Aging Movie Reviews


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Family movie reviews for "Aging" sorted by average review score:

A Tribute To Stevie Ray Vaughan
Released in DVD by Sony/Columbia (03 March, 1998)
MPAA Rating: NR (Not Rated)
Director: Gary Menotti
Already a legend among musicians, Stevie Ray Vaughan was bringing new relevance and popularity to the blues when his career was cut short in a fatal helicopter accident following a 1990 concert appearance. His music offered the drama and sheer firepower of rock, and his flamboyant live shows likewise proved well suited to arena-sized crowds, yet there was little argument that Vaughan's fealty to the blues remained at the core of his style. This 1996 concert tribute underscores that common denominator through muscular performances from contemporary blues masters who readily (and appropriately) confirm the Texas guitarist as a true peer--it's no small matter that bona fide influences Buddy Guy and B.B. King cite the honoree on an equal plane with Vaughan's most obvious rock forebear, Jimi Hendrix.

King and Guy are among the stars who interpret Vaughan's own songbook in live performances backed by either his old band, Double Trouble, or the larger Tilt-a-Whirl Band. Bonnie Raitt, Eric Clapton, Robert Cray, Dr. John, and the late guitarslinger's big brother, Jimmie Vaughan (himself a major figure since his days with the Fabulous Thunderbirds) all pay gritty musical homage noteworthy for powerhouse guitar work. Whether clad in coveralls (Guy) or Armani (Clapton, of course), each reaches the same common ground in the soul-deep language of the blues; equally important, the choice of material points up Vaughan's sure sense of blues song form and a penchant for tough, frequently witty lyrics that fit snugly into blues traditions. The 80-minute concert also intersperses brief interviews with the principals, with the music building toward a satisfying climax in three high-octane jams featuring the headliners in lively exchanges. The DVD optimizes the full-frame visuals of the original videotaped special, and the 5.1 audio mix likewise fine-tunes the straightforward stereo mix with some added ambience. --Sam Sutherland

Average review score:

Almost great
Well the list of guitarists is something to be expected considering they are paying homage to one of the greatest guitar players of all time. However it seems that his brother Jimmie in this DVD uses this as an opportunity to play with the greats. Instead of allowing the great guitarists play their hearts out they seem to be in the background of a sub par guitarist. The first thing I thought when I saw this was Stevie would have been furious seeing these great guitarists playing behind his brother. These people needed to be showcased instead of dropped in the background. Once you get used to this the interviews are really nice hearing these great blues players talk about Stevie. There playing was really cool, it is definitely something to watch and enjoy, and the last song SRV Shuffle on the DVD is really fun to watch. It would have been better if Jimmie had got out of the way though. Would have been a five star if he would have just let the better musicians play in the spotlight instead of trying to steal the spotlight.

Stevie Played Stevie Better
"A Tribute To Stevie Ray Vaughan" shows some marvelous performances of Vaughan's work by some of the great bluesman and guitarists. Clapton, Cray, Guy, Raitt, King and even Vaughan's very talented brother crank through the better known Stevie Ray tunes with incredible musical mastery.

Interupting some great jams, unfortunately, is a bunch of interviews. They are interesting, but kill the flow of the concert. It seems like a PBS special.

I recommend "A Tribute To Stevie Ray Vaughan," but get one of Stevie Ray's concert CDs or DVDs instead if you are looking to hear top Vaughan blues.

Or, get a BB King or Buddy Guy CD. If you buy this one, fast forward through the interviews.

Anthony Trendl

JIMMI HENDRICKS PLAYED ROCK BUT STEVIE PLAYS THE BLUES
Both guitarists were on an equal plane. Stevie learned from jimmi and countless other blues players few know about. He did things with a guitar few could follow. You can't judge him on this one dvd. You have to collect all his CDs and see him "Austin City Limits" to really appreciate his gifted talents. People outside the US and in the US were not exposed to him as much. He was an unknown. He did some guitar work for David Bowie"Lets Dance"album. David took most of the credit for that record that peaked his career.Few knew stevie then. He was just getting exposure in the US when he died even though he had been around a long time. A rising star not forgotten!!! pick up a guitar and try to play like him if you can.


