Buttons Movie Reviews


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Family movie reviews for "Buttons" sorted by average review score:

Sayonara
Released in DVD by Mgm/Ua Studios (18 September, 2001)
MPAA Rating: NR (Not Rated)
Director: Joshua Logan
Starring: Marlon Brando and Ricardo Montalban
Based on a novel by James Michener, Sayonara earned a fistful of Oscar® nominations (including Best Picture, Director, and Actor) in 1957 and wound up winning statuettes for supporting actors Red Buttons and Miyoshi Umeki. Marlon Brando plays a Korean War fighter pilot, the son of a general, reassigned to Japan, where fraternization with local women is taboo. After breaking off his engagement to another general's daughter, he finds himself falling for a Japanese entertainer (Miiko Taka), then struggling with his own bias. Subplots deal with other servicemen (played by Buttons and James Garner) who also fall for Japanese women. Directed by Joshua Logan from a script by Paul Osborn, the film takes a then-daring look at prejudice as well as post-war racial bias against the Japanese. Brando's Southern accent makes him sound like Matthew McConaughey, while Buttons is actually touching as tough, tender American struggling against racism. --Marshall Fine
Average review score:

The movie is a 5 star CLASSIC - this DVD is 3 stars !!
This review is mainly about this DVD presentation. The movie is an outstanding 1950's Hollywood Classic Film dealing with bigotry, cuturial hatred & inter-racial marriages of the Post War Japan between U.S. military men & Japanese women. This movie does "James A. Mitchners - Novel - Sayonara" a respectable transition to the big Screen. The movie is worth the price of admission alone!!!!

Unfortunately - MGM did this WideScreen Technicolor 147 minute classic movie a disservice when transferring it to a digital format!! First of all the true WideScreen is reduced to 4:3 Letterbox format. (this is a inferior True letter box picture -horizontal black bars on 4:3 tvs & horizontal & vertical black bars on WideScreen 16:9 HDTV's (postage stanp size)). Also by not being digitally enhanced for real WideScreen HDTV your Technicolor Pallet of vivid color is reduced to washed out presentation. A real shame because the Japanese ornate costumes, lavish Landscapes & exotic botanical gardens colors are lost. Also the only extra feature is a trailer.

Again, "Sayonara" is an outstanding 5 star movie with an allstar cast starring Marlon Brando, James Garner & Red Buttons. At the very least rent this Hollywood Classic it is worth the viewing. I hope MGM re-releases this film at a later date with all the extras to justify this films cinematic value & beauty. Enjoy.

Lush Romance Deals with Prejudice, Cultural Stereotypes
Very enjoyable film with good acting. Is portrayal of conditions in postwar Japan accurate? Is this really what went down, how people acted then? Was the U.S. Army really this involved in the soldiers' private lives? Were whites really this prejudiced? Were Japanese women really that submissive? What did Japanese audiences think at the time this film was released? It was probably a very enlightened film for its time and earnestly made a case for overcoming the racism portrayed by Americans here. The women look absolutely gorgeous in their makeup and theatrical costumes. Does anyone know if there really is a 'Matsubayashi' theatrical troupe as shown in the movie?

A Lack Of Women's Rights In Postwar Japan
SAYONARA is a great love story about American servicemen in Japan during the early 1950's. Viewers may be shocked by the racial attitudes of the American military brass and also by the treatment of women in Japanese society.

Academy awards were won by Red Buttons and Myoshi Umeki for their supporting roles. The movie was adapted from a novel by James Michener who had broad knowledge of postwar Japan.


One, Two, Three
Released in DVD by MGM/UA Video (15 July, 2003)
MPAA Rating: NR (Not Rated)
Director: Billy Wilder
Starring: James Cagney, Horst Buchholz, and Pamela Tiffin
Hardly ever mentioned in the category of lightning-paced comedies--the His Girl Friday and Preston Sturges kind--is this breathless cold war farce from the great Billy Wilder. Adapted from a one-act play by Ferenc Molnár, Wilder and collaborator I.A.L. Diamond's hilarious screenplay is a whirlwind collection of one-liners, gags, and double-entendres, anchored for the cameras by Jimmy Cagney's cagey and frenetic performance (one of his best), and, under Wilder's direction, executed with diamond-like precision. The gangster-movie icon plays a Coca-Cola executive in West Berlin (the film's 1961 release put it squarely in the middle of the world's laserlike focus on East vs. West tensions) who has parlayed expanding American consumerism into a chance to break through the Iron Curtain and sell "the pause that refreshes" to thirsty comrades. But when his Atlanta boss's visiting 17-year-old daughter (Pamela Tiffin), a boy-crazy Southern tornado, reveals that she has secretly married an American-hating German Commie (Horst Buchholz), Cagney's big-American-fish-in-a-European-pond lifestyle is threatened, especially once Daddy hops a plane to Germany. As the plot accelerates, the lines literally spit out of the cast's mouths--the title refers to Cagney's character's rapid-fire rattling off of lists of tasks--and Wilder's penchant for urbane nastiness is perfectly measured by the order of the whole crazy circus. This movie takes gleeful potshots at both sides of a conflict that terrified audiences in its day, but has aged beautifully to become a fascinating time capsule, an exhilarating litany of zingers and a potent blueprint for razor-sharp political satire. Cagney would retire after this movie for 20 years (returning for 1981's Ragtime), and it's hardly any wonder: he has the energy of 10 performances in this one film. --Robert Abele
Average review score:

