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Very inspirational
AFROCENTRICITY - VOLUME 1!
Hands Down one of the best DVD's I've seen thus far.
NASA's most monumental mission was Apollo 11, placing Neil Armstrong and Buzz Aldrin on the surface of the moon. Unfortunately, it's one of the least stunningly photographed missions, with grainy black-and-white TV footage for the two-hour moon walk. However it's so rare that hardly anyone has seen more than a few seconds of this broadcast since 1969. Watch the broadcast as it was (alas, no Walter Cronkite, but this is the NASA feed--not a network), or watch the 16mm color footage shot by a stationary camera inside the lunar module, or watch a composition of both that also displays the famous photographs at the moment they were taken (how cool is that?). The moon walk is only one of three discs and there's another eight hours of footage, including all the onboard film and TV transmissions, pre-and post flight news conferences, and 15 views of the launch. Plus there's plenty of behind-the-scenes footage--the assembly of the giant Saturn 5 spacecraft, moon-walk rehearsals, and capsule recovery. For space junkies, it's the ultimate visual treasure trove. Any kid who has primed himself watching Ron Howard's majestic Apollo 13 (which featured no real space footage) will probably be disappointed in the lack of "cool" footage (oddly, the earlier Gemini missions have more "whoa" photography), but anybody interested in the moon mission finally has a complete chronicle of what it looked like when it happened. --Doug Thomas

A dream come trueThis DVD set is as my dreams came true. And ever more. It contains so much materials that I didn't ever expect to see.
Most of the people on Earth saw at least the small piece of lunar EVA, with "one small step for man" but here you will see complete EVA (two and a half hour long, three angles - TV camera, 16mm camera and composite of both + still photographs, all with air to ground audio transmission and post-flight debrief commentary). And there is more. You can re-live exciting waiting during launch countdown, you can relive perfect splashdown. You can see preparations of Saturn, Columbia and Eagle, preparation and training of crew. You can see live aboard Columbia, great pictures of lunar surface during lunar orbit flight as well as during lunar landing and ascent. You can re-live one of the greatest advetures of mankind. Every second of materials on those DVD is great. Just GREAT!!
If you have any interest in space exploration you simply must have this DVD set (and most of other sets in Spacecraft Films collection). It is worth it's price (and even extra import tax price, like in my case ;-) ).
An Amazing Wealth of InformationInstead of taking the strict documentary approach and editing the raw materiel until only the subjective 'best' materiel is left, the producers show basically all the uncut, raw materiel, frequently from different perspectives or with different options. Examples here are watching the Lunar Landing film taken from the LMP window synched with numerous different soundtrack options such as the Flight Director Loop, the TELCOMM (later TELMU) loop (which is of particular interest during the 1202 and 1201 Program Alarms), the PAO loop, or the onboard recorder from Eagle. Similarly, you can select up to six different angles to watch the launch from.
This set is simply amazing to watch. It includes all the TV transmissions and onboard 16 mm film. If you are interested in Apollo or space exploration, you absolutely must have this DVD set. You will love it.
Nasa Footage At Its Best!!!Almost everyone in the world has seen armstrong set foot on the moon and have heard the infamous statment "one small step for man, one giant leap for mankind". Thats it though, we have never been alowed to see much of anything else. Well this DVD set makes up for all of the waiting. Not only does it give complete footage of the entire moonwalk, but also complete footage of the film made of the moon itself from Apollo while buzz and armstrong were on the moon. One of the best parts of this DVD is the actual takeoff from the launchpad which can be viewed from, If I remember correctly, 7 different views which can be swiched at a moments notice with the angle button on your DVD remote.
Other great footage includes all the broadcasts which were made for the television viewing audience. There is really too much on these DVD's to go into detail about. If you are a fan, such as I am, of the space program then buy these without a question. I have just read that the additional DVD's that are coming out will be 6 DVD's, not 3. I cant imagine how good these are going to be. Anyways to sum it up these are amazing, facinating and quite simply the best footage ever relaesed to the public for the amazing voyages. My only complaint is that it took this long to release these. Enjoy, I know I have!!!


