Collecting Movie Reviews
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I like it so far, not bad but not amazing either.
A Fresh Change In Mecha AnimeDeparture from the Ocean Depths (B-): Hime recieves her very own Brain while Yuu contemplates live on Earth.
Fated Reunion (B+): Yuu escapes Orphen to find Hime and tries to break into a research lab.
Yuu's Battle (B+): Yuu meets the pilots from Novis Noah and helps them defend a town from Grand Chers.
The Hometown Flames (B): Yuu returns to his hometown as well as his only childhood friend, Kanon. There, Kanon must decide whether to stay with Orphen or not.
Friend or Foe (B-): Kanon returns to Novis Noah to flush out Yuu once again.
Double Revival (B+): Kanon attempts to pilot a Brain Powered while witnessing a revival.
Rejection (A): Kanon and Higgins aquire Brain Childs to fight the Grand Chers. And another Grand Cher revives.
At the Port of Call (B): KD tries to infiltrate Novis Noah and Kanon becomes more attached to Russ Lemberg.
Johnathan's Sword (B+): Mr. Mohammad comes to buy the Novis Noah and Johnathan Glenn holds the ship's crew hostage.
The music of Brain Powered alone is worth watching this show. The animation is a tad dated, but still watchable. Extras on the second disc include Textless Opening and Closing. The insert in the package contains a brief synphosis of the series.
Overall, this is a great start to a highly intriguing plot that will get way better as the show goes on. Plus, 9 episodes on 2 discs is a good deal. Highly recommended to all mecha fans, old or young.


Look Out For The Claw
Dick Tracy: The Ultimate Collection

Good Documentaries For The Paranormal Enthusiast.
Scary Stuff!Hosted by Patrick MacNee (The Avengers), who takes us to various locations famous - or infamous - for it's ghostly activities, we get to visit such places as Hollywood and parts of the Old West (among others) where we realize that the dearly departed are not really departed. MacNee does a good job in setting up the stories, and the ghostly photographs - supposedly real - that usually precede the stories, lend an even more chilling edge to the proceedings.
For ghost story fans, I would also recommend the video collection of the old television show 'One Step Beyond'.


A Compilation of TitlesEach DVD is in it's own case, and all are stored in a cardboard box. To determine if this set is right for you, you should look at the reviews for each title before dropping this kind of cash. But, if you like what you see, it is a good bargain as seperately these titles would run in the neighborhood of $125.00.
What A Blast......

A Great FantasyAs to why I gave this anime a 4 star rating; well first of all, the graphics in the first few episodes weren't that good for a recent production. secondly, the storyline builds up really nice and the plot produced is great but it resolves really rapidly and abruptly and the anime ends quikly. Other than that, the characters are great and funny. And the story is great that you can get so involved in the story.
I recommend it.
A good anime, very amusing.There are many extras, like outtakes, art galleries, etc. So I think its worth picking up.
The only complaint I had is that the English voice acting seemed kind of dull and lifeless. So you might want to watch it subtitled instead of the Dubbed version.

