Don Movie Reviews


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Family movie reviews for "Don" sorted by average review score:

Dead Men Don't Wear Plaid
Released in DVD by Universal Studios (02 September, 2003)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Carl Reiner
Starring: Steve Martin and Rachel Ward
This is one of the best parodies of the '40s hardboiled detective genre, with a very clever conceit: weaving the plot and production design around memorable movie clips (The Killers, The Big Sleep, Double Indemnity, The Lost Weekend, White Heat, This Gun for Hire, Sorry, Wrong Number, Notorious). Steve Martin plays the cool Rigby Reardon, who tries solving an incomprehensible mystery with the assistance of Humphrey Bogart, James Cagney, Burt Lancaster, Fred MacMurray, Ingrid Bergman, and Ray Milland, among others. It's all silly hokum with Rachel Ward as the pretty moll and director-cowriter Carl Reiner as the nefarious villain. Miklos Rozsa takes us back to yesteryear with his lush score, and, fittingly, Edith Head handles the period costumes in her final production. --Bill Desowitz
Average review score:

A comedy film noir of many film noirs.
Universal Pictures presents a Carl Reiner film, directed by Carl Reiner. This is a good comedy film noir. It's a film noir of many film noirs. The gimmick in this 1982 black & white film is many clips are used from other black & white films of the 1940's you may have seen. Many stars you will recognize. This is a fun film to watch. Film stars Steve Martin, Rachel Ward, Carl Reiner and Reni Santoni. DVD contains production notes of how the film came to be, a filmography of other films the cast has been in and the Theatrical Trailer.

Leave it to Steve Martin
Steve Martin is a comedy genious. This movie is a very clever combination of cuts from many classic movies. It's a pleasure to see Martin interacting with some of the greats of the 'good old days' of movies. If you enjoy this you should see, J-Men Forever. It's also a combination of many TV shows and movies. The only other of this type that I've ever seen.

It's just great.
It may not be Shakespeare, but if you've ever seen a play by that guy you know he can get pretty silly when he wants to. So watch this movie and feel like an intellectual, guilt free!
The movie is just one brilliant idea from begining to end, never disapointing you. How many times I've watched something, thinking all along "If only they had managed not to spoil it..."
Well, these guys don't. If I ever need to smile, I have only to remember Steve Martin's exaggerated, cartoonish expression when he's punched in the face, Rachel Ward's sexy, ludicrous way of extracting bullets, or Steven's monologue with a pigeon about what dames do to men's hearts. Who needs Hamlet and a skull? That scene, by the way, was plagiarised one day by Robert Lowe on an episode of that White House show on t.v. .
I always thought Rachel was really an underestimated actress and it's consolling to see (and hear her Jessica Rabbit-like voice) in one of my all time favorite movies.
Carl Reiner was also in "Ocean's Eleven". He's practically unchanged from one movie to another, but in this one he's more convincing, I think.
Indispensable.


32 Short Films About Glenn Gould
Released in DVD by Columbia Tri-Star (20 February, 2001)
MPAA Rating: NR (Not Rated)
Director: François Girard
Starring: Colm Feore
François Girard originally conceived 32 Short Films About Glenn Gould as a biography to try to explain the bizarre genius of the master pianist who stopped touring in 1963 at the height of his success. The 32 parts play out key moments of Gould's life without stringing them together. They go from realistic (a scene in a Hamburg hotel in which Gould turns a maid on to the wonder of music) to nihilistic (a segment solely made up of the drugs Gould presumably took). Stratford actor Colm Feore is quite good as the slyly introverted, soft-spoken figure, although this film is more of an examination of loneliness than of music. The key question is, Does this docudrama enlighten us better than a straightforward documentary on Gould would? Probably not. --Doug Thomas
Average review score:

VIGNETTES, NOT "SHORT-FILMS", AND FASCINATING!
Several reviews of this DVD operate under the misconception that it is intended as a documentary or as a fictional re-enactment of some short films on Gould. It is neither.

The "movie" (by which I mean the integrated thirty-two vignettes) is an exploration of Glenn Gould (Pearl Harbour, Colm Feore, Storm of the Century), the Canadian-born musician who is considered to be one of the world's greatest pianists, an eccentric genius whose performance of Bach's Goldberg Variations was recorded and included onboard the Voyager space probes.

