Don Movie Reviews


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Family movie reviews for "Don" sorted by average review score:

Cadence
Released in DVD by Republic Studios (26 March, 2002)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Martin Sheen
Starring: Martin Sheen and Charlie Sheen
Martin Sheen's 1991 directorial debut features Sheen as the disturbed head of a military stockade where the prisoners include a troublemaking Army misfit played by his son Charlie. Private Bean (Charlie Sheen) is thrown into the stockade with a group of five blacks calling themselves the Soul Patrol, and gradually learns teamwork from the men, including their leader Stokes (Laurence Fishburne). Eventually the tug of war between Bean and the bigoted commander reaches a boiling point with tragic conclusions, and Bean learns the meaning of compassion and the difference between right and wrong. The film is nothing particularly inspiring or insightful, but the supporting players, including Fishburne, give solid performances, and Cadence affords the audience a chance to see the father and son team work together in an earnest and well-meaning drama. --Robert Lane
Average review score:

Not A Typical Fish Out of Water Story
I saw this when I was still in highschool, a great film though Fishburne's performance was limited. Most of the focus was on Charlie Sheen but that's what I think was the intention. Private Bean is put with a bunch of black army prisoners during the 60's which would of course be unnerving though most of the film didn't dwell on racial differences and conflict with the exception of the pivotal moment when one of the black prisoners is shot dead. For the most part the focus on adaptation and how the rebellious Bean must learn to deal with the real world as it was. A short but decent movie.

exceptional
I have loved this sleeper movie since it came out it is a fine piece of work.And the charactors draw you in. You feel the depth of the movie all the way through.You can trust me on this when I say you will laugh and cry.The music was exceptional it was made for the movie.I had a special tie to this movie because of the time I served in the military.It is really hard to explain to people who have'nt served how you have such a kinderedship with the people you served with.I think this movie will help them understand.You feel what it is to be the new guy,and what it is to fit in,and then when it comes time to leave the pain of missing the friends you've made.This movie is magical! ...

my all time fave
i love this movie. everything is pefect about it but i bawl my eyes out every time i watch his friend get shot. i think its wondeful and inspirational.


Bugsy
Released in DVD by Columbia/Tristar Studios (22 May, 2001)
MPAA Rating: R (Restricted)
Director: Barry Levinson
Starring: Warren Beatty and Annette Bening
Bugsy represents an almost miraculous combination of director, writer, and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realize them--or at least, greater than his ability to stay alive while making those dreams come true. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her own upwardly mobile agenda, Bugsy seems oblivious to threats when he begins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) and Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambition to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistry of Beatty and Bening (who met and later married off-screen) to the sumptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerizing as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. --Jeff Shannon
Average review score:

A FINE GANGSTER FILM, BUT ISN'T ONE OF THE FINEST.
"Bugsy" is a very well made movie, but has the bad luck of belonging to a genre with huge competition: the gangster film genre. With such classics as "The Godfather" trilogy, "GoodFellas", "Chinatown", "Scarface", "Once Upon A Time In America", "Bonnie And Clyde", "The Untouchables", "Angels With Dirty Faces", etc, etc, etc, "Bugsy" looks like a minor classic.

However, this is a movie that deserves at least a look. It has a deluxe cast (Warren Beatty, the pretty Annette Bening, Ben Kingsley, Harvey Keitel, Elliott Gould, Joe Mantegna, among others), a good director (Barry Levinson), a fascinating main character (gangster Benjamin "Bugsy" Siegel), good music (courtesy of composer Ennio Morricone), well, overall the film has good elements.

"Bugsy" is a good movie, but with several superior movies in the genre, is not an essential movie.

Intense and smooth as a good cocktail
For the pluses:
1. This movie has an excellent sense of timing
2. The supporting cast is first rate
3. The dialogue is sharp and interesting.
For the minuses:
1. Beatty's ever-present good-natured smirk makes his character appear less dangerous than he actually was
2. There was surprisingly very little romance between Ben and Virginia, so it was just a little unclear what created the obvious spark between them.
Overall, a very good film depicting a different kind of mob we're used to see (e.g. Casino) and a believable depiction of a man with a Dream.

