Christmas Movie Reviews
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A special place in my heart and on my video shelf
The Addie Mills seriesI have no idea why not as I love the three that I do own. I was 14 when the first one The House Without a Christmas tree came out on TV.
It made a very strong impression on me. My dad had died suddenly two years before and he looked alot like Jason Robards.I was kind of dismayed by some (I assume younger reviewers?) who were disapointed in the lack of special effects. That's not why we love it. We didn't need special effects for it to make an impression on us. If we want that we can watch Star Wars. We love it for the heart warming message it conveyed. No amount of special effects could even come close to that.
And although I feel fortunate to own three out of the four movies. I'm greedy. I want the last one! Wahh !!!!
Glad I could share this with my children.

No, Your Eyes are Not Decieving You:I am a huge fan of Peanuts. Every year, I look forward to the holiday specials on television. A CHARLIE BROWN CHRISTMAS is one of them. Yet, I must admit: much like IT'S THE GREAT PUMPKIN, CHARLIE BROWN and IT'S THE EASTER BEAGLE, CHARLIE BROWN, this show is kind of dated. I do still love it -- the characters and classic Peanuts gags we have all come to cherish. Not to mention having a great storyline and wonderful soundtrack (second only to the superb score for BON VOYAGE, CHARLIE BROWN)! But truth be told, the animation in these earlier specials is sort of crude and the timing between most of the dialogue is very very very offbeat (example: when Lucy is whining about her Christmas Queen bit in the play, there are annoying pauses in the dialogue where there shouldn't be pauses at all. This error in timing is repeated through most of the show; and it does get somewhat boring).
Yet I still love them. There is just something about these shows that we can all relate to again and again. Yes, the later films, tv shows and specials are all better drawn, and the timing is right on the dot; and some have a much smoother feel.
But these, I think, contain a certain nostalgic feeling. And that's why they are "classics."
I realize that some fans may be angry with this review; that I am somehow insulting Charles Schulz. But, you know what? I am sure even he would agree, if he saw the Christmas show now, that, say, episodes from his Charlie Brown and Snoopy Show or the masterfully done NASA special is more smoothly-flowing and the timing is right on.
Before you click "no" under this review, watch the Christmas show again. You'll see what I mean by boring pauses in between much of the dialogue.
I am not being mean here; I'm just being perfectly honest about how I feel. And while A CHARLIE BROWN CHRISTMAS is a true, honest-to-God classic, it is not the greatest Christmas special ever made.
The Family Favorite that never gets old.
Two Treasures on One DVDIn the classic installment Charlie Brown learns the true meaning of Christmas. In the 1992 episode Charlie Brown and the gang attempt to keep the message in perspective while working through yet another Christmas play, as well as avoiding the urge to get caught up in the materialism of it (well, Sally doesn't actually avoid it). :)


WOW Its about time!!!
"Sing a Song of Gladness and CHEER", for "Scrooge" is HERE!
"Thank you very much!"Playing the infamous, penny-pinching Ebenezer Scrooge in this musical version was Albert Finney, who received a Golden Globe for Best Actor in a Comedy or Musical for the role. Joining him were Alec Guiness as the ghost of Jacob Marley, David Collings as Bob Cratchit, Edith Evans as the Ghost of Christmas Past, Kenneth More (1914-1982) as the Ghost of Christmas Present, Paddy Stone as the Ghost of Christmas Yet To Come, Michael Medwin as Ebenezer's nephew Fred, Mary Peach as Fred's wife, Richard Beaumont as Tiny Tim Cratchit, Frances Cuka as Mrs. Cratchit, Karen Scargill as Ebenezer's sister Kathy, Laurence Naismith as Mr. Fezziwig and Suzanne Neve as Isabel Fezziwig. The songs that were sung in the film, including my rating for each, are listed below:
* "A Christmas Carol" (4.5, sung by Chorus).
* "Christmas Children" (4.5, sung by David Collings, Richard Beaumont and Karen Scargill).
* "I Hate People" (5, sung by Albert Finney).
* "Father Christmas" (4, sung by 'Street Urchins').
* "See The Phantoms" (4.5, sung by Alec Guiness).
* "December the 25th" (4, sung by Laurence Naismith & Chorus).
* "Happiness" (4.5, sung by Suzanne Neve).
* "You...You" (5, sung by Albert Finney).
* "I Like Life" (5+, sung by Kenneth More & Albert Finney).
* "The Beautiful Day" (4, sung by Richard Beaumont).
* "Happiness (reprise)" (4.5, sung by Suzanne Neve & Albert Finney).
* "Thank You Very Much" (5+, sung by Anton Rodgers (playing Tom Jenkins), Albert Finney & Chorus).
* "I'll Begin Again" (5, sung by Albert Finney).
* "I Like Life (reprise)" (5, sung by Albert Finney).
* "Father Christmas (reprise)/Thank You Very Much (reprise)" (5, sung by Albert Finney, children & Chorus).
* "A Christmas Carol (reprise)" (5, sung by Albert Finney & Chorus.)
Overall, for being engaging and entertaining, as well as having good music, I rate the 1970 musical "Scrooge" with 5 out of 5 stars and highly recommend it.


