Don Movie Reviews
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A comedy film noir of many film noirs.
Leave it to Steve Martin
It's just great.The movie is just one brilliant idea from begining to end, never disapointing you. How many times I've watched something, thinking all along "If only they had managed not to spoil it..."
Well, these guys don't. If I ever need to smile, I have only to remember Steve Martin's exaggerated, cartoonish expression when he's punched in the face, Rachel Ward's sexy, ludicrous way of extracting bullets, or Steven's monologue with a pigeon about what dames do to men's hearts. Who needs Hamlet and a skull? That scene, by the way, was plagiarised one day by Robert Lowe on an episode of that White House show on t.v. .
I always thought Rachel was really an underestimated actress and it's consolling to see (and hear her Jessica Rabbit-like voice) in one of my all time favorite movies.
Carl Reiner was also in "Ocean's Eleven". He's practically unchanged from one movie to another, but in this one he's more convincing, I think.
Indispensable.


VIGNETTES, NOT "SHORT-FILMS", AND FASCINATING!The "movie" (by which I mean the integrated thirty-two vignettes) is an exploration of Glenn Gould (Pearl Harbour, Colm Feore, Storm of the Century), the Canadian-born musician who is considered to be one of the world's greatest pianists, an eccentric genius whose performance of Bach's Goldberg Variations was recorded and included onboard the Voyager space probes.
By no means a conventional biography, the film's episodes rarely attempt to pin down exact events or particular dates in his life. Exceptions include his interviews, radio broadcasts, and his final concert appearance. Rather, the film shows us phases and stages of his life, from his childhood to his career as a concert performer, his hobbies - the stock market, humour, travel, and experimental radio broadcasts - and his last days, when he complained to friends and relatives of his apprehension of death.
The aesthetic of the film is self-consciously arty, deliberately bizarre, and exceedingly concerned with crisp, polished sound - exactly like Glenn Gould.
It runs for 100 minutes or so, which means each vignette should have an average of 3 minutes. In reality some of them are 1 minute long, and other more key sequences (like one where Gould is at a truck stop) are of 5-6 minutes duration.
Very worthy purchase if you are familiar with or interested in the quirky but brilliant musician.
Totally Remarkable--and NOT just for snoots!!This is a totally original film that incorporates marvelous acting, densely-layered cinematography, and a variety of technical and emotional details seamlessly. It is not a dry, interview-style documentary, nor is it an overly artsy-fartsy "biopic." This film is subtle yet overwhelming, beautiful yet quiet, and (for me at least) life changing. My appreciation for and understanding of music grew exponentially after I saw this movie.
Ultimately, I believe that "32" belongs to the avid moviegoer who doesn't spend a great deal of time at the symphony. Its complexity and originality will show you how music enables us to be truly *alive*. The Bach is only secondary.
Wonderful Introduction to Gould's Work for StudentsAt first, the seventh grade students were restless, similar to the German hotel chamber maid whom Gould forces to listen to his newly arrived recording. At the same moment she becomes riveted, the students became riveted. I showed the video over two days. After that, students were curious about Gould and his life and work. With the advent of the suggestion that Gould suffered from Aspberger's Syndrome (a neurological disorder with similarities to autism), some of my students were interested in learning more about people with this disability, especially their afflicted classmates.
I do need to stress, both to my students and even to some adults, that this is not truly a documentary. It is an art film. The man playing Gould is not Gould himself, but the actor Colm Feore. Many of the other people interviewed are truly portrayed by themselves, including Gould's piano technician, friends, and violinist Sir Yehudi Menuhin. Even with its questionable historic accuracy, it is a wonderful introduction to the works of one of the most highly regarded musicians of the last century.


