Rugs Movie Reviews


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Family movie reviews for "Rugs" sorted by average review score:

The Best of Baretta
Released in DVD by Universal Studios (29 October, 2002)
MPAA Rating: NR (Not Rated)
Directors: Don Medford, Robert Douglas, Alex March, Robert Blake, Ted Post, Curtis Harrington, Jeannot Szwarc, Chris Robinson, and Bernard L. Kowalski
Starring: Robert Blake
It is a sordid fact of life that were it not for Robert Blake's newfound infamy as an accused wife murderer, Baretta, which lasted three seasons beginning in 1975, might have been relegated to late nights in TV land. But as they say in Hollywood, there's no such thing as bad publicity. So for those who do not want to invest in the Season One boxed set, here are three episodes from this offbeat cop series' first season, including the atypically gritty and brutal pilot, in which funky undercover cop Anthony Baretta goes after his girlfriend's killer, and speaks those grimly prophetic words: "If you can't do the time, don't do the crime." As these episodes testify, Baretta is more than a newly minted sick joke. The randy, rule-bending Baretta was a cop like no other on TV. And, as Tony was fond of saying, you can take that to the bank. --Donald Liebenson
Average review score:

I LOVE BARETTA
I watched aLL THE bARETTA SHOWS AND I just love him and still do. THis episode is one of the hottest.Only robert blake can come across as he does for I BELIEVE a little of it is part of him....he is just great!!!


The Drum Set Crash Course, With Russ Miller
Released in DVD by Warner Brothers Pub. (18 March, 2003)
MPAA Rating: Unrated
Average review score:

It's like a private lesson w/one of the best studio drummers
This DVD has so much info. I don't know where to start. Russ is not only one of the best LA Session players but what a great educator! This DVD shows you how to play every style imaginable, and with confidence. I use this w/all my students and they totally dig it. 2 thumbs up!!!


Russ Meyer's Lorna
Released in DVD by Ventura Distribution (06 January, 2003)
MPAA Rating: Unrated
Director: Russ Meyer
Average review score:

One of Meyer's best that I've seen to date.
Lorna is about a married couple, in which Lorna, the wife, is left at home when her husband goes off to work each day. Lorna runs into bad company one day and things go wrong for her. Meanwhile, her husband is catching heat from his coworkers because they have convinced themselves that Lorna's husband does not satisfy her and that she longs for more loving than he has been giving her. What happens? Sorry not going to ruin it for you. Definite MUST SEE if you have any interest in Russ Meyer's films.


Soul Hunter - City of Fire (Vol. 5)
Released in DVD by A.D. Vision (18 June, 2002)
MPAA Rating:
In what would be the final episodes of a traditional series, Taikoubou and his key allies attack the demon Dakki and her sisters Kibi and Oh Kijin, who have seduced the corrupt emperor Zhou. Sorcery and high-tech weaponry blend in a bizarrely imaginative battle that razes the capitol city of Chouka. But not even superheroes armed with paopei (supernatural weapons) can turn the tide of history: it's too late to restore the empire, and the Yin dynasty perishes. The destruction of the screeching Dakki should mark the end of Project Soul Hunter, but Taikoubou and his immortal minions have another campaign ahead of them. As the aloof demon Shinkohyo predicts, "Now the real fun begins." Based on a manga adaptation of a Chinese ghost story, Soul Hunter offers highly original designs and a lively mixture of high adventure and offbeat comedy. Rated 12 Up: Cartoon violence, profanity. --Charles Solomon
Average review score:

it was awesome
I'd just like to say that once the 5th DVD was over I was happy to learn there was more to come. I love the storyline, the art, and I love the characters. Nothing turned out the way i thought it would, which was a nice surprise. You definantly have to start from the begining, but you better beleive its worth it.