By no means a conventional biography, the film's episodes rarely attempt to pin down exact events or particular dates in his life. Exceptions include his interviews, radio broadcasts, and his final concert appearance. Rather, the film shows us phases and stages of his life, from his childhood to his career as a concert performer, his hobbies - the stock market, humour, travel, and experimental radio broadcasts - and his last days, when he complained to friends and relatives of his apprehension of death.

The aesthetic of the film is self-consciously arty, deliberately bizarre, and exceedingly concerned with crisp, polished sound - exactly like Glenn Gould.

It runs for 100 minutes or so, which means each vignette should have an average of 3 minutes. In reality some of them are 1 minute long, and other more key sequences (like one where Gould is at a truck stop) are of 5-6 minutes duration.

Very worthy purchase if you are familiar with or interested in the quirky but brilliant musician.

Totally Remarkable--and NOT just for snoots!!
It would be utterly ridiculous to give this film anything less than five stars. Classical music snobs who believe the film doesn't give enough "insight" into Gould's day-to-day life are missing the point. Gould himself didn't have much time for classical music snobs, by the way.
This is a totally original film that incorporates marvelous acting, densely-layered cinematography, and a variety of technical and emotional details seamlessly. It is not a dry, interview-style documentary, nor is it an overly artsy-fartsy "biopic." This film is subtle yet overwhelming, beautiful yet quiet, and (for me at least) life changing. My appreciation for and understanding of music grew exponentially after I saw this movie.
Ultimately, I believe that "32" belongs to the avid moviegoer who doesn't spend a great deal of time at the symphony. Its complexity and originality will show you how music enables us to be truly *alive*. The Bach is only secondary.

Wonderful Introduction to Gould's Work for Students
I first showed this to my students five years ago in one of those "after the holiday concert slump" moments.
At first, the seventh grade students were restless, similar to the German hotel chamber maid whom Gould forces to listen to his newly arrived recording. At the same moment she becomes riveted, the students became riveted. I showed the video over two days. After that, students were curious about Gould and his life and work. With the advent of the suggestion that Gould suffered from Aspberger's Syndrome (a neurological disorder with similarities to autism), some of my students were interested in learning more about people with this disability, especially their afflicted classmates.
I do need to stress, both to my students and even to some adults, that this is not truly a documentary. It is an art film. The man playing Gould is not Gould himself, but the actor Colm Feore. Many of the other people interviewed are truly portrayed by themselves, including Gould's piano technician, friends, and violinist Sir Yehudi Menuhin. Even with its questionable historic accuracy, it is a wonderful introduction to the works of one of the most highly regarded musicians of the last century.


Mozart - Don Giovanni / Maazel, Raimondi, Te Kanawa, Paris Opera
Released in DVD by Columbia Tristar Hom (26 February, 2002)
MPAA Rating: NR (Not Rated)
Director: Joseph Losey
Average review score:

Horrid
I just don't understand what others can see in this DVD.
The sound quality is BAD BEYOND BELIEVE!

If I could give it 0 stars I would.

I love this opera, but would pick the Karajan (salzburg, live) on Sony. Not perfect, but at least watchable and listenable.

the beautiful production and the beastly sound
This is a "movie opera", and I am not a fan of them, because I find some of the passion is filtered out when the singing is separated from the acting, and though this film is well done, it has a lot of that "lip-synch" look, which dims the dramatic impact. I would rather watch a filmed live performance, with less gloss, and more feeling.
The lavish production is stunning to look at, with great art direction (by Alexandre Tauner) and cinematography (by Gerry Fischer), a very attractive cast, and of course, Mozart's score, which I think is his most sublime masterpiece.

The singers are excellent: Kiri Te Kanawa as Donna Elvira, and Edda Moser as Donna Anna really shine above all, both so lovely and graceful, and vocally wonderful. Moser especially manages to be emotionally expressive. Ruggero Raimondi is a fine Don Giovanni, Jose Van Dam a rather elegent Leporello, with John Macurdy as Il Commendatore, Kenneth Riegel as Ottavio, Teresa Berganza as Zerlina, and Malcolm King as Masetto rounding out the cast well.

