Wholesale and Distribution Movie Reviews
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Quiet Achiever
The Lost JJ Cale TapesHe jams in classic laidback style and Leon Russell adds some tasty organ and even vocals on a couple tracks.
As good as any JJ I've heard, and I have them all. He's really in top form for this set and seeing him play with a great band adds to the full effect. The video is well edited and the camera work on a whole is pretty good.
Covers most of his classics up to the date it was recorded (1979) and even a couple not on any other CD.
The Guitar Man Can Play!
A militant flavor appears in "Scotland the Brave" and "The Battle Hymn of the Republic." War and nostalgia are blended in "Christmas in the Trenches," a story song about the first Christmas of World War I when English and German soldiers suspended hostilities to sing carols together. There is nostalgia without war in "Danny Boy" and "The Old Man." McDermott's facial expressions, dancers, a children's chorus, Scottish scenes, and actors miming "Christmas in the Trenches" all make a strong case for video recording. Added documentary features are excellent. --Joe McLellan

ENTHRALLING
Heart-felt MusicThe special feature I most enjoyed, however, was the clip of John singing "Legacy" at the award dinner for the Congressional Medal of Honor winners. If it was in my power, I'd send that clip to every tv station in America with strict instructions to play it right alongside the national anthem. The message that "we won't forget those who served" cannot be overemphasized. If you can buy only DVD this year, this is the one you should get.
Waiting for Next Year's John McDermott Concert on PBSI well intend to attend the Richmond concert in Nov. 2003, be the Good Lord Willing.
I am and will always be a true John McDermott fan.
My husband is a jazz fan, but I'll drag him all the way from Washington,, D.C. to Richmond to hear this super Irish Tenor just one more time.


A taste of the live crim.
Fantastik
Powerful and Brilliant!

Hidden ClassicThe DVD also comes with a host of excellent add ons. There is an extremely informative commentry as well as short doucumentaries on South Asian horror films and on the making of the Living Corpse.
Highly recommended to all horror film fans and aficionados of curiosities.
Impressive!
Long lost vampire classic finally gets an afterlife on DVDThe DVD is an essential commodity for all genre (horror) fans....its brilliantly shot and very atmospheric and stylishly made, and even includes a couple of short musical numbers to give it that eastern touch. essentially the film is a remake of the classic Hammer production HORROR OF DRACULA with enough of an eastern touch to give it its own character and individuality. the DVD comes loaded with a cartload of goodies.....from the great Mondo Macabro channel 4 programme on Weird S. Asian movies to a commentary track, interviews, a making of, poster galleries, lost song included, the censors report........loads and loads to make this an essential buy.
An essential BUY for any true horror movie fan!


The best concert DVD is a long while...
Re-living the expierence
I was there too

Way cool fun!
Real California Teens, with a touch of classic
A wickedly entertaining update of Twain's classic story!!!

