Gess Movie Reviews

The format is pretty standard; interviews, photos, home movies, and concert footage all contribute to a straight, chronological telling of the Bee Gees' tale. But no stone is left unturned, and the Gibb Brothers (not to mention everyone else who's interviewed) have plenty to say. Best of all, there's lots of the Bee Gees' music, including a video of the title track of the 2001 album, after which the film is named. In the end, we're left with the impression the Bee Gees would probably want us to have: that these guys have written, recorded, produced, and performed literally hundreds of great songs. --Sam Graham

TIWICI The best album for all the Bee Gee naysayers
The Definitive BiographyThe DVD also offers a couple of worthwhile special features. Firstly, there's the video for the single "This Is Where I Came In"; and secondly, there is an additional 30 minutes or so of interviews with Barry, Robin and Maurice that did not make it into the presentation. These are just snippets (a minute or two on a mishmash of topics), but they are certainly worth checking out.
As for the presentation itself, a full one-half of the video/DVD is dedicated to chronicling the Gibbs' early years, and there is plenty of archival footage from home videos and early television performances. In addition to chronicling the rollercoaster path their career has taken, the presentation includes loads about their personal lives--from their marriages, divorces, and children's births to the tragic deaths of their brother Andy and of their dad. The video/DVD features interviews with each of the three brothers, with their mum Barbara, with Robin's wife Dweena, with Maurice's wife Yvonne, with Robert Stigwood and various other individuals in the music industry. What really makes this presentation sparkle are the many, many excerpts from their enormous body of music that play in the background.
In conclusion, this is an outstanding visual biography of an extraordinarily talented trio of brothers--one that is both rich in content and beautifully presented. The poignancy one feels near the end of the video/DVD is only heightened by our knowledge of the tragic death of Maurice Gibb less than two years after it was made, and it is sadly ironic that this biography has served to mark the end of an era. With it we have been given a rare and special look into the lives of three brothers with a rare and special talent who wrote, recorded and performed some of the most beautiful music the world has ever heard. This is the definitive biography of the Bee Gees--a keepsake that will be cherished and enjoyed by both serious and casual fans alike, or indeed by anyone whose lives have been made just a little richer by the music of the Brothers Gibb.
Extremely highly recommended.
a Must for a Bee Gee Fan

EXCELLENT!
Wonderful!While precious minutes of the show were taken up with requests, it was still nice to see their interaction with the fans. I think anyone who is a fan of Barry, Robin and Maurice will enjoy this video. I have watched it over and over. It is really sad that we won't have the chance to see the three of them together like this again.
A wonderful concert
Casual listeners can't be blamed for equating the Bee Gees with the dance floor bonanza they reaped through 1978's Saturday Night Fever, yet that commercial zenith was actually the culmination of a comeback for a group that had seemed washed up by the early '70s. One Night Only thankfully takes an even-handed view of both their original late '60s hits ("Massachusetts," "To Love Somebody," "Lonely Days"), building from a cannily Beatle-browed vocal sound, and the '70s blue-eyed soul ("Jive Talkin'," "Nights on Broadway") that led them naturally into disco. The Fever hits are here, as are Gibb originals that clicked for other acts; the family circle also widens for a posthumous duet with their late brother, Andy Gibb, while Celine Dion gets star billing in the collaborative "Immortality." --Sam Sutherland

A-1If you like to remember and go back to the 70's,80's,this is the dvd you have to buy.EXCELLENT from the bigining till the end.
A MUST HAVE
The BEST!!
Casual listeners can't be blamed for equating the Bee Gees with the dance floor bonanza they reaped through 1978's Saturday Night Fever, yet that commercial zenith was actually the culmination of a comeback for a group that had seemed washed up by the early '70s. One Night Only thankfully takes an even-handed view of both their original late '60s hits ("Massachusetts," "To Love Somebody," "Lonely Days"), building from a cannily Beatle-browed vocal sound, and the '70s blue-eyed soul ("Jive Talkin'," "Nights on Broadway") that led them naturally into disco. The Fever hits are here, as are Gibb originals that clicked for other acts; the family circle also widens for a posthumous duet with their late brother, Andy Gibb, while Celine Dion gets star billing in the collaborative "Immortality." --Sam Sutherland

A-1If you like to remember and go back to the 70's,80's,this is the dvd you have to buy.EXCELLENT from the bigining till the end.
A MUST HAVE
The BEST!!