The sound: The volume fluctuates depending on where the singer is placed in the scene, fading out as they walk away for instance, which is dramatically appropriate, but a musical disaster. There is a quartet that is bizarre in its balance, since two of the singers are in the background. Lorin Maazel conducts the Paris Opera, which in this, and other recordings I have heard, does not have the richest and fullest sound in the world, and may be adding to the problems.
The Don's demise however, starting with the Commendatore's "Don Giovanni a cenar teco" is marvelous, and despite the camera inexplicably lingering on the servant boy instead of the action at times, it is a riveting scene, with some of the most superb music ever written.
Though well worth viewing, I would put this film into the "rent not buy" category, unless one is an inveterate opera collector.

Don Giovanni off stage
Mozart's music is divine, here presented by outstanding singers who are also credible actors, beautifully costumed for period and occasion, on a scene that is very much believable, set in castles and countryside of northern Italy. The opera comes to life for the viewer, even seems to take on a life of its own as the plot unfolds. A hint of social critique of the time comes through as the Don pursues the peasant girl Zerlina, though not as strongly so as in the Marriage of Figaro. It is hard to point to anything that is not perfect in this rendition, except possibly that the glorious music does not come through as strongly during open-air scenes as when the action is between walls. I believe that this is not as much a flaw as the natural consequence of a natural setting as opposed to the artifical one in a theater. This DVD gives you the option to turn subtitles on and off, and they come in several languages. I look forward to seeing Don Giovanni with Spanish subtitles next - that should be a most pleasant way to practice a language!


Big Jake
Released in DVD by Paramount Home Video (29 April, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Directors: George Sherman and John Wayne
Starring: John Wayne and Richard Boone
Big Jake is not one of the Duke's classics, but a diverting attempt nonetheless. Everyone seems to think that Jacob McCandles is six-feet under ("I thought you was dead" is a running line throughout), so some bad men kidnap his grandson. They want a piece of the family fortune and will kill to get it. Patrick Wayne, the Duke's own son, plays one of Big Jake's kids, and together they start out after the boy's abductors. Richard Boone makes a worthy adversary to Jake's larger than life figure, and the final confrontation between the two contains some great gritted-teeth dialogue. Maureen O'Hara is barely in the feature, sharing the same fate as Bobby Vinton as the boy's father. He seems to be onscreen just to get shot. --Keith Simanton
Average review score:

Big Jake - Poorly written western
I'm a big fan of John Wayne and his western movies. If you've never seen this movie, it's worth a watch but that's about it. I think it's one of his worse westerns. The premise is good but the writing and acting are not. I liked the juxtaposition of Big Jake's old world, tried and true methods against his 2 younger sons embrace of new technology. Good start but the casting and acting very poor. First having Bruce Cabot playing an Indian is down right stupid. Why not get an Indian actor to play this part? Second, Big Jakes' 2 sons continue to act very adolescent, as if they're out on their first camping trip. I think they're both a little to ripe (30 years old) to be playing such goofy people. I think Big Jake would have to seriously consider that Ms Big Jake might have fooled around a bit to produce such stupid offspring. The climax is ok but still logically some stupid macho antics. i.e. Gunman gets drop on Jake Jr and ops for a fair draw instead of just shooting him. Poor, poor writing.

Excellent Duke and an Excellent DVD.
Being a Wayne fan, this is definitely one of my favorites. I've been dissapointed by other attempts to do DVD's of John Wayne movies, but this is not one of those. CBS DVD did a spectacular job on the transfer. If only they would get rights to McLintock and do it justice I'd be happy. This gets 4 stars only for a lack of extras. If you want a nice, clean copy of Big Jake, enhanced for widescreen, COME AND GET IT!

Is it possible to give 6 out of 5 stars?
The movie has special meaning for me. It is the first film I ever saw in the theater as a little boy. It left an indellible mark on me for the rest of my movie viewing career. As far as I'm concerned it is THE perfect Western. The Duke is at his finest, as that's something to say when you consider some of his other classics like True Grit, The Searchers, and The Shootist. As another reviewer notes, Patrick Wayne and Christopher Mitchum are great as Jake McCandles' sons. Richard Boone plays a super bad guy. And as also noted, Maureen O'Hara was simultaneously stunning, classic, and humorous. I've watched this movie many, many times and enjoy it as much today as I did as a six year old on his first trip to the theater.


