Grandparents Day Movie Reviews

From the first cock-a-doodle-doo to the last twinkling little star, A Day at Old MacDonald's Farm pulses joyfully with song, dance, and a barnyard full of activity. A passel of city kids arrives for a taste of sunny country life. Before night falls, they make a scrumptious breakfast, do chores around the mulberry bush, attend school with Mary's little lamb, and whoop it up at the old ball game. Their field-trip hosts include a high-stepping scarecrow, Gran and Gramps McDonald, and the usual four-legged farmy suspects. Together, this energetic cast belts out 10 perennial favorites, including "Skip to My Lou," "This Old Man," and, of course, the title song. A funky rock & roll score keeps the excitement building as one song piggybacks on the next. This delightful 30-minute show, produced in 1985, easily should appeal to little music lovers ages 7 and under. --Liane Thomas

John Wayne personally produced many of his '50s films, which is why some of them have languished in corporate limbo following his death. The High and the Mighty was one of his most popular vehicles (no pun intended). This long, necessarily sedentary drama aboard an endangered airliner is a CinemaScope bridge between 1932's Grand Hotel and 1970s disaster movies. Despite Wayne's iconic presence as a pilot--now copilot--who survived the plane crash that wiped out his family, it's an ensemble movie with an impressive cast: Robert Stack sharing the cockpit, Oscar^® nominees Claire Trevor and Jan Sterling, Laraine Day, Robert Newton, Paul Kelly, John Qualen, Regis Toomey, the ubiquitous Paul Fix, and director William A. Wellman's good-luck character actor Douglas Fowley. Dimitri Tiomkin's score won the Oscar, though the fondly remembered theme song isn't as prominent as you'd expect. Wings veteran William H. Clothier shot the aerial footage. --Richard T. Jameson

The first three Wallace & Gromit shorts are grouped together in a single volume.

A Grand Day Out
Nominated for an Academy Award in 1990, this was the first short-film adventure starring Wallace & Gromit. This 24-minute comedy was created by clay animator Nick Park over a six-year period at the National Film and Television School in London and at the Aardman Animation studios, which Park boosted to international acclaim. In their debut adventure, Wallace and his furry pal Gromit find themselves desperate for "a nice bit of Gorgonzola," but their refrigerator's empty and the local cheese shop is closed for a holiday! Undeterred, Wallace comes up with an extreme solution to the cheese shortage: since the moon is made of cheese (we all know that's true, right?), he decides to build a rocket and blast off for a cheesy lunar picnic! Gromit's only too happy to help, and before long the inventive duo is on the moon, where they encounter a clever appliance that's part oven, part robot, part lunar skiing enthusiast... Well, you just have to see the movie to understand how any of this whimsical lunar-cy can make any sense! It's a grand tale of wonderful discoveries, fantastic inventions--and really great cheese!

The Wrong Trousers
Clay-animation master Nick Park deservedly won the 1993 Academy Award for Best Animated Short for this 30-minute masterpiece, in which the good-natured inventor Wallace and his trusty dog, Gromit, return for another grand adventure. It all begins on the morning of Gromit's birthday, when Wallace gives his beloved pooch the gift of his latest invention--a pair of mechanical "techno-trousers" that can be programmed to take Gromit out for "walkies" while Wallace sits comfortably at home. Gromit's not exactly thrilled with the new gadget, and things go from bad to worse when Wallace rents a room to a new boarder--a rather suspicious-looking penguin--to offset his rising expenses. As it turns out, the penguin's a notorious thief, and the amazing techno-trousers provide a foolproof method of pulling off a diamond heist! It's Gromit's big opportunity for canine heroics, and The Wrong Trousers turns into one of the funniest, most inventive caper-comedies ever made, with an action-packed climax on a speeding miniature train. Will the notorious "Feathers" wind up in jail, where he belongs? Will Gromit finally get his due recognition? Watch this amazing marvel of clay animation to see why Wallace & Gromit have become global celebrities--this is comedic ingenuity at its finest.

A Close Shave
Hot from the international triumph of The Wrong Trousers, clay animator Nick Park knew that his third Wallace & Gromit film was going to have to be the biggest and best adventure yet for the mild-mannered inventor Wallace and his perceptive pooch, Gromit. With the ambitiously zany plot of A Close Shave, Park and his fellow animators rose to the occasion, and their film won the 1995 Academy Award (Park's second Oscar) for Best Animated Short. This time out, Wallace & Gromit have teamed up to provide a window-washing service, and that's how Wallace meets the lovely Wendolene Ramsbottom, a wool-shop owner whose malevolent dog, Preston, turns out to be the mastermind of a sheep-napping scheme! Of course, no Wallace & Gromit adventure can be without a grandiose gadget, so Wallace's latest invention is the Knit-O-Matic, a yarn-making machine capable of shearing a whole flock of sheep just a bit too efficiently! When the villainous Preston gains control of the mechanical knitting marvel, Gromit must race to the rescue, and A Close Shave reaches new heights of clay-animation mastery. Every shot is a testament to Nick Park's patience, his clever ingenuity, and his filmmaking flair. The movie's so technically impressive, in fact, that the whole world wondered where Park could go next. It was clear that Wallace & Gromit would eventually star in an animated feature-length movie, since this marvelous 30-minute film represents its own kind of short-form perfection. --Jeff Shannon