Jane Doe
Released in DVD by Image Entertainment (07 September, 1999)
MPAA Rating: R (Restricted)
Director: Paul Peditto
Calista Flockhart fans may enjoy this tour de force for the popular television actress, who plays a free-spirited young woman struggling with drug addiction. The story is told from the perspective of Horace (Christopher Peditto), a struggling young writer who works as a bartender in a transvestite bar. When they meet, Jane (Flockhart) has the word "urgent" stamped on her chest. They quickly--maybe too quickly--fall into a relationship, cemented when she agrees to model for Horace in a series of morbid tableaux--a bloody body in a bathtub, a dead body sprawled on the sidewalk, a body stabbed to death in bed--which he photographs and then writes tabloid-style blurbs about. Meanwhile, they giggle, frolic in the streets, and play sexual games, such as when Jane dresses in a French maid outfit and does an erotic dance for Horace. But gradually Jane's addiction turns worse and their relationship becomes more and more troubled. Though Horace does all he can to help her kick her habit, things only turn worse. Jane Doe's script rambles and Peditto's performance is monochromatic, but Flockhart throws herself into her role with admirable abandon. The film also features Elina Löwensohn (Nadja, Simple Men, and many other Hal Hartley movies) in a small role. --Bret Fetzer
Average review score:

A good movie
I mainly got this movie because it has a edge to it. I dint really know what to expect with this movie since I had never seen the previews for it I mainly just got it becasue the cover looked integing and it had Calista Flockhart in it and she is one of my favorites. I thought it would have this corky edge to it because Calista usually dose more corkey roles but this was of corse corkey but it also did have a major mix od drama which I think deffinitly also added something more to this movie. I say its a must rent.

Calista shines
Although the script of Jane Doe is a bit ordinary, Calista Flockhart's performance can compensate everything. I can find no Ally element in this movie. Calista appears very differently from her role as Ally McBeal. she is not as a professional like Ally, but a drug-addict in the street of New York! She is just like a totally different person. her appearance, language and gesture are something I have never seen before. Calista's performance is just so convincing that it touches and breaks my heart. her emotion range is the widest ever. I like her permance in this movie even more than in Ally McBeal. Her performance in this movie certainly deserves more attention.

Jane doe, Ally Mc beal or _ she's fitting in any role.
Calista is going to be a great actress in the future as she is now.The movie JANE DOE is very imoionally expressed with her views. I think she had worked with her heart in the movie.It gives the message to coming younger generation about ill effects of druggism & ofcourse about love, that how much she loves her boyfriend while those in love will learn the lesson that how much they are loved by their lovers.I hope by watching this movie you could be the fan of calista( because of not, se's sexy but by her role) thank you very much. If i could have wish in my life & that is to meet her once while i'm alive.thats it! You'll see the movie & u'll find it more.


Sharky's Machine
Released in DVD by Warner Studios (13 October, 1998)
MPAA Rating: R (Restricted)
Director: Burt Reynolds
Starring: Burt Reynolds and Rachel Ward
Burt Reynolds was getting restless with the good ol' boy screen image he cultivated in Smokey & the Bandit and numerous car-chase flicks of the mid-to-late 1970s, and this brutal 1981 thriller presented the actor with an interesting change of pace. Reynolds directed the film as well, and there was a lot at stake for him both personally and professionally, so Sharky's Machine--based on a gutsy novel by William Diehl--has an urgent, no-nonsense quality that lifts it above most comparably sleazy thrillers. The plot may be sordid, but Reynolds's handling of it is not. This adds another element of freshness to the story of a demoted Atlanta vice cop (Reynolds) who pursues a personal vendetta against a crime boss (Vittorio Gassman) after falling in love with a stunning beauty (Rachel Ward) from the mobster's stable of high-priced prostitutes. The climactic shootout is violent and bloody in keeping with movies of the period (when jarring brutality was beginning to be commonplace in Hollywood films), but Reynolds doesn't go overboard. Sharky's Machine doesn't pretend to be anything more (or less) than a tough-as-nails crime movie, and it's one of Reynolds's most unusual and intelligent films. --Jeff Shannon
Average review score:

"Do You Think I'll Live?"
I have always been a fan of Burt Reynolds. Sure, the guy has made some of the biggest bombs in Hollywood history, such as "Stroker Ace," "Cop and a Half," and several others too painful to mention. When I say I am a fan, I am not necessarily referring to his best known films like "Smokey and the Bandit,"...or "The Longest Yard." I like Reynolds's seedy looking films, those low budget action flicks that look like they cost five dollars to make. "White Lightening," "Heat," and "Gator" are always worth watching. I used to list "Sharky's Machine" as one of Reynolds's best efforts until I watched it again recently for the first time in many years. This 1981 action/thriller should give the viewer the best Reynolds has to offer: he directed it, starred in it, and made sure to assemble a stellar cast including Richard Libertini, Brian Keith, Charles Durning, Rachel Ward, Vittorio Gassman, and Henry Silva. In fact, you will recognize so many faces in this movie that you will start to wonder how Reynolds got all of these guys together without spending his entire budget on salaries. Unfortunately, Reynolds's directorial debut drags in spots due to the inclusion of decidedly non-action elements and slow pacing. "Sharky's Machine" is the film version of a book written by author William Diehl.

Reynolds plays Atlanta police detective Tom Sharky, a tough as nails cop attempting to crack down on the city's heroin trade. After a failed drug buy results in the death of an innocent bystander, the department ships Sharky off to the vice department as penance for his reckless heroics. Located in the dingy basement of police headquarters, the vice room is about as filthy as you could imagine. The other police officers consider vice as the bottom of the barrel, and so does Sharky until he uncovers a prostitution ring with links to a gubernatorial candidate...

The cast is the main reason to watch "Sharky's Machine." Libertini is a hoot as the scatterbrained Nosh, Durning plays Sharky's supervisor Friscoe with lung shattering intensity, Brian Keith is the always hungry Papa, and Bernie Casey plays the philosophical Arch. Rachel Ward is effective as Dominoe, and Vittorio Gassman oozes his way through the role of crime kingpin Victor. Henry Silva steals the movie as the ominous killer who possesses no scruples whatsoever. Silva was born to play bad guys on the silver screen, and that is what he has done throughout his career, but in "Sharky's Machine" he turns in the performance of a lifetime. It is regrettable that Silva does not get more screen time. Until I rewatched the film, I thought Silva appeared in nearly every scene but that's only because his performance is so over the top that it dominated my memories of the movie. If you watch "Sharky's Machine" for no other reason than Henry Silva's performance, you will still get a thrill out of this movie.

With the exception of a few of the characters and a several gritty scenes of violence including chopped off fingers, a gory shotgun blast to the head, and some shootouts, "Sharky's Machine" is a good, not spectacular, movie. I took particular offense with the romantic subplot between Sharky and Dominoe. These scenes seemed to drag on forever, with heavy doses of melodrama piled on top of a mountain of implausibility. Are we really supposed to believe that these two will get together? I recognize that most films always rely on a romance to help propel the narrative, but in a sleazy story like "Sharky's Machine," I want that interaction minimized. Too much emphasis on the relationship between Dominoe and Sharky seriously hampers the flow of this movie.

The DVD version is weak, with zero in the way of extras and a full screen picture transfer. How about having Burt Reynolds do a commentary for a widescreen edition? Since Reynolds directed and starred in the film, I am sure his insights would be more than sufficient in explaining the nuts and bolts of the movie. I would secretly appreciate a contribution on a potential commentary track from Henry Silva, but that will surely never happen. If you can stomach the cheesy disco soundtrack and the large injections of romantic interludes, you will probably enjoy watching "Sharky's Machine." At the very least, you get to see Burt Reynolds crack some heads and that is always fun.

Atlanta gets the major city treatment!
Burt Reynolds continued his love affair with Georgia's capital by setting his ultraviolent crime saga in the city of the South. The Atlanta background is only window dressing for a tale that could occur in any metropolis in the U.S.

Reynold's directing is tight and he does well in the title role. Great support comes from Rachel Ward, Brian Keith, veteran heavy Henry Silva, Bernie Casey, Reynold's longtime friend Charles Durning, and the always reliable Earl Holliman.

The film may not make any "best of" lists, but it is still an enjoyable cop drama, with exciting twists and turns, plus it provides an early '80's glimpse of crime in urban America..