Not that funny
I was told this is one of the funniest movies of all time, I had a sinking feeling that it wasn't. But hey I gave it a shot. The movie was very well done and moved along at a rapid pace with one liners flying so fast that i probably missed most of them, considering half the time i was trying to figure out what they were referring to. Most of the jokes I could imagine my grandfather laughing at, thinking back I 'm not sure if I laughed once. I did get a kick out of Cagneys wife tho. Id say if your under 40 this movie is not going to cause you to pass out from laughter.

Captures the age & entertains
I first saw this movie in a US Army theater in Germany in 1961. It was the first time I'd seen a movie audience applaud at the end of a movie...and for good reason. We were over there, and we knew that this film accurately depicted the times in spite of being a satiric farce. The dialogue is extemely witty, and the pacing is breath-taking. I don't buy a lot of movies, but this was at the top of my list of all-time favorite films.

Cagney as he was meant to be...
Simply put this may be Cagney's truest and therefore best movie.
As many fans know Cagney never really wanted to be an actor. for Cagney acting was an end to a means. In real life cagney was a fun loving jovial man not the "gangster" of his movie fame. This film allows us to see Cagney as Cagney... a serious...but funny man. As he was in real life he is in this film, quick witted, in command, and hilarious. the film is a constant barrage to the mind ( do to the genious of Billy Wilder ). As many Cagney fans know this was his 2nd. to last film and did not do anouther film for 20 years. Mid way through filming a scene that was a rapid fire monologue that took all day to shoot Cagey confided to Wilder that he new it was time to "hang it up". An exhausted Cagney was to have said that when it takes all day to shoot a scene the end is hear. to all that read this review if you want to laugh and be entertained by one of the greats this is the film.


They Shoot Horses, Don't They?
Released in DVD by Anchor Bay Entertainment (26 October, 1999)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Sydney Pollack
Starring: Jane Fonda and Michael Sarrazin
In the dark years of the 1930s, dance marathons became popular as a way for desperate people to compete for prize money. Sometimes the events would drag on for weeks as contestants pushed themselves far beyond the point of physical, mental, and emotional exhaustion, the dancers shambling around the floor in a half-dead stupor. People would then pay to sit in the bleachers, watch the event, and cheer on their favorites. They Shoot Horses is taken from hard-boiled pulp writer Horace McCoy's novel of the same name; Jane Fonda plays a bitter young woman paired up with Michael Sarrazin for the ordeal. Gig Young portrays the unctuous MC of the event, bringing equal parts compassion and sleaze to his role. Many of the film's images are unforgettable, such as "the derby," a heel-and-toe race around the dance floor with bouncy, lighthearted music to accompany the miserable spectacle. It's a powerful, tragic period piece that reminds us of the privations of the Great Depression. In the largest sense, the film has existential overtones that go far beyond the story of enervated dancers staying on their feet for a month or more. This film brought home a string of Academy Award nominations for the cast and director Sydney Pollack and a win for Young. --Jerry Renshaw
Average review score:

Great Early Jane Fonda
This is certainly not an upbeat film, but it gives a glimpse of Jane Fonda's earlier work and she is at her brilliant best. Great supporting performances by Gig Young and Susannah York too. Give this film a try!

American Idol deja vu
As I watched American Idol recently I kept thinking of this movie. It stands as one of my all-time favourites. Seems like the wheel's going round again.

DANSE MACABRE...
Horace McCoy's hardboiled 1930's novel about the Hollywood extras who enter a marathon dance contest is turned into a macabre allegory, with the paranoid, apocalyptic vision of American rottenness that was typical of movies in the Vietnam era. As the defiantly self-destructive, sharp-tongued Gloria, Jane Fonda gives a startling strong performance. Although she is somewhat repellent, her playing makes the audience feel empathy for her character: an affecting performance. The ultimately tragic Gig Young won his long awaited AA for his portrait of the crude barker; his pitches on the mike cheapen every human emotion, yet paradoxically, he's also sensitive and empathic. The director, Sydney Pollack, isn't exactly inventive, but he holds a tight rein over his actors; they work well for him, and he keeps the grisly situation going with energy and drive. Michael Sarrazin is memorable as the weak, puppy dog-eyed murderer, and the rest of the excellent cast is genuinely terrific: Bonnie Bedelia, Bruce Dern and Red Buttons.