A Most Inspiring Piano DVD Because of Complete Performances!
I Know I'll Go Back To It OftenThe quality of these films has a lot to do with such an order. The first one is the best, both in sound and in vision. The collaboration with the orchestra was wonderful, in rhythm and in musical effects, everything. With Arrau, it is a standard thing. His power to unify large scale structures and to cumulate paces for dramatic effects are amazing, and these are all on top of a most beautiful tone and perfect phrasing. Depiction of his hands comes only occasionally. What we have is somewhat like what you see when you attend a concert. But his interpretation is the very best one could ever hope for--as perfect as perfection itself. Like very old and pure cogniac, it's always contained within an old bottle.
The sound and visual qualities of the second piece is not so good as the first one. The speed of filming was not fast enough and when the tempo is fast, the vision of his hands, particularly his fingers is blurred and the higher notes are slightly distorted. But as far as music and interpretation is concerned, like the first piece, they are very instructive indeed. Here we have the subtleties of rhythmic flexibility and tone colouring of the highest degree.
The weakest in sound and vision but not music, is the third piece. One wouldn't suppose it could stand alone as a commercial recording. But as a historical recording, it's more than acceptable.
Then comes Solomon in the form of a bonus. We are told that this is the only video of Solomon. The quality of this footage is poor and that explains why it comes as a bonus. It's something like the earliest B/W photos we have but in the form of video. But the music is a different matter altogether. For those who have heard of Solomon's myth should lend his ear to this piece-- it is more impressing than any piece in his Philips Great Pianist of the Century. The delicacy and nuances of his tone coming in torrents and his power of contrasts is quite stunning. I wouldn't use the word "simplicity" to describe Solomon, nor the the word "ease" but his command is absolute. His playing is more attuned to modern taste. I have actually compared the same piece played by Arrau in his 80th Birthday recital. The latter's deeper where even contrasts are unified, the thunderings serve only as shadings and even then they are always in perfect balance with the melodic lines...
Both pisnists were about 50 year of age when these pieces were filmed, both in their very prime. Arraus's Waldstein is inwardly shocking even when played as late as his 80th Birthday. So needless to say, these are all wonderful stuff here. He certainly reminds us of De Greef and of Edwin Fischer. And it's difficult to think of what else to expect, as everything is so perfect by itself. With him passing away, the golden age of pianists shall we say, has come to an end.
I know I will go back to it very oftenThe quality of these films has a lot to do with such an order. The first one is the best, both in sound and in vision. The collaboration with the orchestra was wonderful, in rhythm and in musical effects, everything. With Arrau, it is a standard thing. His power to unify large scale structures and to cumulate paces for dramatic effects are amazing, and these are all on top of a most beautiful tone and perfect phrasing. Depiction of his hands comes only occasionally. What we have is somewhat like what you see when you attend a concert. But his interpretation is the very best one could ever hope for--as perfect as perfection itself. Like very old and pure cogniac, it's always contained within an old bottle.
The sound and visual qualities of the second piece is not so good as the first one. The speed of filming was not fast enough and when the tempo is fast, the vision of his hands, particularly his fingers is blurred and the higher notes are slightly distorted. But as far as music and interpretation is concerned, like the first piece, they are very instructive indeed. Here we have the subtleties of rhythmic flexibility and tone colouring of the highest degree.
The weakest in sound and vision but not music, is the third piece. One wouldn't suppose it could stand alone as a commercial recording. But as a historical recording, it's more than acceptable.
Then comes Solomon in the form of a bonus. We are told that this is the only video of Solomon. The quality of this footage is poor and that explains why it comes as a bonus. It's something like the earliest B/W photos we have but in the form of video. But the music is a different matter altogether. For those who have heard of Solomon's myth should lend his ear to this piece-- it is more impressing than any piece in his Philips Great Pianist of the Century. The delicacy and nuances of his tone coming in torrents and his power of contrasts is quite stunning. I wouldn't use the word "simplicity" to describe Solomon, nor the the word "ease" but his command is absolute. His playing is more attuned to modern taste. I have actually compared the same piece played by Arrau in his 80th Birthday recital. The latter's deeper where even contrasts are unified, the thunderings serve only as shadings and even then they are always in perfect balance with the melodic lines...
Both pisnists were about 50 year of age when these pieces were filmed, both in their very prime. Arraus's Waldstein is inwardly shocking even when played as late as his 80th Birthday. So needless to say, these are all wonderful stuff here. He certainly reminds us of De Greef and of Edwin Fischer. And it's difficult to think of what else to expect, as everything is so perfect by itself. With him passing away, the golden age of pianists shall we say, has come to an end.

A few gentle moments provide the needed balance to the insanity: Ranma apologizes--sincerely--to Akane in "Hot Springs Battle Royal" and admits he thinks she's cute in "Ranma the Lady-Killer." Richard Cox, the voice of boy-type Ranma (and Inu-Yasha), has grown more comfortable in the part, effectively conveying the sullen and likeable sides of Ranma's personality. (Rated 13 and older: slapstick violence, nudity, mildly risqué humor) --Charles Solomon

A surprisingly good followupFirst, technical notes: the animation quality is much better than the previous season, more on par with the 1st/2nd season in quality and detail, although the evolution towards the OAV-style is obvious (and welcome). Copious line art is available on the fifth disc, along with the ever-present "naked" opening/closing, and good on-disc notes. Some new and playful incidental music appears in this season from Kenji Kawai that perhaps Viz will release on CD one day????
These are certainly some of the more bizarre and original offerings, including a Dragon's Whisker (holding Ranma's pigtail together) with strange effects on men pursued by murderous bean, curry, pizza and pork buns; the ghost cat from season 4 returns to possess Ryoga; a weird martial arts school with impossibly huge mouths gets their clutches on girl-Ranma; and the Principal's relationship to Kuno is revealed. Some are clinkers (the Tea Ceremony School is tedious at best), but they're definitely unlike anything you've seen before.
English notes: Richard Cox (boy-Ranma) has improved greatly since season 4, although in the first few episodes the English voices seem to have trouble with their lines flowing well (might be a dubbing artifact). Unfortunately, Teryl Rothery has been replaced as Kodachi, and her replacement sounds too much like Ukyo (lacking the shrill quality that made Rothery's voice perfect for the character). Also, while Nabiki is still Angela Costain, some of her later voice work is rather deep-sounding as if like she had a cold. Miriam Sirois is still fabulous as Akane, and Venus Terzo continues to be a superb girl-Ranma as well.
Quibbles aside, this box set does much to drag the series back on positive territory, and the episodes are in general good fun. Recommended for fans and even those just starting their journey to Ju-sen-kyo.
dbz_sayen@hotmail.com
Ranma 1/2 Forever Please

Some extras would have been nice...
makes me long for a "live in concert" video
A must for any fan!

ROCK SO YOU CAN WAKE THE NEIGHBORS AND GET THE WORD OUT!Video List:
1.Live Out Loud
2.When Love Takes You In
3.Dive
4.Not Home Yet
5.More To This Life
6.Lord Of The Dance
7.Let Us Pray
8.Heaven In The Real World
9.The Great Adventure
10.Christmas Is All In The Heart
Inspirational and entertainins
A great way to celebrate God!