Santa A+, Aaron...eh...
A Very Prophetic Story of the Cold War.
Santa Claus classic
The Year Without a Santa Claus
Even Santa can suffer a case of the holiday blues. In this 1974 stop-motion holiday family favorite, a sparkly eyed Mrs. Claus (voiced by Shirley Booth) sings and tells about the year her hubby felt too weary and too unappreciated to prepare for his annual Christmas rounds. Mickey Rooney stars as the voice of Santa, a rosy-nosed puppet who travels incognito to Southtown in search of his tiniest reindeer, Vixen, and two well-meaning elves. Seems Mrs. Santa sent them to find proof of Christmas spirit--but all they've discovered is ambivalence about Santa's year off. Luckily, when Santa arrives and befriends a buck-toothed lad named Ignatius Thistlewhite, spirits begin to lift rapidly. Adult fans of this cousin to the 1970 television special Santa Claus Is Coming to Town will remember it as the Heat and Snow Miser movie. Their vaudevillian theme songs, complete with trombone and piano riffs, are hard to forget, but other treasured musical moments include "I Believe in Santa Claus," "I'll Have a Blue Christmas Without You," and "Here Comes Santa Claus." --Liane Thomas
Nestor the Long-Eared Christmas Donkey
The wondrous story of Christ's birth is told by an unlikely source: Nestor, a gentle donkey with incredibly long ears and a first-hand knowledge of life in a stable. This simple tale, which takes place in the days of the Roman Empire, is about a humble couple about to take a long journey to Bethlehem and a small, insignificant donkey that is destined to help them along. By all outward appearances, Nestor does not deserve such a privilege. Stable animals tease him incessantly for his long appendages until, finally, he is cast out of the barn into the winter cold. Snow and ice bring about even greater calamity for Nestor until he receives a dose of divine goodness. Nestor meets Tilly, a heavenly cherub (voiced by Brenda Vaccaro) who imparts guidance to the despairing burro and tells him that soon he will be chosen to participate in a miracle involving a star, a baby, a lowly stable, and some travelers named Mary and Joseph. Short and sweet, this stop-motion Christmas gem from Arthur Rankin Jr. and Jules Bass is narrated by Roger Miller. Get out the hanky for an understated holiday classic that will appeal to families of all ages. --Lynn Gibson
Rudolph's Shiny New Year
Rudolph is legendary for saving Christmas, but did you know he saved the New Year as well? While Santa Claus is recuperating from his December sleigh ride, he receives a letter from an old friend, Father Time. Seems that Baby New Year is missing, and if the little tyke isn't found, Old Year will continue forever--a catastrophe for Father Time, whose job it is to keep things moving forward. A search party is essential, yet with such thick fog, there's only one reindeer fit for the job. "Rudolph with your nose so bright, you've six days left to set things right," says Santa. Trouble hits immediately when Rudolph discovers that Aeon the Terrible, a big-beaked monster bird, is also searching for the missing baby. Rudolph gets help from a giant whale and a good-natured caveman, who dish up plenty of song and dance in between narrow escapes in their race against the end of the calendar year. Sound far-fetched? Perhaps, but it contains as much magic as its predecessors, Rudolph the Red-Nosed Reindeer and Santa Claus Is Comin' to Town, all produced and directed by Jules Bass and Arthur Rankin Jr., and written by the esteemed Romeo Muller. The same stop-motion animation we've grown to love is here as well, and narrator Red Skelton has as trusted a voice as Burl Ives and Fred Astaire. While the New Year holiday will never be as celebrated as Christmas, this title is a welcome addition to any Rankin and Bass collection of holiday films. --Lynn Gibson