Burt's Machine Keeps On Rolling
In "Sharky's Machine" Burt Reynolds plays Sgt. Tom Sharky, a case-hardened (tough outside, soft inside) Atlanta vice cop investigating the possible extortion of a gubernatorial candidate. During wiretaps and stakeouts Sharkey falls in love with Dominoe (Rachel Ward), the candidate's spoiled call girl girlfriend. When the candidate offers to take Dominoe out of 'the life' and to support her, Dominoe's gypsy owner/trainer Victor feels his control over the candidate threatened. Victor arranges for Dominoe's murder. By coincidence Dominoe escapes, Sharkey hides Dominoe, and they work together to end Victor's reign of terror.

Burt Reynolds directed "Sharkey's Machine" and he plays Tom Sharkey with his "Deliverance" bravado but without the hard edges. Burt assembled a strong cast. Rachel Ward is *stunning* as Dominoe. Brian Keith, Bernie Casey and Richard Libertini are Sharkey's police buddies -- his 'machine' which is destroyed in the process of bringing down Victor. Vittorio Gassman plays cold threatening Victor and Henry Silva plays his Dilaudin/cocaine-wired shootist associate -- both deliver extremely strong performances. And Darryl Hickman effectively uses brother Dwayne's 'Dobie Gillis nice guy' persona in an interrogation/torture scene.

Years have passed since Burt Reynolds' football days and Burt has played many characters. Burt still plays rough today. "Sharkey's Machine" is a superior showcase for Burt Reynolds' many talents.


Delta of Venus
Released in DVD by Warner Home Video (04 November, 2003)
MPAA Rating: NC-17
Director: Zalman King
Average review score:

delta of venus
I saw this video and thought that it was pretty good. I only watched it to see Adewale Akinnuoye-Agbaje. He was the clairvoyant. The African who could predict things. I thought that he was very attractive and sexy. This is the only and most important part of the video to me. I'm waiting for it to come on DVD so that I can press menu and go to the most interesting part---adewale.

about the movie delta of venus.....
What I can remember a little about this movie is that the movie in the end is something about the escape after the war broke out and what I know is that, this movie at NC17 did not contain explicit, very violent or sex sceneS. What I can say is that it contains two sex scenes inside, one is a few minutes after starting the movie and the other is at the part of the movie where it is at the staircase of the house(something like a house, don't know how people name it).

Easy erotica
I am a big fan of Zalman King's efforts...see my other reviews about the Red Shoe Diaries Movie, and Girl on a Bike. This movie is special, and it makes you feel special...it slowly and consistently spoonfeeds you erotica rather than shoving it down your throat, and intelligent erotica, at that. The characters are quite doable--is that Costas Mandylor? Bestill my heart! I was satisfied with the ending too. Of all of Zalman King's stuff, I think the only full-length feature I like better than this one is the Red Shoe Diaries Movie. Enjoy yourself!


Lone Star State of Mind
Released in DVD by Columbia Tristar Hom (02 September, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: David Semel
Starring: Joshua Jackson and Jaime King
Joshua Jackson of Dawson's Creek and ex-model Jamie (formerly James, Pearl Harbor) King are (Lone) star-crossed lovers in this broad rural romantic comedy. Despite the fact that they've recently become step-siblings, Jackson and King are in love and want to flee their small Texas hometown for Hollywood. A kink in their plan arises in the low-wattage form of King's cousin (DJ Qualls), who lands in hot water with the local mob after robbing a drug dealer. Jackson must now make things right with a host of unsavory criminal types and get King to Tinseltown. Jackson is personable as the reluctant hero, and King is easy on the eyes, but the rest of the cast (which includes Matt Davis, Thomas Haden Church, and John Mellencamp) mugs furiously, and the script rarely aims any higher than poking fun at Southwestern stereotypes. --Paul Gaita
Average review score:

JUST PLAIN AND BORING
I thought this would be a good mobster movie-but no it was just plain boring!

Dj Qualls was the best and should of had more scenes!

Dont waste your time with this boring stupid movie!