HorridThe sound quality is BAD BEYOND BELIEVE!
If I could give it 0 stars I would.
I love this opera, but would pick the Karajan (salzburg, live) on Sony. Not perfect, but at least watchable and listenable.
the beautiful production and the beastly soundThe lavish production is stunning to look at, with great art direction (by Alexandre Tauner) and cinematography (by Gerry Fischer), a very attractive cast, and of course, Mozart's score, which I think is his most sublime masterpiece.
The singers are excellent: Kiri Te Kanawa as Donna Elvira, and Edda Moser as Donna Anna really shine above all, both so lovely and graceful, and vocally wonderful. Moser especially manages to be emotionally expressive. Ruggero Raimondi is a fine Don Giovanni, Jose Van Dam a rather elegent Leporello, with John Macurdy as Il Commendatore, Kenneth Riegel as Ottavio, Teresa Berganza as Zerlina, and Malcolm King as Masetto rounding out the cast well.
The sound: The volume fluctuates depending on where the singer is placed in the scene, fading out as they walk away for instance, which is dramatically appropriate, but a musical disaster. There is a quartet that is bizarre in its balance, since two of the singers are in the background. Lorin Maazel conducts the Paris Opera, which in this, and other recordings I have heard, does not have the richest and fullest sound in the world, and may be adding to the problems.
The Don's demise however, starting with the Commendatore's "Don Giovanni a cenar teco" is marvelous, and despite the camera inexplicably lingering on the servant boy instead of the action at times, it is a riveting scene, with some of the most superb music ever written.
Though well worth viewing, I would put this film into the "rent not buy" category, unless one is an inveterate opera collector.
Don Giovanni off stage

Big Jake - Poorly written western
Excellent Duke and an Excellent DVD.
Is it possible to give 6 out of 5 stars?

This is HenleyAs with Eagles performances, "Live: Inside Job" is an extremely good display of top quality musicianship. Henley gives impassioned and nearly flawless renditions of the best of his solo career, some Eagles material (including a twist on the classic "Hotel California") and some good new material. He is well backed up by an excellent band and choir.
This is an excellently produced DVD. None of the material seems out of place, it is visually pleasing but most importantly with anything that Henley does the sound is rich and enveloping. All in all this is a fantastic listening experience for Henley fans but also for anyone who can appreciate good musicianship.
don henly the song writer
DTS surround gets better at the beginning of Lilah!?!One thing I notice with my DVD (which I'm not sure if it's a defect or what) is that, on either the DTS or DD version, the rear surround speakers seem to become more noticeable half way in the middle of the flute solo at the beginning of Lilah. You can actually hear the flute sound move from the front to the rear speakers (hummm!?!). Before that point, there is not much going on in the rear speakers, but after that point, the surround experience is greater with more instrumentation and background vocals coming from the rear. Is it just me?!? I'll probably return the DVD for another copy to hear if it acts the same way.
None the less, the sound quality is very clean and this DVD is a keeper!

The groundbreaking 1960s TV series The Prisoner continues with four more episodes of Number 6's struggle to escape the bizarre, picturesque confines of the Village. In "The Chimes of Big Ben," a Village art competition provides the perfect smokescreen for Number 6 (Patrick McGoohan) to hatch a daring escape plan with the help of another new arrival in the Village. Can she be trusted? In a brilliant and memorable performance, Leo McKern invests a humanity--alternately menacing, jolly, and paternal--to the role of Number 2, a quality lacking in many of his successors.
Colin Gordon plays Number 2 as a slightly insecure authoritarian in "A, B, and C," which concerns an attempt to break into and manipulate Number 6's dreams in order to discover why he resigned. Was he indeed "selling out" to the other side? Lively dialogue and a satisfying conclusion bail out what's otherwise a rather far-fetched episode. Gordon returns to the role in "The General," another one that's no slouch in the strained-credulity department: Can an entire university-level history course be delivered to people, via hypnotic TV, in 15 seconds? That's what the Village is experimenting with, but Number 6 smells a rat when he realizes that everyone seems to be reciting the same chunks of history--verbatim. It's a Twilight Zone-esque warning about the dangers of automated mass education, but it falls a bit flat in the end.
"Checkmate" fares much better, exploring the psychology of imprisonment and the difficulty Number 6 has figuring out who among his fellow Villagers works for his captors, and who against. One of the most visually stunning episodes, it opens with a magnificently staged chess match on the Village green, with humans as the pieces, "moved" by two Villagers using megaphones. And Number 6? A pawn, naturally. --Steve Landau