Soul Hunter - The One That Got Away (Vol. 6)
Released in DVD by A.D. Vision (30 July, 2002)
MPAA Rating:
This zany comedy-adventure series reaches an appropriately off-kilter conclusion as all the characters, even the hippo-like Sibu and the aloof clown-demon Shinkohyo, fulfill their roles in a conflict that pits Taikoubou and his bizarre cadre of friends against the Immortals of Mt. Kunlun. The battle evolves into a debate over human free will versus predestination, illustrated with a mixture of fantasy, reality, flashbacks, and farce. Taikoubou learns he has been a pawn in a much greater game; but by remaining uncorrupted yet flexible, he discovers the significance and desirability of a straight fishhook. Based on a manga adaptation of a Ming dynasty novel set during the fall of the Yin (Shang) dynasty in the 11th century B.C., Soul Hunter offers a winning mixture of high adventure, slapstick humor, and strikingly original designs that will delight otaku weary of Evangelion clones. Rated 12 Up: Violence, brief nudity, minor profanity. --Charles Solomon
Average review score:

A Stunning Series!
This anime has it all. An excellent storyline, believable characters, humour, and excellent animation. I have enjoyed this entire series immensely. The very basic storyline is that the main character, Taikobou, is sent to the human realm of earth to basically assasinate this list of evil characters. There are many surprising twists and turns in this story and it is well worth the time and money. I really don't want to spoil this series for anyone. I guess the best I can say is that if you liked Escaflowne character devolopment and storyline that I believe you would enjoy this series as well.


The Haunting
Released in DVD by Warner Home Video (05 August, 2003)
MPAA Rating: G (General Audience)
Director: Robert Wise
Starring: Julie Harris, Claire Bloom, and Richard Johnson
Certain to remain one of the greatest haunted-house movies ever made, Robert Wise's The Haunting (1963) is antithetical to all the gory horror films of subsequent decades, because its considerable frights remain implicitly rooted in the viewer's sensitivity to abject fear. A classic spook-fest based on Shirley Jackson's novel The Haunting of Hill House (which also inspired the 1999 remake directed by Jan de Bont), the film begins with a prologue that concisely establishes the dark history of Hill House, a massive New England mansion (actually filmed in England) that will play host to four daring guests determined to investigate--and hopefully debunk--the legacy of death and ghostly possession that has given the mansion its terrifying reputation.

Consumed by guilt and grief over her mother's recent death and driven to adventure by her belief in the supernatural, Eleanor Vance (Julie Harris) is the most unstable--and therefore the most vulnerable--visitor to Hill House. She's invited there by anthropologist Dr. Markway (Richard Johnson), along with the bohemian lesbian Theodora (Claire Bloom), who has acute extra-sensory abilities, and glib playboy Luke Sanderson (Russ Tamblyn, from Wise's West Side Story), who will gladly inherit Hill House if it proves to be hospitable. Of course, the shadowy mansion is anything but welcoming to its unwanted intruders. Strange noises, from muffled wails to deafening pounding, set the stage for even scarier occurrences, including a door that appears to breathe (with a slowly turning doorknob that's almost unbearably suspenseful), unexplained writing on walls, and a delicate spiral staircase that seems to have a life of its own.

The genius of The Haunting lies in the restraint of Wise and screenwriter Nelson Gidding, who elicit almost all of the film's mounting terror from the psychology of its characters--particularly Eleanor, whose grip on sanity grows increasingly tenuous. The presence of lurking spirits relies heavily on the power of suggestion (likewise the cautious handling of Theodora's attraction to Eleanor) and the film's use of sound is more terrifying than anything Wise could have shown with his camera. Like Jack Clayton's 1961 chiller, The Innocents, The Haunting knows the value of planting the seeds of terror in the mind, as opposed to letting them blossom graphically on the screen. What you don't see is infinitely more frightening than what you do, and with nary a severed head or bloody corpse in sight, The Haunting is guaranteed to chill you to the bone. --Jeff Shannon

Average review score:

Waste of Money
*yawn* Okay, I admit it, I fell asleep during this plodding, boring film. I understand that this film fits in the classic-thriller genre, which is not to be confused with the modern-thriller genre. I am quite able to appreciate classic thrillers but, sorry to all those who seem to think this movie is awesome--it's not. It is boring and predictable and utterly forgettable.