Don Henley Live - Inside Job
Released in DVD by Image Entertainment (21 November, 2000)
MPAA Rating: NR (Not Rated)
Starring: Don Henley
Don Henley and the Eagles may have sold a jillion albums, written some memorable songs, and established themselves as icons of the cocaine-colored '70s. But if there's one thing they weren't, it's a great live band--unless, of course, your idea of greatness includes rote, note-perfect re-creations of the recorded versions. And so it is with Henley the solo artist, at least if Live: Inside Job is any clue. Oh, it's not that this is a bad show. Au contraire. Henley's got a really good voice, a very good band, and a batch of good songs, including five from Inside Job (his first album of new material since the '80s), several solo hits, and the inevitable Eagle droppings. The guy is unquestionably a serious artist (that's serious as in "humorless"--Henley's stock in trade is sarcastic, cynical tunes like "Dirty Laundry," "New York Minute," and "They're Not Here, They're Not Coming," with their bitter ruminations on how tough it is to be a celebrity and the general decay and hollowness of contemporary culture). As such, he might reasonably claim that it's all about the music--hey, you want costume changes and firing flash pots, go see Cher or Kiss. An admirable stance, maybe, but it doesn't exactly make for a thrilling video experience. What you get is a filmed concert--nothing more, nothing less--with a couple of unexpected moments. Chief among the latter is the romping, Afro-Cuban arrangement of "Hotel California," and the presence of a 12-voice choir (led by Maxine Waters) that lends genuine majesty to "The Heart of the Matter." The choir is appropriate, because with Live: Inside Job, that's who Don Henley's preaching to. --Sam Graham
Average review score:

This is Henley
Don Henley isn't, and never will be, a flamboyant artist and this DVD only serves to prove it. The man takes his music very seriously and expects to be taken seriously in return. What this serves to produce is a very polished stage performance.

As with Eagles performances, "Live: Inside Job" is an extremely good display of top quality musicianship. Henley gives impassioned and nearly flawless renditions of the best of his solo career, some Eagles material (including a twist on the classic "Hotel California") and some good new material. He is well backed up by an excellent band and choir.

This is an excellently produced DVD. None of the material seems out of place, it is visually pleasing but most importantly with anything that Henley does the sound is rich and enveloping. All in all this is a fantastic listening experience for Henley fans but also for anyone who can appreciate good musicianship.

don henly the song writer
I have been a long time Eagles fan and particular favored all the artists that have come through including henley, fry, schmidt, walsch, etc..... You cannot compare "hell freezes over" with "inside job" for a number of reasons.. First of all"Hell freezes over to me is the bench mark of reproduction of live concert that with all those boys together puts on a show like no other... to me Timmothy B has great singing ability, Walsch has his own unique blend of input into the show that he does not get credit for and truely has great abilities... Henley I feel has more passion in his singing surrounded by these guys however in Inside job if you truely want to appreciate the man, the song writer, the "passion" it is a great concert and dvd... great quality as a music experience and not a flashy show but great quality music.. My only dissapointment is the changing of Hotel California. He should have finished a more traditional version but who am I to judge. There are so many classics but as usual coming off this new album "Taking you home" will always be a favorite... "everything is different now" is a great version and a underated song along with "My thanksgiving" Desperado in his last verse makes a difference than the usual, and " There not here, they're not coming" is just a fun road song.... My last comments are as a person myself with a love of music, Henly truely is a great song writer..

DTS surround gets better at the beginning of Lilah!?!
Great DVD! I agree with others that the DTS mix is not as good as 'Hell Freezes Over' but it's certainly a pleasant listening experience.

One thing I notice with my DVD (which I'm not sure if it's a defect or what) is that, on either the DTS or DD version, the rear surround speakers seem to become more noticeable half way in the middle of the flute solo at the beginning of Lilah. You can actually hear the flute sound move from the front to the rear speakers (hummm!?!). Before that point, there is not much going on in the rear speakers, but after that point, the surround experience is greater with more instrumentation and background vocals coming from the rear. Is it just me?!? I'll probably return the DVD for another copy to hear if it acts the same way.

None the less, the sound quality is very clean and this DVD is a keeper!


