivers a chilling portrait of detective Jonas, who slowly gets unsure of what he is doing under the broad daylight.

As a film fan, you may enjoy the difference of the two scripts, this one and that of Nolan's "Insonmia." (Don't worry, this is no spoiler.) I do not judge which is better -- the verdict is very hard to give as both are so good. But I can point out that Nolan gets his film more complex, giving more room for the role of a female local cop (which Hilary Swank played in the remake), partly because of Nolan's penchant for storytelling. Actually, I was surprised to find out that Norwegian "Insomnia" is about 30 minutes shorter than Hollywood remake. And see also the different treatment of some key scenes (especially a dog, and the conclusion of the case), which may reflect the present political climate in USA.

If you haven't seen Al Pacino remake, do not worry. If you like noir genre, this is the one for you.

Great INSOMNIA Movie
Being a guy I like my action movies. Insomnia is a great thriller starring Stellan Skarsgard. It is a foreign language film with subtitles. But don't let that let you lose hope in this masterpiece that inspired the 2002 movie with Al Pacino, Robin Williams, and Hillary Swank. This movie has to do with a girl's murder and who did it. It also involves Skarsgard charcter's who has a secret to keep. It has a great actor by the name of Bjorn Moan "Eilert". His scenes are powerful and in one you get to see his behind. Overall a movie that will keep your interest and won't put you to sleep. See it for Bjorn Moan.


The Blob - Criterion Collection
Released in DVD by Criterion Collection (14 November, 2000)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Irvin S. Yeaworth Jr.
Starring: Steve McQueen
What would the average sensible American do if he encountered a pulsing ball of protoplasm from outer space? That's right: he'd poke it with a stick. Thus begins the endearingly earnest and silly tale of The Blob. Young Steve McQueen takes on his first leading role as, um, Steve, a spunky teenager with plenty of heart. Steve sees the blob kill the local doc, but darn it, none of the town's adults will believe him! Yup, it's up to the teens to save the day! Steve and his trusty girlfriend Jane break their curfews(!) and head off into the night to find the Blob and warn the town. The Blob is a completely enjoyable watch from start to finish, offering the triple pleasures of 1950s morals, gee-whiz acting, and a whole lotta extras running around and screaming. The special effects, though primitive, certainly get the job done, and it is still a treat to watch the Blob ooze its way to its next meal. You may notice that the theme song is surprisingly bouncy for a horror flick ("Beware of the Blob! It creeps, and leaps, and glides and slides across the floor"). It was written by Hal David and a fresh young composer by the name of Burt Bacharach. --Ali Davis
Average review score:

A B-movie classic
The Blob is a classic B-movie that has all the elements of a 50's horror movie while also being the movie that helped shoot Steve McQueen to stardom. One night, two teenagers see a meteor crash to Earth. Before they can find out what it is, an old man unleashes what it contains on himself, a gooey substance that quickly begins to take over his arm. Soon enough, the gooey mass begins to grow, but nobody believes the two teenagers who saw the blob eat the town doctor. The small town then must unite to defeat the evil substance that threatens their existence. This is a very low budget movie, it is easy to see, but that is what makes it so fun to watch. The Blob looks like strawberry jelly throughout which adds to the cheesiness factor. Either way, this is a fun movie that is more enjoyable every time I watch it.

The Blob was Steve McQueen's first starring role as Steve Andrews, a misunderstood teen who with the help of his girlfriend, Jane, tries to get the townspeople to realize what they are going up against. Somehow, a 28 year old McQueen passes as a teenager while the other teenage characters are actually the age they play. Anyhow, this may be different from every other movie McQueen ever made, but it is still a good one. The Criterion Collection DVD is well worth the purchase. It includes two commentaries, a collectible poster, theatrical trailer, widescreen presentation, and several other features. The Blob is certainly not the highest quality of movie, but it is still very good and well worth a watch.

surprisingly watchable
Put together a silly script, bogus special effects, a cheesy theme song, and Steve McQueen, and what do you get? A surprisingly entertaining "B" monster movie, thanks to McQueen's uncanny ability to pull a winner out of what by all rights should be a loser. The oddest part about it is that McQueen plays the role of the only teenager in town who is sufficiently upright and honest that the chief of police _will_ believe his amazing story -- quite a contrast with the usual McQueen role.