If you are looking for classic-thriller material that will actually scare you or at the very least interest you, take a look at the works of the talented Alfred Hitchcock. If it is a psychological thriller you are after, try "Of Unknown Origin" with Peter Weller. There is nothing thrilling about this movie, and the "psychology" is basically dubbed voice-overs where the characters narrate their thoughts aloud.

People who felt that the 1999 version of "The Haunting" was inferior to this film in any way need to have their heads examined. Firstly, the 1999 version is a completely different genre (modern horror), and secondly, rated against others of its own genre the 1999 version of "The Haunting" holds up well.

Unless you are someone that believes that every film made before 1970 is good, I wouldn't bother with this movie.

give me back my money
fell asleep about an hour into the movie, waited for some classic or scary scenes but they just never came. this movie may have scared people back then, but its pretty much comedy now. stick to classic horror films like texas chainsaw, shining, exorcist, amityville, etc.

Satisfying
The Haunting is not quite the norm of the modern horror genre, but that's probably why it's so well-watched. There is little suspenseful music during the 'really scary' parts which I found to be unique & efficient. The acting is extremely well-done which is in stark contrast to today's box-office bashes.

The story follows an old estate, Hill House, which has a typical assortment of mysterious deaths in its history that have led to variously typical rumors regarding the place. A team of researchers, led by Dr. Marquay, let the house for studies in the supernatural. The good doctor has called in a psychic, a victim of a poltergeist, and the heir to the deserted estate. Eventually, Eleanor (Julie Harris) is driven mad by the forces inside the house. The unexpected ending makes for a slightly off-beat comsummation to an otherwise well-told story.


American History X
Released in DVD by New Line Studios (04 June, 2002)
MPAA Rating: R (Restricted)
Director: Tony Kaye
Starring: Edward Norton and Edward Furlong
Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.

The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon

Average review score:

Disturbing.
"American History X" definatly isn't a feel good movie, but it doesn't need to be. I knew before I saw this film that it would confront and bother me, but for all the horrible moments in this film I actually feel better having seen it. Edward Norton is fantastic, as he always is, as a skinhead living a life of hate and influencing the life of his younger brother. There are many mements where you hate Norton's character so much you can hardly stand it. However, unlike similar movies where the veiwer has no characters to relate to, the direction and acting in this movie accomplish an amazing task: the viewer starts to sypathise with Norton as he realises the futility of his hatred in prison. In the end, one message is clear: the only thing hate creates is more hate. Though tough to watch, this is a movie that more people need to see.

this movie
this movie was written by a certain david mckenna. he grew up and went to my high school together. a couple of years ago i had a chance to talk to him after a very chance encounter in santa monica. dave explained that his script was completely rewritten after he sold the rights to it.

the original ending was the most important section of the film and it was completely altered. the original script calls for a accidental murder of the character danny, and a more thoughtful exposition of the thesis of the film, which is principally about fear and how fear shapes our societies, and a small view into how this might come about.

dave explained that the edward norton "skinhead" character's realization of ignorance and fear was much more fully and subtley developed than in the final cut. this is unfortunate, and i think that dave's original script would have made a more meaningful movie.

the idea of portraying a charasmatic white power neo-nazi is absolutely controversial, but in analysing the movie ( even the final product ) i think it is very clear that the "logic" behind nazi theories shown is extremely faulty. in fact, the inspiration for "derek" to embrace these ideas is absolutely linked to his personal and emotional experiences and not his logical mind. if you want to judge for yourself, watch the film closely!

all in all, this film was well directed, and in my opinion very well acted. certain parts could have been made more realistic, like the basketball sequence. (ed norton is not a basketball good player by any standards...but that is trivial).

this is a movie that interested me, and if you watch it remember that it was not intended by the writer to play out exactly as it does.