The Prisoner - Set 2: Checkmate/ The Chimes of Big Ben/ A, B and C/ The General (Bonus)
Released in DVD by A & E Home Video (31 October, 2000)
MPAA Rating: NR (Not Rated)
Directors: Peter Graham Scott, Patrick McGoohan, David Tomblin, Pat Jackson, Robert Asher, and Don Chaffey
Starring: Patrick McGoohan
Where am I? In the Village. What do you want? Information. Whose side are you on? That would be telling. We want information...information...information. You won't get it. By hook or by crook, we will. Who are you? The new Number 2. Who is Number 1? You are Number 6. I am not a number, I am a free man!

The groundbreaking 1960s TV series The Prisoner continues with four more episodes of Number 6's struggle to escape the bizarre, picturesque confines of the Village. In "The Chimes of Big Ben," a Village art competition provides the perfect smokescreen for Number 6 (Patrick McGoohan) to hatch a daring escape plan with the help of another new arrival in the Village. Can she be trusted? In a brilliant and memorable performance, Leo McKern invests a humanity--alternately menacing, jolly, and paternal--to the role of Number 2, a quality lacking in many of his successors.

Colin Gordon plays Number 2 as a slightly insecure authoritarian in "A, B, and C," which concerns an attempt to break into and manipulate Number 6's dreams in order to discover why he resigned. Was he indeed "selling out" to the other side? Lively dialogue and a satisfying conclusion bail out what's otherwise a rather far-fetched episode. Gordon returns to the role in "The General," another one that's no slouch in the strained-credulity department: Can an entire university-level history course be delivered to people, via hypnotic TV, in 15 seconds? That's what the Village is experimenting with, but Number 6 smells a rat when he realizes that everyone seems to be reciting the same chunks of history--verbatim. It's a Twilight Zone-esque warning about the dangers of automated mass education, but it falls a bit flat in the end.

"Checkmate" fares much better, exploring the psychology of imprisonment and the difficulty Number 6 has figuring out who among his fellow Villagers works for his captors, and who against. One of the most visually stunning episodes, it opens with a magnificently staged chess match on the Village green, with humans as the pieces, "moved" by two Villagers using megaphones. And Number 6? A pawn, naturally. --Steve Landau

Average review score:

THE PRISONER IS A CLASSIC SERIES
the prisoner series even had it's own collectable magazine that would often go into detail on the MEANING of the show plots. the star, # 6, patrick was a voice on the simpsons in an episode, and there are at least two simpsons episodes that make references to the prisoner and especially "rover" the big killer balloon that guards the water around the village - if it's good enough for the simpsons to reference, it's good enough to own all of the episodes - which i do on video and i plan to aquire all of the episodes on DVD so my four-year-old son can watch this classic series when he gets older. if you've never seen this series, i HIGHLY recommend it. peace.

"W. H. Y. Question mark." "Why?"
Back in 1967, an allegorical television show emerged that has yet to be topped by any other English television series. The show: The Prisoner. Starring Patrick McGoohan, he plays the role of No. 6, a former secret service agent who resigned for unknown reasons and then finds himself knocked unconscious and trapped in a seemingly peaceful place called "the Village." Each episode features a new No. 2 (with a few exceptions), who watches his every move and strives to find out why he resigned. The only superior is the unseen No. 1, the supposed ruler of the Village. The only other characters that reoccur are The Supervisor (also called Controller), played by Peter Stanwick, and The Butler, played by Angelo Muscat.

In "Checkmate," the Prisoner is inspired to gather other people who still have their individuality after watching a chess game in which people act as the pawns in the game and are told to move by the chess player. The question asked in this episode is whether or not we are pawns in life. This harks back to the pilot episode "Arrival," when the retired admiral tells a woman that "we're all pawns."

In "The Chimes of Big Ben," a russian agent (?) is brought to The Village and is in the same exact position that the Prisoner's in. He decides to cooperate in the arts & crafts show so that she'll not get hurt... but of course, he still is defiant towards Number 2. One of my favorites in the series, he is hesitant on whether or not he should trust this beautiful russian prisoner.

In "A,B, and C," the Prisoner is sedated and captured in a laboratory. The new Number 2 uses untested drugs to probe through his dreams to find out why he resigned. An interesting plot point at the end keeps this from being average, as we find out that the Prisoner did not intend to sell out.

