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A Great Movie!
To BAD this is a GREAT movie!
A Triumph!

Fabulus!
One sparkling actress, three sparkling comedies"Roman Holiday" features young Princess Anna (Hepburn) who is being taken through Rome on a boring round of interviews, tours and appearances. After being given a sedative, she wanders out (intoxicated by the drug) into the Roman streets and is found by a struggling American journalist, Joe Bradley (Gregory Peck). The next morning he realizes that the intoxicated schoolgirl is the missing princess. The two of them go on a tour of Rome, where he takes a series of unique photos. But when they begin to fall in love, what will Anna choose -- her duty or her love?
"Sabrina" is perhaps the best of the three. Sabrina Fairchild (Hepburn) is the naive daughter of the Larrabee family chauffeur, hopelessly in love with the playboy David Larrabee (William Holden). But after a few years at a cooking school in Paris, the ugly duckling becomes a swan: She's beautiful, confident, poised, and David instantly falls for her. However, his family has affianced him to an heiress, and so David's brother Linus (Humphrey Bogart) tries to distance her from him. The problem is, Linus is starting to fall for Sabrina himself.
"Breakfast at Tiffany's," while not particularly faithful to the original story, is nevertheless a sweet story. A writer/kept man named Paul Varjak (George Peppard) moves into an apartment building, and befriends a party girl named Holly Golightly. He begins to fall for Holly, though he soon discovers that she has an obsessive older ex-husband, and is planning to marry an extremely rich man. But Paul can see through the gold-digging and commitmentphobia to the woman underneath -- but will she be willing to love him back?
In all three movies -- no matter the character -- Hepburn embodies sweetness and a kind of innocence. No matter how worldly the girl, she always seems to have that wide-eyed innocence. She sparkles, in a way that few actresses can. Her costars Peck, Peppard and Holden play off her wonderfully, with amazing chemistry; Bogart less so, probably because he disliked Hepburn in real life.
The movies are definitely romantic -- one theme they share is love that doesn't come easily, whether the problem is one of the people involved, parents or overprotective staff. There's also slapstick comedy (like David sitting down on champagne flutes and injuring his butt), and more sophisticated comedy (like when Anna and Joe pretend that they were speeding on their way to get married).
Hepburn did a lot of other movies -- some of them theoretically better, like the frightening "Wait Until Dark," the sizzling "Charade" and suspenseful "Children's Hour." But these movies are what people think of her as, and they remain funny, sweet, romantic and thoroughly enjoyable. A must-see for fans, romantics, and those with a sense of humor.
How can you not love Audrey Hepburn?
The second season took the romance between Buffy and hunky Angel (David Boreanaz) from ecstasy to agony in a now-classic plot arc that catapulted the show from WB teen drama to true TV greatness. You see, if the cursed Angel ever experiences true happiness for a moment, he'll revert to being an evil vampire again. Buffy found its true momentum during the second season, as Xander fell in love with Cordelia, Willow gave up her crush on Xander in favor of werewolf boy Oz (Seth Green), and watcher Giles (Anthony Stewart Head) began a sweetly tentative relationship with computer teacher (and witch) Jenny Calendar (Robia LaMorte). Mayhem came to Sunnydale, though, in the form of evil vampires Drusilla (Juliet Landau) and Spike (drolly wicked James Marsters), who were more than ready to aid and abet Angel as he turned bad.
The third season was marked by the arrival in Sunnydale of renegade slayer Faith (Eliza Dushku), a moody loner who seemed to like her demon-staking calling just a little too much. While Buffy was always wary of Faith, the two developed a deep friendship and appreciative rapport--that is, until the evil mayor of Sunnydale (Harry Groener) tapped into Faith's dark side and lured her into his plot to take over the world, first as a double agent spying on Buffy, then as out-and-out nemesis. And as the mayor's ascension approached--which happened to fall on Sunnydale High's graduation day--Buffy and Faith's battles got nastier and nastier, as Buffy attempted to wrestle with her dark side (literally and figuratively), save the world and her friends, and keep her lover Angel out of Faith's evil clutches. Chock-full of exceptional episodes, the third season started out with a bang (the superb season opener "Anne," in which a runaway Buffy finally returns to her Slayer calling) and never let up.
Buffy truly hit its golden years in the fourth season--just when you thought this show couldn't get any better, Joss Whedon and his creative team pulled out all the stops and took Buffy and co. into rich new territory. By far, the highlight of the season (and the entire series) was the Emmy-nominated "Hush," a nearly dialogue-free episode in which the creepy "Gentlemen" rob Sunnydale of its collective voice, and Buffy and Riley finally come face to face with each other's hidden identities. Throughout, the entire cast, headed by the unparalleled Sarah Michelle Gellar, worked television magic of the kind rarely seen on the small screen. This is Buffy at its best. --Mark Englehart