My Favorite Hunk Of Flesh-Devouring Protoplasm!
Yes! A meteorite crashes to earth, unleashing the blob! An old man is it's first victim, foolishly poking at it with a stick, only to be absorbed into it's mass! Steve McQueen is excellent in his first starring role. He witnesses his local doctor being assimilated into the monster. The cops don't believe him. Only the town's swinging teens will help. Meanwhile, the blob is on a rampage, eating everyone and growing bigger and redder with each new meal! What is it? Where did it come from? Can it possibly be stopped?? This movie will have you checking under your bed, chair, and even in your duct-work for this hellish beasty! Watch it at your own risk...


The Slayers - DVD Collection (Episodes 1-26)
Released in DVD by Cpm/Software Sculptors (19 September, 2000)
MPAA Rating: NR (Not Rated)
These four discs constitute the first broadcast season of the well-liked Dungeons and Dragons-style farce The Slayers. Red-haired Lina Inverse has a typical anime heroine's hot temper and insatiable appetite for food but also a rare talent for swordplay and casting powerful spells. As she roams from town to town, she acquires a cadre of able but quarrelsome companions: Gourry, a big, blond, dumb knight; Zelgadis, a once-human chimera who practices shamanic magic; sorceress-in-training Amelia, who makes Gourry look bright and Lina appear graceful; and the shrine maiden Sylphiel. Together they make short work of the hordes of bandits, golems, werewolves, trolls, mercenaries, and evil spirits their enemies send after them. They also have to face some more formidable foes, including the wizard Vrumugun, ace swordsman Zangulus, and archsorceress Eris. But the greatest threats come from the exceedingly powerful Rezo the Red Priest and the Dark Lord, Shabranigdo. All Lina's adventures involve a lot of slapstick humor, but these episodes have a more carefree tone than the later feature and the OAVs that paired her with the overendowed Naga. The convoluted plot lurches and stumbles along, much the way Lina fumbles around after getting clobbered. Although the fate of the world is supposed to hang on the outcome of these adventures, the broad comedy prevents the various episode directors from creating much suspense or a sense of menace. The Slayers is featherweight entertainment, but one that has won many fans in both Japan and the United States. Some viewers may object to the jokes about a mincing gay dragon, Lina losing her power at "that time of the month," and the many wisecracks about her being flat-chested. Japanese filmmakers and audiences clearly have different standards of what qualifies as PC humor. "Suggested 13 Up" for violence, profanity, brief nudity, and sexual humor. --Charles Solomon
Average review score:

Not your typical Heroine.
Lina Inverse kills bandets, raids their pockets & forts, only works for money & treasure, is greedy with food, sassy, loud-mouthed, screams alot, lies, cheats, beats up her own friends, & she's the heroine! Imagine just how bad the villians must be to make her look good! This is the perfect Fantasy story for people looking beyond what's normal to find something great^__^

Great anime
This has to be the funniest anime I have seen yet!

Slap down hillarious
If you are an anime fan, Slayers is a must have. It is slap down hard core comedy, fantasy, and action. The animation is not as good as it could be, yet it fits the plot.

The story revovles around a 15-year-old expert sorceress Lina Inverse, the Dragon Spooker (according to my sub). Yet Lina isn't the typical, slutty, thin, sweet tempered, naive herione. Insteade she is short, has a crappy attitude, and is very down to Earth. As you follow Lina's travels, you will come across the cute, blonde, yet dumb as a rock swordsmen Gourry. Personaly I think Gourry puts new meaning to the term, "dumb blonde". Together they are traveling to Atlas City, yet they don't get there as planned.

When Lina robbs a mob of Bandits known as the Dragon Fangs, she and Gourry stumble upon an artifact that can change the way of the future. Yet Lina is not aware of the power of what she finds. Enter Zelgadis. A half human, half Chimera. He is also after the artifact, but not to rule the world.

Soon the team meets up the the exentric little princess name Amelia, who tags along with the Slayers team. Amelia is my favorite character. At first she only joins the group because she wants to learn Lina's most power spell, The Dragon Slave. But soon alterior motives keep Amelia from going back home.