In "The General," the same Number 2 returns, this time utilizing a "speed learning" program (run by the Professor, sort of...) in which everyone learns something in merely 15 seconds. What Number 6 soon realizes is that one merely memorizes the information as opposed to learning it. This one's hard to analyze, but I think McGoohan tried to convey the message that technology is getting the better of us, and the technology is interfering with the growth of knowledge (either that, or we are misusing the technology to that effect.).

The Butler never speaks. He always serves his master faithfully and unconditionally. In the "Prisoner Companion" that came with the DVD set (or if you get the "Fall Out" volume), it is stated that the Butler represents all the little people in the world who blindly follow the strongest leader just so they'll be alright. I agree with that. What's up with the Bicycle? We see it on the number badges, the signs, and practically everywhere else in the Village. Could it mean that technology is getting the better of us (as supposedly stated in "The General"), or could it mean that we should slow the growth of technology? I agree with the latter, although the first possibility could be a true statement.

"Questions are a burden to others."
"Answers are a prison for oneself."
Two phrases used prominently throughout the Village. These two are probably individuality at its most basic. Without questions, you cannot build on friendships or even just simply gain knowledge! Without answers, one simply doesn't know and is forever confined in secrecy. This leads someone to think for themselves and form opinions. Naturally, opinions are not allowed in the Village.

A great series with messages in each episode. Preferably, I give every episode 5 stars, but I highly recommend getting the megaset and watching the series all the way through as opposed to the individual volumes.

Some great episodes here.
Of the 17 episodes produced for the show, near midpoint there seems to be a slight shift in No. 6's plan from one of outright escape to making things miserable for No. 2. However, with the possible exception of "The General", escape is still uppermost in No. 6's mind in the episodes of Set 2.

In "Checkmate", No. 6 witnesses the manipulation of a human pawn in a giant, outdoor chess game. No. 6 attempts to determine who is a true "villager" like himself and who is a planted guard on the island. Through the relationship with the pawn, No. 6 thinks he's found himself an ally in escape. But has he?

"The Chimes of Big Ben", arguably one of the best of the series, allows No. 6 to meet a beautiful woman prisoner who has already been foiled by Rover (you know, that giant bubble thing). No. 6 agrees to help No. 8 escape and he does so by entering in a village sponsored arts and crafts exhibition. This is fun to watch. Be sure to pay close attention as it all unfolds at the end and No. 6 realizes some crucial details he had overlooked before.

A great episode, "A, B, and C", has No. 2, played well by Colin Gordon, using drugs to get at No. 2's past. Hardly possible in real life but definitely fun and intriguing on the screen.

Finally, "The General" is the weakest of these four episodes but it should be said that there's no such thing as a bad episode from this show. No. 2 has decided that mind control through something called "speed learn" and operated by a giant computer called "The General" will eventually cause No. 6 to reveal that information that they so desperately want ("Why did you resign?!"). Enjoy these episodes and watch them in order along with the others in the series. This is TV at its best.


American Ninja
Released in DVD by Mgm/Ua Studios (02 October, 2001)
MPAA Rating: R (Restricted)
Director: Sam Firstenberg
Average review score:

THIS WAS A GOOD MOVIE, SCREW WHAT THEM CRITICS SAID!
IN THIS CULT CLASSIC, AN ARMY RECRUIT [MICHAEL DUDIKOFF] MUST STOP THE ARMY FROM DOING A MAJOR WEAPONS DEAL WITH SOME RICH BAD GUYS. THOUGH THERE REALLY ISN'T MUCH TO THE MARTIAL ARTS THAT'S DISPLAYED HERE, IT'S STILL A FUN MOVIE TO WATCH, DESPITE THE BAD THINGS THAT ALL THE CRITICS HAVE SAID ABOUT THIS MOVIE AND ITS SEQUELS, I'LL ADMIT IT, I REALLY ENJOYED THIS MOVIE. SCREW WHAT ALL THE CRITICS SAY, GO PICK UP THIS MOVIE NOW. MICHAEL DUDIKOFF AND STEVE JAMES HAVE AMAZING CHEMISTRY. FOLLOWED BY FOUR SEQUELS.