Philosophy meets TV
All in one packageFor the rest of you, this is 88 hours of viewing pleasure. Okay, each episode is closer to 45-50 minutes (and okay, one or two of the episodes were turkeys), but when you add in the multitude of suplementary videos, as well as the commentaries that mean some episodes get to be viewed twice (and you're doing yourself a major diservice if you don't at least listen to Joss Whedon's commentaries), you're probably over 100 hours. Where you going to get that sort of deal elsewhere? For the price of one season of Star Trek, you can have four seasons of BtVS. And lets be honest, wouldn't you rather watch Buffy?
Best show in last 10 years.

Vividly Real
Very good
AMAZING

Excellent Drama
OKMoving on, i would say this was a great show. IT had everything.Violence, family love and loyalty, everything.
A FIRST -- WE LOVE THE "BAD GUYS"Some spoilers (not too much in detail, don't want to ruin things):
** Rape -- can't tell you who it will spoil things.
** Murder -- connected to the "rape", and war between families.
** Resolution to the Agent who was almost killed (the ultimate drug bust).
** Resolution to Malika Yoba (dirty Agent) and the nightclub.
** Wife leave rehab and returns home to Miguel.
** Dr. loses his money...Dr. finds his money (but hands change...i.e. dr/bodyguard relationship)
Penny
cogicpenny@hotmail.com


Lloyd
A universally wonderful filmLloyd looks at the life of a upbeat geeky kid and his attempt to win the girl of his dreams, and just try and fit in. I think everybody who has ever been 11, or will ever be 11, can relate to this story. I know it brought back memories of my own childhood and my first crush. It shows kids that there are obstacles that you have to face growing up, and it shows Lloyd facing and overcoming them. It's a good life lesson, and one of the few films that parents can and will want to watch with their children. It doesn't get burdened down with overly complex characters, and that is part of its charm. You never hear kids say that their teacher is "Stern but fair." Nope. They say that the teacher is just mean.
I think one thing that most children's programs miss today is that they don't have to make everything so sterile for the children that parents will hate to watch it. Watch an old Muppets rerun and you'll know what I mean. The Muppets were entertaining to all ages because they were just funny. Like old Warner Brothers cartoons. They were just funny. There wasn't a focus group targeting them specifically for one demographic. They just made them funny, and everybody loved them. Just like Lloyd.
Hands down: It's a great movie.
MASTERPIECE, CLASSIC AND A WORK OF GENISISSteven Speilberg, Martin Scrosese, Stanley kubrick shouldn't have wasted their time making ET, Taxi Driver or 2001 and worked on this masterpeice cause then they would have got somewhere this should be kept in the Vatican film vault so that futre generations can experience LLOYD it is as powerful as Jesus himself.
The Oscars should go as follows Best Actor Todd Bosley Best Director and Best Screenplay got to Hector Barron he should have made Star Wars then it would money. Best Actress Mary Mara Best Supporting Actor goes to finally after all the years he carried Seagal, Brando, De miro to convincing performances TOM " the God" ARNOLD
Move over The Godfather there is a new Best Film of all time and its called
LLOYD
when i have kids i hope it ones as good looking as TODD BOSLEY
Dedicated to Grahem
When i get married i'm going to have a kid as good looking as Lloyd


