Arts Movie Reviews
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OF INTEREST ONLY TO SEE JACKIE CHAN AS A BAD GUY

Highly OutdatedDancesport is electrifying. This VHS is far from electrifying. Save the $ to put towards one of the more expensive, recent competitions. The music places you right back into the stereotypical, "ballroom dancing is for your grandmother" mindset. The costumes are absolutely hideous. Yes, there are people worth seeing on the tape such as Louis Van Amstel, Karen Hardy, Donnie Burns and Gaynor Fairweather, and Marcus and Karen Hilton but you can see them on the more up to date tapes. It's funny how dancing always seems to be a package deal. Neither costumes nor music make an impression, and this goes for the dancing as well. Don't get me wrong, these are talented dancers but you're not going to see their best performance here. I've watched the tape more than a few times to see if it would grow on me, but so far it just makes me cringe.
The only salvageable part is the exhibition by Donnie Burns and Gaynor Fairweather. (and I would think if you like the Standard, Marcus and Karen Hilton) That's the only part I watch repeatedly.
The best value for the best ballroom dancing in the world
Excellent ballroom video value with some flaws

Great Movies - HORRIBLE QUALITY
A disgrace.
bruce lee is the man!!!!!

Blah!
Sutherland was not made for verismo

defect
A nice compilation

Awful at any price
This Shrew is hardly tamed...THE TAMING OF THE SHREW is as politically incorrect as they come, wherein a man, Petruchio manipulates and disrespects the angry shrew, Kate until her shrewish spirit is broken (funny, she doesnt look shrewish). And when her character is shattered, what is left is a passive woman who believes herself lucky to have a man. This story has inspired the great musical comedy, "Kiss Me, Kate". But, besides that, it remains a low point for female respect.
The production values are very nice for staged Shakespeare and it suggests that the Bard wrote broad comedies worthy of the Marx Brothers. Some of the performers are pretty good, most notably Bruce Davison as the false Tranio. The productions are carried off without heavy english accents making them easier to follow. But, overall, this is only worth a look if you want to see a taped stage production. The Elizabeth Taylor/Richard Burton film makes for much better entertainment.
You can probably save some cash by going with a VHS version.

Diehard fans may be put off slightly by the Australian approach to the Savoy operas, because, in the true spirit of Mad Max and Crocodile Dundee, the Aussies do not imitate all the small details of performance carved in stone by the late, lamented D'Oyly Carte Opera Company, which was long the custodian of G&S traditions. But there is a freshness in this Mikado that does the material full justice, and after a while one becomes accustomed to the novelties. The staging is bright and unconventional, and the choreography and voices are rather better than in most G&S productions, particularly the singing of Heather Begg (Katisha), Anne-Maree McDonald (Yum-Yum), and Gregory Yurisich (Pooh-Bah). --Joe McLellan