Not as good as Romper Stomper
Not as good as Romper Stomper, because I found it less enjoyable, but American History X is a great movie no doubt, I recommend buying this movie and Romper Stomper.


Memento (Limited Edition)
Released in DVD by Columbia Tristar Hom (21 May, 2002)
MPAA Rating: R (Restricted)
Director: Christopher Nolan
Starring: Guy Pearce, Carrie-Anne Moss, and Joe Pantoliano
Guy Pearce (L.A. Confidential) and Joe Pantoliano (The Matrix) shine in this absolute stunner of a movie. Memento combines a bold, mind-bending script with compelling action and virtuoso performances. Pearce plays Leonard Shelby, hunting down the man who raped and murdered his wife. The problem is that "the incident" that robbed Leonard of his wife also stole his ability to make new memories. Unable to retain a location, a face, or a new clue on his own, Leonard continues his search with the help of notes, Polaroids, and even homemade tattoos for vital information.

Because of his condition, Leonard essentially lives his life in short, present-tense segments, with no clear idea of what's just happened to him. That's where Memento gets really interesting; the story begins at the end, and the movie jumps backward in 10-minute segments. The suspense of the movie lies not in discovering what happens, but in finding out why it happened. Amazingly, the movie achieves edge-of-your-seat excitement even as it moves backward in time, and it keeps the mind hopping as cause and effect are pieced together.

Pearce captures Leonard perfectly, conveying both the tragic romance of his quest and his wry humor in dealing with his condition. He is bolstered by several excellent supporting players, and the movie is all but stolen from him by Pantoliano, who delivers an amazing performance as Teddy, the guy who may or may not be on his side. Memento has an intriguing structure and even meditations on the nature of perception and meaning of life if you go looking for them, but it also functions just as well as a completely absorbing thriller. It's rare to find a movie this exciting with so much intelligence behind it. --Ali Davis

Average review score:

Tremendous film! Pure genius
This is truly an original film. So well done. Just absolutely terrific movie!!! If you have yet to watch this, go see it now. You will be spellbound. The film is in reverse chronological order and, yes, there is an absolute reason for it. Just amazing.

Near perfection
Let's see, how to begin this review-- how about at the end and move slowly toward the front? You see, that would be a propos for this film, which takes precisely that approach to tell the story. It moves from end to beginning, with each scene that the audience sees being the scene which took place before the previous scene.

Well, kind of. There is also another similar plot line which runs in true time and is mostly the main character, Leonard (Guy Pearce) talking to someone on the phone about a strange mental condition. No worries about telling the two plot lines apart, because this alternate plot line is shot completely in black and white, while the plot line that runs in reverse is done in color. The movie alternates black and white scenes with color scenes, which leaves us completely confused for a while.

Not really such a bad thing for this movie, because that's exactly what Leonard feels. He was a detective living a normal life, when his wife was brutally raped and murdered. He walked in on the attack and was slammed into a wall. He developed a strange condition from this injury. He can form no new memories. Anything that happened to him before the attack is crystal clear. Since then, any encounter he has fades from memory within seconds.

To combat this, he uses his body as a kind of billboard, tatooing various facts about the killer all over himself, so he won't forget them as he hunts down the killer of his wife. He also keeps pictures of everyone he meets and writes notes on the backs to keep straight whether they can be trusted. Some of the people he meets may not be his true friends, but we don't know that, we are along for the ride.

The two main characters Leonard meets in the movie are Teddy (Joe Pantoliano) and Natalie (Carrie Anne Moss). Both characters are not who they seem at first, and one wonders if either can truly be trusted. Kudos must go out to Pearce, who gives an excellent performance as the brain damaged Leonard. You can sense his acceptance of the reality of his life, yet see the despair just underneath the surface. Magnificent performance.