Good fun with a Good messageThis DVD has a lot of great moments in true Steve-style. Be warned, though, that there are some things on this DVD that overlap with his Croc Files DVD (Vol #1).
WAY better than Collision Courserecommendation-go buy it today,it's a great movie and a safe gift
I love Steve! So do my kids. What excitement!won't be sorry you got it.
A Concerned Christian Mother


Common Men, Uncommon CourageFor a full picture of who our pow's were and what they experienced done in a format that was tolerable for the more squeamish among us I think this was very well done.
Don't believe the running time on the box
An exceptionally good documentary....Individual interviews woven with footage from United States and Vietnamese archives paint a very vivid and oftentimes emotional picture of the brutal experience suffered by our U.S. servicemen held captive in Hanoi.
Leaving very little to the imagination, this documentary explores the many facets of captivity to include barbaric torture, communication processes between prisoners, coping with solitary confinement, demoralizing loneliness, and inhuman living conditions. Additional interviews with the spouses of POW's reveal their pain and emotion they dealt with on the home front while not knowing the fates of their husbands.
Finishing off with their triumphant return home, it is truly inspirational and heartwarming to see the footage of these heroic men reunited with their families.
This DVD itself has superb sound and video qualities and offers good additional features such as 26 biographies of POW's and interviews with the producers on the making of Return With Honor.
This documentary comes very highly recommended to everyone and leaves you with a resounding message of patriotism and a deep respect for America and her U.S. servicemen.

A nifty idea: the Greek god Apollo turns out to be quite real, a powerful extraterrestrial (Michael Forest) waiting some 5,000 years for the human race to develop enough to meet him out in the cosmos. Catching sight of the Enterprise, he immobilizes the ship and demands that the members of a landing party--Captain Kirk (William Shatner), Dr. McCoy (DeForest Kelley), Chief Engineer Scott (James Doohan), Chekov (Walter Koenig), and antiquities specialist Lieutenant Carolyn Palamas (Leslie Parrish)--bow before him and prepare to spend the rest of their lives being cherished through his insistent love. A doubting Kirk recruits his people to secretly find the mechanical source of Apollo's power to throw lightning bolts, become a giant, and punish his naughty Enterprise children by tossing them around like rag dolls. The stern god gives Kirk a sword, so to speak, by falling for Lt. Palamas, setting the stage for some stormy drama late in the game. Written by television veteran and Greek myth aficionado Gilbert Ralston (with a polish by producer Gene L. Coon that enhanced the story's relationships), and directed by Marc Daniels, "Who Mourns for Adonais?" is one of those classic Trek episodes that lingers in the memory for the creative incongruity of its story line (starships and Olympians) and principal set (an Athenian temple with a few trees, shrubs, and confused Starfleet personnel). Wonderful stuff. A subplot involving Scotty's big-time crush on Palamas provides a rare glimpse into the emotional life of one of the supporting players--even if his gallant efforts to save her from Apollo's wooing result in a concussion or two. --Tom Keogh
"Amok Time"
Easily one of the best episodes from the original Star Trek series, "Amok Time" was written by the novelist Theodore Sturgeon, who came up with a story about a Vulcan mating cycle that occurs every seven years and drives the normally stolid, logical, pointy-eared humanoids wild. When Spock (Leonard Nimoy) is suddenly caught in the grip of pon farr, a crazy-making urge to mate, he sets a course for his home planet despite orders to the contrary from Captain Kirk (William Shatner). Kirk comes around, however, and accompanies Spock and Dr. McCoy (DeForest Kelley) to Vulcan, where Spock is to wed T'Pring (Arlene Martel) in an arranged marriage. But T'Pring formally rejects Spock, forcing a duel in which the captain must participate or let Spock die. There's high drama galore in this one, beginning with Spock's feverish savagery and extending to the fascinating complexity of Vulcan rituals, set against the eerie emptiness of the planet's landscape. For good measure, there's also the startling sight of Kirk and Spock fighting it out to the death. Supporting performances are terrific, including that of Celia Lovsky (the real-life wife of Peter Lorre) as the matriarch T'Pau. This is also the episode that gave birth to the split-fingered Vulcan salute (inspired by Nimoy's memories of the kohanin blessing at Jewish temples) and the phrase "live long and prosper." One of Trek's more highly charged episodes, you can feel a certain spontaneous energy here--indeed, some of the more inspired actors even made up their own lines. --Tom Keogh