Hatari!
Released in DVD by Paramount Home Video (24 July, 2001)
MPAA Rating: NR (Not Rated)
Director: Howard Hawks
Starring: John Wayne and Elsa Martinelli
Howard Hawks's 1962 adventure-comedy is basically the same, loosely plotted movie Hawks made over and over again for decades. A collection of professionals with a common goal--in this case, animal trapping in Tanganyika--forms a pocket community and holds each other to high standards in their work. This is a film about camaraderie, crisp banter, romance, and exciting action (the animal sequences are great). John Wayne played this part in about a thousand ways for Hawks over the years, and he could not be more entertaining as a grizzled pro. --Tom Keogh
Average review score:

Funny Story -- Breathtaking Scenery
I first saw Hatari! in a drive-in as a child, and was utterly enchanted by the scenery, Henry Mancini's award winning music, Red Button's comedy, and that hunk Hardy Kruger. Each time since that I've seen the movie, it's just as enjoyable. All of the actors are excellent, but I really enjoy the chemistry between Red Buttons and Elsa Martinelli, as they schemed together to win their loves. Elsa's dance with the Warusha is a stitch, but her bath with three men and a cheetah is not to be missed.

The DVD in widescreen (on my 31" TV) is not quite like that summer night at the drive-in, but almost as good. My speakers are a lot better than the drive-in was... It's an excellent transfer to DVD.

This movie is pure fun. It's a keeper.

I love this movie and it has Pockets!
John Wayne goes to africa to capture big game for museums. This movie is solid family entertainment. It is fun on several fronts. First there is the the adventure and "learning experience" watching how they capture wild animals. This is the action that holds the interest of my sons. second there is the love story for my daughters. third, is the duke for ol' dad. This is one of my top ten JW movies.

Cowboy (or cowboys?) in Africa
As in "The Hellfighters," the Duke here explicates a little-known modern profession, in this case that of wild-animal catcher for zoos, film companies, laboratories, and the like. He plays Sean Mercer, the senior "hunter" in a multinational group based somewhere in East Africa and working for the daughter (Giardon) of their old (French) boss. Complications begin when The Indian (Cabot), one of the most experienced men in the group, is gored by a rhino, and continue when an arrogant young Frenchman (Blain) tries to muscle in as his replacement while he's in the hospital. Then a newcomer (Martinelli) arrives at the farm: an Italian photojournalist who neglected to mention, during negotiations, that she was female. She and Sean enact "The Taming of the Shrew" for the rest of the film, while Pockets (Buttons), the company's driver, struggles to overcome his shy devotion to boss-lady Brandy. Filmed on location, the movie includes some heart-pounding animal-chase scenes (watch those rhinos!), splendid scenery (you'll gape when you see the open-air well used by the Masai), and liberal humor (Dallas and the baby elephants, her "adoption" by the local native tribe, and Pockets' scheme to bag several hundred monkeys in one go). One of the few films that has to be packaged as a double-VHS set, this epic comedy-adventure should be popular with all ages.


The Longest Day
Released in DVD by Twentieth Century Fox (06 November, 2001)
MPAA Rating: G (General Audience)
Directors: Ken Annakin, Darryl F. Zanuck, Andrew Marton, and Bernhard Wicki
Starring: Richard Burton
After seeing Saving Private Ryan, this epic tale about the Normandy invasion will look sanitized. But in its re-creation of events leading to the epochal battle, the film is captivating and grand, and the parade of famous actors who cross the screen naturally give the already charged action even more of a boost. Three directors worked on it: Ken Annakin (Battle of the Bulge), Andrew Marton (Crack in the World), and Bernhard Wicki (this film being his only credit). --Tom Keogh
Average review score:

Spielberg may have better FX but this one's got substance
This epic 1962 film about the D-Day invasion has got a lot to it. First the all star cast. Henry Fonda portrays Teddy Roosevelt's son, John Wayne as a Lt. Colonel, Richard Burton as a paratrooper, Robert Mitchum as a Brigadier General, and lesser roles from George Segal, Eddie Albert, Sean Connery, Edmunt O'Brien, Rod Steiger, Roddy McDowell, Robert Ryan, Sal Mineo, and many more. We get D-Day from the German's point of view (In German with subtitles) as well as the French, British, American, and even Irish (Connery's line "yeah, it takes an Irishman to play the pipes).

There's some good humor here as well as realism, even if you don't see much blood and gore. But though Saving Pvt. Ryan had more gore, it had much less substance and aside from the 25 minute beginning was less realistic than this. This one really sets the whole day of June 6th, 1944 in a way that you really feel the importance of it. The license they took with some of the facts doesn't detract from it's realization of one of the most important days in history. And this of course was one of the few wars where the US fought on the right side (though pre-war US corporate-Nazis ties are a whole other discussion).

The 3 hour film has a few scenes with Rommel (Werner Hinz)as well as the beautiful Irina Demick as a French resistance fighter. Fabian is given a long scene which was a big mistake for this film as he's a poor actor, and when he has a scene with Richard Burton it's like Davy and Goliath in terms of acting. Watch for a bit part with Richard Dawson.