A great overview of a classic seriesI won't dwell too much on the content of each episode since the other reviewers cover them in depth, except to say the Patrick Macnee did an excellent job of selecting two episodes each featuring each of his three female leads; Honor Blackman, Diana Rigg, and Linda Thorson. And, for a man his age, Patrick is still holding up quite well in the newly-videotaped segments.
The extras in the package are a strong point, too. Patrick's overall introduction is worth the time to watch before watching any of the episodes. Also, he gives a short introduction to each episode. Some of his remarks seem candid such as his displeasure about the introduction of the "Mother" character in the last season in which he states that this took away some of the mystery and charm of the Avengers team by bringing out into the open the governmental spy organization in which they worked. Before, the Avengers seemed to be more like free agents loosely working within a hidden framework. "We would just show up," he said, "at the scene of a crime" and no one would question from where.
Another extra, Linda Thorson's 15 minute promo film the box set called "Town Girl" (even though no title is shown on the film) does it's best to show Linda as a happy-go-lucky star on the rise. It appears to have been filmed after the Avengers series ended around 1969 or the early Seventies. The color is crisp and sharp and shows her running around the English countryside in tight blue jeans with dirt on the seat of her pants. Then there's a scene of her jumping into a swimming pool and trying to keep her head above water. It's all good clean fun.
All in all, this is a great package from Honor Blackman's film noir episode "Don't Look Behind You" to Diana Rigg's quirky department store-turned-atomic bomb episode "Death At Bargain Prices" to Linda Thornson's wonderful "All Done With Mirrors."
This set is a great place to start for anyone who is interested in the evolution of the Avengers or a person who has never heard of the Avengers or for even the die-hard Avengers fan.
Steed Bows to the Ladies - The Ladies Curtsey BackFor starters, "Look - Stop Me If You've Heard This One..." is simply the best episode ever made in the series' long run. It has been argued that this brilliantly balanced crime melodrama/vaudeville act was an Emma Peel story filmed after its time, but if it was, then Linda Thorson's Tara King was well up to the task of pulling it off. The script is low comedy as high camp, yet succeeds in achieving some genuinely horrific moments. The performances all round are excellent, especially from guest stars Jimmy Jewel and Julian Chagrin as a killer clown and a murderous mime.
The Cathy Gale episodes chosen are those that put Honor Blackman's talent to the fore. "Mr. Teddy Bear" was the first genuinely bizarre story in the series, with Cathy going undercover to hire perhaps the world's best hit-man - with Steed as the target. The master assassin's name derives from his birth name, "Edward Bruin," and his eccentric trademark of doing business through a remote-control robot teddy bear. "Don't Look Behind You" is a superior piece of film noir, in which Cathy is lured into a sadistic death-trap by an escaped psychopath she helped put behind bars years before. Later re-filmed with Diana Rigg as "The Joker," Blackman's version is actually much better, both for its excellent use of black-and-white light and shadow and for Blackman's genuinely terrified performance.
The Emma Peel episodes are both from Diana Rigg's first year, "Death At Bargain Prices" and "Too Many Christmas Trees," the latter a well-known Avengers classic and one of its most sparkling scripts, and the former one of its cleverer and wittier suspense pieces.
Anyone might quibble over whether these are truly the best of the series, but no one will contest that they are excellent episodes all, and well worth watching.
All Under One Roof
The Great Dictator is Chaplin's comic undressing of Hitler, boldly released in 1940. An absorbing documentary, "The Tramp and the Dictator," details production of the film, and color footage shot on the set provides fascinating behind-the-scenes material. Limelight (1952), in which he plays a fading vaudevillian, is Chaplin's magnificent elegy on his own career. Extras include a deleted scene, the entire Oscar-winning score, and Bernardo Bertolucci on the film's emotional impact: "I don't cry often, but here my tears flow." Each film has a loving introduction by Chaplin biographer David Robinson--but newcomers to Chaplin should watch the movies first, as the extras give away endings and the best jokes. --Robert Horton

SILENCE IS GOLDEN IN THIS STUNNING BOX SETTHE TRANSFER: No expense has been spared in making each film sparkle as never before. The gray scale is incredibly rich and beautifully balanced. Blacks are deep. Contrast levels show off Charlie's make up. Fine detail is gloriously realized. Minor edge enhancement and some pixelization do occur but nothing to distract or even hint that anything but absolute care has been taken to make these films look as good as they possibly can. Almost all age related artifacts are gone. Truly, I can't say enough to recommend these transfers. The audio is mono and nicely balanced.
EXTRAS: Each disc comes with a brief featurette on Chaplin's legacy and some interesting supplimental extras including outtakes in some cases and interviews in others.
BOTTOM LINE: No more to be said: don't walk - RUN to your nearest video retailer and make the Chaplin Collection a part of your home video library!
Yeeeeehaaaaaaaaaaa!And 5 stars is far to little a reward for the job those people did by putting together such collection!
Finally, Chaplin done right!