One strong show, and one true classicOverall, a strong episode, although I for one at times tire of the more 'literal' episodes, enjoying instead the dreamy, surreal, and menacing ones. I see no reason why we should expect to encounter a moral code (or any system for that matter) similar to our own in outer space. Also there are quite frankly limits to just how good a 'literal' take can consistently be, especially after 35 years and given the time and budget constraints of an episode. That is why I am drawn to the more off-beat shows.
Having digressed, I must return to the fact that this is one of the better of the 'literal' shows. (4 stars)
Amok Time-This episode, in which Spock must return to his home planet, is deservedly a classic. Amok Time typifies the vitality and fast-pacing of the second season shows. There is real mystery as we try to comprehend just what is wrong with Spock. Certainly it is no coincidence that the thoughtful and critical Nimoy's strongest performance came in the show that gave him both a range of emotions AND a plausible reason for stepping out of character. Nowhere is Spock's shame about his (and all of our) dualistic natures more palpable than here.
This episode is helped also by the musical score and minimalist sets on Vulcan, as well as solid acting by the other Vulcans. If one is willing to look beyond minor script problems such as the humans' utter ignorance of Vulcan biology and the details of how Spock ends up fighting Kirk, there really isn't much to gripe about. Funny too how success breeds success; there is a warmth and chemistry between the big three here that just couldn't be reconjured in episodes that didn't earn the actors' trust. (4.5 stars)
"Kill Spock? That's not what we came here for..."WHO MOURNS FOR ADONAIS? © PRELIMINARY BRIEFS:
Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: The relevance of a god or gods in an advanced society
Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: None
REVIEW/COMMENTARY:
Following in the footsteps of 'The Squire of Gothos' and 'Charlie X', our gallant captain and a few cohorts have to escape from the seemingly all-powerful clutches of the deity Apollo from Greek mythology. Scotty is showcased here by getting his you-know-what handed to him on a couple occasions by Apollo over the hand of babe-of-the-week Carolyn Palamas ( Leslie Parrish). Romantic triangles don't get much more dangerous than this! Also notable is the Monkees rug that Chekov's got on, which wasn't quite as overdone as the previous ones he had to wear. Throw in the tried-and-true drain-the-energy-from-the-all-powerful-being ploy, mix it with a dash of the last-minute-rescue-format, rub it all down with the somewhat tragic epilogue featuring Jimmers doing his hushed and somewhat despondent monologue about the tragic loss of a potential link to mankind's past, and broil to a golden brown. M'm, m'm, good!
AMOK TIME © PRELIMINARY BRIEFS:
Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: The trials of friendship / the nightmare of losing one's self-control
Historical Milestone: The first appearance of the planet Vulcan
Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: None
REVIEW/COMMENTARY: Uh-oh... Spock's got a certain urge, and his shipmates will need to change course and get him back to Vulcan, or else (*GASP!*) he'll croak! Now this wouldn't be such a difficulty except for the fact that the Enterprise is ordered to attend a ceremony at a planet that's several light-years away! Will Jimmers break the rules again to save the life of his first officer and valued friend?! Oh, the suspense! Oh, the humanity! Oh my God, is that Jim fightin' Spock to the death to help save his life after they touch down on Vulcan? Yep, it sure is! And thanks to this little blood match, we are treated to yet another Kirk's-uniform-top-gets-ripped-in-combat episode as he barely ducks a close call from Spock's giant bladed Q-Tip-lookin' weapon! Fortunately, McCoy helps Kirk fake his death in battle, Spock displays some genuine emotions in front of his captain and good doctor, and all is well once again! Well, all will be well for the next seven years, anyway...
'Late
Gods and Vulcans"Amok Time" Spock MUST visit Vulcan and marry a woman or die.


Godd film for when you're in the mood for hotties!
What you want is what you get
Yes!!!