Jamie saved it
Featuring: Jamie King, Joshua Jackson, John Mellencamp
Rating: ** (not the worst, but not good)

This movie was a little shy of average. It certainly had it's moments though, one being Jamie King's portrayal of the lead female character, Baby. She shined as both the sensitive and driven young waif. As well as showing the flashes of anger that result if you cross her or her loved ones. Joshua Jackson did a fine job as the lead male character of Earl.

In a nutshell, Earl and Baby are planning on moving from small town Texas to big L.A. when all hell breaks loose around them. Nutty relatives, drug dealers, two-bit criminals and stupid folks abound. Through it all Earl, the normal one, and Baby, the sexy one, keep plugging away trying to move forward in their lives and help the ones they love.

Although it had a lot of cliches and was at times stupid there are worse ways to spend an evening than watching this movie. Jamie Kind is the one that kept this movie from a one star rating (don't bother). If you rent it, it should be for her performance alone.

Way Cool
This is one of the funniest movies I have seen in a long time. Joshua Jackson sexy with his long tall Texas draw accent, especialy the bathtub scene. Gives me a whole new prospective on "cowboy hat and boots". The whole cast did a great job, I love the countryfied ways it was hillariously funny, one of thoes movies you can watch over and over.


Motorama
Released in DVD by Columbia/Tristar Studios (18 December, 2001)
MPAA Rating: R (Restricted)
Director: Barry Shils
Average review score:

What the Hell?
Okay, so the kid is getting the letter. No one notices he is 10, gets the R, blah blah blah. The reason this movie is abysmal is the ending. What in God's name were they thinking? He gets "motorama" and tries to claim his prise, but there is none; and after being thrown out of a sckyscraper what does our protaginst do? He hitchhikes back to the first gas station and takes the attendent job, fills up the car of a man who won 1 million dollars..the man is hit by a truck.. Credits roll after he has a meaningless 3(short)sentence conversation with the owner......and that's all. I feel the need to repeate, What in God's name were they thinking?

Zero stars wasn't an option.
Others have outlined the plot, so I'll get to the point.

The film is dull, listless, and offensive.

Here's a brief list of some "clever" moments:

* The protagonist (a ten year old boy) is beaten so that he loses an eye (in part because he's maliciously denied medical care)

* After dining in a biker bar, the protagonist is forcibly tatooed (which is depicted as excruciatingly painful).

* Some parents who are low on cash intentionally abandon their young children at a rest stop.

I *like* odd ball films (e.g., After Hours, Eraserhead, Dark Star, Moulin Rouge, Big Lebowski, Repo Man, etc. etc.) and am not easily put off by weirdness.

But this film is so mean spirited, tawdry, boring, and poorly performed that I couldn't find anything about it to like. I don't understand the favorable reviews it has received here and suggest you check out some more mainstream reviews (in reviews I read it was not just panned but reviled).

Ps. Despite the child protagonist, this is definitely not a children's movie.

Surreal Masterpiece
10-year old Gus (Jordan Christopher Michael) steals a car and travels across a bizarre Southwestern landscape, playing a road game called "Motorama." He encounters many eccentric characters, mostly nasty, and endures all sorts of abuse, growing gradually older until, at the end of his life.... Ignore the idiotic cover; oppressive heterosexism is refreshingly absent here.


War and Peace
Released in DVD by Paramount Home Video (19 August, 2003)
MPAA Rating: PG (Parental Guidance Suggested)
Director: King Vidor
Starring: Audrey Hepburn, Henry Fonda, and Mel Ferrer
Despite its reputation as an oversimplified epic, King Vidor's War and Peace remains a stellar showcase of Hollywood prestige. While Cecil B. De Mille was reviving ancient Egypt for The Ten Commandments, Vidor was transforming Italian countryside into war-torn Russia, bringing massive resources to bear on this sumptuous, if ultimately misguided adaptation of Tolstoy's classic. Given the marquee casting of Audrey Hepburn as Natasha and then-husband Mel Ferrer as decorated battle hero Prince Andrei, this is a movie you watch for star value, not literary fidelity (for the latter, look to Sergei Bondarchuk's Russian version). Henry Fonda serves Tolstoy more effectively as Pierre, whose passive observation of Napoleon's invasion turns this grand moral tale into an intimate study of individual passions. The battle scenes (directed by Mario Soldati) remain impressive, as does the film's grand parade of pomp and circumstance. Slow, regal, and peppered with brilliance, this epic falls short of classic but it's still a visual feast. --Jeff Shannon
Average review score:

War and Peace, Lite
War and Peace is about the Napoleonic invasion of Russia in 1812. This edition, verses the Russian (1967, Soviet Union era) edition, is of course shallower. However, for half the time investment it does give one a good taste of the subject. The longer, 1967 edition has more to say, yet it also ends with a sort of propaganda message of "compassion towards one's defeated enemy" that does not align with history (it was made during the Soviet Union days). This 1956 edition ends more like it did in real life. Both editions are worthwhile.