''It's not Nanceee!!''
Sure To Make You Procrastinate!!!
funniest lady in town!...ANY town!

The gentlest of comedies
Keep going
Immensely enjoyableI would reccomend this DVD to anyone who loves Brit-comedy.


The Courtship Of Shirley & Ronny
Courtship of Eddies Father Is Finnaly On DVDI love the special features on this great dvd.
This dVD is about a sweet Father (Glen Ford) who is a widow and his son Eddie (Ronny Howard). The Father is trying to get remarried but every time he brings home someome Eddie doesn't like her. The person who we wants his father to marry is the girl next door Shirley Jones. Well this movie ends well
Overwhelming!
Stalag 17 (1953) won the Best Actor Oscar® for Holden, although it's a less complex piece of work than Sunset Boulevard. It is, however, thoroughly entertaining, with a seamless blend of suspense (who in the POW camp is betraying secrets to the Germans?) and raucous comedy. Sixties-TV fans will quickly spot the similarity with the Bob Crane sitcom Hogan's Heroes. Otto Preminger, himself a director, creates a suave piece of villainy as the German camp commandant. In Sabrina (1954), Holden is a blond, fatuous younger brother to staid businessman Humphrey Bogart--but they both do supporting work to Audrey Hepburn. This is one of her great vehicles, and she inspires Wilder to show more of his romantic side. As the chauffeur's daughter who dreams of mingling with the beautiful people, Hepburn shines in the lush glow of moonlight and "Isn't it Romantic?" and the movie finds a zone of pure pleasure. --Robert Horton

Sunset is a Masterpiece- But What About Double Indemnity?
Folks, hello, this is a *Paramount* collection ...I think it's great to have these three films boxed, especially the little-seen STALAG 17.
SOME LIKE IT HOT and THE APARTMENT are available everywhere, so let's be grateful for what Paramount is giving us: the best movies Wilder made at their studio.
He Left Us Too SoonThese three movies represent Wilder in his heydey at Paramount Pictures, and also his three best with William Holden, who was just at home playing it straight or wisecracking. Sure, I'd like to see "The Apartment," and "Some Like It Hot" on this collection, but those were released by United Artists, so those would be released by MGM, not Paramount anyhow.
These three movies really hold their own, even -- or rather, especially -- today. "Sunset Boulevard" is one of the darkest of black comedies, and a really disturbing portrait of Hollywood has-been Norma Desmond and Holden as her kept man screenwriter, who's been hired to bring her out of mothballs. Chilling last line: "I'm ready for my close-up, Mr. deMille."
"Stalag 17" is a nice mix of serious war movie interspersed with slapstick humour. Though Holden is great, his supporting cast almost steal the show, especially Sig Ruman as Sergeant Schultz, the camp guard, Otto Preminger as Commandant von Scherbach and Harvey Lembeck and Robert Strauss as the camp cutups, Harry Shapiro and "The Animal."
"Sabrina" is a beautiful portrait of a young Audrey Hepburn, so vivacious and full of wondrous energy. Though she's a bit self-aware in her role, her charm still just carries you away. Holden is in a supporting role here, but Humphrey Bogart comes off as a bit stiff. Really, though, it's Audrey's movie from beginning to end, and the romantic-comedy script by Ernest Lehman and Samuel Taylor has wit and panache.
I own all three movies separately, but this set is worth laying down your Benjamins in one fell swoop.


second only to the great "the dream is alive"I give this one a 4 star only because of the other one which is the best!
Just Amazing!
Like taking the space shuttle