3 Wonderful Reasons to buy this DVDThe First is "The Year Without a Santa Claus", when Santa gets the blues over humans attitudes towards Christmas. Narrated by Mrs Claus, it includes as usual a great soundtrack and excellent characters. Most fans loving the best, Heat Miser and Snow Miser. Jingle and Jangle, two of Santa's elves are pretty cute also.
The Second is "Nestor, the Long-Eared Christmas Donkey", which I think is the most touching movie of the R/B collection. It is a re-telling of the birth of Christ with a sweet twist. It brings tears every watching. If you haven't seen this, it is a must. Wonderful inclusion on this DVD, especially if you want a break from the commercialism of Christmas.
And Thirdly "Rudolph's Shiny New Year", which tells the story of time, our calender year. Rudolph is asked to help Father time, when Baby New Year Dissapears. This is a must have to keep your R/B appetite filled. When Christmas is over, and you have watched all your favourite R/B Christmas specials......oh no.......but wait, there's one more to keep you entertained!
This DVD is definitely coming out at my house this Season, and everyone there-after.
I LOVE these classics. And they me.
heatmister rocks!

RECOMMENDED IF YOU'RE NOSTALGIC FOR THE 80sI WILL come out and say the one good thing about this film is that it sent me back to reading the original book (I'd endured two adaptations that year--this, and the first Muppet version, from '92 with Michael Caine). But the script for this one simply PRETENDS to be a faithful adaptation: it's told primarily from Scrooge's perspective.....we're supposed to "bah" to his every "humbug" and vice versa. And Scott's performance is worthy of a Nicholson in "The Shining"--all high camp, with the star sparing no opportunity to chew the scenery and mug shamelessly at every close-up. Needless to say, the Great Scott's done better elsewhere. There's no real RANGE to this performance--even at the climactic meeting with the Ghost-Of-Christmas-Yet-To-Come, he seems unfazed. Scott's Scrooge doesn't seem to be a changed man in the end--I'm fully expecting him to FIRE Bob Cratchit Dec. 26!!
The lesson to be learned here? Ebenezer Scrooge isn't Wile E. Coyote.
The Best Version!With apologies to fans of Alastair Sim's portrayal, George C. Scott stands head and shoulders above all as the "best" Ebenezer Scrooge. To me, Scott's Scrooge is much more realistic. Sim's portrayal ran from two extremes- extremely nasty to extemely happy. Scott does a much better job of humanizing Scrooge in his two forms: the embittered miser and then later on the reformed repentant. The best example of how Scott shines over Sim is how they say Scrooge's line about boiling people in their own pudding and then burying them with a stake of holly through the heart. Sim's Scrooge sounds so malevolent when saying that line that he comes across as a total sociopath. On the other hand, Scott's Scrooge laughs while saying that line. One still get's the idea that Scott's Scrooge lacks Christmas spirit and compassion, but one does not think that he is insane! I also love how Scott plays Scrooge after his night of transformation. He has the initial glee of being given a second chance, but he approaches his relatives and Bob Cratchit with his new outlook in a reserved way that shows a man still unsure if he will be accepted by people he had treated with such disdain for so many years. The scenes of Scrooge with his bewildered (but overjoyed) nephew and his wife are quite moving.
This made-for-TV film has so much else going for it than just Scott's magificent performance. The set design, outdoor locations, and costumes really make early 19th century England come to life. It also follows the plot of Dickens' story fairly closely and the few changes and additions actually benefit the story's narrative such as having the ghosts visit all in one night and adding elements to explain how Scrooge ended up such an embittered man. The performances are uniformly great and compliment Scott very well. However, two stand-outs are David Warner as Bob Crachit and Edward Woodward as the Ghost of Christmas Present. Also, as others have noticed, this is the only version of "A Christmas Carol" that has a Tiny Tim Crachit who looks like he really does have one foot in the grave. If you're looking for just one version of "A Christmas Carol" to add to your collection then this is the copy to get.