THE PRISONER IS A CLASSIC SERIES
"W. H. Y. Question mark." "Why?"In "Checkmate," the Prisoner is inspired to gather other people who still have their individuality after watching a chess game in which people act as the pawns in the game and are told to move by the chess player. The question asked in this episode is whether or not we are pawns in life. This harks back to the pilot episode "Arrival," when the retired admiral tells a woman that "we're all pawns."
In "The Chimes of Big Ben," a russian agent (?) is brought to The Village and is in the same exact position that the Prisoner's in. He decides to cooperate in the arts & crafts show so that she'll not get hurt... but of course, he still is defiant towards Number 2. One of my favorites in the series, he is hesitant on whether or not he should trust this beautiful russian prisoner.
In "A,B, and C," the Prisoner is sedated and captured in a laboratory. The new Number 2 uses untested drugs to probe through his dreams to find out why he resigned. An interesting plot point at the end keeps this from being average, as we find out that the Prisoner did not intend to sell out.
In "The General," the same Number 2 returns, this time utilizing a "speed learning" program (run by the Professor, sort of...) in which everyone learns something in merely 15 seconds. What Number 6 soon realizes is that one merely memorizes the information as opposed to learning it. This one's hard to analyze, but I think McGoohan tried to convey the message that technology is getting the better of us, and the technology is interfering with the growth of knowledge (either that, or we are misusing the technology to that effect.).
The Butler never speaks. He always serves his master faithfully and unconditionally. In the "Prisoner Companion" that came with the DVD set (or if you get the "Fall Out" volume), it is stated that the Butler represents all the little people in the world who blindly follow the strongest leader just so they'll be alright. I agree with that. What's up with the Bicycle? We see it on the number badges, the signs, and practically everywhere else in the Village. Could it mean that technology is getting the better of us (as supposedly stated in "The General"), or could it mean that we should slow the growth of technology? I agree with the latter, although the first possibility could be a true statement.
"Questions are a burden to others."
"Answers are a prison for oneself."
Two phrases used prominently throughout the Village. These two are probably individuality at its most basic. Without questions, you cannot build on friendships or even just simply gain knowledge! Without answers, one simply doesn't know and is forever confined in secrecy. This leads someone to think for themselves and form opinions. Naturally, opinions are not allowed in the Village.
A great series with messages in each episode. Preferably, I give every episode 5 stars, but I highly recommend getting the megaset and watching the series all the way through as opposed to the individual volumes.
Some great episodes here.In "Checkmate", No. 6 witnesses the manipulation of a human pawn in a giant, outdoor chess game. No. 6 attempts to determine who is a true "villager" like himself and who is a planted guard on the island. Through the relationship with the pawn, No. 6 thinks he's found himself an ally in escape. But has he?
"The Chimes of Big Ben", arguably one of the best of the series, allows No. 6 to meet a beautiful woman prisoner who has already been foiled by Rover (you know, that giant bubble thing). No. 6 agrees to help No. 8 escape and he does so by entering in a village sponsored arts and crafts exhibition. This is fun to watch. Be sure to pay close attention as it all unfolds at the end and No. 6 realizes some crucial details he had overlooked before.
A great episode, "A, B, and C", has No. 2, played well by Colin Gordon, using drugs to get at No. 2's past. Hardly possible in real life but definitely fun and intriguing on the screen.
Finally, "The General" is the weakest of these four episodes but it should be said that there's no such thing as a bad episode from this show. No. 2 has decided that mind control through something called "speed learn" and operated by a giant computer called "The General" will eventually cause No. 6 to reveal that information that they so desperately want ("Why did you resign?!"). Enjoy these episodes and watch them in order along with the others in the series. This is TV at its best.