Great Mob Movie!!
This is a great mob movie another Mob Movie-Video, Virginia Hill:Mistress of The Mob, starring Dyan Cannon as Virginia Hill and coincidently Harvey Keitel as Bugsy Siegel is also highly recommended!!!


Tapeheads
Released in DVD by Anchor Bay Entertainment (23 April, 2002)
MPAA Rating: R (Restricted)
Director: Bill Fishman
Starring: John Cusack and Tim Robbins
This underground comedy pairs two well-known actors with unique comic timing between them in a story of pursuing dreams amidst harsh realities. Two luckless life-long friends and suddenly unemployed security guards (Tim Robbins and John Cusack) seek to fulfill a lifelong dream try their hand at music-video production. Along the way they encounter the worst the music and television business has to offer, falling victim to a few scams and all the while clinging to their unbeatable optimism. Finally they hit upon an idea to resurrect a long-dead 1960s group, with predictably disastrous results. Blues legends Junior Walker and Sam Moore make appearances, and the soundtrack is a treat, featuring the likes of Bo Diddley and Devo. As a satire of the video age, it's hit and miss, but enough comic moments exist between the two leads to make Tapeheads an interesting diversion. --Robert Lane
Average review score:

A Real Favorite ... For me, anyway.
What is "funny" to one person may or may not be funny to another.

If you're expecting non-stop, slap-stick hijinks ala Jim Carrey - you will be extremely disappointed.

This is a lot of subtle, dead-pan, insider humor - most of it requires some knowledge of the music industry, as others have said. I *do* find the film to be very funny - for me, it was one of those movies that you watched with a buddy, and then go around and incorporate lines from it for several years to come - actually, we still do.

It works from the aspect of being a buddy movie - two better "buddy" characters, in terms of believabilty, you'd be hard pressed to find. It also works as a film that creates this absolutely ridiculous world for these characters to live in - yet they generally accept that that's just the way things are - though there's a great scene where the characters look at the camera, as if to acknowledge the absolutely ludicrous nature of the situation to the viewer. Again - that's funny, to me.

As for the actual jokes, it's not going to be a movie that makes you shoot milk out of your nose - well, there are some parts that might - but it's still "funny" nonetheless. The characters are wonderful, the cameos are great, the writing and dialogue are sharp as a tack, and the performances are truly great from the entire cast - even down to the burned out rocker at the Menudo concert.

And the commentary track on the DVD was entertaining to me. It did explain most of what they were going for - most of which I got... though some of the stories about the set design were quite amusing, and had escaped me.

Then again, if you need a joke explained to you, is it funny?

Bottom line: A fun little indie-type film that remains subtle even while drowning in a sea of absolute nonsense.

Best advice: Go rent it first, if you're on the fence. If you like it, then I'd buy it.

Brilliant multilayered deadpan satire, that not all will get
A wildly uneven, early Cusack and Robbins comedy that you will either love or hate. As a cohesive whole it's not that much of a movie, but the deadpan satire, the quotable lines, the cameos, the skits, and the layer after layer of pop culture in-references make this movie a trivia buff's dream. Viewed today from the distance of time, it's also a nice look back at the late 1980s.

Caution: Spoilers ahead!

There's way too much to list here, but among the things to watch for are the catchy rap-metal of the Roscoe's Chicken commercial, the low budget paint-feathers-and-fireworks video of Cube-Squared done in hilarious deadpan style, the psychic channeling the dog Fluffy, Jello Biafra playing an FBI agent with the line "remember what we did to Jello Biafra", a very early appearance of Courtney Love (in a spanking video!), RVTV, Brothers Against Drunk Driving, the Blender Children spoofing 80s hair metal, Bob Goldthwait spoofing the infomercials hawking get-rich-quick books, the song "Repave America" used in the Norman Mart for President commercials (the same song would later appear in "Bob Roberts"), Norman's wife's name: Kay (as in K-Mart), and the Roscoe's Chicken redux that closes the film.

