Gale Movie Reviews


Sigmund is back.
a classic
Saturday morning, 1975...I save these for when I'm in a special mood some saturday morning. I pop this in the DVD and get transported to a more simple time. It's really bizarre the effect these have on me. My first thought when I ordered it was that I'd wasted my money on a little kid's show I used to watch and it would not match my memories of those wonderful times. Well, surprize! These are better now than they were. The sense of nostalgia is staggering. And there's a bonus: wonderful unintentional humor. The way the puppets move and talk is hilarious even if they don't say anything funny. I get a sense that the Krofft brothers knew all along what it took Mystery Science Theater 3000 10 years to teach me. It's been said that Pufnstuff was watched mostly by hippies in the 60s and 70s. After a friday night ... ... they'd get up saturday morning and watch. And what did they watch? ..., ... landscapes, bigheaded creatures talking in zany voices. I've ordered Land of the Lost DVD and can't wait to put it on my shelf. If you grew up with these then take the trip too. The World of Sid & Marty Krofft is brighter than it ever was! You'll have fun. I promise you.


Albright, Get In Here And Watch These Episodes!!A few of the classic episodes included are:
-The one where Margie babysits the chimp that likes to attack Vernon!
-Mrs Odetts trying to get the money from her trust fund to buy that fast sports car with the chrome manifold!
-Margie's mental breakdown/The horse that is or isn't there.
-Vern & Margie pose as hillbillies to regain some old stock certificates that have some worth after all.
So don't be a lunkhead like Freddy... be as cool as Mrs. Odetts and pick this one up! If you're a fan of classic TV, you will not be disappointed! If you've never seen this show before, you're in for a real treat.
Keep 'em coming VCI! I'll buy all the Margie on DVD that you can put out there!
Looks great, still funny!VCI to the rescue! I've just reviewed the two DVDs in this first set and watched the first two shows on disk #1 and am extremely pleased! Knowing how things unfortunately are sometimes done these days, I had feared a poor quality transfer and a certain amount of butchering to have been done, but that's not the case at all, thank goodness!
I recall these shows from my early childhood, and they look and sound exactly as I remember them. Even the elaborate musical score that accompanies the end credits is there, complete and impressive as when brand new. The opening gimmick, where the facing images in the father/daughter photographs talk about each other, are there too--still clever, still cute, still funny! In fact, these shows are exactly as first viewed almost 50 years ago, but thanks to the clever writing (those early TV writers cut their teeth in the demanding medium of radio comedy) and the outstanding talents of Charles Farrell and Gale Storm (sigh!), these shows are still funny and engaging. I couldn't be more pleased!
One last note about the quality. We tend to forget how relatively murky television was in the Fifties. Broadcasting equipment was primitive but improving rapidly. However, because microwave and satellite transmission had not yet arrived, network affiliates in the major cities actually got their prime time shows from the networks in the mail!!! Yes, the studios sent out 16mm film copies of the shows, and that's how the local stations showed them in the appointed time slots. Over the years ensuing, hobbyists have collected these old affiliate films, and that's in part why they are now available and in such good condition. Since these My Little Margie DVDs are made from those fine 16mm broadcast originals, instead of kinescope copies, the image quality is actually better than when they were originally broadcast! And the sound, while not stereo or anything like it, is at least up to mono TV broadcast standards of 15 or 20 years ago.
My verdict -- these are terrific DVDs, and if you like lovely, perky, endearing, sparkly-eyed feminine firecrackers, you will love Gale Storm, just as I did as an 8-year-old boy!
Classic TV Series Back From The Dead

Finally on DVD!!!
I cant beleive no one else has reviewed this!

Santa Jr
Light Weight Fun Christmas Time Film"Santa, Jr" is a light weight, fun holiday treat that the whole family can enjoy. It is not so sweet that it would send adults into a diabetic coma. Basically is is the story of Santa's 20 something son who really does not want to become part of the family business. He has assigned the west coast for deliveries as a test case. Not sure he can make all the house calls in one night Kris begins a few days early. He is mistaken for the Santa Claus bandit and is placed under house arrest in the home of his public defender female lawyer. With a bracelet that will set off alarms in police headquarters if he leaves the house, it looks like the gifts will never reach the children.
He keeps trying to call the North Pole for help, but gets the recorded message that his call will be answered in the order it was received and there are 40 or 50 minute waits.
How Santa, Jr. finally gets the Christmas spirit, captures the Santa Claus bandit and squares things with the police make this a really enjoyable film.
It is the kind of film that calls for a relaxing time in front of the TV with the family, a big bowl of popcorn, cookies and egg nog.