Luc Besson (The Fifth Element) made his American directorial debut with this stylized thriller about a French hit man (Jean Reno) who takes in an American girl (Natalie Portman) being pursued by a corrupt killer cop (Gary Oldman). Oldman is a little more unhinged than he should be, but there is something genuinely irresistible about the story line and the relationship between Reno and Portman. Rather than cave in to the cookie-cutter look and feel of American action pictures, Besson brings a bit of his glossy style from French hits La Femme Nikita and Subway to the production, and the results are refreshing even if the bullets and explosions are awfully familiar. --Tom Keogh
The Fifth Element
Ancient curses, all-powerful monsters, shape-changing assassins, scantily-clad stewardesses, laser battles, huge explosions, a perfect woman, a malcontent hero--what more can you ask of a big-budget science fiction movie? Luc Besson's high-octane film incorporates presidents, rock stars, and cab drivers into its peculiar plot, traversing worlds and encountering some pretty wild aliens. Bruce Willis stars as a down-and-out cabbie who must win the love of Leeloo (Milla Jovovich) to save Earth from destruction by Jean-Baptiste Emmanuel Zorg (Gary Oldman) and a dark, unearthly force that makes Darth Vader look like an Ewok. --Geoff Riley
The Big Blue
A hit in Europe but a flop in the U.S.--where it was trimmed, rescored, and given a new ending--Luc Besson's The Big Blue has endured as a minor cult classic for its gorgeous photography (both on land and underwater) and dreamy ambiance. Jean-Marc Barr is a sweet and sensitive but passive presence as Jacques, a diver with a unique connection to the sea. He has the astounding ability to slow his heartbeat and his circulation on deep dives, "a phenomenon that's only been observed in whales and dolphins
until now," remarks one scientist. Kooky New York insurance adjuster Joanna (Rosanna Arquette at her most delightfully flustered and endearingly sexy best) melts after falling into his innocent baby blues, and she follows him to Italy, where he's continuing a lifelong competition with boyhood rival Enzo (Jean Reno in a performance both comic and touching). Besson's first English-language production looks more European than Hollywood, and it suffers from a tin ear for the language. At times it feels more like an IMAX undersea documentary than a drama about free divers, but the lush and lovely images create a fairy tale dimension to Jacques's story, a veritable Little Merman. More dolphin than man, he's so torn between earthly love and aquatic paradise that even his dreams call him to the sea (in a sequence more eloquent than any speech). Besson has expanded the film by 50 minutes for his director's cut, which adds little story but slows the contemplative pace until it practically floats in time, and has restored Eric Serra's synthesizer-heavy score, a slice of 1980s pop that at times borders on disco kitsch. Most importantly, he has restored his original ending, which echoes the fairy tale he tells Joanna earlier in the film and leaves the story floating in the inky blackness of ambiguity. --Sean Axmaker
Subway
This dark and highly stylized French import directed by Luc Besson (The Fifth Element, The Professional) concerns an enigmatic safecracker played by Christopher Lambert (Highlander) hiding out in the Paris Metro system from a gangster. While living in the underground and eluding both gangsters and Metro police he meets up with a group of colorful and quirky subterranean inhabitants eager to help him and start a rock band. All the while the safecracker blackmails a rich woman (Isabelle Adjani) with whom he is in love. Meant to be a tongue-in-cheek commentary on urban life, the film works better as a light freewheeling entertainment, with well-constructed fast-paced action sequences and a breezy sense of humor about itself. Subway is an intriguing diversion and a chance to see the cutting edge of modern French moviemaking. --Robert Lane
The Messenger: The Story of Joan of Arc
1999 may be remembered as the year of Joan of Arc: NBC created a miniseries in her honor, Carl Dreyer's long-lost The Passion of Joan of Arc was discovered in a mental hospital, and Facets re-released Jacques Rivette's Joan the Maid. Luc Besson rounds out the corpus with his stylistic and vaguely heretical grand-scale feature, The Messenger: The Story of Joan of Arc. Besson (La Femme Nikita, The Fifth Element) challenges established notions about the Maid of Orleans as he creates a decidedly more human heroine than have previous biopics. The story line is the same--a young, illiterate peasant girl convinces the dauphin of France to give her an army, and she leads them to victory in Orleans, only to be burned at the stake for heresy--but Milla Jovovich, in the title role, is a woman possessed. Her influences are less than heavenly; as a child she witnesses the murder of her sister by the English, a death caused by the sister's giving her hiding place to young Joan, which causes an intense desire for revenge. Yes, God still speaks to Joan, but even this is undermined, as Dustin Hoffman, playing The Conscience, questions her motives. Cinematically, The Messenger is stunning, with fantastical sequences of Joan in communication with higher powers. Yet the graphic violence (scenes include random decapitation and a dog gnawing on a body); the uneven accents, which make it difficult to tell who is fighting on which side; and the rewriting of lore may make this version of Joan of Arc appeal only to Besson fans. Jovovich is convincing, and while at times the film may drag (at times you wish they'd hurry up and burn her), it is a remarkable and insightful retelling of a well-known piece of history. --Jenny Brown
La Femme Nikita
French director Luc Besson (The Fifth Element) broke the commercial taboo against female-driven action movies with this seminal, seductively slick film about a violent street punk (Anne Parillaud) trained to become a smooth, stylish assassin. Though it amounts, in the end, to little more than disposable pop, the film has a cohesiveness in style and tone--akin to the early James Bond films--that gives it a sense of integrity. Parillaud is compelling both as a wild child and chic-but-lethal pro (trained in good manners by none other than Jeanne Moreau). Tchéky Karyo is also good as the cop mentor who develops feelings for her. --Tom Keogh

6 DVD Set Luc Besson
Excellent Collection
Beginning with 1987's Wall Street, Stone's barbed tragedy about corporate raiders and blinding greed during the Reagan years, this cinematic six-pack represents a curious odyssey of generational touchstones, outright obsessions, and feverish experimentation. 1994's Natural Born Killers, for instance, is an explosive critique of inflamed media in a society of hapless onlookers. A wildly ambitious farce about two lovers who defy TV-manufactured perceptions by becoming notorious murderers, Killers pushes the limits of screen violence, visual literacy, and the mixed-media technique (juggling film stocks, incorporating video, etc.) that Stone introduced in JFK. If the result is somewhat cold and forced, it's also brazen.
Most significant is the way this collection underscores Stone's drive to fuse historical drama with lingering emotions about the past. Stone, a Vietnam War vet, revisits that haunting debacle here in the masterful Born on the Fourth of July. Yet some of his most famous efforts still draw heaps of scorn for narrative hubris and factual recklessness. (Does anyone really believe John F. Kennedy was assassinated during a Lyndon Johnson coup d'état?) But time, as this collection proves, is on Stone's side. Eventually, JFK and The Doors will be seen not as a failed objective history, but as the experience of a tumultuous era in the imagination of a man who lived through it all and can't shake it off.
The collection concludes with the unexpectedly entertaining football saga Any Given Sunday. After this came Stone's humanitarian relief drama, Beyond Borders (not included), which found the director on familiar footing. As Stone's legacy continues to grow, there is a remarkable career here to revisit with these six films. --Tom Keogh

if only it had nixon
An Incredible Collection of Work By A Great Artist.