That's only the more obvious. This can be watched over and over and you will pick up new things every time, guaranteed. Watch for "Repave America" to start appearing among the shots of street graffiti. Note what kind of beer the guys are drinking in at least two scenes: Cerveza Panama, of all things (Why? A political spoof on Noriega, maybe, since he was a hot news item in 1988? And how'd they get that beer in the States anyway??) Keep an eye on the art which graces the background scenes throughout the film, some of which is made by stacking the same chairs in different ways each time. Watch for a light bulb to light up above a certain character's head at a key moment. Norman Mart's TV ads where the kids are singing "ashes, ashes, we all fall down" while he passes out candy cigarettes to them and recites poetry in favor of nuclear weapons in space have got to be seen to be believed. And why does Mo Fuzz look so familiar, where have I seen him before, hmmm?

Well, shoot. The Cube-Squared and Fluffy segments had me rolling on the floor laughing in ways that few movies before or since have ever done, and that Roscoe's Chicken song has been stuck in my head for years, but others I've tried showing this movie to have told me it was one of the stupidest things they've ever seen. I rate it 5 stars, but to each their own, I guess. You might love it, or you might not.

great fun movie
my son and I like this movie alot,we have watched it like a dozen times.we love the music.I really think its a great movie,but then again this family pretty much likes all the stuff the critics don't like..I am big John Cusack fan and he is awesome in this..


Escaflowne - Paradise & Pain (Vol. 5)
Released in DVD by Pioneer Video (03 April, 2001)
MPAA Rating: NR (Not Rated)
Director: Kazuki Akane
The story line of this popular "magical girl" series falters amid a welter of flashbacks, dreams, revelations, and character reversals. Prince Van, who's done nothing but fight since the adventure began, doesn't want to fight anymore--the feline Merle has to defend him from two cat-women sent by his evil brother, Folken. Dilandau, the Zaibach Empire's maniacal hit man, is really the victim of an experiment by mysterious "sorcerers." The wealthy Dryden leads the other characters on an expedition to find the Mystic Valley, where refugees came to Gaea after Atlantis was destroyed on Earth. (Gaea itself was created by the mass will of the Atlanteans.) Dryden is after their mysterious power source--to be distinguished from the "power spot" in the temple the Zaibach troops stormed in previous episodes. Allen wrestles with his feelings for his long-lost father while Hitomi discovers her grandmother once visited Gaea and inspired Allen's father. The ghost of Van's mother announces that the future of Gaea rests on her son's shoulders and Hitomi's anxieties have produced the problems wracking the alternate world; her grandmother tells Hitomi to believe in her wishes. Sorting out all these twists poses interesting challenges for director Kazuki Akane. Episodes: 15. "Lost Paradise," 16. "The Guided Ones," 17. "The Edge of the World." Rated 13 and up for violence and complex plot lines. --Charles Solomon
Average review score:

"The Doors of Destiny are Opening before Us"
When Van is stopped from killing Dilandau by a mysterious voice it triggers a reaction that forces Hitomi to go into a trance to try to bring him back to consciousness. What Hitomi sees in Van's mind is a vision of lost Atlantis, and Van overcome by terrible dread. Not only must she find a way bring Van back before he is swept away in his memories of the Atlantean cataclysm, she must help him recover his courage.

In the meantime, Dryden the merchant pieces together some clues and discovers that the secret they are looking for is in The Mystic Valley - the hidden home of the Atlanteans on Gaea. With the help of the diary of Allen Schezar's father, Dryden pinpoints the location on the continent of Asgard. This throws Allen into his own conflict - his father deserted Allen and his mother in his quest for the valley and Allen has never forgiven him.