Camera work is another plus here. A couple of neat tricks for us. The opening scene is of someone being shot with a pistol. The scene goes completely in reverse, with the bullet going back into the gun and the blood crawling up the wall. This sets the scene for the type of storytelling we will be seeing. Also, I mentioned the two separate storylines. Watch toward the very end for these to come together. It will take a careful eye to spot the moment when they do.

The main accomplishment for Christopher Nolan is the ability to structure the film in this way and still leave us a surprise at the end. Or beginning. Whatever. By the time the credits roll, we learn that everything that has gone before may not be completely accurate. Is that the message? That memory itself is unreliable? Perhaps.

Finally, the DVD itself. Wonderful. The image is crisp and clear. The DTS sound is awesome The discs are loaded with extras although I admit they are a pain to access, particularly disc 2. You may have to go to a website to fully explain how to access everything. My favorite feature is the one which lets you watch the whole movie in real time The black and white scenes all actually happen before the color scenes in real time. This is evident when you utilize this feature.

In short, this is a must see. I promise, you will not see anything like this for a long time. The script, acting, and execution are near flawless. Go grab a copy of this and get ready to watch it at least twice!

Brilliant!
"Memento" is one of the most intriguing films! i've only heard of this film THIS YEAR!, 2003!, 3 years later! My friend who told me about it said it was "f*?ked up!", and i understand why she says that, but its F-ed up in a good way. I'm not gonna tell you what it's about, because i know i'll spoil it :) so i'll jus tell u what i think and how i felt.

i'm sooooo sick of films that are predictable. Since watching "Identity", "The MAtrix 1,2,3" to name but a few, i've become so into confusing thrillers and films that remained with you for a while and kept you interested. it was very refreshing to see another film like that, but it seperates itself from the pack! This is like none other! It's on a whole new level, just like The Matrix is! i like how the film, makes u, well it made me be a part of the film, and i felt it wanted me to feel how lenny felt-the frustration, confusion, anguish, also the HOW and WHY, did this just happen? backwards style, the film is filmed, which kinda mirrors his condition. Absolute class!

This is one excellent film, but it's not for everyone. If ur a sucker for action-packed, big blockbusters etc, this isn't for you, but if you're willing to see something different, you can't get anymore different! It's so unique-in it's own way- and original. There will never be a film like this again. It's a shame not a lot of people have heard about this film, myself and many of my friends and family being an example! The acting is very good. Guy really does capture his character very well. I couldn't believe this guy used to act in something as sad as NEIGHBOURS!! lol. He has a come a looooong way! Joe and Carrie are also very good!!

P.S It's a "thinking film", so you might need to see it more than once, if you're not used to those kinda films. It is confusing. Don't be put off though, cos there are comprehendable parts! It's just putting the jigsaw together. If u are that sucker, i'll think you'll convert. Confusing films are a lot more fun! lol j/k Have patience! it's bloody worth it!


Memento
Released in DVD by Columbia Tri-Star (04 September, 2001)
MPAA Rating: R (Restricted)
Director: Christopher Nolan
Starring: Guy Pearce, Carrie-Anne Moss, and Joe Pantoliano
Guy Pearce (L.A. Confidential) and Joe Pantoliano (The Matrix) shine in this absolute stunner of a movie. Memento combines a bold, mind-bending script with compelling action and virtuoso performances. Pearce plays Leonard Shelby, hunting down the man who raped and murdered his wife. The problem is that "the incident" that robbed Leonard of his wife also stole his ability to make new memories. Unable to retain a location, a face, or a new clue on his own, Leonard continues his search with the help of notes, Polaroids, and even homemade tattoos for vital information.

Because of his condition, Leonard essentially lives his life in short, present-tense segments, with no clear idea of what's just happened to him. That's where Memento gets really interesting; the story begins at the end, and the movie jumps backward in 10-minute segments. The suspense of the movie lies not in discovering what happens, but in finding out why it happened. Amazingly, the movie achieves edge-of-your-seat excitement even as it moves backward in time, and it keeps the mind hopping as cause and effect are pieced together.

