Game Studies Movie Reviews

The only thing I can come up with to compare this documentary to wuld be the 1953 Bowman baseball cards. That was the year Bowman went to photographs, with 64 black & white 2 1/2" x 3 3/4" cards and 160 in color. These remain some of the most beautiful baseball cards ever made, particularly card #32 of the St. Louis Cardinals' Stan "The Man" Musial. When we see footage of Musial in this documentary, his uniform a beautiful combination of black and red, this is just something transcendent about that image. Even when these are just home movies taken before a game, seeing Ted Williams, Hank Greenberg, Bill Dickey, Carl Hubbell, Robin Roberts, and Jackie Robinson in color is just so captivating. Even shadowy footage of Satchel Paige in the major leagues at last is memorable. Then there are the shots of some of the living Hall of Famers such as Honus Wagner and Cy Young, including film of the greatest outfielders of the first half century: Ty Cobb, Babe Ruth, and Tris Speaker. I have seen black & white photographs of their joint appearance, Ruth ill and not wearing a uniform, but this is in color and the pictures are in motion.

The producers have to come up with something for somebody to say while we watch these fascinating images, and there is a mixture of recollections from former players, poetic observations from sportswriters, and some actual commentary on what we are seeing (I have reason to suspect that some of this is leftover audio from Burns's "Baseball" since they are the same voices). But you will probably have to watch this 57-minute documentary a couple of times to catch everything that is being said because a real baseball fan is just going to lose themselves in these pictures. Players are often identified, which is good because since they are not in black & white some of them are actually hard to recognize. But in terms of the most shocking images that would have to be reserved for the section on the old ballparks where we see Chicago's Wrigley Field when the outfield wall was not covered with ivy and there were no bleachers for the fans. If that does not give you a sense they we have gone back into the distant past when baseball was a game, nothing will.

And while many of the players and ballparks captured on film here were gone long before I was born, I recognized most of them anyway. I especially thrilled in seeing the black & white footage from the 1934 World Series -- the hard slides, the beanballs, the old-school herky-jerky pitching deliveries -- and the color footage from the '38 Series at Wrigley Field. Here you also get to see the fabled Green Monster at Fenway Park, before it was either Green, or called "Monster" -- covered in billboards for razor blades or Lifebuoy soap.

If I had to complain, I'd say that for a beginning or casual fan, the footage presented is confusing at first, since graphics and explanatory voiceovers are kept to a minimum in the first twenty minutes. Eventually, however, all the ballparks shown are identified by name, as are many of the players. The narration is misty-eyed and minimal, and not all of the poems or literary passages recited may be to your liking. However, it should be understood that HBO is quite adept at this form of documentary, and "When It Was A Game" was at the forefront of the HBO revolution. And it's also hard to argue with hearing Burgess Whitehead and Eldon Auker and Tommy Henrich speak for themselves.

Go out and watch "When It Was A Game" for yourself -- with the sound on, painting a word-picture of a time you can no longer see for yourself, or even with the sound off, just to look at the footage (Pepper Martin's juggling trick has to have been done with mirrors!). Then when someone asks you what you watched on TV yesterday, you can say, "Oh, the 1934 World Series..."

But whether you actually listen to what is being said or tune it out will not affect your enjoyment of these nostalgic images. At the end of these hour-long HBO documentaries, when they simply show shots of various ballplayers and superimpose their names, that is the essence of what makes "When It Was a Game" so special. There is Jackie Robinson in color, Hank Greenberg in color, Mel Ott in color, and so on and so forth. Even when it is someone we are used to see in color, such as Yogi Berra or Willie Mays, we are still talking a young Yogi and a young "Say Hey" Kid. A lot of the action is off field-baseball players in Spring Training wearing bathing suits and cleats, Yogi and some other Yankees sticking out their tongues for the camera, the Chicago Cubs in a parade before the start of a World Series game-but that does not detract from our enjoyment of these simple film clips spliced together.

SEE THIS MOVIE

P.S. If there are any French teachers out there, this is a great one to use for listening/comprehension exercise as well. It's rich with lots of first/second year vocab, and easily understood. And your students will be entertained as well! No moans or groans here!!

The third volume in also the most organized in the series. There are rather distinct "chapters" on the great pitchers of the decade (Gibson, Marichal, Koufax), the glory days and rapid decline of the New York Yankees, the lowly birth and sudden success of the New York Mets, and the case for Willie Mays being the greatest player of the decade. There even is a bit of sports journalism involved in suggesting that the decline of the Yankees had to do with the refusal of the team management to sign black ball players. This time you will also find that more often than not whoever's voice you hear, whether it is Al Kaline or Joe Pepitone, actually appears on the screen. Billy Crystal is back to talk about baseball again as is sportscaster Bob Costas, and there are more baseball poems, including, of course, Grantland Rice's "Game Called," which brings the show to a close.

As always, the ultimate appeal of the "When it Was a Game" series is that you get to see the baseball players you grew up admiring, who lived before your time and were only available as black & white images in color. Rich, gorgeous color that makes the red on the bill of Hank Aaron's cap, the blue on Don Drysdale' hat, the organge of the name "Oriole" on Brooks Robinson's jersey, and the green of the Yankee Stadium grass look as good as you have ever seen them. Again, I am reminded of the classic Bowman 1953 baseball cards that had gorgeous color photographs.

Shante is 28, gorgeous, highly successful and always counseling and helping her 3 best girl friends Tracey, Karen and Deirdre (played with hilarity and aplomb by the divine Mo'Nique of UPN's The Parkers.) All three are in the throes of a messy relationship to which Shante tells them to kick their broke man to the curb. Until something similar happens to Shante and her man Keith. Now the shoes is on the other foot and Shante starts her 10-day plan to make her man behave.

It is funny, especially when Shante goes to church and participates in a too-close "church hug" with a man there in front of Keith's friend (Men love to gossip as much as women, says Shante, and she's right.)

As the days progress and Shante continues to be right, you wonder when she won't be. The law of averages says that time is coming, and you wonder if that will be before or after she reconciles with the wayward Keith (who is playing his own games, as the film reveals.)

It is hilarious and too true. Watch this for a good laugh.