Perhaps the most striking revelation is the nature of Hitomi's powers - that she is quite a bit more than an amateur card reader. Hitomi nearly crumbles when she realizes the extent of her responsibilities. Bringing the third of Escaflowne's main characters face to face with her own crisis. And the Mystic Valley is not necessarily the best place to have an identity crisis.

For a set of episodes where much of the action is internal, there is much to look at and absorb. The viewer will discover the truth of Gaea and get a deeper glimpse into the Zaibach Empire. One such is a bit of the story of Dilandau who has apparently been through brainwashing by the Sorcerers. To what point we have yet to find out, but perhaps he is more than the psychotic we've been let to see him as.

Writer Shoji Kawamori and Director Kazuki Akane have mastered the trick of pulling a new layer of the story out of their creative hats almost at will. Nor are they afraid to shift from romance, to philosophy, to action drama. The result is a story with enough to satisfy and grow with it's innumerable fans. Well worth pursuing.

No Spoiler-Simple Review
Escaflowne is the one of the greatest masterpieces ever. And I mean ever. Everything is done right... from the plot, the characters, the originality, the beautiful music, everything. If you are into the fantasy genre, you have to check this out.

go buy this now!!!
I finally broke down and bought Escaflowne, I was lucky and was able to get a limited boxed set at suncoast ><. I strongly suggest you get this series, and do not read the little synospis online it will ruin it for you...but back to the review, i can't say how much i enjoyed this series. I am a yoai fan, and if your reading this you know what that is... I always, and i mean always change the character's relationships around so that its always two boys/men. This was the only series in which i could not break the male from his female love intrest to pair him with another guy ( your safe Van, Allen)... for me that takes a very good series, and i am not saying that with a grain of salt, so Buy this series watch it, and then watch the movie which is also very good, however the movie is very dark outright were the series is more stuble darkness... BUY ESCAFLOWNE BUY IT... i know the noses get kinda annoying with there sharpness... but its very good, god i think i am going to go watch it now...


Dragon Ball Z - Super Android 13 (Uncut)
Released in DVD by Funimation Productio (04 February, 2003)
MPAA Rating:
Director: Daisuke Nishio
Average review score:

Goku's scream?
I thought this movie was OK, but the ending was no good. The movies should be at least 2 hours long so we can get a little bit passed the typical "Vegeta gets his butt kicked and Goku uses same old technique to beat invincible bad guy" story. But I am posting this to say that one of the below reviewers said that Goku's screams were best in the Japanese version.

It must have been sarcasm because Goku sounds like a little school boy when he's screaming in the Japanese version. What's so hard core about that? Not to mention the horrible 60's Godzilla music that comes along with the Japanese version. Ugh. HOrrible. Only thing the Japanese version has is a few swear words here and there.... but it's not worth sitting through 60 minutes of monotonous voices that detract from the true DBZ potential.

I think I'll stick to the English dubbed version where Goku sounds like a man and Vegeta doesn't sound like an onld Japanese guy trying to sound tough.

I'm going to watch the Japanese version of Goku going SS for the first time. GOku sounded like a maniac losing it when he was transforming in the enlgish version. I wonder how he'll sound in the Japanese version. My guess is that there will be Godzilla music in the background from the early 1960's with Goku making a "kkkk-kkkkkk-kkkkk" sound from his throat. Yawn.

The most FUN of the DBZ movies
Dragonball Z isn't deep philosophy, but it sometimes has surprising little twists and turns that take it beyond the nonstop buttkicking festival that it appears to be.

This is NOT the case in Movie 7 (called "The Three Super-Saiyajin" in Japan). However, as a basic quick intro to the characters and the power levels of DBZ, Movie 7 is actually one of the best and most enjoyable of the Dragonball Z movie series. As actual stories, I prefer movie 2 ("The World's Strongest", featuring a mad scientist and his super-technological creations against the Z-team) and the double bill of 5 and 6 (the "Cooler" movies). The Three Super Saiyajin, however, is just a more FUN movie. No real wasted time; we set up our heroes in nice calm settings, and then send some nasty androids to attack them, letting the action continue until the very end.