This film remains a great tribute to those who risked and gave their lives to save Europe.

A Great WWII Epic
This film not only has a great cast of American actors, including John Wayne and Robert Mitchum, but famous French stars (Jean Louis Barrault and Arletty), British actors (Richard Burton, Peter Lawford), and German stars.
The basic plot is of the D-Day invasion at Normandy beach in France by the Allied troops. Beautifully filmed and wonderfully cast, it follows the story of a wide array of characters and their roles in the invasion.

An Incredible Film
"The Longest Day" seemed aptly appropriate, as it has become a classic cornerstone of epic film-making about the war, having done something never before accomplished in its time, namely attempting to render, in one film, the grand scale of that first day of the D-Day landings, June 6, 1942. the film suitably shows the preparations made before the landings, effectively building the story just before that famous day in history, and follows a tremendous cast of formidable actors as they portray critical characters in that fateful day's events. The implication of the film is obviously not to tell the tale of the whole war, or even to develop any one character, which is discussed further later. Rather, the film-makers seem to have intended to portray both the sheer magnitude of human achievement as well as loss associated with the invasion of Fortress Europe by the Allies in their attempt to wrest control of the continent from Germany and its Axis allies.

"The Longest Day" is unquestionably an historically accurate film about the events leading up to and including D-day. It includes vignette depictions of the Allied soldiers waiting to be deployed, after having been put on standby several times. It illustrates the day-to-day lives of the occupying Germans who did not expect the invasion. In fact, the landing of such a large force was considered unlikely and even impossible considering the weather at the time. The stories of the Glider Troops, Paratroop drops, the beach landings, and the actual land invasion itself all come together to weave this immense tale.

Something of great value about this film, essentially a macro view of that fateful day in 1942, is the film-maker's decision to present the plot from multiple perspectives. Wisely, these points of view include the Allies (mostly Americans, British, and the Free French), the Germans, and even a bit of the French Resistance. It effectively portrays the attitudes of the soldiers, commanders, and large groups like divisions and armies through the dialog and actions. The audience even gets to see some of the personal moments of that day. The story deftly follows several individual's exploits whose historical significance may or may not be great, but who are nevertheless part of the fabric of that momentous date. There is little character development, and rightly so, because it focuses on The Day and its events, which are, in essence, the main characters more so than the actors. However, the characters are still very intriguing, and deep due to the magnificent performances by an ensemble cast including, to name a few, John Wayne, Sean Connery, and Richard Burton.

This remarkable movie has amazingly large, almost panoramic, scenes. Shot with an eye and fell for the enormity of the moment, the director of photography created several scenes where the camera pans back to show an immense battlefield filled with thousands of extras. Given an bird's eye view of the struggle, the audience cannot help but be awed by the size of the engagements depicted. The sets are also notable because of the high quality and sheer volume of period artifacts, vehicles, uniforms and equipment. In all fairness, where Steven Spielberg expertly used computer generated graphics (CGI) and matte painting to stage the enormity of D-Day, "The Longest Day" employs literally employs a cast of thousands, and what appear to be thousands of acres of movie set. Simply put, some scenes are awesome and worthy or rewinding.

It is interesting to explore a social context of this film, and place it in perspective with its release date. Unlike modern war films, "The Longest Day" lacks gore and death. Some modern day critics have denounced this, and it may be wholly unjustified. If one considers that the film was made in 1962, a time when the typical audience was filled with people who not only knew what World War II was like, but may have been personally involved in it (the war had been over for only 15 years), the significance of this takes on a different meaning. If average World War II veterans were, let us say, approximately fifty years of age, their memories were still clear and most likely still impinged somehow by those memories. "The Longest Day" did not, nor did it really need to include the horrors of war to help sell it. On the contrary, if "The Longest Day" had the sort of gore associated with "Saving Private Ryan," the movie might not have sold, because the public would have thought it to be unnecessarily graphic. It is notable to recall that many modern audiences believed "Saving Private Ryan" to be overly graphic. In fact, it became a selling point for that film. If today's public, desensitized by not only the passage of time since the war's end, as well as the accustomed violence of modern films thought "Ryan" was too violent, "The Longest Day" would have been considered utterly distasteful in 1962 had it been filmed with the same sort of graphic depictions of carnage. While "The Longest Day" was not intended for children, there is no content that would be deemed objectionable for them to see, minus perhaps the situation to which the movie pertains.

It is noticeable that the Allies' story is favored. More of it is portrayed that that of the German side. This could be because there was more information available about the Allied operation, and because the film was meant for an American audience. It was gratifying to see people from both sides of the story being depicted as human, even when it is discovered that Hitler had just taken an untimely sedative, was resting, and was not to be disturbed, even as the invasion began!

Overall, "The Longest Day" is an inspiring film, which should be watched with the understanding of someone who might have lived through the war, even if it is imagined. Likewise, it should not be compared to modern movies, because the point trying to be made would be missed.