A Fun Time!
Wonderful concert - Juliet's a lucky girl
Spicks and Specks

Daring and original, a true depiction of Dutch cultureWorth watching, but certainly not for the faint of heart.
It's a bit like American Pie reallyI got a friend from Holland to buy me this as it hasn't been released here in Ireland ( or the UK ) yet. As a result I'm listening to the whole thing in Dutch and have no subtitles to guide me along the way. But I can pick out the odd Dutch word here and there such as " godverdomme " " klootsak " and " dood ". But then I don't really need the subtitles. I can get the meaning ( or my interpretation of it ) without them such is the strength of the film.
Rutger Hauer and Jeroen Krabbe are the usual suspects in Verhoeven's Dutch movies ( which I haven't seen but for sure I'm interested in seeing ). Here they play very small parts but they play them well. Hauer is good as Gerrard Witkamp who is the idol of the three teenage wannabe dirtbike riders. He plays the role with such cockiness that you sometimes get the feeling that he IS that person.
The film takes on a darker edge when one of the bikers who had just got a contract from Honda sees his career ruined when a German tourist ( this is what it's supposed to be they say - for all I know it could have been another Dutch person ) absent mindedly throws out rubbish out of his car window and leads the biker off road. His career is ruined and effectively feels that his life has become worthless
The gang rape scene is one of the most explicit depictions of gang rape for it's time. And it's amazing to think that in Holland you can get this on a 12 certificate while here in Ireland you'd be lucky to get an 18 certificate. But needless to say you have to a bit of a strong stomach for it all.
There are some obvious scenes as well such as the boys measuring up to see who has the bigger penis. And there's one where......Nah I shouldn't say more. I'd end up ruining the film for you and that's not what you want
But when the film plunges into so much darkness you are kinda confused at how it could come into such a happy ending. It's not a syrupy happy ending with loads of schmaltz added on.....it just IS a happy ending. A sort of signal to say " Life goes on. C'est la vie "
A raw, gritty human drama"Spetters" is a remarkable film--a raw, gritty ensemble drama that is superbly acted. The large, multigenerational cast includes familiar faces Jeroen Krabbe (as a sleazy sportscaster) and Rutger Hauer (as a racing champ idolized by the film's young characters).
This film is packed full of life and energy--from a disco dancing homage to "Saturday Night Fever," to the motorbike racing scenes, and to the shockingly graphic [physical] scenes. Also interesting is the film's exploration of religious faith and other sociological issues. The film dishes out ample servings of both humor and tragedy; the unsettling scenes of violence are offset by some moments of real sweetness and tenderness.
The DVD contains a fascinating commentary track by Verhoeven. His comments offer a window not only into the making of the film, but also into 20th century Dutch society. He discusses in detail the actors, how various scenes were filmed, the challenges involved in getting the film made, the controversy the film ignited, etc. He places the film in context of his larger body of work. Often hilarious, sometimes touching, and consistently engrossing, this is a superb commentary that makes me appreciate the film even more.
"Spetters" is a thought-provoking and touching film that is ultimately curiously satisfying. It drips with blood, sweat, and tears; Verhoeven never flinches from showing the human condition in both its beauty and ugliness. It's a triumph of fearless, in-your-face filmmaking, and an essential entry in Verhoeven's remarkable body of work.