This movie also features two of the "coolest entrances in Anime" sequences: one for Vegita, one for Piccolo. Well worth the watching. If you like DBZ, or if you'd like one mindless-but-fun anime combat fest to watch, grab this one.

SUPER ANDROID 13 but is it really super?!?!?!?!
i would say yes it is super but if you get it watch it in japanese with subtitles because the sound effects music and voices are way better. this movie takes place during the android saga (surprisingly enough) and is very good. its basically about a computer that thinks it is dr.gero a mad sciantist bent on destruction who was killed by one of his creations. this super computer unleashed 3 androids and sent them to kill son goku(its a long story).there is a huge battle with all of your favorite characters from the show and then it ends.remember do not buy the edited version because you cannot watch it in japanese and they animation is sloppy and butchered up.


The Buddy Holly Story
Released in DVD by Columbia/Tristar Studios (07 September, 1999)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Steve Rash
Starring: Gary Busey
Rock historians and hard-core Buddy Holly fans can and do take issue with director Steve Rash's 1978 biopic of the Lubbock, Texas, rocker's life: the script liberally juggles details from Holly's brief but blazing career, replacing producer Norman Petty and Holly's original bassist and drummer with fictionalized composite characters. Yet the core of the film, and the reason it's definitely worth a look and listen, is Gary Busey's lusty performance in the title role, triumphing against what might have seemed miscasting.

The burly, lantern-jawed Busey steps into the lankier, narrow-faced Holly's blue suede shoes and dances off with the movie. At a time when live rock albums thought little of overdubbing mistakes in the studio, director Rash honored Busey's nervy gamble in performing these songs live, singing in his own raw voice and rumbling through his own approximations of Holly's guitar work. What's lost in precise verisimilitude is more than compensated by Busey's conviction and a palpable, almost ecstatic terror as he charges through Holly's wonderful songs before indifferent roller-rink audiences.

Other films have nailed the period more accurately through art direction or script, but Busey's authentic energy gives this movie an emotional veracity that's just right for this chapter in rock history. Still, for musical purposes, go straight to the source, Holly's wonderful recordings.--Sam Sutherland

Average review score:

It's not history, but it is the authentic feel of the music
The Buddy Holly Story starring Gary Busey should not be taken as a historical document. Nor do I believe it ever set out to be. What has been created is a film which gives the feel and atmosphere of Buddy Holly, his music and the USA of the day. To have been completely factual would have most probably killed the film with legal challenges and suppression. The Crickets leaving Buddy to side with Norman Petty in the split leading to the final tour and the bitter disappointment this must have caused Buddy, the actual split itself with Petty and the resultant financial complications, these happenings are really not the sort of thing to air in a movie to celebrate the life and music of one of the founders of Rock.

Instead Gary Busey has strapped on a Fender and in effect becomes Buddy Holly. The rhythm and beat, the frantic excitement, the sheer enjoyment of the music, it is all there. We actually get to experience a timeslice of a period some of us recall fondly and others would like to share. A wonderful reminder of good music for us oldies or a enjoyable introduction to a legend for others, a Rock'n'Roll legend quoted by The Beatles and a number of other major musical identities as a major influence in their music.

One of the lesser known items about this film and the making thereof is that Gary Busey actually formed a band and toured up and down the west coast of the USA before the making of it to provide himself with the feel and practice of performing Buddy Holly songs before an audience. He actually played and sang the songs in the film rather than lip-sync Buddy's records to provide some authentic feel to the whole thing - good on yer Gary !

