Belakovskaia, Anjelina Movie Reviews


Pretty Pictures, Creative Stunts, So-So Script
Angelina In Action!
Pure Fun

Pretty Pictures, Creative Stunts, So-So Script"The Cradle of Life" is the second movie based on the video game "Lara Croft Tomb Raider". I don't think the writing is as good as the first film, but there are some fairly creative and entertaining action sequences. Angelina Jolie is, once again, the perfect Lara Croft. She looks the part. She projects a larger-than-life presence onscreen. Croft is charismatic, mischievous, tireless and shares with Jolie a certain joie de vivre that makes her captivating even in the midst of the occasional really silly scene. "The Cradle of Life" gives us some spectacular views of exotic locales under the Mediterranean Sea, in China, and in Africa. I found the adventures in China to be the most visually interesting, as well as being where the most creative new stunts are employed. The last third of the film goes downhill. Once it reaches Africa, the film employs too many clichés and way too much CGI. It loses all basis in reality and any sense of excitement with it. "The Cradle of Life" isn't a bad film. As long as you treat it like most action films and don't insist that it make much sense, the first two thirds of the film are enjoyable on an eye-candy level. This time the filmmakers have included some eye candy for the ladies in the audience, as well, in the form of actor Gerard Butler. Terry Sheridan is a sexy and irreverent bad boy -and not too hard on the eyes.
The DVD: This is a nice fully-loaded disc. The audio commentary by director Jan de Bont is good. It can be turned on using the menu, but it can't be turned off that way. To turn it off, press "audio" on your remote. There is a series of five short "making of" documentaries called "featurettes" that discuss the film's training, vehicles and weapons, stunts, visual effects, and scoring. Other bonus features include a DVD-ROM of the film's website (Windows only), deleted scenes, actor Gerard Butler's screen test, and 2 music videos. I recommend the Featurette documentaries and, if you still haven't had enough, Jan de Bont's audio commentary. If you only have time to watch one extra, I recommend the "Stunts" featurette.
Angelina In Action!
Pure Fun

Are you kidding me? This was LAME!!!I don't know what it is about the quality of horror in the early 90s...but this is a good example of how it can go terribly wrong. If this film had been made in 1981 or 1971..or heck, even 1961 it could have had a good kitch factor...instead it's an overly stylized attempt at what a good 80's Slasher actually is.
The one star rating is for the casting of Lisa Kudrow (I think she's super cute as a brunette!)...and Comedian Kathy Griffin as a Lesbian Co-Mother-To-Be!!
The remainder of the movie gets a BIG ZERO!!!
Having a baby can be a screamAfter a forboding prologue where a pregnant woman is made to suffer because she drips blood onto her kitchen floor as she eats raw meat, we meet Brooke Adams who has been referred to the in-vitro centre where James Karen is a specialist. Of course, any doctor played by James Karen is automatically suspicious, and soon Adams becomes paranoid about the child she is carrying. Dominic has the sense to make Adams not the only pregnant woman, and also gives her access to a couple who have a child from the prodecure, which allows for her to have alternate opinions, though the points scored off the lesbian couple seem mean, though Adams' husband is conveniently out of town when things start going wrong. Luckily Flender delivers the best scene in the film for the climax, when Adams follows the sound of a baby crying and supplies a shock payoff. However after this highpoint, we plummet.
We get a grossout mage of the fetus moving a digit in the same shape as Adams' drawing, a laugh from the use of a Baby on Board sign, the low gag of a saccharine TV presenter turning shrewish off-camera, and the most disappointing setpiece when Brooks is being interviewed live and has an hysterical turn - for this Flender goes camp with the crew screaming for a re-run. The prologue deprives us of a shock, but later we get a second one even if in a ludicrous context involving a baby POV and the father's reaction. There is also an early gratuitous and long sex scene, a low impact Alien-like set, and the ending is too obviously left open for the sequel.
Adams' cracked beauty and individual voice add something to her role, and when she cries amongst stuffed baby toys she manages to convey a moment of pathos, even if she isn't as skilled, lyrical or vulnerable as a Mia Farrow. Also note this is another early role for Lisa Kudrow in her long black hair period.
scared the plasma out of me

Stories Good but Format Annoying
No menu makes this impossible to navigateBasically, we have to skip each chapter until we get to the last chapter in an episode (the DVD won't let you skip the last chapter), wait for the episode to end, and then do the same process for each of the remaining episodes until you reach the live action.
It seems like the makers of the DVD just recorded the VHS version onto disc and left it at that.
The whole family loves AngelinaBallerina Rag Doll - Angelina faces maturity as she gives up her baby things to help others. But Angelina might not be ready to part with them all. Or is she?
Angelina's Surprise - Angelina is jealous of the attention being given the Twins and their new sibling. Angelina tells a lie that snowballs out of control until she admits her mistake.
Arthur the Butterfly - Angelina finds a beautiful injured butterfly while on a picnic. Angelina has a hard time letting it go once it is healed but learns her lesson when she becomes trapped.
Alice's Present - Alice gives Angelina a new gym bag that through a mix-up winds up donated to charity. Alice thinks Angelina did not like the gift and a friendship might come to an end.
We love the stories, the music and the voice characterizations. A fun video for young girls, and some boys, with lessons for everyone.