"Oh that was strong poison, Lord Rendal, my son"And a good change it is. Petherbridge's Wimsey is much more like Sayer's character, right down to the irritating bits as well as the admirable one's. And Harriet Walters playing of Harriet Vane is spot on. She is exactly as I imagined her. As we watch the tale of Wimsey's intense efforts to save Harriet from being found guilty of poisoning her ex-lover unfold, it is easy to imagine them eventual lovers. Despite shortness of the screenplay some of the brittle, the bits of sparkling dialogue which makes them a success on paper come through.
I am less comfortable with Richard Morant's version of Bunter, Wimsey's man. He acts well, but is too young by a decade or so. As the result, some of the books camaraderie between the two feels more like borderline insolence, which the real Bunter would never have done. Shirley Cain's Miss Climpson is spectacular, however, the perfect agent for Lord Peter's schemes. In addition, the comic relief scene at Blindfold Bill Rumm's is done to perfection. The old safecracker reborn as a hymn singing lay minister is another of Sayer's tiny masterpieces of caricature.
It is unfortunate that the screenwriters, having managed to navigate the plot until almost the very end with nothing to quibble about, should suddenly decide to deviate entirely from Sayer's own ending. And, in doing so, made Wimsey look sappy and Harriet rather cruel. Whether out of bad romantic taste or a criminal need to shave thirty seconds off the length of the screenplay, it will provide some distress to those of us who have read the book. Hence, a four star rating where I would normally have given a five.
One of THE BEST TV series ever made!!I recently acquired these DVD's (Strong Poison/Have His Carcass/Gaudy Night) and they are now my most treasured set. The performances by Edward Petherbridge and Harriet Walter are flawless!
This series is a MUST HAVE for all mystery buffs (especially Dorothy Sayer's fans!) For those who were disappointed in the Ian Carmichael series produced 10 years earlier, take heart--you have now found the answer to your prayers!
My only criticism is that there were no more titles produced in this series. I can't understand why they did not continue to make more of these wonderful productions. And furthermore, I can't understand why the BBC took so long to release this series onto Video/DVD. If I had known of the existance of this series sooner, I would have launched a campaign to demand that they make more episodes. Oh well...I guess we will just have to make do with the three gems that were made. (In fact you should probably buy two sets of these, as you may wear out your original DVD's from watching them over and over and over and ...ahem...oh yes back to the review...)
The first two films, Strong Poison and Have His Carcass, are faithful to the books and each is truly a pleasure to watch. The third, Gaudy Night (or "Gaudy Lite" as I have seen it referred to) skimps a bit in comparison to the novel. However, the extraordinary acting on the part of Edward Petherbridge and Harriet Walter more than makes up for this, ensuring that this version of Gaudy Night is a highly entertaining one. This series should have segued into "Busman's Honeymoon." However BBC dropped the ball on obtaining the rites and left us all hanging.
Perhaps it isn't too late for a continuation of this series after all. It has ONLY been 16 years since the last episode. Surely if Ian Carmichael could have the audacity to play Lord Peter Wimsey at his age, Edward Petherbridge could pull it off for at least another 20 years or so (and do it brilliantly I might add!)
Needless to say, I have become an instant fan of Mr. Petherbridge and can only hope I may find more of his work on film. (This is a daunting task since this distinguished stage performer seems to shy away from the camera. Something about acting for the love of the thing and not the money. Oh these serious actors!! By the way, isn't he WAY OVERDUE for some sort of Knighthood or something ...hmm??!!)
WARNING: Ordinary television will seem even more unsatisfactory after viewing these DVD's.
As I said before, you'd better get at least two copies of each of these DVD's (or to be on the safe side, you'd better make it three!!)
(NOTE: It seems that the UK version of the DVD's contain an interview with Edward Petherbridge as a bonus feature. Unfortunately for me, the American version does not. You lucky Brits!!)
Enjoy!
As My Whimsy Takes Me
One of my favorite pieces is "Kings," a short film about young successful attorney who is forced to confront where he has come from and where he's going. It's conveys a prevelant theme amongst many African people who have been successful in White mainstream corporate America, but who also are struggling to understand how they keep ties with the community in which they grew up. The directing and cinamatagraphy of this piece are very well done. A warm, soulful mood is set throughout the piece that make for a compelling short story.
Muhammida El Muhajir's "Hip Hop: The New World Order," may be lacking in her camera work, but she makes up for it with her international travels to document the impact of Hip-Hop in places like Japan, France, and Cuba. I hope this piece is made into a full production.
And finally, I liked "Breakdown," which to me has sort of a Hitchkock influence. I won't say anymore about the plot, because it would give it way. In the end, though, the story is not oringinal, it's a fine piece of storytelling that is directed, shot, and edited with serious attention to the craft of filmmaking.
I really look forward to future volumes of short films like "Afrocentricity." These type of collections serve to expose the work of young or unknown artists who are trying to work within and beyond the mainstream.