THIS WAS A GOOD MOVIE, SCREW WHAT THEM CRITICS SAID!
USANo one seems to think the H-bomb is any good anymore. Nope! If you want to take over the world in the 80's you have to train ninjas. Duh!
Undercover ninja

The Most Important Film You Will See This Year...
EUROPEAN VHS FORMAT TO BUY PLEASE"VHS Features:NTSC format (US and Canada only. This VHS will probably NOT be viewable in other countries. Read more about VHS formats.)"
IS IT POSSIBLE TO BUY THESE MOVIES IN EUROPEAN VHS FORMAT?
THANKS
Don Magic Juan IS the KING!!

GREAT MOVIE! Why The Three Stars?I know people do not like Widescreen format because they think the DVD is cutting out the film with the barS! Guess what, you are WRONG! YOU GET THE WHOLE MOVIE THAT YOU SAW AT THE MOVIE THEATERS PEOPLE! To Learn more about Widescreen format click here: http://www.ultimatedisney.com/oar.htm
Now back to the MOVIE! I really enjoyed this movie! I have other favorites as a kid as well but this is one of the top ten! :)
Give us a widescreen format DVD and I will change my 3 stars to a 5! :)
A Movie for Older Children and People Wanting Something Else1) There is a haunting nightmare showing the depths of Hell.
2) There is a scene where Charlie is shot at with a machine gun.
This was one of my favorite animated movies, and if you give it a chance, you might really like it.
In a dog's eye, two big paws way up in the air.All I can say is, this is one movie you don't really want a little kid to see, alone. Plus, it gets into gang life, or what'll happen if you were to get into a gang and you were to do something to one of the members.
Another thing I will say, I will recommend that you should buy/rent it just to see for yourself. Reviews from movie watchers are better then those from movie critics.

As they celebrate their high school graduation, four friends are involved in a hit-and-run accident when their car hits--and apparently kills--a pedestrian on an isolated roadway. They dispose of the body and vow to keep the incident a secret, but a year later somebody starts sending them letters bearing the warning "I Know What You Did Last Summer." At that point the panicked foursome becomes the target of an elusive serial killer whose disguise consists of a fisherman's slicker and a lethal ice hook. Part mystery and part slasher flick, this thriller was heavily hyped as a follow-up to Scream by screenwriter Kevin Williamson (who later created the TV series Dawson's Creek), and like Scream it's a showcase for a teenage cast including Jennifer Love Hewitt and Sarah Michelle Gellar. And while this shocker isn't as inspired as its predecessor, it's guaranteed to give its target audience a few good thrills as it dives toward a routine climax of mayhem and murder. Based (rather loosely) on the popular novel by Lois Duncan. --Jeff Shannon
I Still Know What You Did Last Summer
There was so much story left to tell after I Know What You Did Last Summer that the filmmakers brought back all the beloved, surviving characters from the first film for this sequel. Ray (Freddie Prinze Jr.), Julie (Jennifer Love Hewitt), and Julie's white tank top (Jennifer Love Hewitt's white tank top) return to once again face a hook-wielding maniac. Not satisfied merely to repeat a theme, director Danny Cannon and screenwriter Trey Callaway add variation by introducing Karla (Brandy) as Julie's best friend in the whole wide world. Karla and Julie have won a summer trip to the Bahamas with their current infatuations but find that they've arrived at the start of the storm season and that their hotel "Do Not Disturb" signs should flip to say "R.I.P." One can only hope to hang just such a sign on this repetitive, tedious franchise, especially since this version is less scary than the price of beer in those little hotel-room refrigerators. Definite contender for Gratuitous T&A Shot of the Year (it's of Hewitt and that's not meant as a recommendation). --Keith Simanton

Both [stink]!
CAN WE SAY-CHEESY?
Great film! SEE IT!