Horror Movie Reviews

Oh yeah, and F-You Steve!!

This movie is actually three short movies linked by Price's narration. The first story deals with a young woman who returns to the home of her father, a recluse tormented by the death of his wife; how she died is not really clear, but she is nonetheless intent on revenge. The second story - the best of the three - is a take-off on the Cask of Amontillado with Lorre as a murderous drunk. The final story has Rathbone as a mesmerist who traps Price in a state between life and death.

All three stories have potential, the first and last for horror, and the middle one for humor. Unfortunately, none of the stories are executed well, a fault that seems to lie primarily with Corman. For fans of the Poe movies of the sixties (directed primarily by Corman), this might be worth watching, but for horror fans, it is best to look elsewhere.

The first story is based on Poe's "Morella," but Corman and Matheson take great liberties to make the tale darker and scarier than the original. Unfortunately, the altered plot and its resolution (?) are a bit hard to follow, and it is therefore the weaker of the three plays.

The second--and best!--vignette, "The Black Cat" is actually a composite of Poe's story of the same name and his "The Cask of Amontillado." Peter Lorre hilariously hams it up as the cuckolded Montresor Herringbone, and Vincent Price is also a riot as Herringbone's nemesis, Fortunato. In spite of the humor, however, there are still plenty of chills when Lorre builds a wall around his "problems."

The final vignette, based on Poe's "The Facts in the Case of M. Valdemar," features the wonderful Basil Rathbone as the hypnotist who uses his powers to put the titular character, Valdemar (portrayed by Price), in a sort of limbo between life and death. Again, Corman and Matheson have taken liberties with the original story (e.g., making the hypnotist malevolent and self-serving), but this time it's to great effect, as Rathbone makes a delightfully devilish villain. The make-up job on Price in the final scene is pretty creepy, too, in spite of the film's low-budget effects. Good old-fashioned frights in this one.

The DVD edition of TALES OF TERROR is short on extras (trailer only)--it would've been great to have a Corman commentary on this one, which many of the other MGM releases of Corman's films DO have--but seeing this film in widescreen makes it well worth the reasonable cost. A worthy addition to any fan of classic horror.

if you thought you were safe in the water by swimming in rivers, think again! Piranha's might be near you.

they actually did a very good, two thumbs up job on cleaning and sharpening up the movie for your DVD viewing pleasure.

when shown on TBS, it tends to be very blurry, but WOW, they really did an excellent job in sharpening the image and quality of the this all time cult classic.

i haven't seen all of the special features, but it has plenty.

for those who grew up in the late 70s or early 80s and liked cheesy horror films, or grew up to the films shown on TBS, then Piranha is your film!!!

I own the VHS, but I'm quite sure, despite the price, the widescreen will be worth it ...

LEPRECHAUN- Before she made it big with "Friends", the future Mrs. Brad Pitt herself, Jennifer Aniston starred in the first Leprechaun movie. Probably the best of the series.

LEPRECHAUN 2- A decent sequel with all kinds of gore and bad Irish jokes. Any movie where a guy is killed making love to a fan can't be all bad.

LEPRECHAUN 3- This one is pretty much the same as the last one with even dumber characters and a Vegas setting.

LEPRECHAUN 4- The Leprechaun in Space? Hilariously awful. Features Miguel A. Nunez, Debbie Dunning (The Tool Time Girl on "Home Improvement") and a cross-dressing robot.

LEPRECHAUN IN THE HOOD- Aside from Ice-T as a record mogul, this one is just terrible. Lots of dumb stereotypes and for some reason, there is a whole lot of men dressing up like women. What is up with this cross-dressing ...?

ALSO SEE WARWICK DAVIS IN HARRY POTTER 1&2

Although the story is set in "a Gimli we no longer know", there really is such a place as Gimli, and there is a real Gimli Hospital. The Gimli of the film seems to exist in a time warp in which it is always 2 A.M., 1930; there is a late-night atmosphere over everything, and even the sun seems to give off an artificial light. The production values and the overall look of the film recall the early days of sound films ("White Zombie", "Vampyr", etc.). Maddin has taken great pains to recreate the technical limitations of those old movies, right down to the scratch and hum on the soundtrack.

Imagine either SCTV doing a parody of Ingmar Bergman or Ingmar Bergman doing a segment for SCTV-- in fact, in certain shots Kyle McCulloch (Einar) and Michael Gottli (Gunnar) resemble Joe Flaherty and John Candy. There's a great deal of deadpan silliness to this film, but you can't help but like the characters (Gunnar is hapless too); there's no directoral irony that invites us to look down on the cast. This is a film that walks a fine line between honest emotion and kitsch.