Is this really what G&S envisioned?where I find The Gondoliers and Patience to be quite outstanding.
BUT their version of Mikado is crass, vulgar and cheap.
The scenery and costumes and that unearthly makeup would certainly cause G&S to turn in their graves.
I beg to differ with an earlier reviewer to didnt appreciate the Canadian Stratford version. At least the singing was better
even if the scenery was sparse.
Greme Ewer, whom i enjoyed in the Gondoliers was a poor Ko-Ko.
He stretched the character beyond recognition and his singing voice was unsuitable for his character.
Of the quality of singing and acting, only one singer came shining through. Heather Begg, who is also on the Patience disc, made the most of an otherwise poor production.
The orchestra as usual is top notch, although I fear there were
some alterations to the score. as is also evidenced in the Stratford production.
I will never understand why people have to meddle with perfection. Just leave G&S alone. They can stand on their own ad infinitum and not ad nauseam as some productions are.
I do not believe there are any D'Oyly Carte performances
on video in the US, but if readers want to hear the operettas
on cd there are several D'Oyly Carte recordings available.
And They Are The Real McCoy!!!
MIKADO GO HOME!
Poor sound, uneven acting hurt Aussie MIKADOIt's truly a shame as there is much to like in this production. The costumes, a curious mix of British and Japanese styles, are very colorful and fun. The set, with it's almost "Alice in Wonderland" feel, is both majestic and involving. It also boasts some very solid performances in Heather Begg's touching, if nasty, Katisha and the sly rendition of Pooh-Bah by Gregory Yurisich. Anne-Maree McDonald is a delicious Yum-Yum, while Robert Eddie makes for an imposing, if a tad bland, Mikado. Unfortunately, Graeme Ewer's Ko-Ko is all mock posture and no heart. Indeed, it is one of the flattest performances of the role that I have ever seen. His only triumph is his plaintive and touching performance of the "Titwillow" song. Jennifer Bermingham's Pitti-Sing is much too harsh to be likable, while Peter Cousen's Nanki-Poo comes across like a smarmy brat. Add to that a soundtrack that is very soft in volume and flat, and you have a MIKADO that is pure frustration to watch. This might be worth your time to at least catch the high points mentioned, but there are other and better versions of this classic available for you to own and enjoy. Recommended for MIKADO completists only....otherwise avoid this one.


Skip it
HUGE waste of time.
If this is the Best of the Improv, I'm disappointed"Best of the Improv" would imply that this would be first-rate standup comedy, but most of it is not. Ray Romano's shtick is a funny forerunner to his popular sitcom. Norm Macdonald's deadpan delivery is good for a bunch of laughs in a short amount of time, particularly his dentist comedy. Tim Allen can be one of the funniest people on the planet, but what's selected from him is only mildly amusing.
Most of the other comedians who are featured are no-names to those who are not stand-up buffs. There's a good reason they're not very well known, as they're not very funny. All in all, it's mostly forgettable and not worth purchasing, particularly if you are expect to see Seinfeld and Tim Allen at their funniest. Not something you'd revisit.


Great music ..wasteful production had to be mortified...in street clothes & sneakers - moving around in a banal parking lot - utterly useless appropriation of wonderful music. Junk in the name of daily modernity. Life is too short for ...this.
Pourquois?Beyond the opportunity to listen to Delibes'score, this production proves its indestructability. I don't necessarily believe that choreographers cannot choreograph known music to their whim........ provided it works. In this case very little does. There is hardly any dancing.... even of the modern variety.... The conceit of a dream sequence showing multiple Coppelias all in red with blonde wigs, some of them in travesti, could have been fun if they were given something interesting to do or to dance. There is neither wit nor arresting movement to this longish sequence. Amazingly, this production has toured all over the world. I don't see it, hence I do not recommend it. If you buy it close your eyes and listen to the music.
Comes across as a play rather than a dance performanceEven though I consider myself an open-minded fan of modern dance, I'd say this version of Coppelia (by Opera National de Lyon) is a major disappointment for one BIG reason: very little dancing. I wasn't bothered by the run-down, urban setting, nor did I find the dancers in street clothes to be revolting. Rather interesting, actually. Also, the fact that Leo Delibes' score was cut down drastically was only mildly upsetting. It's just that, with a run time of about an hour, I'd be shocked if there were more than twenty minutes of dance choreography on this disc. Too bad.
I'll give credit where I believe it is due. The music is sensational: clear and moving. Also, the camera work and editing, while not A+ quality, are worthy of honorable mention (check out the activity in Coppelius' room while the projector is running). The lighting for the nighttime outdoor scenes is first-rate.
As for the dancers ... I can't say. They were more actors than anything else, and not so believable at that. The story is purported to have an "edgy new twist," but it was only the cinematography aspect that kept my attention. As a ballet troupe, the artists are rendered virtually inert.
If it's theater you're after, you'll probably stay interested all the way through. From a dance standpoint, I doubt you'll want to watch this more than once.


APPALLING DVD despite great actors
This is horrible
It was ok.