Pearce captures Leonard perfectly, conveying both the tragic romance of his quest and his wry humor in dealing with his condition. He is bolstered by several excellent supporting players, and the movie is all but stolen from him by Pantoliano, who delivers an amazing performance as Teddy, the guy who may or may not be on his side. Memento has an intriguing structure and even meditations on the nature of perception and meaning of life if you go looking for them, but it also functions just as well as a completely absorbing thriller. It's rare to find a movie this exciting with so much intelligence behind it. --Ali Davis

Average review score:

Tremendous film! Pure genius
This is truly an original film. So well done. Just absolutely terrific movie!!! If you have yet to watch this, go see it now. You will be spellbound. The film is in reverse chronological order and, yes, there is an absolute reason for it. Just amazing.

Near perfection
Let's see, how to begin this review-- how about at the end and move slowly toward the front? You see, that would be a propos for this film, which takes precisely that approach to tell the story. It moves from end to beginning, with each scene that the audience sees being the scene which took place before the previous scene.

Well, kind of. There is also another similar plot line which runs in true time and is mostly the main character, Leonard (Guy Pearce) talking to someone on the phone about a strange mental condition. No worries about telling the two plot lines apart, because this alternate plot line is shot completely in black and white, while the plot line that runs in reverse is done in color. The movie alternates black and white scenes with color scenes, which leaves us completely confused for a while.

Not really such a bad thing for this movie, because that's exactly what Leonard feels. He was a detective living a normal life, when his wife was brutally raped and murdered. He walked in on the attack and was slammed into a wall. He developed a strange condition from this injury. He can form no new memories. Anything that happened to him before the attack is crystal clear. Since then, any encounter he has fades from memory within seconds.

To combat this, he uses his body as a kind of billboard, tatooing various facts about the killer all over himself, so he won't forget them as he hunts down the killer of his wife. He also keeps pictures of everyone he meets and writes notes on the backs to keep straight whether they can be trusted. Some of the people he meets may not be his true friends, but we don't know that, we are along for the ride.

The two main characters Leonard meets in the movie are Teddy (Joe Pantoliano) and Natalie (Carrie Anne Moss). Both characters are not who they seem at first, and one wonders if either can truly be trusted. Kudos must go out to Pearce, who gives an excellent performance as the brain damaged Leonard. You can sense his acceptance of the reality of his life, yet see the despair just underneath the surface. Magnificent performance.

Camera work is another plus here. A couple of neat tricks for us. The opening scene is of someone being shot with a pistol. The scene goes completely in reverse, with the bullet going back into the gun and the blood crawling up the wall. This sets the scene for the type of storytelling we will be seeing. Also, I mentioned the two separate storylines. Watch toward the very end for these to come together. It will take a careful eye to spot the moment when they do.

The main accomplishment for Christopher Nolan is the ability to structure the film in this way and still leave us a surprise at the end. Or beginning. Whatever. By the time the credits roll, we learn that everything that has gone before may not be completely accurate. Is that the message? That memory itself is unreliable? Perhaps.

Finally, the DVD itself. Wonderful. The image is crisp and clear. The DTS sound is awesome The discs are loaded with extras although I admit they are a pain to access, particularly disc 2. You may have to go to a website to fully explain how to access everything. My favorite feature is the one which lets you watch the whole movie in real time The black and white scenes all actually happen before the color scenes in real time. This is evident when you utilize this feature.

In short, this is a must see. I promise, you will not see anything like this for a long time. The script, acting, and execution are near flawless. Go grab a copy of this and get ready to watch it at least twice!