USA
Here's a guy trained by a real ninja who has to join the US Army cause he's a trouble maker. His platoon hates him so they pick on him until he uses his ninja skills to beat the crap out of them. He makes friends quickly this way and soon finds out there is a secret island of ninjas being trained to take over the world.
No one seems to think the H-bomb is any good anymore. Nope! If you want to take over the world in the 80's you have to train ninjas. Duh!

Undercover ninja
Here's an American born to fight and trained by a real ninja who runs into some hard times and joins the US ARMY. He's a ninja but doesn't like to be told what to do so he fights his whole platoon and earns the respect from the rest of his new buddies. Little does he know that there is a secret island of ninjas training to take over the whole world. I guess getting your hands on the H-bomb is out of the question? The only way to take over the world is to train ninjas.


Pimps Up, Ho's Down
Released in DVD by Mti Home Video (12 December, 2000)
MPAA Rating: R (Restricted)
Director: Brent Owens
Average review score:

The Most Important Film You Will See This Year...
Or, "impotent feelm", in the words of the "pimps" portrayed. You know what I'm sayin'? Are any of these people real or is this all an act? Who cares?!! Go clothes shopping like a "mack daddy" (think purple bowlers and bright green and yellow alligator shoes)--you know what I'm sayin'?--attend the gala "pimp of the year" ball--you know what I'm sayin'?--watch big fat black prostitutes in six-inch heels waddling into nighttime traffic--you know what I'm sayin'? Of course you do! It can get a little boring in spots, but this is mostly a laugh riot. Be sure to shower afterwards!

EUROPEAN VHS FORMAT TO BUY PLEASE
I live in Europe and saw only saw AMERICAN PIMP, but not other pimp movies since they are in
"VHS Features:NTSC format (US and Canada only. This VHS will probably NOT be viewable in other countries. Read more about VHS formats.)"

IS IT POSSIBLE TO BUY THESE MOVIES IN EUROPEAN VHS FORMAT?

THANKS

Don Magic Juan IS the KING!!
This is a documentary on the world of pimps and prostitutes. Two of the pimps featured in here, Don "Magic" Juan(A FORMER pimp) and "Snooky"('98 Pimp of the Year) to me stand out. Don Magic Juan is so unbelievably hilarious! He was in a store talking to a young man who was reading a book all about pimping, and Don Juan sais to him, "Hey man, go to school, study hard and get yourself a good job, don't do what i'm doin'. 'Cause when you start pimpin' man, WHEW!! Hey man, it'll be more work usin' your mind than it would be liftin' this whole building! I mean, Pimpin' ain't easy but I know somebody's gotta do it!" I don't know, me personally, that one kept me laughing for about a week straight. The pimps in this documentary speak very blatantly. Sometimes, it can come across as very harsh and cold hearted to someone who's not familiar with pimp lingo. But what attracts me to this documentary is the flashiness of the way the pimps dress, the way they talk, and how they come right out and tell you, "Yeah, I do that, yeah I do this!!" And come on, what guy doesn't fantasize about having five female celebrities all to themselves the way these pimps have women for them? The other pimp in this movie to look for if you want to be royally entertained aside from Snooky and Don Juan is Mr. Whitefolks.


All Dogs Go To Heaven
Released in DVD by MGM/UA Video (06 March, 2001)
MPAA Rating: G (General Audience)
Directors: Gary Goldman, Dan Kuenster, and Don Bluth
Starring: Dom DeLuise and Burt Reynolds
Average review score:

GREAT MOVIE! Why The Three Stars?
Because The DVD is not in the Original Theatrical Format! At least give the WHOLE picture not just HALE!
I know people do not like Widescreen format because they think the DVD is cutting out the film with the barS! Guess what, you are WRONG! YOU GET THE WHOLE MOVIE THAT YOU SAW AT THE MOVIE THEATERS PEOPLE! To Learn more about Widescreen format click here: http://www.ultimatedisney.com/oar.htm

Now back to the MOVIE! I really enjoyed this movie! I have other favorites as a kid as well but this is one of the top ten! :)

Give us a widescreen format DVD and I will change my 3 stars to a 5! :)

A Movie for Older Children and People Wanting Something Else
As several other reviewers have said, this is not a movie for young children or people who want perky, cheerful movies. There are 2 things that you should be aware of before letting children under the age of 6 or 7 watch this:
1) There is a haunting nightmare showing the depths of Hell.
2) There is a scene where Charlie is shot at with a machine gun.
This was one of my favorite animated movies, and if you give it a chance, you might really like it.