Prepare yourself--this ain't DisneyRevolutionary Girl Utena is 39 episodes long, but for several years only the first 13 episodes have been available in the States. There are three reasons for this. First, the sex. We see teenage characters who are sexually active in some way, even though we don't see what they do. Second, and more important, there are some pretty obvious displays of gay sexuality, including one character who is a lesbian and knows it. Third, there are open discussions of brother-sister incest, including a younger girl who has a hopeless crush on her older brother.
Let's handle these three things one at a time.
1. The sex. In terms of its frankness about teen sex, Utena is more graphic than any US-based cartoon for tweens but far less so than Buffy the Vampire Slayer. So, if Buffy doesn't bother you, this show might not either.
2. The gay themes. This show never judges people for being gay, and the entire series is clearly about finding out what you want and staying true to your own ideals and desires. The main character, Utena, seems to like only boys at first, but she also kind of wants to BE a boy--strong, assertive, and able to defend other girls who are being persecuted or pushed around. In short, this is not a show about traditional family values.
3. The incest stuff. Incest is NEVER presented in a positive light in this show. Quite the contrary, is is portrayed as a tragic reality that is neither imaginary nor safe. The show's insights into the dynamics of family desire are very, very radical, and if you don't even want to THINK about these isues, don't watch the show. However, if you want to see a show that takes the issue seriously and will give you food for thought about what incest MEANS, you are in for a revelation.
[Note--The Black Rose Saga also has hints of teacher-student sexual relations, and these are handled similarly. The reality of such relations is acknowledged, but there no sense of sexiness, much less of approval]
This middle segment of the show, The Black Rose Saga, is the least interesting one. It's sort of a lengthy pause between the first arc, which handles the development of Utena as a "prince," and the last arcs, which deal with two basic questions: what does it really mean to be a "prince," and what would it take to revolutionize the world? However, even though it's a pause, it's still an interesting portrait of some minor characters and their own struggles, which are often different from Utena's.
In terms of its overall take on sexuality and desire, Utena is more radical than ANY show in the US, including Xena, OZ, Queer as Folk, etc. In terms of its sexual politics it just might be the most radical TV show, ever. By the time the series is over, the show has pretty much completely revised the whole idea of how men and women are supposed to relate to each other and what it means for them to desire each other. From the simple image of a prince on a white horse, an entire new fairy tale emerges that suggests women, and men, are headed toward a very new future. I can't say more without spoiling the show.
I write all this becuase US fans of Utena often attempt to downplay these issues and say that the characters aren't "really" gay, etc. Fine--but the characters aren't "really" straight, either. They are complex, powerful, and often tragic individuals who are trying to figure out what they want in life. I think we need more shows like this, both for teen viewers and for the rest of us. But make no mistake, this isn't just some adventure cartoon with cool fight scenes, and it will try to make you ask questions about your own desires.
The second season of the greatest anime of all time.Contains episodes 14-26
***Aside from the Black Rose, this also contains the first two episodes of the highly anticipated 3rd Saga- Akio.***


Rites of Autumn(History of Modern College Football)
A mesmerizing look at the history of America's best sportNarrated by Burt Reynolds (who, as an actor and a Florida State alumnus, is not my favorite person), "Rites of Autumn" reviews this history of college football from its earliest days to the present, focusing on individual elements of the sport. Reynolds's voice-over, to his credit, smoothly introduces the viewer to each subject and character, with an engaging objectivity an interest in each. From individual players to specific matches and long-time dynasties, the topics covered reflect the characters and events of the sport while investigating the social and even political influences exercised and experienced by America's first gridiron love--the college game.
Using interviews and vintage footage, the story involves the viewer and conveys the historical scope and grandeur of the college football story in a way worthy of the game's great legacy. Fans of smaller programs will be glad to note that, while the series gives its greatest emphasis to the "biggest" schools, it also acknowledges the importance and influence of teams from lesser divisions. While it would be simple for any intimate fan of the game, let alone a fervent devotee of a specific school, to detect prominent persons and events left unaddressed, the ten, hour-long episodes encompass everything that might reasonably be included, without any glaring exclusions.
If you cannot travel to the College Football Hall-of-Fame in South Bend, envelope yourself in the sites and sounds, the history and pagentry, of America's greatest sport through this collection. You'll not regret having a bridge over the long eight-month gap from the last College Gameday broadcast of the old season to the first broadcast of the next.