To add with all the chaos going on, the team has another group of followers, only they are trying to draw the group to the city of Sairag. What is the angle of the mysterious and not too smart persuers of the Slayers gang? And what is the secret of Rezo? Also what mysterious powers dose Gourry possess? Finally, how will Lina be able to survive all the madness of multiple people trying to kill her?

This seris is non-stop, you just can't stop watching it. Not to mention, it is just too hillarious. Although I do advise you to be mature when veiwing. Some of the humor has a sexual sence to it. For example all the jokes about Lina being underdevoloped, and Lina losing her powers at 'that time of the month'.

The voices of both versions are really good. The dubbing of this seris isn't as bad as some of the other English jobs I have seen. In the orginal version, the talant of Megumi Ayashibara portrays Lina Inverse, and sings the opening and ending theme song.

Every otaku should veiw this seris, you will not be disspointed


The Slayers - DVD Collection Special Edition (Episodes 1-26)
Released in DVD by Central Park Media C (11 June, 2002)
MPAA Rating: G (General Audience)
These four discs constitute the first broadcast season of the well-liked Dungeons and Dragons-style farce The Slayers. Red-haired Lina Inverse has a typical anime heroine's hot temper and insatiable appetite for food but also a rare talent for swordplay and casting powerful spells. As she roams from town to town, she acquires a cadre of able but quarrelsome companions: Gourry, a big, blond, dumb knight; Zelgadis, a once-human chimera who practices shamanic magic; sorceress-in-training Amelia, who makes Gourry look bright and Lina appear graceful; and the shrine maiden Sylphiel. Together they make short work of the hordes of bandits, golems, werewolves, trolls, mercenaries, and evil spirits their enemies send after them. They also have to face some more formidable foes, including the wizard Vrumugun, ace swordsman Zangulus, and archsorceress Eris. But the greatest threats come from the exceedingly powerful Rezo the Red Priest and the Dark Lord, Shabranigdo. All Lina's adventures involve a lot of slapstick humor, but these episodes have a more carefree tone than the later feature and the OAVs that paired her with the overendowed Naga. The convoluted plot lurches and stumbles along, much the way Lina fumbles around after getting clobbered. Although the fate of the world is supposed to hang on the outcome of these adventures, the broad comedy prevents the various episode directors from creating much suspense or a sense of menace. The Slayers is featherweight entertainment, but one that has won many fans in both Japan and the United States. Some viewers may object to the jokes about a mincing gay dragon, Lina losing her power at "that time of the month," and the many wisecracks about her being flat-chested. Japanese filmmakers and audiences clearly have different standards of what qualifies as PC humor. "Suggested 13 Up" for violence, profanity, brief nudity, and sexual humor. --Charles Solomon
Average review score:

Not your typical Heroine.
Lina Inverse kills bandets, raids their pockets & forts, only works for money & treasure, is greedy with food, sassy, loud-mouthed, screams alot, lies, cheats, beats up her own friends, & she's the heroine! Imagine just how bad the villians must be to make her look good! This is the perfect Fantasy story for people looking beyond what's normal to find something great^__^

Great anime
This has to be the funniest anime I have seen yet!

Slap down hillarious
If you are an anime fan, Slayers is a must have. It is slap down hard core comedy, fantasy, and action. The animation is not as good as it could be, yet it fits the plot.

The story revovles around a 15-year-old expert sorceress Lina Inverse, the Dragon Spooker (according to my sub). Yet Lina isn't the typical, slutty, thin, sweet tempered, naive herione. Insteade she is short, has a crappy attitude, and is very down to Earth. As you follow Lina's travels, you will come across the cute, blonde, yet dumb as a rock swordsmen Gourry. Personaly I think Gourry puts new meaning to the term, "dumb blonde". Together they are traveling to Atlas City, yet they don't get there as planned.

When Lina robbs a mob of Bandits known as the Dragon Fangs, she and Gourry stumble upon an artifact that can change the way of the future. Yet Lina is not aware of the power of what she finds. Enter Zelgadis. A half human, half Chimera. He is also after the artifact, but not to rule the world.

Soon the team meets up the the exentric little princess name Amelia, who tags along with the Slayers team. Amelia is my favorite character. At first she only joins the group because she wants to learn Lina's most power spell, The Dragon Slave. But soon alterior motives keep Amelia from going back home.