cat and the canary 1939 dvd

Heart-warming!!!!I would truly recommend any Alfre Woodard and Ving Rhanes fan to buy this dvd because it is very good with superb acting!!!!
Exceptional Movie
What a Terrific Drama!!!!!
Although it is strongly cast throughout, House of Cards belongs to Ian Richardson. Without his perfectly balanced performance, Urquhart might have become no more than a two-dimensional villain, but Richardson finds exactly the right tone to make his character as attractive as he is wicked. Like his illustrious predecessor Richard III (House of Cards is filled with references to Shakespearean villains), Francis Urquhart is an irresistible bad guy with a nice line in witty asides to the audience. Even when he is calmly committing murder Urquhart is so charming, so much more clever than his rivals, that it's impossible not to root for him. Thanks to Richardson, and a superb script by Andrew Davies, this brilliant political satire is sure to delight anyone who has wondered what might be going on in the darker corners of our democratic institutions. --Simon Leake

"You do trust me? Of course you do...."Though Urquart wears his evil openly, he and this multi-parter are actually full of surprises. For his wicked ways, FU is probably the most compelling hero you'll likely see on "Masterpiece Theater", and, if you're not up on that show, "House of Cards" is probably your best excuse for watching it at least once. Suggesting Shakespearean scheming and character-destruction (besides the "Richard III" monolog, there is Urquart's Lady Macbeth of a wife, while the young reporter with whom he courts love and his own destruction hints at a coupling of King Lear with Ophelia), the centerpiece is Ian Richardson as the smiling usurper-in-waiting who breathlessly outmaneuvers his clueless enemies. (FU implicates the PM in a stock deal over new drugs his government certifies). Never hesitating to tell us how much fun he's about to have, FU suggests that his audience is a whole lot smarter than the Brits over whom he's to govern, even though he ends up fooling us both. Only Mattie Storin, the reporter seems to have an insight into the real Urquart, and maybe that's why we're so eager for the mean FU to take action and win out over FU the good guy. "House of Cards" is "Masterpiece Theater" that gets you to root, even if for the bad guys.
StunningThe Plot
As the story opens, Thatcher has just resigned. There is a brief glimpse of an inner-party election for a new leader, and the moderate, middle candidate Henry Collingridge wins the post, and proceeds to barely win the next General Election. Almost immediately following this event, tempers begin to flare as Urqhart is denied the promotion he had sought, and is disgusted with Collingridge's 'politics as usual' stance.
Francis Urqhart, Conservative Party whip and functionary, with the unwitting assistance of a junior political reporter Mattie Storin, and the manipulated support of party functionary Roger O'Neill, sets out to undo the Prime Minister, involving the PM in scandals that rock is fragile majority and ever-loosening grip on power. Ultimately, Urqhart's schemes against Collingridge bring the PM down, and the stage is set for another leadership election.
Urqhart, at the urging of his wife Elizabeth, works toward the leadership and works toward solidifying the loyalties of his minions, who include the ruffian Tim Stamper, an associate whip in the Commons, and Benjamin Landless, a newspaper prioprietor. However, it is in making Storin his bedroom partner and virtual worshipper that Urqhart has his strongest support; this support is not absolute, something he recognises. This relationship is done with the blessing, nay, with the urging, of his wife Elizabeth.
Urqhart uses his inside knowledge to make short work of all but the top contenders for the job, and then casts his lot for the job at the last moment, splitting the ticket. Knocking one contender against another one final time, Urqhart carries the election. However, O'Neill is unstable and unsure of the propriety of his dealings in bringing down Collingridge, and Storin realises at the last moment that she has been a pawn in a master political chess game. O'Neill's cocaine problem leads to his demise, as Urqhart plants poison in his drugs and permits O'Neill's nature to do him in. Storin discovers this murder plot, and confronts Urqhart, who confesses, but then proceeds to throw Mattie Storin bodily from the roof of the House of Commons.
But, there was a tape recorder running, setting the stage for the sequel...
The Cast
Ian Richardson is masterful as Urqhart, the scheming blackheart Chief Whip/Prime Minister. His voice, his subtle inflections and tones are perfect for the subtext in the words he speaks. His sidewise glances and knowing expressions to camera as the action plays out is worth far more than any words. He is a perfect snobbish, upper-class politico who considers political office as patrician right, and despises pretenders to the role.
Diane Fletcher is superb as Elizabeth Urqhart, the equally manipulative wife. She is under utilised in this part of the trilogy, coming into her own as a character and an actress in later parts of the trilogy. One gets the strong sense of muted ambition and greed, but not amorality or power for power's sake from her, a distinction hard to play out on video. Fletcher succeeds beautifully.
Susannah Harker plays Mattie Storin, the troubled, intelligent and inexperienced journalist who falls for Urqhart. Her psychological instability and intelligence are played beautifully. Harker can make quite a statement just with the movements of her eyes, making her a good counterpoint to Richardson.
Miles Anderson plays the drug addict/party operative Roger O'Neill, doing a good job at playing the cad, the coward, and the fearful go-along with Urqhart's schemes. A rat trapped, O'Neill is at the breaking point, and Anderson plays this admirably.
Perhaps the best secondary roles were performed by Alphonsia Emmanuel, who plays O'Neill's assistant and lover Penny Guy, and James Villiers, who plays Charles Collingridge, the deposed Prime Minister's troubled brother. Their roles shine brilliantly despite the relative lack of screen time.
One gets the impression that everyone in British politics is brilliant and troubled. Well, the truth would be about half that.
The Play's the Thing...
This production, in writing and execution, is full of Shakespearean nuances. There are indirect and direct references to Richard III, and Urqhart is a Machiavellian manipulator in the Duke of Gloucester's image, recast for modern dress and situation, complete with stage whispers and asides to audience. The depth of the characters, while still remaining caricatures, is fascinating. Perhaps the best-known line for a while was Urqhart's attempts to get information out to the journalist Storin without actually telling her, and being guilty (by the letter of the law) for leaks and disclosures. She would hint and speculate, at which Urqhart would reply, 'You might very well think that. I of course couldn't possibly comment.'
John Major used this response in one of his own question-time exchanges, a use that was appreciated by the Members on both sides of the House.
Conclusions
For those who know nothing of British politics, this is actually a fascinating way to learn. For those who take an interest in British politics, this provides an intriguing fictional tale that is, in many ways, so close to reality on so many levels as to be positively unnerving.
Richardson rightly won BAFTA awards for his portrayal of Urqhart in each of the three installments, House of Cards and its sequels To Play the King and The Final Cut. These sequels were possibly only because of a BBC change to Dobbs' original manuscript, which had Urqhart rather than Storin falling from the rooftop garden of the House of Commons.
A bonus for the viewer.
An Excellently Acted, Clever And Humorous Political Thriller