Buddy Holly dies with Ritchie Valens and Big Bopper in plane
This is the ture story of Buddy Holly (played by Gary Busey) who was on the same private plane with Ritchie Valens and Jiles Perry "J.P." Richardson "The Big Bopper" on the night of February 3, 1959. The plane crashed and all perished. Waylon Jennings would have been on the plane, but did not go with them at the last minute. Charles Martin Smith (American Graffiti [1979], Never Cry Wolf [1983]) and Don Stroud (Amityville Horror [1979], License To Kill [1989]) are also in the cast as Buddy Holly's band. The 1950's music is fantastic. The main song "Peggy Sue" will forever stay in your memory. You will catch yourself singing it from time to time. Gailard Sartain plays "J.P. Richardson "The Big Bopper". Gilbert Melgar plays "Ritchie Valens", who can be seen briefly comnig out a glass door to board the bus. This DVD contains Audio Commentary by Director Steve Rash & Gary Busey.

The Buddy Holly Story
I'll keep it brief. Gary Busey delivers, in this reviewers humble opinion, the performance of a lifetime .. dare I say the role he was destined to play. Meanwhile, historical inaccuracies aside (mainly the absence of Holly's co-producer Norman Petty for dramatic reasons) the story remains the focus, originality, and the songs of rock and roll's equivalent of Ellington or Armstrong. No matter how often I see this movie I'm moved by the humanity, the innocence, the simplicity of this great American fable ... but it's the songs, especially in the climactic medley, that elevate this picture above and beyond the standard biopic.
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Butterfield 8
Released in DVD by Warner Studios (19 September, 2000)
MPAA Rating: NR (Not Rated)
Director: Daniel Mann
Starring: Elizabeth Taylor, Laurence Harvey, and Eddie Fisher
"I was the slut of all time!" declares Elizabeth Taylor in the role for which she won her first Academy Award®. Taylor plays Gloria, a model of loose morals who discovers a last chance at love and redemption when she spends a week with Weston Ligget (Laurence Harvey), a man who married into money and hates himself for it. They fall in love, but before they can find happiness they have to overcome their own worst natures. BUtterfield 8 (named after Gloria's answering service) is a big boozy melodrama, full of gorgeous clothes, catty comments, and emotional showdowns--but along the way it plumbs some genuine sadness. No one can be simultaneously overblown and utterly sincere like Elizabeth Taylor; the movie is mired in the morality of the time, but her performance makes Gloria's mixture of grief and anger seem immediate and genuine. --Bret Fetzer
Average review score:

A Surprise Oscar for Elizabeth Taylor
BUTTERFIELD 8 is a screen adaptation of John O'Hara's earlier novel made to look modern for a 1960's audience. Elizabeth Taylor plays a promiscuous girl who wants to settle down with a respectable Laurence Harvey. Unfortunately Harvey is already married to a wealthy woman (Dina Merrill). Taylor's friend Eddie Fisher mostly just watches the inevitable tragedy unfold. The rest of the cast includes Mildred Dunnock, Betty Field and Susan Oliver. The movie drags in spots and many of the characters lack depth.

Elizabeth Taylor received an unexpected Academy Award for her role and the film was also nominated for Best Color Cinematography. The main competition for Oscars in 1960 came from ELMER GANTRY and THE APARTMENT.

Taylors Oscar winning performance now on Widescreen DVD!
BUtterfield 8 the phone number that rang Elizabeth Taylor to her first Academy Award!!

Taylor is gorgeous as the woman who lights the evening fires of mens hearts. Her ethics prevented her from taking money for she is looking for true love only to be reminded what kind of woman she truly was. Lawrence Harvey is an unhappily married wealthy man who does fall in love with Taylor. His constant insecurities and jealously drives their romance and lives over the edge. Can Taylor ever achieve a normal life ? Will she escape her past? The ending will surprise you.

This DVD has both Full Screen & Anamorphic (auto adjusts to your tv) WideScreen formats. The picture quality is good, but disappointing considering this is 2003. Extras only include; Trailer and cast & crew listings.