To add with all the chaos going on, the team has another group of followers, only they are trying to draw the group to the city of Sairag. What is the angle of the mysterious and not too smart persuers of the Slayers gang? And what is the secret of Rezo? Also what mysterious powers dose Gourry possess? Finally, how will Lina be able to survive all the madness of multiple people trying to kill her?

This seris is non-stop, you just can't stop watching it. Not to mention, it is just too hillarious. Although I do advise you to be mature when veiwing. Some of the humor has a sexual sence to it. For example all the jokes about Lina being underdevoloped, and Lina losing her powers at 'that time of the month'.

The voices of both versions are really good. The dubbing of this seris isn't as bad as some of the other English jobs I have seen. In the orginal version, the talant of Megumi Ayashibara portrays Lina Inverse, and sings the opening and ending theme song.

Every otaku should veiw this seris, you will not be disspointed


The James Bond Collection Volume 2
Released in DVD by MGM/UA Video (16 May, 2000)
MPAA Rating: PG (Parental Guidance Suggested)
Starring: James Bond, Sean Connery, and R Moore
The second grab bag of 007 adventures features three Bonds in five films, including the legendary movie that started it all. In 1962 Sean Connery defined the cinematic James Bond as a tough, charming, and thoroughly professional cold war spy with a license to kill in the lean, hard-edged Dr. No. With Ursula Andress (as the original Bond girl Honey Ryder, who makes her entrance in a bikini), Bond battles a renegade supervillain with little more than his wits, his cunning, and his Walther PPK (this was before Q armed him with the coolest toys a superspy ever had). George Lazenby, a handsome Australian model with a self-effacing confidence, made his first and only appearance as James Bond in the underrated On Her Majesty's Secret Service, a witty and action-packed adventure that makes 007 history when Bond marries the girl (the lovely and talented Diana Rigg, fresh from her duties as the butt-kicking spy on the TV series The Avengers). Roger Moore brought a light tone and a suave assurance to the series as the third Bond, and the set features three of his seven appearances. In The Man with the Golden Gun, he battles million-dollar assassin Christopher Lee, one of Bond's most magnetic adversaries. The Spy Who Loved Me, perhaps Moore's finest hour, is a return to the extravagant set pieces and cold war thrills of Connery's pictures and introduces Richard Kiel's steel-dentured Jaws to the series. Jaws returns as a comic figure in Moonraker, a misguided sci-fi entry that takes Bond to space for a physically impressive but dramatically lackluster adventure. More of a mixed bag than the initial seven-film James Bond Gift Set, this set is aimed at the Bond completist rather than the general fan. The DVD editions of the films each feature audio commentary by the director and key members of the crew, "making of" documentaries, and a host of stills, TV spots, and trailers. --Sean Axmaker
Average review score:

VHS is going down the drain.
All of the bond movies are great, and plenty of fun to watch, but I have just one thing to say about this Item - VHS Sucks. Some if not all versions of movies com in full screen, which looks like a midget compared to widescreen format. One last thing is that with DVD you get almost none of the special features avalible on the DVD versions of the movie. Trust me, get a DVD player for fifty bucks, and stick to all of the movies that have the word "Widescreen" written on them. In the longrun the DVD player will pay for itself, and with the widescreen movies you won't be missing up to half of the movie fotage.

In the longrun, the Bond films are great, but widescreen just sucks. Period.

BOND...JAMES BOND
The second James Bond collection is as varied as the first, with DR NO, ON HER MAJESTY'S SECRET SERVICE, THE MAN WITH THE GOLDEN GUN, THE SPY WHO LOVED ME and MOONRAKER. One of the best of the series, DR NO introduced the world to the suave secret agent and of course, Sean Connery. With incredible locales and witty one-liners, it's Connnery and Bond at their best. OHMSS is a tricky one; there are good points including some terrific action, strong emotion (Bond gets married!) and great villians. But the questionable casting of George Lazenby tends to stifle the film's story and the pace gets somewhat plodding at times. More satisfying if you take it from an action P.O.V, rather than a Bond film as a whole.
Roger Moore's secong outing as Bond after LIVE AND LET DIE is a mediocre mess, helped only by Cristopher Lee's menacing performance as the charming yet deadly Scaramanga. But it's one of the most un-exciting entries into the franchise, with little to get enthusiastic about. That said, Moore is good in this one, but it's not nearly as good as THE SPY WHO LOVED ME, which happens to be one of the BEST of the series. This one has outrageous action, awesome sets, great stunts, inventive special effects, cool one-liners, ski chases and a cracking scene with 007 getting chased in his cool Lotus Espirit by a helicopter. And of course, agent XXX!
And then there's MOONRAKER, which tried too hard to follow-up with the STAR WARS craze and loses track of the staple Bond M.O. It's way too far-fetched and cheesy to sit well with the rest of the Bond films. But there is some good action and dry-as-a-vodka martini wit. All put together with tons of extras, this one is another must-have for Bond fans.