Good Entrainment with a Few Flaws
Great Cast with a great story is not always the best combo, but this DVD is a keeper. Audrey Hepburn as Natasha does the best with her multi expressions & cute dialogue during the many courtships throughout the film. Henry Fonda as Pierre comes in a close 2nd, but at 1st he seems out of place, too passive. Later this lack of emotion or evolvement shines forth as he goes though many hardships as a prisoner of Napoleon. Mel Ferrer as Prince Andrei, then Audrey Hepburn's real husband, has the same problem as Henry Fonda, he drifts in & out of character. I believe the problem with the main male actors is that they played it too straight. The woman who played Prince Andrei's 1st wife did the worst, she over acted like a silent movie star. The supporting cast does a great job, specially the actor playing Nepoleon. This is exactly what I think Nepoleon looked & acted like in the early 19th century. The phyical height & size for the French emperor are perfect, & the letting of free opinion to be express, yet at the same time having the over powering will to bring Europe to his knees. Desite the flaws, this version of "War & Peace" will give you a short stroll, with a "to the point" idea of a western classic with great photography & sound. I try not to watch it too many times because I don't want to wear it out.

Love and Honor, Russian Style
It's been quite a while since I saw this movie but I'll never forget it. I think Audrey Hepburn was Superb and I always think of her as Natasha. She was perfect in portraying youth and innocence and her impetuous personality showed through well.I can't think of any other actor to compare with her.

I found it difficult to really like Prince Andrei-he seemed so standoffish but he was faithful in his love. In my mind, Pierre, my favorite male character, was really the hero. He was noble in a different way than Prince Andrei.

This was a wonderful movie and great for any viewer who likes historical romances. Although I do not like war movies,the movie was wonderful in giving a brief view of life in the Russian empire. It depicted the brutality of war also and the suffering of the prisoners.

This is definitely a classic and worth seeing more than once.


The Pebble and the Penguin
Released in DVD by Mgm/Ua Studios (18 December, 2001)
MPAA Rating: G (General Audience)
Directors: Gary Goldman and Don Bluth
Starring: Martin Short and James Belushi
As a brief promo by a Sea World Animal Ambassador tells us before the movie begins, male penguins really do present pebbles to the females during a courtship that will result in a lifetime match. This post-Thumbelina Don Bluth/Barry Manilow effort gives us Hubie, a nerdy penguin whose love for the beautiful Marina, remarkably, is returned. Alas, before he can present her with a fine stone, his evil--and strangely buff--rival throws him into the swirling sea. Epic adventures and a comical sidekick result. Leopard seals and killer whales threaten, but kids will be entertained rather than frightened by this harmless, if less-than-brilliant movie. --Kimberly Heinrichs
Average review score:

Who knew penguins could fight?
A shy and not so tough penguin named Hubie (Martin Short) falls in love with the good looking Marina (Annie Golden). Once he finds out that he might actually have a chance to be Marina's mate for the upcoming mating season, he tries to find her the most spectacular pebble possible. For this group of penguins, a pebble is just like a wedding ring that we humans use. But there's some rough and icy waters in store for Hubie. Not only is there a macho penguin who also wants Marina, but humans and of course whales, may also pose a threat.

Back when I was a kid, I wanted to see "The Pebble and the Penguin" when it first came out in 1995, but I never got the chance to see it until today. I have to admit that it's not as good as I thought it would be, but it wasn't bad either. It has good animation, it's mildly entertaining, and it would probably be especially great for kids who like animated movies. However, on the bad side, it could've been a lot better in almost every aspect and I was disappointed with the music.