Idea without opinion
Passafist Reviews Series 7: The ContendersWe've been inundated with reality programming for a few years now. The novelty has worn off. You can see producers scraping the barrel for some new ideas. So, I can imagine a show like SERIES 7: THE CONTENDERS, being pitched by a bunch of young up and coming producers and that's what scares me.
Picture this every human being is given a number. There is a lottery and those who win have to be on the hottest reality television show THE CONTENDERS. The premises of said show: kill the other contenders. If you're the only survivor you must come back for the next season. As our film opens seven seasons have passed, and five new contenders are chosen.
The contender who survived season six is Dawn Lagarto (Brooke Smith, Vanya of 42 Street- Who coincidentally shares a close resemblance to SURVIVOR 1's SUSAN HAWK) a women who is eight months pregnant and while has a rough exterior has a heart of gold. The other contenders are Connie (Marylouise Burke, Meet Joe Black) the catholic nurse with sociopathic tendencies. Jeffery (Glenn Fitzgerald, Buffalo Soldiers), the testicular cancer victims who just may be gay, or maybe he's in love with Dawn. Tony, (Michael Kaycheck, Requiem for a Dream) an unemployed oaf who has a family on the edge of deterioration. Franklin (Richard Venture, Courage under Fire), a strange old man whom has conspiracy theories on the brain. Then there is Lindsey (Merritt Wever, Signs) the high school flirt with doting parents (her mother is played beautifully by Ex-Mrs. Rudy Gulianni, Donna Hanover).
Director Daniel Minahan (TV's Six Feet Under) crafts a fascinating tale with a great gimmick. The entire movie is told as the entire seventh season of THE CONTENDERS. What I like about this gimmick is it allows Minahan to be a character himself. He is the puppet moving these characters around. Also helping with the story is typical TV style narration nicely delivered by Will Arnett (Southie). These elements help create a briskly told, interesting character study of why we as people enjoy watching reality shows.
Brooke Smith is really good as Dawn. What I especially liked about her was that she had this rough exterior but in the small moments she shows genuine concern about what was going on. This film is really her story, and she plays it straight. Every time the camera is on her she's in true form. True to herself and true to those around her. In fact many of the scenes without her fall flat or are over the top silly.
The same can be said of Glenn Fitzgerald role as Jeffery. He and Smith transcend the material making it their own. Minahan was smart to follow them. Jeffrey's story is really sad and there is this certain amount of pain and anguish in him and Fitzgerald gives him the right amount of sympathy and humor. I love Jeffery's still life photography. It's brilliant!.
That's why I wished the other actors had paid more attention to there roles. None of them is very confident with their characters. There is a tongue and cheek quality to them, so a lot of the satire falls flat. Some of that is the screenplay's fault. It barely develops the character of Franklin who fills the screen for no more than five or six minutes. Lindsey is always upstaged by her parents. Which is funny to a point. But why this film works in some places and not in others is because the moment the film becomes self aware of it's comedy, we as an audience are pulled out of it.
I also think the movie goes a little bit longer than it should. There are certain moments that just dragged on. I will admit that I stopped the film in places and picked it up later. But with a film like this you can do that. Because when the film is on, it's dead on and when it drags you can forgive it. It's also told episodically so it allows you that freedom.
So in the end, did I like SERIES 7:THE CONTENDERS? Yes, very much. It is a biting satire that only gets better years. Why? Because as television reality programming pushes the line more and more a program like THE CONTENDERS is closer to being a reality
How Reality TV should be!!!Series 7 is one of the best movies I have seen in a while. It is amazing the way Daniel Minahan was able to capture the authenticity of the reality show. Series 7 is by far the most exciting and funny reality show that I have ever seen. While the object of the game is somewhat disturbing, all of the actors manage to play with intelligence and use methods that are very funny. Perhaps the film's best feature is that Minahan manages to create lifestyles for the characters. We get to see what they have to leave behind. It is impossible to pick a favorite out of the Contenders, because they all do an outstanding job. Even though they are all different, they all manage to do things that will shock you, and make you laugh. Their true natures come out! The rest of the film's actors also do an outstanding job, and really help add to the tension and suspense of the other players. Also, the film's ending is one of the funniest and most shocking endings that I have ever seen!
Series 7 is what reality TV is supposed to be all about. It is shocking, disturbing, and down right hillarious. All of the actors do an outstanding job, and really help to make the film believeable. It is also very suspenseful and you will be glued to the screen for the entire film!!! The DVD is a nice pickup. There are deleted scenes, a featurette, and much more. This is definately a must own! HIGHLY HIGHLY RECOMMENDED!!!