The Longest Day
Released in DVD by Twentieth Century Fox (20 May, 2003)
MPAA Rating: G (General Audience)
Directors: Ken Annakin, Darryl F. Zanuck, Andrew Marton, and Bernhard Wicki
Starring: Richard Burton
The Longest Day is Hollywood's definitive D-day movie. More modern accounts such as Saving Private Ryan are more vividly realistic, but producer Darryl F. Zanuck's epic 1962 account is the only one to attempt the daunting task of covering that fateful day from all perspectives. From the German high command and front-line officers to the French Resistance and all the key Allied participants, the screenplay by Cornelius Ryan, based on his own authoritative book, is as factually accurate as possible. The endless parade of stars (John Wayne, Henry Fonda, Robert Mitchum, Sean Connery, and Richard Burton, to name a few) makes for an uneasy mix of verisimilitude and Hollywood star-power, however, and the film falls a little flat for too much of its three-hour running time. But the set-piece battles are still spectacular, and if the landings on Omaha Beach lack the graphic gore of Private Ryan they nonetheless show the sheer scale and audacity of the invasion. --Mark Walker
Average review score:

Spielberg may have better FX but this one's got substance
This epic 1962 film about the D-Day invasion has got a lot to it. First the all star cast. Henry Fonda portrays Teddy Roosevelt's son, John Wayne as a Lt. Colonel, Richard Burton as a paratrooper, Robert Mitchum as a Brigadier General, and lesser roles from George Segal, Eddie Albert, Sean Connery, Edmunt O'Brien, Rod Steiger, Roddy McDowell, Robert Ryan, Sal Mineo, and many more. We get D-Day from the German's point of view (In German with subtitles) as well as the French, British, American, and even Irish (Connery's line "yeah, it takes an Irishman to play the pipes).

There's some good humor here as well as realism, even if you don't see much blood and gore. But though Saving Pvt. Ryan had more gore, it had much less substance and aside from the 25 minute beginning was less realistic than this. This one really sets the whole day of June 6th, 1944 in a way that you really feel the importance of it. The license they took with some of the facts doesn't detract from it's realization of one of the most important days in history. And this of course was one of the few wars where the US fought on the right side (though pre-war US corporate-Nazis ties are a whole other discussion).

The 3 hour film has a few scenes with Rommel (Werner Hinz)as well as the beautiful Irina Demick as a French resistance fighter. Fabian is given a long scene which was a big mistake for this film as he's a poor actor, and when he has a scene with Richard Burton it's like Davy and Goliath in terms of acting. Watch for a bit part with Richard Dawson.

This film remains a great tribute to those who risked and gave their lives to save Europe.

A Great WWII Epic
This film not only has a great cast of American actors, including John Wayne and Robert Mitchum, but famous French stars (Jean Louis Barrault and Arletty), British actors (Richard Burton, Peter Lawford), and German stars.
The basic plot is of the D-Day invasion at Normandy beach in France by the Allied troops. Beautifully filmed and wonderfully cast, it follows the story of a wide array of characters and their roles in the invasion.

An Incredible Film
"The Longest Day" seemed aptly appropriate, as it has become a classic cornerstone of epic film-making about the war, having done something never before accomplished in its time, namely attempting to render, in one film, the grand scale of that first day of the D-Day landings, June 6, 1942. the film suitably shows the preparations made before the landings, effectively building the story just before that famous day in history, and follows a tremendous cast of formidable actors as they portray critical characters in that fateful day's events. The implication of the film is obviously not to tell the tale of the whole war, or even to develop any one character, which is discussed further later. Rather, the film-makers seem to have intended to portray both the sheer magnitude of human achievement as well as loss associated with the invasion of Fortress Europe by the Allies in their attempt to wrest control of the continent from Germany and its Axis allies.

"The Longest Day" is unquestionably an historically accurate film about the events leading up to and including D-day. It includes vignette depictions of the Allied soldiers waiting to be deployed, after having been put on standby several times. It illustrates the day-to-day lives of the occupying Germans who did not expect the invasion. In fact, the landing of such a large force was considered unlikely and even impossible considering the weather at the time. The stories of the Glider Troops, Paratroop drops, the beach landings, and the actual land invasion itself all come together to weave this immense tale.

Something of great value about this film, essentially a macro view of that fateful day in 1942, is the film-maker's decision to present the plot from multiple perspectives. Wisely, these points of view include the Allies (mostly Americans, British, and the Free French), the Germans, and even a bit of the French Resistance. It effectively portrays the attitudes of the soldiers, commanders, and large groups like divisions and armies through the dialog and actions. The audience even gets to see some of the personal moments of that day. The story deftly follows several individual's exploits whose historical significance may or may not be great, but who are nevertheless part of the fabric of that momentous date. There is little character development, and rightly so, because it focuses on The Day and its events, which are, in essence, the main characters more so than the actors. However, the characters are still very intriguing, and deep due to the magnificent performances by an ensemble cast including, to name a few, John Wayne, Sean Connery, and Richard Burton.