Brilliant!
"Memento" is one of the most intriguing films! i've only heard of this film THIS YEAR!, 2003!, 3 years later! My friend who told me about it said it was "f*?ked up!", and i understand why she says that, but its F-ed up in a good way. I'm not gonna tell you what it's about, because i know i'll spoil it :) so i'll jus tell u what i think and how i felt.

i'm sooooo sick of films that are predictable. Since watching "Identity", "The MAtrix 1,2,3" to name but a few, i've become so into confusing thrillers and films that remained with you for a while and kept you interested. it was very refreshing to see another film like that, but it seperates itself from the pack! This is like none other! It's on a whole new level, just like The Matrix is! i like how the film, makes u, well it made me be a part of the film, and i felt it wanted me to feel how lenny felt-the frustration, confusion, anguish, also the HOW and WHY, did this just happen? backwards style, the film is filmed, which kinda mirrors his condition. Absolute class!

This is one excellent film, but it's not for everyone. If ur a sucker for action-packed, big blockbusters etc, this isn't for you, but if you're willing to see something different, you can't get anymore different! It's so unique-in it's own way- and original. There will never be a film like this again. It's a shame not a lot of people have heard about this film, myself and many of my friends and family being an example! The acting is very good. Guy really does capture his character very well. I couldn't believe this guy used to act in something as sad as NEIGHBOURS!! lol. He has a come a looooong way! Joe and Carrie are also very good!!

P.S It's a "thinking film", so you might need to see it more than once, if you're not used to those kinda films. It is confusing. Don't be put off though, cos there are comprehendable parts! It's just putting the jigsaw together. If u are that sucker, i'll think you'll convert. Confusing films are a lot more fun! lol j/k Have patience! it's bloody worth it!


Memento
Released in Theatrical Release by ()
MPAA Rating: R (Restricted)
Director: Christopher Nolan
Starring: Guy Pearce, Carrie-Anne Moss, and Joe Pantoliano
Guy Pearce (L.A. Confidential) and Joe Pantoliano (The Matrix) shine in this absolute stunner of a movie. Memento combines a bold, mind-bending script with compelling action and virtuoso performances. Pearce plays Leonard Shelby, hunting down the man who raped and murdered his wife. The problem is that "the incident" that robbed Leonard of his wife also stole his ability to make new memories. Unable to retain a location, a face, or a new clue on his own, Leonard continues his search with the help of notes, Polaroids, and even homemade tattoos for vital information.

Because of his condition, Leonard essentially lives his life in short, present-tense segments, with no clear idea of what's just happened to him. That's where Memento gets really interesting; the story begins at the end, and the movie jumps backward in 10-minute segments. The suspense of the movie lies not in discovering what happens, but in finding out why it happened. Amazingly, the movie achieves edge-of-your-seat excitement even as it moves backward in time, and it keeps the mind hopping as cause and effect are pieced together.

Pearce captures Leonard perfectly, conveying both the tragic romance of his quest and his wry humor in dealing with his condition. He is bolstered by several excellent supporting players, and the movie is all but stolen from him by Pantoliano, who delivers an amazing performance as Teddy, the guy who may or may not be on his side. Memento has an intriguing structure and even meditations on the nature of perception and meaning of life if you go looking for them, but it also functions just as well as a completely absorbing thriller. It's rare to find a movie this exciting with so much intelligence behind it. --Ali Davis

Average review score:

Tremendous film! Pure genius
This is truly an original film. So well done. Just absolutely terrific movie!!! If you have yet to watch this, go see it now. You will be spellbound. The film is in reverse chronological order and, yes, there is an absolute reason for it. Just amazing.

Near perfection
Let's see, how to begin this review-- how about at the end and move slowly toward the front? You see, that would be a propos for this film, which takes precisely that approach to tell the story. It moves from end to beginning, with each scene that the audience sees being the scene which took place before the previous scene.

Well, kind of. There is also another similar plot line which runs in true time and is mostly the main character, Leonard (Guy Pearce) talking to someone on the phone about a strange mental condition. No worries about telling the two plot lines apart, because this alternate plot line is shot completely in black and white, while the plot line that runs in reverse is done in color. The movie alternates black and white scenes with color scenes, which leaves us completely confused for a while.