Superb!
This, along with "Thumbelina," "All Dogs go to Heaven," and "Rock a Doodle," are among the best Don Bluth films ever made. Why are they so disliked?! In my family, we have watched these movies repeatedly for years and laughed, cried, etc. They are so much fun! The music in this movie is WONDERFUL and the voice acting, particularly Martin Short's Hubie, is great. A cute movie and a cute story.

Other notes: Penguins have eyelashes, deal with it. Drake is an abnormally muscular and busty Adele penguin. Marina's flower is magic. Or plastic.

True love
I was feeling pretty low in High School. This film related to my earnest desires to find romance. well I didn't find my true love but I loved this film. I'm a big fan of cartoon romances and sweet love sonnets. Now and Forever is my favorite song. I recommend it over any disney sequel. It has warmed my heart and renewed my faith in true love. It says that anyone can find their true in the most unusual people. Hubie is not the most handsome penguin in the rookery. Marina sees his finer traits even though he's a wimp and a nerd and even a little wacky. But he has a good heart. It made me realize that I don't have to be the prettiest girl to find romance it will find me.note Hubie isn't ugly but his gentle and warm heart made him the better suitor than the manly and suave Drake. Don't give up on romance people. Everybody needs love including nerdy and shy wacks like Hubie!


Robin and the Seven Hoods
Released in DVD by Warner Studios (08 January, 2002)
MPAA Rating: Unrated
Director: Gordon Douglas
Starring: Frank Sinatra, Dean Martin, Sammy Davis Jr., and Bing Crosby
"My kind of town, Chicago is...." The last film venture by the Rat Pack finds Frank Sinatra, Dean Martin, and Sammy Davis Jr. in an update of the Robin Hood legend, set in Chi-town in 1928. The boys play gangsters who become Jazz Age Merry Men; Bing Crosby is their eloquent spokesman. As usual, women are in short supply within the featured cast, but the film is colorful enough anyway with its period trappings. By the time this movie was released in 1964, the Zeitgeist was already shifting toward the Beatles, and Frank, Dean, and Sammy looked like your father's entertainment. But while this film is no knockout, director Gordon Douglas (Young at Heart) makes it a pleasant enough way to say good-bye to the Rat Pack's life together on film. --Tom Keogh
Average review score:

It must be me.
I finally watched this movie over a friends house. He loved it. I thought it was trast. Plain and simple.I have never liked Frank Sinatra for personal reasons. (if i put them in my review, i'm sure this won't be printed) Dean Martin and Sammy Davis i never really thought as movie stars but more like nightclub entertainers. I respect their work but like all the other Rat Pack movies, this one sucks also.To me, it was just a stupid movie that made no sense, has no value and doesn't contribute anything to the movie musical. So i'm sure i am the minority on this and i better not say anything except that if your looking for one of those block-buster musicals, this is NOT the film for you.

DON'T LET THIS UNMEMORABLE MUSICAL HOOD WINK YOU
This musical mix of murder and misadventures between rival crime gangs is agreeable and serviceable. And not very memorable. Frankie isn't acting (give Peter Falk that credit), and
it's nice to see the Rat Pack teeming (or is that "teaming"?) again. Even Der Bingle makes a welcome appearance. The highlight is as vulgar as it is mind-numbing: Sammy Davis Jr.'s rat-a-tat-tatting number in which he dances with various guns, blowing away this and that and offering Sammy Cahn-Jimmy Van Heusen's genius as proof that musical numbers can sometimes silence an audience, if only until their jaws lock back in place. There's a different Chicago that's my kind of town .. and all that jazz!

My Kind of Movie
Dismissed by many as overly-long, poorly-scripted Rat Pack self-indulgence with inferior musical material, "Robin and the 7 Hoods" is a wacky mafia musical in the fun-loving style of pre-Hammerstein Broadway variety shows, and with a pretty snappy collection of Cahn-Van Heusen tunes. Remember, it's this musical, not "Chicago," that gave the Windy City its proudest anthem. But as solid as the Chairman's performance is, it can't match Crosby's, in the venerable crooner's next-to-last film appearance.

