Home Automation Movie Reviews


A Strangely Compelling and Funny Story
A.I. with real depth and acid wit!

Disney Cares Nothing For It's AudienceI have wonderful memories of watching this on TV with my parents back in the early 70's. We thought it was hilarious then, and it is still enjoyable almost 35 years later!
HOWEVER, I have not bought this or any other classic Disney movie on DVD yet, nor will I, until the Disney studio gets it right and releases them in widescreen format, and with some good extras.
Unfortunately, Disney tends to ignore the true audience for these (pre-1980) classics, and treats us as if we were all the same age as the target audience for their current movies and shows; e.g; Deleting sequences deemed 'politically incorrect' or 'offensive', no theatrical trailers or other extras, etc...
If there are any Disney execs reading this, trust me, there are plenty of older Disney fans, well over 18 years old, who want to enjoy the classic movies and TV shows we grew up with.
C'mon Disney, get with the program!
The Now Generation, Disney Style"The Computer Wore Tennis Shoes" is the first of Kurt's three forays as Dexter Riley, a mild-mannered misfit vaguely studying science at Medfield College -- essentially the same role that Tommy Kirk played in "The Misadventures of Merlin Jones" and "The Monkey's Uncle." But Tommy, recently out and outed, was obviously miserable and struggling with the role, and his co-stars hysterically overacted to keep him in line. Kurt is relaxed and confident, having fun with the role. There is still a gay subtext, but it occurs naturally in the interaction of the characters (several played by gay actors).
There is a subdued hetero love interest and a lot of pleasant buddy-bonding, but, as in most collegiate movies, the major plot dynamic is in the conflict between exuberant youth and mendacious adulthood.
5 Stars for Fun & Kurt!
Kirk reluctantly agrees to play along with a Federation test of a new supercomputer, designed by the brilliant Dr. Daystrom (William Marshall, the booming baritone stage actor most famous for Blacula) to run a starship almost single-handedly. It does its job too well, locking the human crew out of ship operations and using deadly force during the Federation war games. Spock and McCoy continue their now-legendary banter about man versus machine while Kirk muses over the obsolescence of his own command. Marshall is excellent as a former-boy-wonder genius banking his reputation on this breakthrough, treating his creation like a son. That's not too far from the truth: designed after his brain pattern, this thinking, reasoning, learning machine carries with it the insecurities and desperation of its creator. The fears of the emerging digital revolution explored in The Ultimate Computer in 1968 remain today: what is the fate of man in the face of technological efficiency? Films from 2001: A Space Odyssey and Colossus: The Forbin Project to Demon Seed and The Matrix have echoed these themes, and this Trek episode--primitive special effects, zero-budget sets, and all--stands up to them quite nicely. --Sean Axmaker
"The Omega Glory"
What is it with Starfleet captains? So many of them become wildly grandiose. Witness "The Omega Glory," in which another starship commander, Ronald Tracey (Morgan Woodward), tramples the Prime Directive by interfering in a long-running conflict between primitive societies, in this case the Yangs and Kohms of planet Omega IV. Siding with the Kohms, Tracey creates an imbalance of power that Kirk works to adjust by arming the Yangs proportionately. The script by series creator Gene Roddenberry is one of his not-so-subtle allegories for the state of the world in the 1960s, specifically our own cold war between nuclear superpowers. So bluntly drawn is Roddenberry's parallel between Omega IV and 20th-century Earth that this is one of the few Star Trek episodes that risks becoming completely absurd after a point. William Shatner (Captain Kirk) takes the biggest risk of all with a passionate, lengthy speech of the sort pranksters like comic actor Kevin Dunn are wont to imitate today. But the fact is that Shatner pulls off such chancy material very well, and certainly does so here. --Tom Keogh

Two episodes suffering from the late 2nd season doldrumsIt should be noted that this is one of the most prominent roles played by an African-American on Star Trek TOS. While one is initially frustrated by the character's fate, further reflection suggests a lack of prejudice in this episode. Rather than walk on eggshells, the brain trust gave him the same fate (collapse of some sort) that (almost) always befell all Federation elite. (3 stars)
The Omega Glory-This patriotic episode, in which the Yangs (American whites) are oppressed by the Colms (Communist Asians), is a real stinker, no matter what your political philosophy. The Roddenberry-written episode starts strongly enough with an intriguing and disquieting teaser, but despite plenty of action it's a downhill ride once we reach the planet's surface. I can see the appeal of the 'what-if' stories; they allow us to imagine other possible historical trajectories on earth, and they are cheap to make. But the second season really overloaded us with them. Worse, this episode is in my opinion totally biased, presenting Asians as savages and Americans as heroic. A more measured approach with some heterogeneity would have been nice; on the other hand it wouldn't have made for as viscerally-gripping an episode. I guess what I'm saying is, I don't mind simplistic, but this goes too far, and it's too offensive along the way. By the time we get to Old Glory, we feel almost embarrassed for Shatner. I give him credit though for being professional enough to play the scene seriously.
Tidbit: Morgan Woodward, who plays Tracey here, was also Dr. Van Gelder in Dagger of the Mind. (2 stars)
Jim Kirk's Voice: The ORIGINAL Computer Virus!THE ULTIMATE COMPUTER © PRELIMINARY BRIEFS:
Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: The Series' Umpteenth "Man-Versus-Machine" Scenario
Historical Milestone: The first and only time the term 'Captain Dunsel' (defined as 'a component that serves no useful purpose') is brought up on the show.
Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: One dead
REVIEW/COMMENTARY:
If you're familiar with the episodes 'Nomad' and 'Return of the Archons', you'll probably feel a sense of déjà vu while watching 'The Ultimate Computer'. Once again, a computer goes haywire (in this case, one that's been installed & patched into the Enterprise's systems, in preparation for ship-to-ship battle simulations), and it's up to the resourcefulness of our gallant crew to save the day once again. As expected, Kirk manages to talk the computer 'to death', but not before he shares his feelings of self-doubt, fear of losing his job to a machine, and a stiff drink with the always-sympathetic Doctor McCoy. Nothin' like a nip of the hooch with your chief medical officer to get yourself back on track, I always say...
THE OMEGA GLORY © PRELIMINARY BRIEFS:
Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: Allegory of the Cold War; The true meaning of freedom and liberty
Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: One dead
REVIEW/COMMENTARY:
This particular show features the return of Morgan Woodward, one of my all-time fave Star Trek guest stars. As the mentally-tormented Dr. Simon Van Gelder in 'Dagger of the Mind', Woodward's unbelievably overdone facial expressions of pain and anguish were really fun to watch. His mush undergoes further manipulation-- this time showing off his 'angry' faces-- in his second Star Trek go-round as he fills the role of rogue Starfleet Captain Ronald Tracey.
But if that ain't enough of a laugh, there's Jimmers' "lesson-of-the-day" that manages to milk a few more yuks outta me. His "we the people" spiel where he discusses the spirit of the United States Constitution to the planet's natives, while heartwarming to the average patriotic American Trekkie, is also quite cheesy when it's done in that unique Shatnerian delivery that has become a component of every modern two-bit standup comic's repertoire of backup gags. Throw in the unintentionally ironic fact that William Shatner is Canadian, and the guffaws don't die down 'til the closing credits roll!
'Late
Another parallel-development world & another killer computer
The acting is on target and the dialog efficient. The production values are rough, but that makes the movie's wit and clear sense of itself all the more refreshing.