I'm ConflictedFirst, the easy part . . . . The movie is well-crafted, structured around flashback, a deft mix of subtitled Dutch and English in reflection of the idiosyncratic communication that evolves between the main characters, and beautifully filmed in the soft light of northern Europe. As a piece of cinematic craftmanship, I'd give it 4 stars.
But then there's the story itself. Can sexual relations between an adult and a child ever be excused by love or circumstances? Before this movie, the answer for me was a resounding no. After this movie, I simply don't know. The man here is not a sexual predator in that he is not attracted to the boy by virtue of his youth. Instead, he is a gay man doubly isolated by his sexual orientation and by being on foreign ground at the end of a world-shattering war. And, coming across a gay boy likewise isolated from his home at the end of the same war, a bond is forged that did not have sex as its initial aim and came to include sex only after love was so deeply established as to have rendered age irrelevant.
Or did it? After all, the soldier is first attracted to the boy by his looks, not by anything he knew about the boy or his circumstances. And can age ever be irrelevant to sex involving minors? Do 12-year-olds ever know enough of themselves, their world, and its risks to be informed participants?
If nothing else, this movie accomplishes something by making the question tenable. But does it, in the end, make this love affair all right? I simply don't know.
This movie stands up as a thought-provoking film. It should not, however, be read as an unambiguous justification for adult/child sex. Since it, however, implies more than presents the ambiguities and could leave some thinking they've just watched an argument that child sex taboos are nothing more than unwarranted modern western uptightness, I discount it to 3 stars.
Nice but overratedThose things said, there is nothing particularly excellent about this movie. It is touching, nostalgic, and truthful, but it is none of these things to the point of truly affecting your heart. Part of the reason is that it's too short, another part is that the ambiance (editing/music/so forth) are not very well done, and another part may be simply that I had read so many extremely complimentary reviews that my expectations were just too high.
It's a nice movie... but don't expect a masterpiece.
Very Touching.
Sacred Trust is the definitive breathy Barry song. One True Voice's version is still on the charts, and I think the Backstreet Boys were stupid enough to turn it down! This might be the one typical Bee Gee song on the album, but it even tops in that department. While Barry sings breathy, Robin begins a sort of echoing chant in the background, similiar to With My Eyes Closed on Still Waters. The result is a great song, and one that will get stuck in your head.
Wedding Day is a lovely song. Barry sings the verses and then Robin brings the house down with the chorus. Songs like this truely amaze me. The boys have all been married for years, how do they know what someone's wedding day is like? Not only are the music and voices superb on TIWICI, but the lyrics are top notch.
Man In The Middle is the first of two Maurice led songs. I would say this is the best Maurice song ever, but then there is Walking on Air three songs later! You can tell this is a very personal song, and many know Maurice was often caught in the middle between the lead personalities of Barry and Robin. It feels very blues driven and songs like this make you wonder why Maurice never went solo.
If Technicolor Dreams doesn't have you dancing, Walking On Air certainly will. Maurice second track for the album is composed entirely by him. The vocal, backing vocal, in both low and high parts, the guitar, keyboard, and drum programming. It isn't as, let us say, dark as Man In The Middle, but it reflects the fun jubilant water loving side of Maurice. It is so catchy and rocking, and as usually with the Bee Gees, each verse and chorus are slightly different. Walking on Air keeps you on your toes and won't leave your head. It's my favorite on the album, and anyone who thinks Maurice is a nobody, hear this!
Loose Talk Costs Lives is very much in the Barry 'Guilty' sound style. The lyrics are very mature, and the arrangement is shaped perfectly around Barry's breathy sound. That being said. It's a very modern sounding sound with a lovely echo in the chorus, and proves that with the right arrangement and care, Barry can still keep you debating about whose voice is tops.
3 more tracks released overseas or on the singles. And after hearing them, one wonders why they were ever left off the main album. Just in Case was shown on the Keppel Road biography way back in 1997. Here it is in its completed version, a sweet soft Bee Gees standard, but again one that one of today's silly boy bands could easily attempt to do, and fail. Promise The Earth is another Robin outing. Again once you overcome the surprise, you'll be humming it all day. And ironically, not humming words, but the beat and sound. Very progressive for Robin.
I Will Be There ends the extended album. It has a full circle feel to it. It sounds like a Bee Gees song, yet takes a step forward, combining the smooth sound of Sacred Trust with the upbeat style of Deja Vu. It's lyrics are also quite a statement, and now looking back somewhat ironic. Or not. Indeed Barry, Robin, and Maurice's time on earth will all eventually end, but through their music they will always be there to get you through