Belakovskaia, Anjelina Movie Reviews


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Family movie reviews for "Belakovskaia, Anjelina" sorted by average review score:

Casa de Los Babys
Released in Theatrical Release by ()
MPAA Rating: R (Restricted)
Director: John Sayles
Starring: Daryl Hannah, Lili Taylor, Maggie Gyllenhaal, Marcia Gay Harden, Mary Steenburgen, and Susan Lynch
Average review score:

Casa de Los Babys
I found this movie to be very touching and real. It isn't John Sayles best movie, but we've come to expect something totally stunning from him every time. It is however very much worth seeing. It gives a very gritty feeling of being in Mexico waiting to adopt a baby. The women who play the main characters do great acting. They play a cross section of very genuine personality types. No plot, just the drama of daily life in an emotionally volatile situation. Brings up all sides of the issue of adopting babies in foreign countries, including a very moving portrayal of the life of homeless street children.


Fires Within
Released in DVD by Mgm/Ua Studios (26 December, 2001)
MPAA Rating: R (Restricted)
Director: Gillian Armstrong
Average review score:

Changing places
I bought this video only because Vincent D'Onofrio is in it. I had previously purchased The Whole Wide World which is an amazingly wonderful,mostly unseen film of immense power and D'Onofrio's portrayal of Robert Howard in that film just blew me away. He has to be the most underrated actor in films!! He is also one of the most romantic film kissers ever!- He likes to do character roles and is superb in them as well but I wanted to see him in another romantic film and Fires Within looked interesting. He plays the lover, not the husband, and is so sexy and natural that Jimmy Smits pales by comparison. The ending is unbelievable and nearly spoils the movie for me, but I will probably see it over many times just because of D'Onofrio's performance.

However, see this movie! You won't be sorry. And don't miss The Whole Wide World. It is in my all-time top ten dramas. First,probably.


Original Sin (R Rated Version)
Released in DVD by M G M, Inc (30 July, 2002)
MPAA Rating: Unrated
Director: Michael Cristofer
Starring: Antonio Banderas and Angelina Jolie
Original Sin belongs in the "so bad it's good" category of languid potboilers, offering enough nudity, sexual chemistry, and far-fetched plotting to make it an enjoyable lazy-day diversion. Based on Cornell Woolrich's novel Waltz into Darkness (previous filmed by François Truffaut as Mississippi Mermaid) and set in turn-of-the-century Cuba, the film traces a tailspin of amorous obsession when coffee plantation owner Luis (Antonio Banderas) discovers that his American mail-order bride (Angelina Jolie) is not the plain wife he'd expected, but a beautiful, scheming thief who's after his fortune. The movie asserts that love is truly blind, but absurd twists of plot make Luis appear more stupid than passionate. Writer-director Michael Cristofer fared better with Jolie in Gia; here, he's made another good-looking film about beautiful people, but its plot just can't be taken seriously. --Jeff Shannon
Average review score:

Love at any cost
How far would you go for love and how much would you sacrifice? These are the central points in this story. The film is a period piece, set in 19th century Cuba. A time when men were chivalrous and women were, well, powerless...or so we would think. Luis Vargas (Banderas) is a wealthy coffee merchant who sends away for a wife. All he knows of his wife to be, is from her letters. When he finally meets her, he is shocked and then mesmerized by Julia's (Jolie) beauty and her apparent sexuality. They are wed on the day they meet and Luis's life, as he knows it, is never the same again.

This film could have easily turned into a cheap melodrama, were it not for the skill and smoldering sex appeal of Banderas and Jolie. While the viewer must suspend some disbelief as the plot twists and turns (especially at the end), and while parts of the movie are predictable, the story somehow still remains intriguing and viable.

This film is visually pleasing and the musical score is simply beautiful. Unfortunately, the DVD leaves a bit to be desired. The special features menu includes only choices between different languages.

In any case, this is simply a fantasy love story, nothing more, nothing less.

Excellent story and twists
Surprisingly good movie. I was taken in and invested completely in what was going to happen. Good performances--esp from Antonio--who I typically don't feel is very talented.