Once Bing appears mid-way through the film, the rest of the picture--with the exception of the"My Kind of Town" gala number--belongs to Crosby. His acting, singing, and dancing not only outshine his on-screen companions but in many respects make the Rat Pack appear like a coherent musical comedy team. At five foot seven inches, Bing was usually the shortest member on the set, but in both this film and "High Society" his crisp, economical body movements and quick, graceful feet make him "play" taller than his actual height.

The dubbing is, as others have observed, pretty unconvincing. On the other hand, most of the dance and music scenes are shot continuously in a single take or two, like an Astaire film. Others may prefer the frenetic and manipulative MTV editing style of films like "Chicago," which permit the filmmaker to "construct" a reality while transforming bozos into Baryshnikovs. I'll take these bozos just as they are.


Godzilla & Mothra: Battle for Earth/Godzilla vs. King Ghidora
Released in DVD by Columbia/Tristar Studios (07 October, 2003)
MPAA Rating: Unrated
Director: Takao Okawara
That's right, they didn't stop making Gozilla films in the mid-'70s like you thought, but resurrected the rubberized reptile in the mid-'80s and have continued making crazy, clear-your-Saturday-afternoon-schedule offerings to this very day. And here in this double-feature disc are two of the craziest from the early '90s.

Godzilla vs. King Ghidora involves some western folks in a flying saucer from the future who come back to warn Japan of its imminent demise by Godzilla. But their real aim is to aid in that destruction, thus keeping Japan from becoming an economic powerhouse. Along the way, some cute little creatures they've brought with them are transformed into King Ghidora, the not-so-cute nemesis of Godzilla, and the two inevitably battle it out as unwitting champions of their times. The special effects are tops, the action is silly and pulpish, and the plot is lifted partially from Godzilla vs. Monster Zero (1968). If you don't watch this film with a silly grin on your face, you just aren't a Godzilla fan.

Godzilla and Mothra: The Battle for Earth is a variation on one of the best of the old Godzilla films, Godzilla vs. The Thing (1964). When a meteorite hits the Earth, Godzilla is awakened, along with Mothra and his evil twin Battra, the Black Mothra! Mothra must save the Earth from these scourges, with the help of its minions, the Cosmos, those twin miniature girls who sing the eerily beautiful Mothra theme from the earlier film. And the special effects are even more impressive and hallucinatory than before, if that's possible.

The pleasure of seeing these rarities on DVD is only slightly hampered by their truncated aspect ratios; yes, Mothra's widescreen wings have been clipped down to paltry pan and scan, and thus denuded of its native Tohoscope. --Jim Gay

Average review score:

Great Godzilla
This are two of the best Godzilla movies ive seen. Much better than the Godzilla of old. Having grown up on 1950's and 60's sci-fi i have to say i wasnt impressed with Godzilla until this fairly recent make over. Excellant special effects and a great story lines. Battle for Earth was very well done but its King Ghidora that really got me going. The story line was excellent with time travel, a flying saucer and of course the King. If you havnt seen Godzilla for awhile, take a look at this great double feature.

Double Baddie
Hold onto your hats! In this double feature DVD, Godzilla is the bad guy in both movies. Being a huge Godzilla fan since birth, I've found Godzilla DVDs much more fun than videos. Since this is probably the only double DVD out there (time could change this) where Godzilla is the enemy both times, it only makes this one that much more entertaining. Let's be honest; everyone who is a true Godzilla fan knows the big guy is at his best when he's crushing Tokyo for no reason other than he can. So, G fans, what are you waiting for? Let the Stomp-a-thon begin!

The Coolest Godzilla Movies!
These movies are packed with action and adventure and have never ending turns and twists!
Godzilla vs. Mothra,Battle For Earth is about three explorers travel to an island,near with a meator landed.They then discover a giant egg and two girls smaller then a flower!But the egg hatches and forms the worm Mothra,while the metor hatches into the worm Batra!But when then two worms turn into giant flying super insects,there is a fight for surival ...P>Godzilla vs. King Ghidorah is about three time travelers from the 23rd century who come to warn that Godzilla will destroy Japan. The timetravelers take a writer and a team of scientists to the time of the dinosaur,Godzilla before it was exposed to nuecelar energy.But when the beast,King Ghidorah takes Godzilla`s place,the scientist`s only choice is to reive Godzilla!


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