This remarkable movie has amazingly large, almost panoramic, scenes. Shot with an eye and fell for the enormity of the moment, the director of photography created several scenes where the camera pans back to show an immense battlefield filled with thousands of extras. Given an bird's eye view of the struggle, the audience cannot help but be awed by the size of the engagements depicted. The sets are also notable because of the high quality and sheer volume of period artifacts, vehicles, uniforms and equipment. In all fairness, where Steven Spielberg expertly used computer generated graphics (CGI) and matte painting to stage the enormity of D-Day, "The Longest Day" employs literally employs a cast of thousands, and what appear to be thousands of acres of movie set. Simply put, some scenes are awesome and worthy or rewinding.

It is interesting to explore a social context of this film, and place it in perspective with its release date. Unlike modern war films, "The Longest Day" lacks gore and death. Some modern day critics have denounced this, and it may be wholly unjustified. If one considers that the film was made in 1962, a time when the typical audience was filled with people who not only knew what World War II was like, but may have been personally involved in it (the war had been over for only 15 years), the significance of this takes on a different meaning. If average World War II veterans were, let us say, approximately fifty years of age, their memories were still clear and most likely still impinged somehow by those memories. "The Longest Day" did not, nor did it really need to include the horrors of war to help sell it. On the contrary, if "The Longest Day" had the sort of gore associated with "Saving Private Ryan," the movie might not have sold, because the public would have thought it to be unnecessarily graphic. It is notable to recall that many modern audiences believed "Saving Private Ryan" to be overly graphic. In fact, it became a selling point for that film. If today's public, desensitized by not only the passage of time since the war's end, as well as the accustomed violence of modern films thought "Ryan" was too violent, "The Longest Day" would have been considered utterly distasteful in 1962 had it been filmed with the same sort of graphic depictions of carnage. While "The Longest Day" was not intended for children, there is no content that would be deemed objectionable for them to see, minus perhaps the situation to which the movie pertains.

It is noticeable that the Allies' story is favored. More of it is portrayed that that of the German side. This could be because there was more information available about the Allied operation, and because the film was meant for an American audience. It was gratifying to see people from both sides of the story being depicted as human, even when it is discovered that Hitler had just taken an untimely sedative, was resting, and was not to be disturbed, even as the invasion began!

Overall, "The Longest Day" is an inspiring film, which should be watched with the understanding of someone who might have lived through the war, even if it is imagined. Likewise, it should not be compared to modern movies, because the point trying to be made would be missed.


Pete's Dragon (Restored Edition)
Released in DVD by Walt Disney Home Video (16 January, 2001)
MPAA Rating: G (General Audience)
Director: Don Chaffey
Starring: Helen Reddy and Sean Marshall
Disney loved to mix live action with animation (Mary Poppins, Bedknobs and Broomsticks), but this 1977 effort falls on its face. The turn-of-the-century story concerns an orphaned boy whose only friend is a cartoon monster. While the latter is entertainingly rendered, the rest of the film strains to be enchanting and the cast overreaches in a big way. Not for anybody over the age of ten. --Tom Keogh
Average review score:

Sorely Underated and Too Often Bashed
It is really sad to see how cruel people can be out there. I will admit to you that this may be a little heavy for a kid's movie, but it has some excellent points to make. I continue to see this movie derided by people and press and it makes me very sad how people don't give it a chance. I wes very impressed with the music, I have all of the soundtracks, LP, Cassette and CD, I own the movie on VHS and DVD and it has always been my favorite movie of all time. Perhaps it's my favorite because it is such a step away from normal, lightheated children's movies. I read somewhere that Walt Disney was probably rolling in his grave when this movie came out, and I would like to say I believe that person to be sorely mistaken. While a bit flawed, this is truly an excelent Disney film. Remember, "There's Room for EVERYONE in this World" as the song states, give this movie a chance. This is a wonderful film to watch with your children and discuss afterwards, maybe even watch on your own. It is NOT strictly for children. While Pete's Dragon is based, derided, and generally forgotten, I urge all of you to at least rent this gem and bring it out of the obscurity it doesn't deserve.

Still an all time favorite
One of my favorite Disney movies. I love the relationship between Elliot and Pete. The songs in the movie are unforgettable. I still find myself singing them now as an adult.

I'm Glad My Sister Took Me To See It!
I Saw Pete's Dragon when it was in the movie theaters in 1977, I was 12 years old and my 25 year old sister took me to see it and even though she wasn't that impressed with it I loved it and thought it was an entertaining movie with cute music and I enjoyed the acting by Helen Reddy, Mickey Rooney and Sean Marshall plus many other good actors too and the animation of Elliot the dragon was good. This is a movie I could definitely see myself buying on DVD and I highly recommend it!