Sinful indeed
Angeline Jolie stars as a woman posing as a rich tychoon's mail order bride. However, she really does fall in love with him. Angeline Jolie's couple scenes steam up the screen with her hot body.


Original Sin (Unrated Version)
Released in DVD by M G M, Inc (30 July, 2002)
MPAA Rating: NR (Not Rated)
Director: Michael Cristofer
Starring: Antonio Banderas and Angelina Jolie
Original Sin belongs in the "so bad it's good" category of languid potboilers, offering enough nudity, sexual chemistry, and far-fetched plotting to make it an enjoyable lazy-day diversion. Based on Cornell Woolrich's novel Waltz into Darkness (previous filmed by François Truffaut as Mississippi Mermaid) and set in turn-of-the-century Cuba, the film traces a tailspin of amorous obsession when coffee plantation owner Luis (Antonio Banderas) discovers that his American mail-order bride (Angelina Jolie) is not the plain wife he'd expected, but a beautiful, scheming thief who's after his fortune. The movie asserts that love is truly blind, but absurd twists of plot make Luis appear more stupid than passionate. Writer-director Michael Cristofer fared better with Jolie in Gia; here, he's made another good-looking film about beautiful people, but its plot just can't be taken seriously. --Jeff Shannon
Average review score:

Love at any cost
How far would you go for love and how much would you sacrifice? These are the central points in this story. The film is a period piece, set in 19th century Cuba. A time when men were chivalrous and women were, well, powerless...or so we would think. Luis Vargas (Banderas) is a wealthy coffee merchant who sends away for a wife. All he knows of his wife to be, is from her letters. When he finally meets her, he is shocked and then mesmerized by Julia's (Jolie) beauty and her apparent sexuality. They are wed on the day they meet and Luis's life, as he knows it, is never the same again.

This film could have easily turned into a cheap melodrama, were it not for the skill and smoldering sex appeal of Banderas and Jolie. While the viewer must suspend some disbelief as the plot twists and turns (especially at the end), and while parts of the movie are predictable, the story somehow still remains intriguing and viable.

This film is visually pleasing and the musical score is simply beautiful. Unfortunately, the DVD leaves a bit to be desired. The special features menu includes only choices between different languages.

In any case, this is simply a fantasy love story, nothing more, nothing less.

Excellent story and twists
Surprisingly good movie. I was taken in and invested completely in what was going to happen. Good performances--esp from Antonio--who I typically don't feel is very talented.

Sinful indeed
Angeline Jolie stars as a woman posing as a rich tychoon's mail order bride. However, she really does fall in love with him. Angeline Jolie's couple scenes steam up the screen with her hot body.


Lara Croft Tomb Raider - The Cradle of Life
Released in Theatrical Release by (25 July, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Jan de Bont
Starring: Angelina Jolie, Gerard Butler, and Chris Barrie
Lara Croft: Tomb Raider, The Cradle of Life is certainly better than its 2001 predecessor, but its appeal is mostly aimed at fans of the video games that inspired both movies. That pretty much leaves you with some fun but familiar action sequences, and the ever-alluring sight of Angelina Jolie (reprising her title role) as she swims, swings, kicks, shoots, flies, jet-skis, motorcycles, and free-falls her way toward saving the world, this time by making sure that a grimacing villain (Ciarán Hinds) doesn't open Pandora's Box (yes, the actual mythological object) and unleash a deadly plague that will "weed out" the global population. Exotic locations add to Jolie's own coolly erotic appeal, but we're left wondering if this franchise has anywhere else to go. --Jeff Shannon
Average review score:

Pretty Pictures, Creative Stunts, So-So Script
Adventuress/archeologist Lara Croft (Angelina Jolie) is the first to find the mythical Luna Temple where, according to the film's legend, Alexander the Great kept his greatest treasures which were all lost when a volcanic eruption buried the Temple beneath the sea. The most unusual item in the collection is a glowing golden orb upon which is inscribed directions to the Cradle of Life, rumored to be the birthplace of life on Earth and the resting place of Pandora's Box. Pandora's Box holds the antithesis of life: a lethal plague which could destroy life on Earth if unleashed. Shortly after Lara finds the orb, it is stolen by a Chinese Crime syndicate that intends to sell the orb to Jonathan Reiss (Ciaran Hinds), an international kingpin who makes biological weapons for profit. Alarmed that Pandora's Box could fall into such villainous hands, the British government seeks Lara's help in retrieving the orb and preventing Rice from finding the Cradle of Life. Lara enlists the help of her former lover and convicted traitor, Terry Sheridan (Gerard Butler) in tracking down the mysterious orb and the Box to which it holds the key.

"The Cradle of Life" is the second movie based on the video game "Lara Croft Tomb Raider". I don't think the writing is as good as the first film, but there are some fairly creative and entertaining action sequences. Angelina Jolie is, once again, the perfect Lara Croft. She looks the part. She projects a larger-than-life presence onscreen. Croft is charismatic, mischievous, tireless and shares with Jolie a certain joie de vivre that makes her captivating even in the midst of the occasional really silly scene. "The Cradle of Life" gives us some spectacular views of exotic locales under the Mediterranean Sea, in China, and in Africa. I found the adventures in China to be the most visually interesting, as well as being where the most creative new stunts are employed. The last third of the film goes downhill. Once it reaches Africa, the film employs too many clichés and way too much CGI. It loses all basis in reality and any sense of excitement with it. "The Cradle of Life" isn't a bad film. As long as you treat it like most action films and don't insist that it make much sense, the first two thirds of the film are enjoyable on an eye-candy level. This time the filmmakers have included some eye candy for the ladies in the audience, as well, in the form of actor Gerard Butler. Terry Sheridan is a sexy and irreverent bad boy -and not too hard on the eyes.

The DVD: This is a nice fully-loaded disc. The audio commentary by director Jan de Bont is good. It can be turned on using the menu, but it can't be turned off that way. To turn it off, press "audio" on your remote. There is a series of five short "making of" documentaries called "featurettes" that discuss the film's training, vehicles and weapons, stunts, visual effects, and scoring. Other bonus features include a DVD-ROM of the film's website (Windows only), deleted scenes, actor Gerard Butler's screen test, and 2 music videos. I recommend the Featurette documentaries and, if you still haven't had enough, Jan de Bont's audio commentary. If you only have time to watch one extra, I recommend the "Stunts" featurette.

Angelina In Action!
Lara Croft as played by Angelina Jolie is a female cross between James Bond and Indiana Jones. Angelina joins the ranks of Harrison Ford, Bruce Lee etc. as a natural action hero. Angelina makes it worthwile. This is her calling.

Pure Fun
I know many people don't like this movie but I think everybody can agree that the character of Lara Croft and Angelina Jolie go together perfectly. She is a joy to watch on screen. She can do comedy, drama, romance, but action really suits her. I really don't understand what people don't like about the Tomb Raider movies. They're not meant to have believable storylines. They're not meant to have Oscar worthy performances. They just meant to entertain. Watching Lara jump off a building, explore an under water temple, and run for her life from tree monsters is my idea of a fun movie! I wish there would be many more Tomb Raider movies but I very much doubt that will happen.


Gone in 60 Seconds
Released in DVD by Touchstone Video (13 August, 2002)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Dominic Sena
Starring: Nicolas Cage and Angelina Jolie
Kip Raines (Giovanni Ribisi) is a cocky young car thief working with a crew to steal 50 cars for a very bad man whose nickname is "The Carpenter." Being young and cocky, Kip messes up, so it's up to his big brother, Randall "Memphis" Raines (Nicolas Cage), to come out of car thief retirement and save him. With a cast that includes Robert Duvall, Angelina Jolie, Delroy Lindo, Cage, and Ribisi, it would be easy to say this story wastes all their talents--which it does, but that's not the point. This is a Jerry Bruckheimer film. A good story and complex characters would only get in the way of the action scenes and slow the movie down. No, Gone in 60 Seconds (based on the cult 1974 film of the same name) is not about the stars as much as it's about cars. Fast cars. Rare cars. Wrecked cars. All cars. Too bad director Dominic Sena (Kalifornia) doesn't come across as more of a gearhead; he seems less interested in fast cars than fast cuts. But is this movie fun? Absolutely, and it's fun because it's so stupid. With pointless car chases and hackneyed dialogue in one of the most predictable plots of the year, Gone in 60 Seconds is a comic film that's not quite a parody of itself, but darn close. --Andy Spletzer
Average review score:

Nicolas Cage Academy Award Winner
No matter how many movies i see him , i can only think of him as the "Don Knotts of the 90's". There appears to be no end to what an Academy Award Winner can do.
the movie is boring. attempts to tease, but never really does anything. i kept thinking i should just get bullit out and watch that again, much better movie and chase scene.

Fun Movie to Jack Cars to
This is a fun movie to watch. I don't really like Mr. Cage very much but he does do a good job here. What isn't fun about watching a bunch of people steal a bunch of sweet as cars in one night? And the chase with Cage in the last car is awesome! The jump! WooWEE!!!! A fun movie to watch with some peeps or by yo self homes.

Way better than either fast and furios movies.

Where's the Oscar???????
This is the great story of a car thief played by the always entertaining Nic Cage. He has to steal 60 cars in 60 seconds and somehow manages to pull it off. The best part is the commentary where the no talent Nic goes into great depth about the fact that his uncle is Francis Ford Coppola and that he has no talent. I guess we'll never know how he got his break in Hollywood. Probably because of that whole Lisa Marie Presley fiasco.


John Carpenter's Vampires (Superbit Collection)
Released in DVD by Columbia Tristar Hom (05 August, 2003)
MPAA Rating: R (Restricted)
Director: John Carpenter
Starring: James Woods and Daniel Baldwin
Talk about an opening. The first few minutes of John Carpenter's Vampires--in which James Woods's vampire killer leads a dawn raid on a New Mexico "goon nest" of bloodsuckers--not only suggests a horror movie that will not pull any punches, it even evokes some of the more disturbing dream-memories of American Westerns. Muscular and uncompromised, the sequence suggests a new Carpenter classic unraveling before one's eyes. Well, dream on. Things don't quite work out that way, but this is still a film to reckon with. There are a few serious (and surprising) misjudgments on the director's part, particularly a mishandling of Sheryl Lee's role as a prostitute poisoned by the bite of a "master vampire" (who pretty much wiped out Woods's team of goon terminators). But aside from some weaknesses, the action is jolting, the suggested complicity of the Catholic Church in destroying monsters is provocative, and the traces of Howard Hawks's continuing influence on Carpenter's storytelling are in evidence. --Tom Keogh
Average review score:

Not my thing
I guess I'm really romantically corny about my vampires. This is no Anne Rice. If you want a good flick, check out Bram Stoker's Dracula with Gary Oldman, Anthony Hopkins. Watch Interview with the Vampire. I imagine this movie has it's fans, but it's gross voilence geared to a differnt horror audience than I. I am pretty sure my husband liked it, so maybe this is a guy thing !

Compelling film from Carpenter.
This film starts off wonderfully. Great music, great cinematography, and some good dialogue lead the viewer to believe it'll be a great film. The film's plot suffers, however, when it's revealed that James Woods' character is an a**hole. That really soured the whole film.

Rental only.

the coolest vampire movie ever
this vampire movie was the greatest even compared to the dracula series.Valic was so cool [not to mention sexy].Ithink that the people who made this movie would bring him back[you know like dracula].Valic was the only guy/vampire that I really liked in this movie............