In a dog's eye, two big paws way up in the air.
I'm not much of a critic but I'll say as much as I can without ruining the movie. Tell you the truth, I won't say much being a lot of people already told you the story line of the movie.

All I can say is, this is one movie you don't really want a little kid to see, alone. Plus, it gets into gang life, or what'll happen if you were to get into a gang and you were to do something to one of the members.

Another thing I will say, I will recommend that you should buy/rent it just to see for yourself. Reviews from movie watchers are better then those from movie critics.


I Know What You Did Last Summer/I Still Know What You Did Last Summer (Deluxe Box Set)
Released in DVD by Columbia Tristar Hom (23 September, 2003)
MPAA Rating: R (Restricted)
Director: Jim Gillespie
Starring: Jennifer Love Hewitt, Sarah Michelle Gellar, and Anne Heche
I Know What You Did Last Summer
As they celebrate their high school graduation, four friends are involved in a hit-and-run accident when their car hits--and apparently kills--a pedestrian on an isolated roadway. They dispose of the body and vow to keep the incident a secret, but a year later somebody starts sending them letters bearing the warning "I Know What You Did Last Summer." At that point the panicked foursome becomes the target of an elusive serial killer whose disguise consists of a fisherman's slicker and a lethal ice hook. Part mystery and part slasher flick, this thriller was heavily hyped as a follow-up to Scream by screenwriter Kevin Williamson (who later created the TV series Dawson's Creek), and like Scream it's a showcase for a teenage cast including Jennifer Love Hewitt and Sarah Michelle Gellar. And while this shocker isn't as inspired as its predecessor, it's guaranteed to give its target audience a few good thrills as it dives toward a routine climax of mayhem and murder. Based (rather loosely) on the popular novel by Lois Duncan. --Jeff Shannon

I Still Know What You Did Last Summer
There was so much story left to tell after I Know What You Did Last Summer that the filmmakers brought back all the beloved, surviving characters from the first film for this sequel. Ray (Freddie Prinze Jr.), Julie (Jennifer Love Hewitt), and Julie's white tank top (Jennifer Love Hewitt's white tank top) return to once again face a hook-wielding maniac. Not satisfied merely to repeat a theme, director Danny Cannon and screenwriter Trey Callaway add variation by introducing Karla (Brandy) as Julie's best friend in the whole wide world. Karla and Julie have won a summer trip to the Bahamas with their current infatuations but find that they've arrived at the start of the storm season and that their hotel "Do Not Disturb" signs should flip to say "R.I.P." One can only hope to hang just such a sign on this repetitive, tedious franchise, especially since this version is less scary than the price of beer in those little hotel-room refrigerators. Definite contender for Gratuitous T&A Shot of the Year (it's of Hewitt and that's not meant as a recommendation). --Keith Simanton

Average review score:

Both [stink]!
Both of these [stink] so bad it's not even funny. Neither one of them are scary. I laughed at both of them and so did all my friends. Skip this...

CAN WE SAY-CHEESY?
This late nineties light headed SCREAM/HALLOWEEN teen slasher knock-off is the worst thing to happen to slasher films since the early nineties!!!Part one was decent, except for Sarah Gellar who gets killed again! (Scream 2 and the season finale of Buffy weren't enough?) Part 2 has the annoying, terrible actress Brandi, who only helps the movie however, because she screams alot and the killer almost gets her like 3 times, so she has the 2 scariest scenes...although a decent sequel, the movie just doesn't seem to hold up, weak and meaningless, I think the series is cheap horror for fans of pure C.R.A.P. Please rent first! Don't do the mistake I did!!!

Great film! SEE IT!
I thought I KNOW... was a terrific film. It's not the best at scaring. It has it's jumping moments but it still keeps you on your toes. I STILL KNOW... is more of a horror film. There is really no suspense but it's still great. NOT as great as the first film but still good enough. IT has it's scary moments too. I'm a little disappointed that I SITLL KNOW doesnt' have many special features. All in all the films are good and I highly suggest them. SEE EM!


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