Great addition to the James Bond Collection
"Dr. No" is the most modest of the set, being the first James Bond adventure. However, there are very memorable moments, like Sean Connery first saying: "Bond...James Bond", and the introduction of "M" and Miss Moneypenny. Also, SPECTRE is first mentioned in the series.
"The Man With The Golden Gun" is an entertaining outing, if a bit over the top (i.e. Scaramanga's flying car).
"Moonraker" is the worst of the set. It is completely non-believable, and almost ruined the Bond series (thankfully, "For Your Eyes Only" brought 007 back to Earth - literally!)
"On Her Majesty's Secret Service" is a masterpiece. I consider it the best of the series, and it has the most dramatic end in any Bond movie. It is long, but worth watching. Telly Savalas plays the best Blofeld, and Diana Rigg's part as Tracy is nothing less than touching.
"The Spy Who Loved Me" is a bit like "The Man With The Golden Gun": entertaining, if you don't think very seriously about it. Perhaps the worst part of it is that it is a remake of "You Only Live Twice", but the 70s music and Jaws make up for it.
Overall, a must buy, especially because it doesn't contain any of the Pierce Brosnan outings, all of which have a "been there, done that" feel.


Naked Lunch - Criterion Collection
Released in DVD by Criterion Collection (11 November, 2003)
MPAA Rating: R (Restricted)
Director: David Cronenberg
Starring: Peter Weller and Judy Davis
You are now entering Interzone, William S. Burroughs's phantasmagorical land of junk, paranoia, and crawly things. Best travel advice: "Exterminate all rational thought." In David Cronenberg's superbly shot, unnerving warp on the Burroughs novel, the novelist himself becomes a main character (played in an implacable monotone by Peter Weller), with elements from Burroughs' life--including the shooting of his wife during a "William Tell" game, and bohemian friends Kerouac and Ginsberg--added to frame the book's wild visions. This is, ironically, a somewhat rational approach to an unfilmable book (and it makes a hair-curling double bill with Barton Fink, another look at writerly madness, with both films sharing Judy Davis). Cronenberg is a natural for oozing mugwumps and typewriters that turn into giant bugs, of course. But in the end, this is really his own vision of the artistic process, rather than Burroughs's hallucinatory descent into hell. --Robert Horton
Average review score:

It's about time...
It's about time that this movie gets a fantastic dvd treatment. I read the book back in the late 80's during Banned Books Week, and I found it the most bizarre and fasinating novel that I have ever read. Then in '91 when I heard that David Cronenberg was making a movie out of this novel, I thought that there is no way that this can be turned into a movie. I saw this movie opening week and sat there in stunned silence during the end credits. And though "My God, he did it."

Watch this film, and don't try to figure it out in the fist sitting. Instead watch this film for what it is. That is a wonderful film by a truely gifted and brilliant filmmaker.

Excellent film, Excellent DVD
All I have to say is this: IS THERE NOTHING CRITERION CANNOT DO? FOR FANS OF THE FILM, DO YOURSELF A FAVOR BY BUYING THIS DVD. IT WILL BE THE CROWN OF YOUR COLLECTION, NO DOUBT.

