Developers and Publishers Movie Reviews

The third and last set of DVDs of The Pallisers, based on Anthony Trollope's series of Parliamentary novels, is finally here and everyone who loves a good soap opera, memorable characters and several touches of intrigue should rejoice. Life among the upper, upper political classes of 19th century England was never so much fun. I loved The Pallisers when I first saw it on TV 25 years ago, and I still think it's wonderful, even though its flaws (a bit too stately at times) are more obvious when seen in big gulps of 3-4 hours at a time. These last episodes, taking place some 20 years after the opening sequences, still have many of the original characters in place, which is fortunate, because few of the new figures are as compelling as the original protagonists. Happily, they don't last long, and what we end up with is a satisfying coda to the lives of Planty Pal and his incomparable wife, Lady Glencora, aka the Duke and Duchess of Omnium. Look for very young Anthony Andrews and Jeremy Irons, one callow and one 'serious,' stretching their acting chops, and terrific costumes and scenery throughout. You'll find yourself going back to view the first episodes again, and searching out the Anthony Trollope novels on which the whole amazing series is based.

At last all 26 episodes of are available on Acorn Media DVDs! The concluding 9 parts are on 4 discs and finish the tale of "Planty" Palliser, his wife Glencora, and the countless other characters--major and minor, high born and low--that have crowded the screen in what the jacket blurb calls "one of the most popular series ever to air on PBS."

The entire story would be high-class soap opera if it were not for the truly human characters Trollope has given us and for the political truths that motivate the framing plots around the Palliser family's own story. I have already commented on many of them in past reviews, but the major one here is as timely as could possibly be. Planty (Philip Latham) is a strong Liberal but all through his career as Prime Minister has not passed one significant bill, being intent only on keeping a shaky coalition between his party and the Conservatives. He is deeply shocked and offended when his son (Anthony Andrews) goes into Parliament as a Conservative. More to the point, the father is put up against a wall of his own making when his son wants to marry not only the girl of his own choice but an American one at that. Suddenly he realizes that all his liberal ideas do not work-- for him! The governing class, he thinks, must work by its own rules. Well, just read the papers to see how that way of thinking works out.

It would also be difficult to miss the similarity between current events and the subplot of how the cad Lopez forces the Prime Minister to do "the right thing," is driven to suicide by high society, and then after his death gains their sympathy, helping to bring down the government.

The artistic direction continues to be just about perfect, as Susan Hampshire points out in one of the three interviews given as a special feature on these DVDs. Even the manners--the simultaneous tipping of men's hats as the ladies appear--seem just right. And there is great humor in the scene in which Planty tries to explain to the Americans how the family of a nobleman are not themselves noble but "commoners"--still, by no means "common."

Now perhaps someone will get that other grand Susan Hampshire series, "The Forsyte Saga," onto a recording. But until then, grab this offering from Acorn Media.

I view this series with the fondest memories of watching them on PBS during the 70s. They have always been a faithful rendition of Anthony Trollope's series, combining the social and political commentary of his Victorian England with the entertaining social weaving of a varied cast of characters and situations.

The first set in the series has been a savoured return to the stories and characters, particularly following the complicated triumph of the relationship between Plantagenet Palliser and the enchanting Lady Glencora; the troubled choices of Alice Vavasor; and the sometimes petty and sometimes noble ambitions of Phineas Finn.

I enjoyed the stories that remain satisfying in their period style. I recommend them highly.

The Pallisers takes its place with Brideshead Revisted, Upstairs, Downstairs, and the original Forsyte Saga as one of the best series of films ever made for television. Having seen all of the videos in the three boxed sets I can say unequivocally that I found the entire program well dramatized and well acted.

We are first introduced to Plantagenet Palliser, nephew and heir apparent to the Duke of Omnium. Plantagent is a liberal member of parliament who is a true patriot. He wrestles with many of the problems of 19th Century England, first as an MP and later as Prime Minister. He is a man of enourmous integrity and will power. What he lack in intelligence he more than makes up for in hard work. He and his wife, the Lady Glencora, played by the usually reliable Susan Hampshire, are the center of this series.

Lady Glencora marries Plantagent against her will. She would have preferred to elope with a young gambler, but her sense of duty saves her from what we know would have been a disastrous mistake. She comes to love and respect Plantagenet in time and is totally loyal to him and his various causes. Lady Glen is all heart and not much head. Even so, her heart usually leads her in the right direction and much of the series dramatises her arguments with her always rational and sometimes unimaginative husband. Lady Glen gives as good as she gets.

Into the family of Lady Glen and Plantagent comes Phineas Finn, a brilliant but sometimes headstrong member of parliament from Ireland. From the first introduction of Finn, the series takes on added dramatic intensity. Finn gets himself into a variety of scrapes and even is accused of murder at one point. Both Lady Glen and Plantagent and their good friend, Madame Max Goesler, never lose faith in Finn and support him with all their resources. Madam Max, Lady Glen's confidant and trusted guide, falls in love with Finn and waits patiently for him to learn of her devotion and friendship.

All the stories are interesting and those involving Finn are genuinely engaging. The acting is first-rate by a huge cast. I think most viewers will be hard pressed to find a false note anywhere. The setting is 19th Century England and the cast of characters comes from the aristocracy and upper class. Much time and money has been spent to take us inside the various castles and homes of the wealthy English gentry. Finn is an outsider in this world and his background and situation provide the contrast we need to understand the enormous difference between the aristocrats and their friends and the common people they are supposed to care for. Plantagent is all the more remarkable because his great wealth does not blind him to the service he owes to those commoners he represents.