Worth a rental view before buying. Enjoy.

Taylors performance and beauty is worth the viewers time.

A BLAZING PERFORMANCE
`The most desirable girl in town is the easiest to find. Just call Butterfield-8!' So trumpeted the posters of this, Elizabeth Taylor's first Oscar winning performance. The film is a modernization of the 1935 novel by John O'Hara, which was based on the real life of the 1920's New York City call girl Starr Faithful.

Miss Taylor was dead set against playing Gloria Wandrous. She felt was a deliberate play by M.G.M. to capitalize on her recent notoriety in the Liz-Eddie-Debbie scandal. Also, she was anxious to move on to her first ever million-dollar role in Fox's Cleopatra. She was told by M.G.M that if she did not fulfill her contractual obligation to her home studio for one final film on her eighteen year contract that she would be kept off the screen for two years and miss making Cleopatra all together. She swore to the producer Pandro S. Berman that she would not learn her lines, not be prepared and in fact not give anything more and a walk through. Mr. Berman knew her better than she suspected. In the end Elizabeth Taylor turned in a professional, classic old style Hollywood performance that ranks at the top with the best of her work. She brings a savage rage to live to her searing portrait of a lost girl soaked through with sex and gin. A woman hoping against all hope to find salvation in yet one last man. Weston Leggett, a man who is worse off than she is in the self-esteem department. In her frantic quest for a clean new life Gloria finds that the male establishment will not allow her to step out of her role as a high priced party girl. She is pigeon holed by her past and the narrow mores of the late 50's are not about to let her fly free. Not the bar-buzzards of Wall Street, not her best friend Steve who abandons her at his girlfriend's insistence. Not even her shrink Dr. Treadman believes in her. The three women in her life are blind to who she really is. Her mother will not admit what Gloria has become. Mrs. Thurber will not believe she can ever change and Happy, the motel proprietor is too self involved in her own past to care who Gloria is She is the dark Holly Golightly and this is the lurid red jelled Metro-Color Manhattan that is the flip side of Billy Wilder's The Apartment (also 1960). Wilder's New York is cynical. Liz's tony East Side phone exchange rings only one way, the hard way. This New York is dammed. Recrimination and death are Gloria's final tricks, and she goes out in a melodramatic blaze that Douglas Sirk might have envied in place of his usually unsettling, unconvincing happy endings. In the end we have a bravura performance by the last true star of the old system. Yes she deserved the Oscar more for `Cat'. Yes it was given to welcome her back from the brink of death in London. And even Shirley MacLaine's lament on Oscar night, `I lost the Oscar to a tracheotomy.' can not diminish this must see performance by Miss Taylor.

In what one could call a perfect example of what an `Oscar scene' is all about she says it all. `I loved it! Every awful moment of it I loved. That's your Gloria, Steve. That's your precious Gloria!' She gave it to us with both barrels blazing, and M.G.M., and Berman be dammed.


Dragon's Lair
Released in DVD by Digital Leisure Inc. (02 March, 1999)
MPAA Rating: R (Restricted)
Director: Don Bluth
Average review score:

(magic sound effect) Dragon's Lair!
...A fantasy adventure where you become a valiant knight on a quest to rescue the fair princess from the clutches of an evil dragon.

Yes, today that would be an overused plot. Yes, it's not very interactive. But keep in mind - the game is almost 20 years old - it made its arcade debut in 1983. It made jaws drop (especially mine - seeing it in 84 as a 4 year old - hey a cartoon! It's a GAME?) - amazing animation - and you CONTROLLED it! Of course, it's a watch the video press a button game - some newer games today even use a similar control sequence.

Anyone who remembers this game should buy this - anyone who doesn't - rent it from a Blockbuster (it's usually in the Playstation 2 section) and give it a whirl once. You'll likely want it in your collection - even if it's just so you have a "DVD that's actually a game". As the other reviews state - it's a riot at parties, especially if you have parties with nostalgic arcade-goers who remember the game well ;-)

Why'd I rate it a 4-star? Because on many DVD players, you'll get 'pauses' every so often - something of a hardware limitation, however.