George C. Scott's thoughtful performance as ScroogeScott's performance as Scrooge is very good for most of the film. You would think that since this is George C. Scott that playing a crotchety old miser would not be much of a stretch. But Scott actually does something different with Scrooge. This time around he is not bitter as much as he is worn down, more of an empty soul than a being consumed by darker emotions. Screenwriter Roger O. Hirson actually makes some excellent additions to the original story, fleshing out why the happy young Ebenezer we see in our visit to the past becomes the old Scrooge who undergoes this Yule time transformation. The only knock on the performance from my perspective is that like many fans of "A Christmas Carol" it is hard not to remember the superb performance by Alastair Sim in the 1951 film version and find the Oscar winning Scott coming second in the comparison. Still, this is arguably the most thoughtful performance of Scrooge you will see.
But even if Scott's performance is found lacking by such a strict standard (Sim's performance remains the standard by which all other Scrooge's are judged), the rest of this production is superb. The supporting cast is as fine as has ever been assembled to play the other roles: David Warner providing a nice twist on Bob Cratchit, Susanna York as his wife, Frank Finlay as the ghost of Jacob Marley, Joanne Whalley as Fan, the girl who got away from young Ebenezer, and Roger Rees as Scrooge's nephew Fred (and the film's narrator). The trio of ghostly visitors who visit Scrooge all in one night are equally strong, with Angela Pleasence as the Ghost of Christmas Past, Edward Woodward getting everybody to say "Look, its the Equalizer!" as the Ghost of Christmas Present, and Michael Carter as the best Ghost of Christmas Yet to Come that I have seen.
Director Clive Donner had done "Oliver Twist" for television two years earlier (as well as "The Scarlet Pimpernel"), and does another solid effort of presenting these well-known Dickensian characters and events. Production designer Roger Murray-Leach provides an old London towne that looks as great as any we have seen before for one of these films. But above all it is the cast and the thoughtful script that make this a superb adaptation. In the end my preference for the 1951 version comes down entirely to Sim's performance as the euphoric Scrooge. Fortunately, close counts for a lot when it comes to ranking favorite versions of "A Christmas Carol."


Adorable!They are mainly the only two Christmas Carol's, I watch.
The animation in Magoo is so well done, and also is so adorable.
Magoo makes for fond memories...of childhood.. and now!!
Simply The Best

Adorable!They are mainly the only two Christmas Carol's, I watch.
The animation in Magoo is so well done, and also is so adorable.
Magoo makes for fond memories...of childhood.. and now!!
Simply The Best
Not a light holiday entertainer by any means, the plot verges on depressing at times, as the family struggles through money issues and the tedium of daily suburban survival. While handled fairly subtly, some of the bridging story--including a shooting, a kidnapping, and a drowning--might prove disturbing to children under 6 years old. And really: if the somber Harry Dean Stanton (Paris, Texas) repeatedly appeared in your neighborhood, cloaked in a cowboy hat and overcoat, would you allow your kids outside? Still, a well-made favorite to cherish. --Liane Thomas

A story for the whole family to enjoy!
Magic Indeed
Family Favorite

not their best workThe first thing I noticed is the low production values. The camera operators seem to have difficulty keeping up with the action, and the sets and props look like a school play. All of that wouldn't matter if my daughter enjoyed it, but she lost interest in just a few minutes (something that doesn't happen with the other DVDs).
Because the actors look much younger, I'm guessing that this was shot long before the 1999 copyright credits would indicate. If the Wiggles had not become such a marketing bonanza, this one would probably still be sitting on some producer's shelf.
The Wiggles Celebrate Their Own Christmas!!
Awesome!