JOURNEY TO INTERZONE.....
In NYC, 1953, married couple Bill and Joan Lee are addicted to a narcotic roach powder Bill has access to through his job as an exterminator. When he's arrested by narcotic agents, they introduce him to a giant talking bug kept in a suitcase that informs Bill he is being recruited by a subversive agency and must kill his wife as she is an enemy agent. Bill breaks free and returns home where he "accidentally" shoots Joan in the head playing their usual game of "William Tell". He panics and escapes to a seedy waterfront bar frequented by gay men and meets a humanoid bug creature that tells him he must go to Interzone where he will learn more about his situation. Interzone is an exotic, North African type city where the most seductive of drugs is manufactured from centipedes. There, he meets writers whose typewriters morph into typewriter size talking bugs. One of the writers is Joan Frost, a doppelganger for Bill's "late" wife Joan. Once ensconced in Interzone, Bill is confronted with his personal demons: drug addiction, paranoia, conspiracy theories, repressed homosexuality and his own frustrated desire to write...specifically, a novel to be called "Naked Lunch". David Cronenberg wrote and directed this incredible film based on writings of William S. Burroughs and patterned the character of Bill after him. The film is hallucinatory, strange, with grotesque elements involving giant mutated bugs that may disgust those with lesser tolerance for challenging viewing. However, it's extremely well made and acted with Peter Weller as the numb and dazed Bill, Judy Davis as both Joans and Julian Sands, Ian Holm in odd character roles, and Roy Scheider in a bizarre role as Dr.Benway. The ending brings the film full circle as you come to understand the tortuous process of writing a novel and how one man's drug experiences apparently produced a masterpiece of underground literature during an age when normality seemed to be the only option. That is until the beat writers paved the way for future writers to explore the dark aspects of the human psyche. "Naked Lunch" is required viewing for Cronenberg fans and for those familiar with Burroughs and the beat writers of the 50's. References to a couple of those underground writers appear as friends of Bill's. There's an excellent moody progressive jazz soundtrack by Howard Shore that's true to the era and great 50's period design and atmosphere with faithfully recreated costumes by Denise Cronenberg. DVD package includes a good booklet with essays on "Naked Lunch" and a second supplementary disc that includes a documentary on the film's making. I can't recommend this package enough. It's in a league of it's own...if you understand the subject matter. For those enthusiasts, exterminate all rational thought and enjoy.


The Best of Friends Collection (Vols. 1-4)
Released in DVD by Warner Studios (20 November, 2001)
MPAA Rating: NR (Not Rated)
Starring: Friends and Lisa Kudrow
Average review score:

Not so bad OK I think
I think it was OK but not everyones gonna agree. Good plots, really some twists. And sometimes the dialog is so fast I have to say whoa hold up a second and use the reverse and replay. Thats whats great about DVD. The damn kids of mine said it was a lousy gift . But I enjoyed watching it. Especially Jennifer Aniston. Make sue you have the right DVD code. I am Harold McInnes.

Get the full season DVDs instead
I bought this box set before the full season DVDs came out. It was great to hold me over until season 1 came out, but when I received that, this box set was obsolete. In my opinion, the episodes chosen are good, but they aren't all the best.
If you're a real Friends fan (and you must be if you're looking into this set) then just get the full season DVDs. They have 1, 2 and 3 now and will be coming out with them all. You'll be much more satisfied and it's a better investment to have every single episode anyway.

More Friends
I think it's great that they brought out the 10 best episodes chosen by fans, I have all 4 volumes & I'm hoping they will bring out more fav episodes taken from newer episodes


Complete Superman Cartoons: Diamond Anniversary Edition
Released in DVD by Image Entertainment (01 August, 2000)
MPAA Rating: NR (Not Rated)
Starring: Complete Superman Collection and Max & Dave Fleischer
This collection of fully restored, 1930s animated shorts from the legendary Max Fleischer are a real treat. For anyone who has grown up associating the Superman character with different phases of art direction in Superman comic books over the last 50 years, or best remembers the look of the Christopher Reeve films or the old television show, these 'toons will be a mini-revelation. Expanding on cues from the first generation of Superman comics, Fleischer immerses the man from Krypton in a marvelous blend of art deco, William Cameron Menzies-inspired sets, and edgy compositions that can't help but remind one of Fritz Lang-ian paranoia. Everything is oversized, blocky but rounded, ferociously modernist, and all too vulnerable. Superman's very function as a character in these highly dramatic and richly colored fables is both defending the overbearing, urban progressiveness and capital excesses of a young 20th century while also reassuring us that progress is not as indomitable as a man--at least a Superman. The DVD includes a bonus Fleischer short, "Play Safe," plus information about the restoration process, three choices of sound, complete history, synopsis, and credits. --Tom Keogh
Average review score:

Truly impressive, and a steal at this price
I considered myself a lukewarm Superman fan.. I'd read some of the comics, and I really liked the first movie. I picked up this DVD mostly because it was very inexpensive, and seemed like something worth having in the back of a DVD collection somewhere. Man, I did not do this DVD justice at all. It deserves a central place in any collection. The cartoons are truly amazing. They're all clever, well-voiced and crafted, and developed in a very cool art deco style that seems these days restricted to faux Italian cafe posters in your downtown Starbucks. The most pleasant aspect of all was how surprisingly modern the cartoons feel. Created mostly in the early 1940s, they do have a certain jingoism to them, particularly the post-Pearl Harbor ones, but otherwise I was amazed to see how robust Lois Lane's characterization was. Not only is she cast as an independent career woman, her grit and style actually outpace that of the later movies. Perhaps that's just my own 1940s-1950s bias speaking, but nonetheless it's interesting to see how her repeated 'damsel in distress' status necessary to bring out Superman is really much more nuanced and flattering.
The DVD itself also shows the films with little fanfare aside from an opening scrawl and a subtitle at the start of each indicating its original release date. The cartoons are so good and of such high production values that one can almost believe it when the distributor gushes about their pleasure at providing them to the public. You won't find a better bargain than this collection.

Oh No! Kryptonite!!
I first saw these classics on horrible video versions, purchased as "impulse buys" at my local mega-store check-out. I bought them for my 4 year old nephew to watch. I ended up watching them with him and was struck by the cool stories and awesome animation. Now they're all here on DVD! I love every episode! This is essential for any superman fan, animation buff, or comic book addict! Highly recommended...

The original is the best
These are some of the best cartoons ever made. The attention and understanding to detail, shadowing, color, and story are truly amazing. I won't get into details about specific episodes, as others have already done so, but I am glad that I bought this DVD, as it was worth every penny. To call these 'cartoons' seems to trivialize how good these shorts really are. Funny how some of the most spectacular cartoons where made over 60 years ago....I have seen some of the newer Superman cartoons put out by Warner, and I think they're pretty good, but they can't compare to the original.


Taste of Cherry - Criterion Collection
Released in DVD by Criterion Collection (08 June, 1999)
MPAA Rating: NR (Not Rated)
Director: Abbas Kiarostami
Starring: Homayon Ershadi
Iranian director Abbas Kiarostami won the Palme d'Or at the 1997 Cannes Film Festival for this contemplative film about a Muslim, Mr. Badi (Homayon Ershadi), who drives around the barren hills outside Tehran, flagging down passersby and offering good money for a simple job that he's hesitant to explain. He's planning his suicide and seeks someone to perform something of a symbolic eulogy. Most of his subjects refuse (personal morality aside, suicide is forbidden to Muslims), but he finds an elderly taxidermist (Abdolrahman Bagheri) who agrees only because he needs the money for an ill child. Yet the old man gently pleads with him to choose life, to embrace the joys of earthly existence, to remember the taste of cherries. Though initially greeted with critical acclaim, A Taste of Cherry received poor distribution in the U.S. The meandering, deliberately paced drama is composed of long conversations and long silences, and the camera is locked in the car for entire sequences, staring at the protagonists in still closeups with the dusty landscape rolling past the windows of the Land Rover in the background. Kiarostami's film is not for everyone, but if you can embrace the quiet power and grace of his deceptively simple style, the film becomes a remarkably rich celebration of human dignity and resilience. By the astonishing conclusion we can see past Badi's age-etched face to the soul peering out from behind his sad eyes. --Sean Axmaker
Average review score:

TASTE OF IRAN
This was the first Iranian film I ever saw. I always had a lot of respect for the Iranian culture but after the Shah there was not much around. The Islam revolutionaries were more into distruction of culture than into developing one. When I saw this film for the first time (I saw it for three times by now) I had many questions. When I saw it for the second time I had even more questions. And only on the third time I could understand questions I had before.
I rated this film five stars. Why? I had to realise the problems experienced by the producers and the actors while filming it. I could understand the budget problems and not judge to harshly. I could see it all and not to care about it considering the situation. This is a good film all around and it represents the good side of Iran. Thank you and please make more good movies.