As always, read the other reviews before making your final decision. After all, I'm biased (Now if only I could remember how to pass that one level!)

Happy Memories and a must for game freaks
Getting Dragon's Lair on DVD is a real blast. The cost of the DVD is a fraction (and I mean small fraction) of what I spent playing the game in 83/84 at the arcade.

I ran the dvd on my Xbox and also my standard el-cheapo korean clone DVD player, it played like the original and brought back some real memories. I would recommend it to any game freak out there, the additional material is excellent.

On the reported second delays commented in other reviews, I was hesitant on getting this DVD due to these but I am happy to say I did not experience these issues at all. To those people.. buy a console (PS2 & XBOX) and run it on this, incidently the DVD is not region coded.

What a buzz I finally finished the game and take great joy in "up, right, sword, up, down" all night long.

great games, great animation!
I purchased the three games (DL, DLII, Space Ace) at Electronics Boutique for ...each new. They say "X-Box Compatible" and "Playstsation 2 Compatible" but there is no difference between these discs and the DVD versions, only the packaging is different. Can't wait for DL 3-D to come out, and I hear rumors of an animated film in the works?


No Escape
Released in DVD by Hbo Studios (15 August, 2000)
MPAA Rating: R (Restricted)
Director: Martin Campbell
Starring: Ray Liotta, Lance Henriksen, and Stuart Wilson (II)
Average review score:

Dull and Uncreative
Unimpressive film with a rather predictable plot. Ray Liotta has been wrongly convicted of a crime and is sent to an island-prison colony divided into two camps: unreformable criminals and reformed, peace-seeking, criminals. It is evident by Ray Liotta's character and his predicament that this is a good guy vs. bad guys movie. The dialogue is, for the most part weak, and the film is too long. For a movie of this sort, I would recommend watching "Escape from New York" or "Running Man" instead: they're shorter, have better stories, and better actors all together.

Convicts
This is a great idea for criminals. Put them all on an island and let them fight it out. The movie could have been better and I think they could have been smarter with inventing things but maybe there will be apart 2.

escape on your own will
the first 15 minutes are boring but when Liotta goes into the outsiders camp and has some fun its great. Lots of violence with dull character villians but Stuart Wilson is a hoot as the head baddude. burns some with some pretty horrible dialoug but then theres still goodies, with the highlight being when Stuart and his men come into the insiders camp and find noone but Liotta and one of their weapons, Liotta fires and boom, great scene.


No Escape
Released in DVD by Hbo Studios (28 July, 1998)
MPAA Rating: R (Restricted)
Director: Martin Campbell
Starring: Ray Liotta, Lance Henriksen, and Stuart Wilson (II)
Average review score:

Dull and Uncreative
Unimpressive film with a rather predictable plot. Ray Liotta has been wrongly convicted of a crime and is sent to an island-prison colony divided into two camps: unreformable criminals and reformed, peace-seeking, criminals. It is evident by Ray Liotta's character and his predicament that this is a good guy vs. bad guys movie. The dialogue is, for the most part weak, and the film is too long. For a movie of this sort, I would recommend watching "Escape from New York" or "Running Man" instead: they're shorter, have better stories, and better actors all together.

Convicts
This is a great idea for criminals. Put them all on an island and let them fight it out. The movie could have been better and I think they could have been smarter with inventing things but maybe there will be apart 2.

escape on your own will
the first 15 minutes are boring but when Liotta goes into the outsiders camp and has some fun its great. Lots of violence with dull character villians but Stuart Wilson is a hoot as the head baddude. burns some with some pretty horrible dialoug but then theres still goodies, with the highlight being when Stuart and his men come into the insiders camp and find noone but Liotta and one of their weapons, Liotta fires and boom, great scene.


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