i always love this film!! its a musical; need i say more? =)
Calamity Jane will knock you off your chair.
Doris Day Classic on DVD - A Digital Delight!Along the line of "Annie Get Your Gun" this film includes the enchanting love theme "Secret Love", which won that year's Academy Award for Best Song. "Hollywood Candy" for any fan of the stars or the Western genre.*****

With one daughter who wants to become an actress in New York, another who chooses the "wrong" kind of man to marry, and a son who quits school to join the Air Force during World War II, Mr. Bridge finds that his control over his family is slipping. Spanning the 1930s and '40s, the film presents nuances in how both the dramatic and the smaller moments are woven together. Weddings and arguments are no more important to capturing the essence of the Bridge family then are their moments of daily reverie.
A quiet film that succeeds in establishing its characters' intimacy, with themselves and each other, Mr. and Mrs. Bridge owes much of that success to Woodward. While Newman doesn't always seem comfortable as the stern ruler of the Bridge household, Woodward steals the film as the long-suffering woman whose identity is precariously built on her ascribed roles as mother and wife, taken for granted and often overlooked by the family she truly loves. --Natasha Senjanovic

A movie with memorable momentsIt's about two traditional people thrust into a new world filled with free thinkers and sexual awakenings and the honest, but humerous reactions as they try to deal with it all. Everytime I watch this film I'm suprised at what I didn't catch before, and even the scenes I remember always seem to catch me off guard.
The humor comes from the humanity within the two main characters, and it's often more funny than the best comedies you will ever watch.
Highly recommended!
Oh my God it's my Aunt Marjorie!There were more scenes than I can count that just made me cringe, because I recognized my dippy Aunt Marjorie, again & again, in Mrs. Bridge. The spirit of Mrs. Bridge remains alive and well, even today.
This was a great character study of the two Bridges. The other members of the family, and some of the friends of the Bridges, are a bit fuzzier in their definition, but that is not all that important. This is a very engrossing movie in many respects.
2 thumbs up
With one daughter who wants to become an actress in New York, another who chooses the "wrong" kind of man to marry, and a son who quits school to join the Air Force during World War II, Mr. Bridge finds that his control over his family is slipping. Spanning the 1930s and '40s, the film presents nuances in how both the dramatic and the smaller moments are woven together. Weddings and arguments are no more important to capturing the essence of the Bridge family then are their moments of daily reverie.
A quiet film that succeeds in establishing its characters' intimacy, with themselves and each other, Mr. and Mrs. Bridge owes much of that success to Woodward. While Newman doesn't always seem comfortable as the stern ruler of the Bridge household, Woodward steals the film as the long-suffering woman whose identity is precariously built on her ascribed roles as mother and wife, taken for granted and often overlooked by the family she truly loves. --Natasha Senjanovic

A movie with memorable momentsIt's about two traditional people thrust into a new world filled with free thinkers and sexual awakenings and the honest, but humerous reactions as they try to deal with it all. Everytime I watch this film I'm suprised at what I didn't catch before, and even the scenes I remember always seem to catch me off guard.
The humor comes from the humanity within the two main characters, and it's often more funny than the best comedies you will ever watch.
Highly recommended!
Oh my God it's my Aunt Marjorie!There were more scenes than I can count that just made me cringe, because I recognized my dippy Aunt Marjorie, again & again, in Mrs. Bridge. The spirit of Mrs. Bridge remains alive and well, even today.
This was a great character study of the two Bridges. The other members of the family, and some of the friends of the Bridges, are a bit fuzzier in their definition, but that is not all that important. This is a very engrossing movie in many respects.
2 thumbs up