In that vein, one of the extra features provided with the DVD is the short film "The Dead Father", which has its comedic moments but is ultimately touching and will resonate with those who have lost a family member only to have him or her show up in their dreams. It's a serious film with funny overtones; sort of the flip side of "Tales of the Gimli Hospital". The last ten minutes are especially poignant.

Maddin provides a rollicking, often digressive commentary; it may not tell you everything you want to know, but it's a lot of fun to listen to.

The film didn't say much to me on a first viewing, but parts of it have stayed with me. It really only deserves 3 stars as a whole, but I'll give it 4 because the early montage sequence featuring a series of bizarre (but historically faithful!) Icelandic grooming rituals is a surrealist treat, and both the VHS and DVD include Maddin's first film, the short film "The Dead Father," which is maybe the most emotionally lucid thing he's ever done and very funny for those who like black, surealistic humour. Further caveats: the production values and the acting are on a par with Ed Wood (the director, not the Burton movie), so don't expect polish, but the male leads have genuine charisma and Maddin has a superb visual sense, although it's more on display in his second feature, the ravishing "Archangel."

I think all us classic horror fans should send MGM a nice "thank you" note for the attention they have given this fairly obscure 70 year old film. And perhaps they will be encouraged to put out more of the same. I suggest "The Vampire Bat", made around the same time.

Look at all those 5 star reviews....go get this DVD!!

Edit begins:
Yep as I suspected it is Open Matte.....much like the Evil Dead widescreen. Several B-movies are shot full screen and when they are shown in the theater the projectors actually have black bars at the top and bottom of the screen to make it fit the widescreen. So in most cases it is actually being show like it was originally was at the time of theatrical release.

P.S. Please don't give this movie one star just because you are unhappy with the DVD release. Rate the film itself...and then as a footnote to your review put any good/bad info about the quality of the release. Take a look, this classic film is getting an average of 3 1/2 stars. I even read one review where the reviewer said he would watch the DVD over the VHS, however according to his rating you wouldn't think he'd ever watch it again.

In spite of the bum rap that HELL NIGHT often gets for riding in the wake of John Carpenter's highly successful HALLOWEEN (1978), it is actually a very well-written, literate film that rises above the teen-slasher cliché by combining the sub-genre with elements from the classic ghost-story format. Not only are the teens being pursued by a deformed maniac killer, but all the action takes place within the confines of an old gothic manor house that seems to be afflicted by the supernatural.

HELL NIGHT has some pretty good scares that might make even the seasoned horror buff jump. The sets of the manor house interiors create an appropriately spooky atmosphere, and the creature what does the slashin' is creepy enough to rival both Michael Myers and his cinematic cousins Jason and Freddy. And Marti (Linda Blair) gives the creature his final comeuppance in a most satisfying and grisly way.

Most of the acting in this film is pretty good, too. No stranger to horror films, of course, the beautiful Linda Blair does an excellent job. She comes across as being genuinely frightened, jiggles in all the right places (a necessary requirement for the principal female in teen horror films), and screams quite effectively. Co-star Vincent Van Patten flashes his killer abs and flexes his biceps quite adequately (a requisite for at least one male lead in teen horror films), so he does an adequate job portraying the group's jock. The son of actor Dick Van Patten (better known as the father on TV's EIGHT IS ENOUGH), viewers may also recognize him from his various movie roles (e.g., Tom Roberts in ROCK 'N' ROLL HIGH SCHOOL) and TV parts (e.g., the titular role in THE BIONIC BOY and a stint as Christian Page on THE YOUNG AND THE RESTLESS). Also notable is actor Peter Barton, whom many older female viewers may remember swooning over when he played the titular roles on TV's THE POWERS OF MATTHEW STAR (c. 1982) and, more recently, BURKE'S LAW (c. 1994).

Though they perform quite adequately in HELL NIGHT, most of the other actors are relative unknowns and did not go on to do any other TV or cinema work of note. It is unfortunate that the public has not seen more of Ms. Suki Goodwin, who portrays the fourth member of the quartet of pledges. Not only does her work here indicate that she has talent and potential, she is also quite pretty and has a sexy British accent. If nothing else, it would've been nice to see her become another famous horror-movie scream queen.

HELL NIGHT. It's a slasher flick; it's a ghost story. It's two great sub-genres in one! However it may be categorized, HELL NIGHT is an underappreciated, underrated horror film that deserves a look. Aficionados of the slasher film will love it, but mainstream horror fans will like it, too.