Not really such a bad thing for this movie, because that's exactly what Leonard feels. He was a detective living a normal life, when his wife was brutally raped and murdered. He walked in on the attack and was slammed into a wall. He developed a strange condition from this injury. He can form no new memories. Anything that happened to him before the attack is crystal clear. Since then, any encounter he has fades from memory within seconds.

To combat this, he uses his body as a kind of billboard, tatooing various facts about the killer all over himself, so he won't forget them as he hunts down the killer of his wife. He also keeps pictures of everyone he meets and writes notes on the backs to keep straight whether they can be trusted. Some of the people he meets may not be his true friends, but we don't know that, we are along for the ride.

The two main characters Leonard meets in the movie are Teddy (Joe Pantoliano) and Natalie (Carrie Anne Moss). Both characters are not who they seem at first, and one wonders if either can truly be trusted. Kudos must go out to Pearce, who gives an excellent performance as the brain damaged Leonard. You can sense his acceptance of the reality of his life, yet see the despair just underneath the surface. Magnificent performance.

Camera work is another plus here. A couple of neat tricks for us. The opening scene is of someone being shot with a pistol. The scene goes completely in reverse, with the bullet going back into the gun and the blood crawling up the wall. This sets the scene for the type of storytelling we will be seeing. Also, I mentioned the two separate storylines. Watch toward the very end for these to come together. It will take a careful eye to spot the moment when they do.

The main accomplishment for Christopher Nolan is the ability to structure the film in this way and still leave us a surprise at the end. Or beginning. Whatever. By the time the credits roll, we learn that everything that has gone before may not be completely accurate. Is that the message? That memory itself is unreliable? Perhaps.

Finally, the DVD itself. Wonderful. The image is crisp and clear. The DTS sound is awesome The discs are loaded with extras although I admit they are a pain to access, particularly disc 2. You may have to go to a website to fully explain how to access everything. My favorite feature is the one which lets you watch the whole movie in real time The black and white scenes all actually happen before the color scenes in real time. This is evident when you utilize this feature.

In short, this is a must see. I promise, you will not see anything like this for a long time. The script, acting, and execution are near flawless. Go grab a copy of this and get ready to watch it at least twice!

Brilliant!
"Memento" is one of the most intriguing films! i've only heard of this film THIS YEAR!, 2003!, 3 years later! My friend who told me about it said it was "f*?ked up!", and i understand why she says that, but its F-ed up in a good way. I'm not gonna tell you what it's about, because i know i'll spoil it :) so i'll jus tell u what i think and how i felt.

i'm sooooo sick of films that are predictable. Since watching "Identity", "The MAtrix 1,2,3" to name but a few, i've become so into confusing thrillers and films that remained with you for a while and kept you interested. it was very refreshing to see another film like that, but it seperates itself from the pack! This is like none other! It's on a whole new level, just like The Matrix is! i like how the film, makes u, well it made me be a part of the film, and i felt it wanted me to feel how lenny felt-the frustration, confusion, anguish, also the HOW and WHY, did this just happen? backwards style, the film is filmed, which kinda mirrors his condition. Absolute class!

This is one excellent film, but it's not for everyone. If ur a sucker for action-packed, big blockbusters etc, this isn't for you, but if you're willing to see something different, you can't get anymore different! It's so unique-in it's own way- and original. There will never be a film like this again. It's a shame not a lot of people have heard about this film, myself and many of my friends and family being an example! The acting is very good. Guy really does capture his character very well. I couldn't believe this guy used to act in something as sad as NEIGHBOURS!! lol. He has a come a looooong way! Joe and Carrie are also very good!!

P.S It's a "thinking film", so you might need to see it more than once, if you're not used to those kinda films. It is confusing. Don't be put off though, cos there are comprehendable parts! It's just putting the jigsaw together. If u are that sucker, i'll think you'll convert. Confusing films are a lot more fun! lol j/k Have patience! it's bloody worth it!


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