Brideshead Revisited and Upstairs, Downstairs remain my favorite extended series of films for television, but The Pallisers is not far behind -- a truly exceptional program.

This series adapts the six lengthy "Palliser" novels by Anthony Trollope into 26 episodes of delight and intrigue in Victorian England.

Susan Hampshire's Lady Glencora is without doubt the center of this series. Forced into a marriage with the wealthy but distracted Plantagenet Palliser, who seems far more interested in becoming Chancellor of the Exchequer than in his marriage, Lady Glencora must balance her relationship with her husband against that with another man, whom she has truly loved. Watching as the two Pallisers adjust their relationship to find their love is an absolute delight.

But this story is more than just the Pallisers. As the six lengthy novels are boiled down to 26 episodes (8 in the first set), we meet Phineas Finn, an Irish MP who is the title character of two of the books--one deemed a fine political novel, the other a suspenseful masterpiece. Both are well incorporated into the series. Barbara Murray amazes as Madame Max Goesler, a wealthy widow who interacts with the aristocratic Pallisers without ever letting her great good sense be overwhelmed by the privilege of associating with the creme de la creme.

Six novels boiled into a series requires a great ensemble cast, and one is provided. Such noted British TV actors as Derek Jacobi (later of I, Claudius) and Penelope Keith (of To the Manor Born) play small but important parts as the foppish Lord Fawn and his sister.

But in the final analysis, it all comes back to the relationship between Hampshire's Lady Glencora and Philip Latham's Plantagenet.

Well worth watching.

Ok, ok, I know it's cheesy but it's also irresistable fun. It's Trollope the Victorian as produced by Aaron Spelling (who knew?)starring that incredibly perky Susan Hampshire. Don't be surprised if you find yourself reveling in the shenanigans of the less sympathetic characters, and if it turns out your favorite continuing snide commentator is Dolly Longstreet, just pour yourself a sherry, adjust your monocle and sit back to wait for the third and final series. And thank goodness Penelope Keith lost all that weight.

This series, though certainly low budget by today's standards, is absolutely one of the most superbly constructed pieces of classic Brit cinema available on DVD. It will take it's place in my collection along side more contemporary versions of it's cousins "Pride and Prejudice" and "Sense and Sensibility" to be more "savored" than "watched".

As far as special features, there are few. . .Okay, there's ONE. You can chapter search - Though the huge guidebook included with the set make up for not having "behind the scenes" and the like. And you can read it WHILE the series is playing! A true boon to those of us that tend to have less short term than long term memories.

The series is comprised of all of the things that you want from classic Brit television- Drama, romance, intrigue. . . Well, a little less intrigue than maybe would have been nice, but still the shows will keep you spellbound from the first opening sequence! This in conjunction with it's humor (not quite "To the Manor Born", but still very witty) make this a series you'll keep pulling out on family-movie nights for years to come! Sure, there's less chance of that happening if you are blessed with all boys, but those of you that are bringing up little girls can look forward to many viewings of this classic!!

I strongly recommend this series!

It was cruel of Acorn Media to make us wait so many months between our viewing of episodes 1-8 and the now available middle third of the complete series, episodes 9-17. I resisted the temptation to view the first set again to re-establish in my mind the myriad relationships between the host of characters, but I thought it would all come back again--which it did, especially with the help of the invaluable booklet provided with the first set.

If anything, these middle episodes are even more fascinating (though by a slim margin) than the earlier ones. Plantagenet (Philip Latham) is much more serious and his confrontation with his rebellious older son is a telling one. His lady (Susan Hampshire) is more mature, certainly more nearsighted, but still bubbly and fun to watch, especially as she tries to manipulate Phineas Finn (Donal McCann) into a cabinet post and her rustic female relation (Jo Kendall) into a marriage.

There is a wealth of comic characters besides the plain-speaking Ms. Kendall. Derek Jacobi is perfect as Lord Fawn with ridiculous side-burns and a total incapacity for winning a wife. Sarah Badell is a knockout as Lizzie Eustace who is determined to keep "The Eustace Diamonds" in her own possession even though it means lying about one burglary only to bring about another. The slimy man of the cloth she marries, the Reverend Emilius (Anthony Ainely), is your typical hypocritical villain of the period; but the delightful Terence Alexander portrays a much more honest villain as Lord George.

Even the old and dying Duke of Omnium (Roland Culver) has a little fun with his pretty blonde nurse; and one of his dying wishes is that someone do something about the foxes in the woods, because he knows his heir, Plantagenet, will think only of finances and politics.

On the serious side, we have the religious fanatic Robert Kennedy (Derek Godfrey) who believes that happiness is possible only in Heaven and makes a hell on earth for his wife (Anna Massey). And we have the socially unacceptable but politically useful Mr. Bonteen (Peter Sallis) whose hatred of Finn leads to.... Well, never mind. Better see what happens for yourself. Trollope never quite mastered the well-wrought novel, but he did create two entire worlds of very believable people in his Barchester and in the Palliser novels. He had to fill up three volumes (the lending libraries insisted on this to increase their profits) and also had to consider serializing his works first. So there are many plot lines to follow, most of which intermix either dramatically or thematically. And need it be mentioned that the production values, though relatively low budget, and the acting are a joy to behold?

Unhappily this set ends with a real cliffhanger and it will be a long wait until "late this year," which is when Acorn Media promises the next and final set.