Vampires
Released in DVD by Columbia/Tristar Studios (07 October, 2003)
MPAA Rating: R (Restricted)
Director: John Carpenter
Starring: James Woods and Daniel Baldwin
Talk about an opening. The first few minutes of John Carpenter's Vampires--in which James Woods's vampire killer leads a dawn raid on a New Mexico "goon nest" of bloodsuckers--not only suggests a horror movie that will not pull any punches, it even evokes some of the more disturbing dream-memories of American Westerns. Muscular and uncompromised, the sequence suggests a new Carpenter classic unraveling before one's eyes. Well, dream on. Things don't quite work out that way, but this is still a film to reckon with. There are a few serious (and surprising) misjudgments on the director's part, particularly a mishandling of Sheryl Lee's role as a prostitute poisoned by the bite of a "master vampire" (who pretty much wiped out Woods's team of goon terminators). But aside from some weaknesses, the action is jolting, the suggested complicity of the Catholic Church in destroying monsters is provocative, and the traces of Howard Hawks's continuing influence on Carpenter's storytelling are in evidence. --Tom Keogh
Average review score:

Not my thing
I guess I'm really romantically corny about my vampires. This is no Anne Rice. If you want a good flick, check out Bram Stoker's Dracula with Gary Oldman, Anthony Hopkins. Watch Interview with the Vampire. I imagine this movie has it's fans, but it's gross voilence geared to a differnt horror audience than I. I am pretty sure my husband liked it, so maybe this is a guy thing !

Compelling film from Carpenter.
This film starts off wonderfully. Great music, great cinematography, and some good dialogue lead the viewer to believe it'll be a great film. The film's plot suffers, however, when it's revealed that James Woods' character is an a**hole. That really soured the whole film.

Rental only.

the coolest vampire movie ever
this vampire movie was the greatest even compared to the dracula series.Valic was so cool [not to mention sexy].Ithink that the people who made this movie would bring him back[you know like dracula].Valic was the only guy/vampire that I really liked in this movie............


Lara Croft - Tomb Raider
Released in DVD by Paramount Home Video (13 November, 2001)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Simon West
Starring: Angelina Jolie
Like the video game series it's based on, Tomb Raider is best enjoyed for its physical strategies, since even casual scrutiny of story details will induce a headache. It's more concerned with puzzles than plot, populated with characters that don't have personalities so much as attitudes. It's silly and somber at the same time, but as a franchise vehicle for Angelina Jolie in the title role of relic hunter Lara Croft, this is packaged entertainment at its most agreeable, ambitious in scope and scale, and filled with the kind of globetrotting adventure that could make Jolie the best thing that's happened to action movies since Indiana Jones. Could being the operative word here, because Tomb Raider can't match any of Steven Spielberg's celebrated joyrides, but the ingredients are there for an exquisitely cinematic meal.

Perhaps to distance himself from Lara Croft's video game origins, director Simon West takes things a bit too seriously; Tomb Raider handles its plot (involving a planetary alignment, the nefarious Illuminati, and coveted relics that hold the key to controlling the flow of time) with all the gravity of a championship chess match... minus the tension. If the movie had lightened up and been truly suspenseful (instead of being suffused with been-there, done-that familiarity), it would have been an instant popcorn classic. As it is, however, this is an elegantly mounted adventure featuring exotic locations (in Cambodia and Iceland) and an exotic star born for her role. Even without her padded bra, Jolie would be the living embodiment of Lara Croft, and that's enough to bode well for inevitable sequels. --Jeff Shannon

Average review score:

stinks rotten fish
boy, oh, boy they really blew the hell outta this franchise and they shouldnt of made this movie at all. Angelina is really annoying in this part, its antiedupped by the butler who is played by Red Dwarf's Chris Barrie who portrays Rimmer on the show, he is the only thing likable in this fishy smelling film. the action scenes are a yawn and the ending with that globe thing is just a total waste of my time. its dead in the water for me

Worst summer blockbuster ever? For me, at least.
Lara Croft: Tomb Raider is an amalgamation of everything it is I hate about summer movies. It's lifeless, soulless, crafted without the slightest care towards genuine enjoyment, and serves as nothing more than a springboard for a charisma-free star. I'm still flabbergasted over the irony that the inspiration for the existence of this movie was Indiana Jones, the trilogy that represents the summer blockbuster at its very best.