Taste various but still you get the taste and it is worth it
This is not something to just watch and put aside. Whenever you watch this movie you catch more details and you enjoy more.

Winner of the top prize at the 1997 Cannes Film Festival, Taste of Cherry is an existential fable of weight and clarity from director Abbas Kiarostami.
An Iranian man, Mr. Badi, is determined to commit suicide at nightfall, but seeks a living assistant to check his hand-dug grave the following morning. If Badi is dead, the person will fill the grave with dirt; if not, he will help Badi out of the hole.

atmospheric masterpiece of earth and dust
This internationally acclaimed visual masterpiece by Iranian director Abbas Kiarostami may leave you bored if you demand explosions, car chases, or a strong narrative in your cinema. But if you can appreciate a cinema of beautiful atmospheric compositions and calm conversations, then A Taste of Cherry might be for you. The DVD comes with interview footage of Kiarostami, speaking mostly in what I presume to be Farsi, with English subtitles. The director's comments on censorship, directorial style, his international reception, and even his relationship to Quentin Tarantino may give you a better understanding as to why his films are so beloved. Kiarostami offers his dislike of movies that "take the viewer hostage" (perhaps like those of Tarantino), in favor of those that might even put you to sleep, but leave you thinking about them and processing them for days or weeks to come.


Lord of the Flies - Criterion Collection
Released in DVD by Criterion Collection (14 March, 2000)
MPAA Rating: NR (Not Rated)
Director: Peter Brook
Starring: James Aubrey and Tom Chapin (II)
In this classic 1963 adaptation of William Golding's novel, a planeload of schoolboys is stranded on a tropical island. They've got food and water; all that's left is to peacefully govern themselves until they're rescued. "After all," says choir leader Jack, "We're English. We're the best in the world at everything!" Unfortunately, living peacefully is not as easy as it seems. Though Ralph is named chief, Jack and the choristers quickly form a clique of their own, using the ever-effective political promise of fun rather than responsibility to draw converts. Director Peter Brook draws some excellent performances out of his young cast; the moment when Ralph realizes that even if he blows the conch for a meeting people might not come is an excruciating one. Well acted and faithfully executed, Lord of the Flies is as compelling today as when first released. --Ali Davis
Average review score:

Fans, rejoice - a wicked good version!
This disturbing, scary movie version of the classic novel about English boys stranded on an island after a war - and their descent into moral darkness - is just about as good as one could hope for.

To start with, the casting is great. From the first time you see each of the principals and hear them speak, you want to nod. When the choir first arrives, singing a Kyrie that slowly fades in and ends in a trumpet fanfare as they reach the other boys, it gives you chills. Lord have Mercy, indeed, those who know what's coming will think. We're on the right track.

The film is remarkably faithful to the story, including many of the little moments that subtly define the characters. The buildup is just right, including Ralph's increasing desperation as he tries to hold the boys together and the gradual change in Jack. When the most horrendous moment of the story arrives - I don't want to give it away but those who read the book will know what I mean - it's almost unbearable to watch. There's no merciful tact here to let viewers off the hook. You're forced to deal with exactly what's happening and the irony of who, out of all the boys, it's happening to.

I will note, though, that Simon's notorious interview with the title character (a scene that admittedly must give directors everywhere nightmares at the mere thought of trying to film it) is not heard, which might leave you a little puzzled and missing an important part of the story if you haven't read it. This version suffers much, much less than it's remake from the omission, however, and can pretty much get away with it.

All in all, highly recommended.

WE HAVE MET THE ENEMY AND HE IS US
Peter Brooks' spartan adaptation of William Golding's immortal novel about a group of English schoolboys stranded on a desserted island still works nearly four decades after its initial release. Despite a total lack of star names and limited production values, the film succeeds thanks to yeoman performances from the child actors and an overall primitivism that makes the whole imminently believable. At first the castaways don't seem to have it so bad; there's plenty of food, no grownups, and no predators...except for perhaps one, a "beastie" that might be a weird animal or a ghost or something far worse...

A moving, ever-poignant indictment of inherent human savagery, Lord of the Flies succeeds in translating the essence of Golding's tale to the screen. Like so many adults, the children think they're good enough to make their own utopia. So much for utopia. So much for childhood innocence.

bellissimo!!!!
a wonderful film, one of the best film of the last century.


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