Truly awful
Zero Boys = Classic B Horror
Nice to see a new DVD release of this low budget classic.

Truly awful
Zero Boys = Classic B Horror
Nice to see a new DVD release of this low budget classic.

not too bad
Mmm... Delightful. Like great chocolate!
Talk about an opening. The first few minutes of John Carpenter's Vampires--in which James Woods's vampire killer leads a dawn raid on a New Mexico "goon nest" of bloodsuckers--not only suggests a horror movie that will not pull any punches, it even evokes some of the more disturbing dream-memories of American Westerns. Muscular and uncompromised, the sequence suggests a new Carpenter classic unraveling before one's eyes. Well, dream on. Things don't quite work out that way, but this is still a film to reckon with. There are a few serious (and surprising) misjudgments on the director's part, particularly a mishandling of Sheryl Lee's role as a prostitute poisoned by the bite of a "master vampire" (who pretty much wiped out Woods's team of goon terminators). But aside from some weaknesses, the action is jolting, the suggested complicity of the Catholic Church in destroying monsters is provocative, and the traces of Howard Hawks's continuing influence on Carpenter's storytelling are in evidence. --Tom Keogh
Mary Shelley's Frankenstein
Let's be honest: this should be titled Wretched Excess' Frankenstein. Swooping, wild, bloody, and energetic, this is bad moviemaking from the best, which makes it all the more lovable. Kenneth Branagh plays Victor Frankenstein, a man so obsessed with conquering death that he decides to create life. What he gets, after a protoplasmic mud wrestle, is a Mean Streets monster (Robert De Niro) that isn't particularly happy to be back from the dead or thrilled about all the stitches. Helena Bonham Carter may, at several points in this film, actually be channeling Ramtha. The supporting cast couldn't be peopled with better performers (Tom Hulce, John Cleese, Ian Holm) but they all look like they're ringside at some Ultimate Fighting competition. A must for any midnight movie collector for the shock factor alone. A hoot. --Keith Simanton

Boring
I've Read Mary Shelly's Frankenstein

a good old fun Liotta flick, predictable but great
Decent Guy FlickThe story is intriguing and handled well. It is somewhat predictable, but there are a few interesting plot twists, a good deal of violence, and plenty of car chases and action sequences. The ending was rather unfulfilling but not terrible.
The film was written and directed by Harley Cokliss, whose prior experience includes mostly TV credits. Cokliss' direction was straightforward and unremarkable, much like the desert he was shooting. The acting of the three leads was good, particularly Liotta, who has some excellent performances on his resume (Copland, Goodfellas). He has a knack for making the bad guy seem likeable, and that was the case again here.
Gloria Reuben also gave a good performance as Vicky, though it was a pretty minor role. Armin Mueller-Stahl is always strong in supporting roles and he was particularly good here as the heavy.
I rated this film a 6/10. Good acting, engaging story and adequate direction. Add one or two points if you like guy flicks.
tense mysterie thriller
"The Cradle of Life" is the second movie based on the video game "Lara Croft Tomb Raider". I don't think the writing is as good as the first film, but there are some fairly creative and entertaining action sequences. Angelina Jolie is, once again, the perfect Lara Croft. She looks the part. She projects a larger-than-life presence onscreen. Croft is charismatic, mischievous, tireless and shares with Jolie a certain joie de vivre that makes her captivating even in the midst of the occasional really silly scene. "The Cradle of Life" gives us some spectacular views of exotic locales under the Mediterranean Sea, in China, and in Africa. I found the adventures in China to be the most visually interesting, as well as being where the most creative new stunts are employed. The last third of the film goes downhill. Once it reaches Africa, the film employs too many clichés and way too much CGI. It loses all basis in reality and any sense of excitement with it. "The Cradle of Life" isn't a bad film. As long as you treat it like most action films and don't insist that it make much sense, the first two thirds of the film are enjoyable on an eye-candy level. This time the filmmakers have included some eye candy for the ladies in the audience, as well, in the form of actor Gerard Butler. Terry Sheridan is a sexy and irreverent bad boy -and not too hard on the eyes.
The DVD: This is a nice fully-loaded disc. The audio commentary by director Jan de Bont is good. It can be turned on using the menu, but it can't be turned off that way. To turn it off, press "audio" on your remote. There is a series of five short "making of" documentaries called "featurettes" that discuss the film's training, vehicles and weapons, stunts, visual effects, and scoring. Other bonus features include a DVD-ROM of the film's website (Windows only), deleted scenes, actor Gerard Butler's screen test, and 2 music videos. I recommend the Featurette documentaries and, if you still haven't had enough, Jan de Bont's audio commentary. If you only have time to watch one extra, I recommend the "Stunts" featurette.