Tomb Raider boasts something of a plot, but actually deciphering it is a puzzle. Lara Croft (Angelina Jolie) is apparently some sort of rich archaeologist, and her latest personal mission is to search for two artifacts that, if placed together, can somehow enable the user to control time. Naturally, there are going to be a lot of villains who seek the same device.

General incomprehensibility of the plot aside, the aspect that makes Tomb Raider the turd that it is is Lara Croft, both in the way this character is written and through Jolie's portrayal. Here is a heroine who thinks she's just uber-cool, riding motorcycles, wearing slick shades, acting cocky and arrogant, to the point of pure abrasiveness. This is not to mention that she's also able to accomplish physically implausible to impossible stunts, and is also apparently invincible in combat, and almost impervious to pain.

What kind of a heroine is this? It's hard enough to like someone who spends most of her time trying to act superior to almost everyone around her (the movie does give a half-hearted attempt to show her respect for other cultures, this brief scene totally overshadowed by her "coolness"), but the filmmakers do away with even the slightest bit of suspense by making Croft apparently invulnerable to harm in all her surroundings. Part of what made Indiana Jones so charming were his numerous flaws: he was afraid of snakes, often got captured by the villains, and was vulnerable in combat (he got beat up a LOT). This is in stark contrast with Croft, who's really nothing more than a superhero without the villain to match her.

Some of this could be forgiveable if the movie were in any way fun or exciting, but it's not. The action sequences are few in number, and what little there are are rapid-cut and packed with one impossible stunt too many. The movie's adventure holds no ebb and flow, Croft simply gets from one location to another in a second of screen time.

It's not impossible to make an enjoyable Indiana Jones knock-off. Stephen Sommers' The Mummy accomplished the task with exuberance and childish glee. But Simon West merely gave us little more than a case of eyestrain.
1/2 out of *****

A little farfetched...
So people actually think that a cult group called the Illuminate are going to try and take over the world...? Hmm...no...not with Lara Croft (Angelina Jolie)and her blazing guns.

I'm the starting she is in what seems to be a tomb and looking at an object...hmm, looks too small to be an object of interest. CRASH! The wall beside her explodes and a huge robot attacks her. Hmm again. A few acrobatic stunts and she starts to shoot the robot. And it's all pretty straight forward from there. She stops the robot and then retrieves the object in question. Then that darn robot comes back again..."STOP!" she says to it and it suddenly stops...hmm. She then enters a room where Bryce her geeky guy comes into the picture. He sorrows over the robot the Hillary come in(Her Butler). Blah blah blah. Then she soon finds out that the illuminate want the triangle that her gadget, which her father left for her in an old clock, can get the pieces for her...hmm.

She is now on her way to Cambodia where the first pieces is hidden...then the illuminate steals her gadget but she has the first pieces of the triangle...and from there she ffight to stop the illuminate from taking over the world.


Lara Croft: Tomb Raider
Released in Theatrical Release by (15 June, 2001)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Simon West
Starring: Angelina Jolie
Like the video game series it's based on, Tomb Raider is best enjoyed for its physical strategies, since even casual scrutiny of story details will induce a headache. It's more concerned with puzzles than plot, populated with characters that don't have personalities so much as attitudes. It's silly and somber at the same time, but as a franchise vehicle for Angelina Jolie in the title role of relic hunter Lara Croft, this is packaged entertainment at its most agreeable, ambitious in scope and scale, and filled with the kind of globetrotting adventure that could make Jolie the best thing that's happened to action movies since Indiana Jones. Could being the operative word here, because Tomb Raider can't match any of Steven Spielberg's celebrated joyrides, but the ingredients are there for an exquisitely cinematic meal.