The Poseidon Adventure
Released in DVD by Twentieth Century Fox (17 December, 2002)
MPAA Rating: PG (Parental Guidance Suggested)
Directors: Ronald Neame and Irwin Allen
Starring: Gene Hackman, Ernest Borgnine, and Shelley Winters
Hands down, this is the best movie (and was one of the first) to come out of the seemingly endless cycle of disaster movies that dominated box offices during the 1970s. It could even be argued that Titanic owes some of its success to the precedent set by this 1972 blockbuster starring Gene Hackman as a priest who leads a small group of survivors to safety from the bowels of a capsized luxury liner. From its stellar cast to its cheesy, Oscar-winning theme song, The Morning After, the movie has all the ingredients of a popular classic, beginning with a New Year's Eve celebration aboard the ill-fated Poseidon and ending as a pop allegory when the Hackman character becomes a Christ-like martyr. Filmed on spectacular sets where everything down is up and the ship's thick hull points in the direction of salvation, this is "a waterlogged Grand Hotel" (in the words of New Yorker film critic Pauline Kael) that is as entertaining as it is unabashedly brainless. The Poseidon Adventure is filled with performances that rise above the limits of the screenplay. It's also the only movie--unless you count her underwater corpse in Night of the Hunter--that lets Shelley Winters strut her stuff as an aquatic heroine. Who could ask for anything more? --Jeff Shannon
Average review score:

What, no Special Edition!?!
To this day The Poseidon Adventure remains the undisputed high water mark (no pun intended) for the Disaster Movie craze. While Airport started it, it was really this Irwin Allen production, with its still potent mix of star power and grand spectacle, that got the genre off and running. Given the scale of the movie the over-the-top theatrics of the cast actually fit well and, no matter how many times I watch it, I still move to the edge of my seat, hoping that they make it to the bottom of the boat in time. For the price this DVD is a decent (and required) addition to the movie fans library, but it really deserves the Special Edition treatment (i.e. behind the scenes documentaries, commentaries, surviving cast interviews, etc.) and a remastered and (for those with 16 x 9 TV sets) anamorphic transfer. If you are fan of special effects movies in general or Disaster Movies in particular then you already know you need this in your collection. Highest recommendation.

I Hope They Remaster and Improve The Widescreen DVD!
As a child in the 70's I saw several disaster movies and though this is not one of the movies I saw back than, I actually watched it for the first time on TCM this is definitely my favorite of all of the disaster movies I've watched and I thought it was a very thrilling movie that really kept me interested and even though the dialogue can be a bit corny I actually thought the dialogue in The Poseidon Adventure was the best of all of the disaster movies and this movie had an excellent cast, Gene Hackman (Superman the Movie), Ernest Borgnine (Marty), (Jack Albertson (Chico and the Man), Shelley Winters (Pete's Dragon), Pamela Sue Martin (Nancy Drew), and many others. I would really like to own this movie on a widescreen DVD but I see it got bad marks from Widescreen Reviews and hopefully a new remastered DVD will come out that will be truly outstanding! But the price of this DVD is so low that it just may be worth buying and owning until a better DVD comes out and you can trade or sell the old one.

A VERY MUCH GOOD HUMAN ADVENTURE !!!!!
YES !!! THIS WAS, at this time INCREDIBLE with the more ancients averages to make a such good MOVIE but with GENE HACKMAN and also LESLIE NIELSEN as CAPTAIN of brink of the SHIP and also the others very goods actors very many years ago in ( 1977 i think )
THIS MOVIE COULD BE CHARACTERIZE THE HUMAN NATURE BAD or GOOD with or without GOD ! ONLY the strongs are able to survive when it's necessary this is typycal at the HUMAN GENDER and this GOOD STORY PROVE THAT ! There is not in the reality : "THE WOMEN and THE KIDS before" in the reality, THERE ARE ALAS THE MORE STRONGS WHO ARE AT ANYTIME THE SURVIVORS IN THIS WORLD !!! THIS MOVIE SAY THIS WITH MANY FORCE !!!!! *******


It Could Happen to You
Released in DVD by Columbia/Tristar Studios (30 October, 2001)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Andrew Bergman
Starring: Nicolas Cage, Bridget Fonda, and Rosie Perez
Inspired by an actual incident, this unassuming, wonderfully good-natured romantic comedy tells the story of a New York City street cop named Charlie (Nicolas Cage) who makes a promise to a coffee-shop waitress named Yvonne (Bridget Fonda) that will change both their lives. One day after coffee, Charlie is embarrassed to discover he doesn't have money for a tip, so he tells Yvonne that he'll share half of his winnings if the lottery ticket he's holding comes up a winner. Sure enough, he wins the jackpot--a whopping $4 million payoff--and Charlie's wife, Muriel (Rosie Perez), goes ballistic when he tells her about his deal with Yvonne. From this point, It Could Happen to You follows Charlie's dilemma as he is forced to decide the proper course of action, and director Andrew Bergman smoothly incorporates a gentle love story into this amusing crisis of conscience. Fonda and Cage have an easygoing chemistry that adds a pleasant touch to the movie's fairy-tale plot, and the story's kindhearted sentiment is never so thick that it becomes sticky-sweet or artificial. As feel-good comedies go, this one's a class act. --Jeff Shannon
Average review score:

Fake Love Story, Seriously flawed script...
The original script for this film was more honest. It tried to show the charecters in a somewhat more realistic way, but the studio rewrites turn this into a modern day and totaly cliched Cinderalla story with an ending that looks so much like they made it up and did it as a reshoot.

you reap what you sow
This movie, based on a true story, is for anyone desperately hoping that good things do happen to good people. Yvonne is a struggling waitress who has filed for bankruptcy, as her estranged husband (she doesn't have enough money to divorce him) ran up $12,000 on her credit cards. She came to New York 5 years ago to be an actress, and it just never happened. Meantime, Charlie is a good-hearted cop, very blue collar, living in Queens and liking it. He is married to Muriel, his high-school sweetheart, and she doesn't like it -- she wants more more more!! And WHEN is Charlie going to give it to her, that's what she wants to know!

One day, Charlie is at Yvonne's coffeeshop and doesn't have enough money to pay the bill and leave a tip. He offers to come back the next day and give her half his lottery winnings (he just purchased a ticket) or double a tip. Turns out he wins ... and that is where the real story begins.

Money is not the root of all evil, it's the LOVE of all money that is. How much this money meant to Charlie, Yvonne, Muriel and the various people who start coming out of the woodwork all becomes apparent. Furthermore, money is not an end but the means to an end -- how does each individual choose to use their part of the pie? It's interesting .....

This is billed as a romance but that is really the secondary plotline that develops very slowly. It could happen to you -- and the situations presented make you examine what you would do if you won $4 million.

A feel good movie, through & through!
I am glad that this movie is available on DVD because it's a great "feel good" movie! Nicolas Cage plays a mild mannered cop who, one day, can't leave a tip for a cup of coffee, so he offers his waitress (Bridget Fonda) his lottery ticket. It's funny to see the chain of events that happen throughout the movie. It's a romantic comedy that will keep you watching right to the end!


Gay Purr-ee
Released in DVD by Warner Home Video (06 May, 2003)
MPAA Rating: G (General Audience)
Director: Abe Levitow
Starring: Judy Garland and Robert Goulet
This little gem has the pedigree of a purebred Persian: it features voices of no less than Judy Garland and Robert Goulet, the original songs of Wizard of Oz composers Harold Arlen and E.Y. Harburg, and the writing talents of animation giant Chuck Jones. Garland gives life to our young heroine, Mewsette, a naive country kitty who runs off to seek the bright lights of Gay '90s Paris; Goulet is her devoted country bumpkin beau, Jaune-Tom, who sets off to find her (accompanied by the scrappy kitten Robespierre). While in Paris, Mewsette falls prey to the dastardly yellow-eyed Meowrice, and his compatriot, Madame Rubens-Chatte (played with hilarious swagger by Hermione Gingold), who runs a cathouse of ill repute off the Champs Élysées. The story is slim, itself a bit of an homage to Oz: country girl longs to spread her wings, leaves home, and has many adventures, only to discover that there's no place like home. But the stylized look of the film is breathtaking--the French countryside looks like miles and miles of Vincent Van Gogh's sensual Arles--and Garland and Goulet are in fine voice. If you love surreal animation, Judy Garland, cats, or Paris--or any combination thereof--this film will have you purring. --Anne Hurley
Average review score:

What was I thinking? Was I retarded when I was younger?
When I was younger, I thought this film was ok. I saw that it came out on DVD so I bought it. Maybe my kids will like it. My God, was I wrong! Boy, I was embarrassed! The story is just, well, so-so, nothing exceptional. But, the songs are stomach-wretching! That kind of music was out-dated even in 1962. You'd have to be over 80 to find these songs entertaining. I had to apologize to my kids. Now, they're going to question me on anything else I bring home on DVD. I have to get rid of this stupid DVD quickly. But, who can I give it to? Someone under the age of 4, or someone older than 80 years old? This movie would be a great torture video, just tie your victim down and make him watch the film. He or she, will be traumatized for life! I'm looking at the DVD movie cover right now. I'm feeling flushed and ill! I hope I don't vomit on my keyboard! Believe me, think before you buy this movie. And, don't think that you're going to be doing your kids any favors with this one. This film will kill your credibility with them! Be warned!!

So sweet!
My wife saw this cartoon when she was a little girl back in the '60 and on a B/W TV. She has been talking about it for all these years and wanting to see it again.

And now it is here on DVD. And I must admit: This is a sweet cartoon. I especially like the sequence where Suzette is painted in many different styles (impressionistic and so on).

And my wife is happy!

A great movie by Chuck Jones
This movie was one of my most favorite movies to watch as a child. Once it came out on DVD I snatched it right up. I promise that you won't be disappointed with this wonderful film. It is a lot different from standard run of the mill animation, which makes the movie trully wonderful. You and your kids will love it.


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