The perfect gift set for the Wallace and Gromit fan. All three of animator Nick Park's first adventures featuring the dotty inventor and his loyal but laconic dog--The Wrong Trousers, A Close Shave, and A Grand Day Out--come wrapped together and ready for multiple viewings. This is truly one of the rare gift sets that will entertain the entire family. --Doug Thomas --This text refers to an out of print or unavailable edition of this title.

With its high-intensity plot about an attempt to assassinate French President Charles de Gaulle, the bestselling novel by Frederick Forsyth was a prime candidate for screen adaptation. Director Fred Zinnemann brought his veteran skills to bear on what has become a timeless classic of screen suspense. Not to be confused with the later remake The Jackal starring Bruce Willis (which shamelessly embraced all the bombast that Zinnemann so wisely avoided), this 1973 thriller opts for lethal elegance and low-key tenacity in the form of the Jackal, the suave assassin played with consummate British coolness by Edward Fox. He's a killer of the highest order, a master of disguise and international elusiveness, and this riveting film follows his path to de Gaulle with an intense, straightforward documentary style. Perhaps one of the last great films from a bygone age of pure, down-to-basics suspense (and a kind of debonair European alternative to the American grittiness of The French Connection), The Day of the Jackal is a cat-and-mouse thriller that keeps you on the edge of your seat until its brilliantly executed final scene (pardon the pun), by which time Fox has achieved cinematic immortality as one of the screen's most memorable killers. --Jeff Shannon

This 1953 musical is very much a vehicle for Doris Day, in the title role, as a wild cowgal who can outshoot and outsing any boy on the range. When an actress arrives in Deadwood and uses her feminine charms on Jane's secret love, Wild Bill Hickock (Howard Keel), Jane tries to mend her tomboy ways. Not exactly up to the feminist code of honor, this is still energetic and Day is very perky. Of course, one could almost detect a homosexual undercurrent with the cross-dressing Jane, but this was Hollywood in the 1950s, so we best not. This won an Oscar for Best Song--"Secret Love," by Sammy Fain and Paul Francis Webster. --Rochelle O'Gorman

Beauty and the Beast is one of the all-time great movie fantasies, and one of the most gorgeous pictures ever made. It was the first feature film by French director Jean Cocteau, a writer, poet, and painter with ties to the surrealists. (In fact, his first film, The Blood of a Poet, was delayed after the scandal caused by L'Age D'Or, made by his fellow surrealists Luis Buñuel and Salvador Dali.) The haunting, surreal visuals (candelabra made of human hands, for example) and a sensitive performance by Jean Marais as the Beast imbue the film with an indelible, mythical power. --Jim Emerson

This is definitely not the Disney version. While it remains faithful to the plot of the classic fairy tale by Leprince de Beaumont, Jean Cocteau's 1946 French romantic fantasy is the product of a sophisticated, mature sensibility in its tones and textures and, above all, in its surprising emotional power. With sparkling black-and-white imagery that, for once, is actually dreamlike rather than cute or kitschy, and with a Beast (Jean Marais) who is almost as glamorous with his silky blonde facial hair as he is clean shaven, the movie casts a seductive spell. It might actually be a little too rich and unsettling for kids. Even the costumes and the draperies are entrancingly ornate. Viewers intoxicated by this enveloping vision should consider moving on to Cocteau's even more aggressively other-worldly 1949 masterpiece Orpheus, in which Marais plays the doomed poet of ancient Greek legend, updated to a Parisian "punk" milieu of motorcycles and black leather. --David Chute

Men who piloted the hottest fighter planes in the world found themselves suddenly transformed from hotshots to humiliated prisoners during the Vietnam War. The story of how American prisoners survived in North Vietnam's notorious prison camps is dramatically told in this documentary, an installment of the American Experience series on PBS. The men, who survived appalling treatment, relate their experiences, and vintage footage, including propaganda films shot by their captors, portrays what they endured. A former POW describes how he was coached before being put on public display, yet he spelled out the word "torture" in Morse code by blinking his eyes, a defiant action that can clearly be seen in footage that the North Vietnamese provided to the world's media. Another former prisoner, who somehow survived massive injuries despite being denied medical care, describes how he had to lie on the concrete floor of his cell for nearly a year, just trying to get his arms and legs to function again. These inspirational stories lead up to an emotional climax as the prisoners, including Arizona Senator John McCain, describe what it was like to be freed after their long captivity. This is a deeply moving and inspiring story told by men who overcame great depths of human suffering. --Robert J. McNamara