Perhaps to distance himself from Lara Croft's video game origins, director Simon West takes things a bit too seriously; Tomb Raider handles its plot (involving a planetary alignment, the nefarious Illuminati, and coveted relics that hold the key to controlling the flow of time) with all the gravity of a championship chess match... minus the tension. If the movie had lightened up and been truly suspenseful (instead of being suffused with been-there, done-that familiarity), it would have been an instant popcorn classic. As it is, however, this is an elegantly mounted adventure featuring exotic locations (in Cambodia and Iceland) and an exotic star born for her role. Even without her padded bra, Jolie would be the living embodiment of Lara Croft, and that's enough to bode well for inevitable sequels. --Jeff Shannon

Average review score:

stinks rotten fish
boy, oh, boy they really blew the hell outta this franchise and they shouldnt of made this movie at all. Angelina is really annoying in this part, its antiedupped by the butler who is played by Red Dwarf's Chris Barrie who portrays Rimmer on the show, he is the only thing likable in this fishy smelling film. the action scenes are a yawn and the ending with that globe thing is just a total waste of my time. its dead in the water for me

Worst summer blockbuster ever? For me, at least.
Lara Croft: Tomb Raider is an amalgamation of everything it is I hate about summer movies. It's lifeless, soulless, crafted without the slightest care towards genuine enjoyment, and serves as nothing more than a springboard for a charisma-free star. I'm still flabbergasted over the irony that the inspiration for the existence of this movie was Indiana Jones, the trilogy that represents the summer blockbuster at its very best.

Tomb Raider boasts something of a plot, but actually deciphering it is a puzzle. Lara Croft (Angelina Jolie) is apparently some sort of rich archaeologist, and her latest personal mission is to search for two artifacts that, if placed together, can somehow enable the user to control time. Naturally, there are going to be a lot of villains who seek the same device.

General incomprehensibility of the plot aside, the aspect that makes Tomb Raider the turd that it is is Lara Croft, both in the way this character is written and through Jolie's portrayal. Here is a heroine who thinks she's just uber-cool, riding motorcycles, wearing slick shades, acting cocky and arrogant, to the point of pure abrasiveness. This is not to mention that she's also able to accomplish physically implausible to impossible stunts, and is also apparently invincible in combat, and almost impervious to pain.

What kind of a heroine is this? It's hard enough to like someone who spends most of her time trying to act superior to almost everyone around her (the movie does give a half-hearted attempt to show her respect for other cultures, this brief scene totally overshadowed by her "coolness"), but the filmmakers do away with even the slightest bit of suspense by making Croft apparently invulnerable to harm in all her surroundings. Part of what made Indiana Jones so charming were his numerous flaws: he was afraid of snakes, often got captured by the villains, and was vulnerable in combat (he got beat up a LOT). This is in stark contrast with Croft, who's really nothing more than a superhero without the villain to match her.

Some of this could be forgiveable if the movie were in any way fun or exciting, but it's not. The action sequences are few in number, and what little there are are rapid-cut and packed with one impossible stunt too many. The movie's adventure holds no ebb and flow, Croft simply gets from one location to another in a second of screen time.

It's not impossible to make an enjoyable Indiana Jones knock-off. Stephen Sommers' The Mummy accomplished the task with exuberance and childish glee. But Simon West merely gave us little more than a case of eyestrain.
1/2 out of *****

A little farfetched...
So people actually think that a cult group called the Illuminate are going to try and take over the world...? Hmm...no...not with Lara Croft (Angelina Jolie)and her blazing guns.

I'm the starting she is in what seems to be a tomb and looking at an object...hmm, looks too small to be an object of interest. CRASH! The wall beside her explodes and a huge robot attacks her. Hmm again. A few acrobatic stunts and she starts to shoot the robot. And it's all pretty straight forward from there. She stops the robot and then retrieves the object in question. Then that darn robot comes back again..."STOP!" she says to it and it suddenly stops...hmm. She then enters a room where Bryce her geeky guy comes into the picture. He sorrows over the robot the Hillary come in(Her Butler). Blah blah blah. Then she soon finds out that the illuminate want the triangle that her gadget, which her father left for her in an old clock, can get the pieces for her...hmm.

She is now on her way to Cambodia where the first pieces is hidden...then the illuminate steals her gadget but she has the first pieces of the triangle...and from there she ffight to stop the illuminate from taking over the world.


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