Directories Movie Reviews

These tidbits will interest any Spielberg fan, but the remainder of the program is perfunctory at best. Of the other interview subjects, only Ben Kingsley has anything intelligent to say (in very brief clips Harrison Ford is boring by comparison), and the narration reveals an almost pathological focus on Spielberg's many awards and honors, no matter how obscure or conspicuous. For those who want to understand the astonishing success of Steven Spielberg, this program may prove frustrating. It's better to view it as a primer with an abundance of illuminating anecdotes, glossing over any Spielberg film (like 1941) that would be considered even marginally disappointing. --Jeff Shannon

Great Biography on video
The biggest genius in hollywood
If you can forgive the pedestrian narration (which is salvaged only by quotes from Gilliam's irreverent, self-penned "official biography"), the documentary's highlights are the interview clips with Gilliam, whose observations about his life and work are far more interesting than Emery's cursory tour through Gilliam's career. Clips from Gilliam's films are well chosen, but the survey never probes beyond a superficial assessment; Gilliam provides the substance, and the stellar interviewees (including Shelley Duvall, Madeleine Stowe, Brad Pitt, Amanda Plummer, David Warner, and Mercedes Ruehl) offer additional depth with their insightful gratitude. This is must-see viewing for any Gilliam fan, but it's also a bit of a tease, leaving one wanting more. It's perhaps fortunate that the film was made before Gilliam's flawed, impersonal production of Fear and Loathing in Las Vegas, but members of Monty Python are conspicuous in their absence, if only because the focus remains on Gilliam's solo career. On the other hand, it's nice to see time given to "The Crimson Permanent Assurance," the fantastic short film in Python's The Meaning of Life that liberated Gilliam from "the nightmare of animation" (his words), and set him on course for a glorious and visionary career. --Jeff Shannon

Unnesasary continued...
perhaps unnecessary ?

The greatest gift....Sure wish someone would spend this kind of money on me:)
The Directors Series
If you can forgive the pedestrian narration (which is salvaged only by quotes from Gilliam's irreverent, self-penned "official biography"), the documentary's highlights are the interview clips with Gilliam, whose observations about his life and work are far more interesting than Emery's cursory tour through Gilliam's career. Clips from Gilliam's films are well chosen, but the survey never probes beyond a superficial assessment; Gilliam provides the substance, and the stellar interviewees (including Shelley Duvall, Madeleine Stowe, Brad Pitt, Amanda Plummer, David Warner, and Mercedes Ruehl) offer additional depth with their insightful gratitude. This is must-see viewing for any Gilliam fan, but it's also a bit of a tease, leaving one wanting more. It's perhaps fortunate that the film was made before Gilliam's flawed, impersonal production of Fear and Loathing in Las Vegas, but members of Monty Python are conspicuous in their absence, if only because the focus remains on Gilliam's solo career. On the other hand, it's nice to see time given to "The Crimson Permanent Assurance," the fantastic short film in Python's The Meaning of Life that liberated Gilliam from "the nightmare of animation" (his words), and set him on course for a glorious and visionary career. --Jeff Shannon

Unnesasary continued...
perhaps unnecessary ?
Tiring of the travelogue approach, the pair headed to Africa to document the unrest that had erupted in the wake of colonial abandonment. The result, 1966's Africa Addio, was acclaimed for its disturbing images but also earned the duo charges that they had orchestrated on-screen executions. Though they were eventually acquitted, Jacopetti and Prosperi's reputations was irreparably marred. They attempted to amend the situation with Goodbye Uncle Tom (1971), an overripe fantasy that transported them to the pre-Civil War South to explore slavery. Unfortunately, its horrific violence further turned off audiences, and the duo split soon afterwards. Though the early titles are somewhat dated, and the later films are often overwhelmingly grotesque, the Mondo Cane Collection is a powerful visual experience that avoid the sheer exploitativeness of other mondo and their modern offspring. --Paul Gaita

Excellent BoxSet from Blue Underground!!!The first two discs are Mondo Cane and Mondo Cane 2. Mondo Cane is certainly a milestone and in fact this entire genre of "shocking documentaries" which where made by Euro filmmakers is better known as the 'mondo' genre. Essentially Mondo Cane is a strange journey into some of the more bizarre and macabre places with the camera voyeuristically witnessing all kinds of oddities and bringing them back for the curious viewer. Mondo Cane 2 continues this tradition. The third disc Women of the World is similar but all the footage is tied together by a common theme of the varied roles women play in different parts of the world.
The next 2 discs are the cut English language version of Africa Addio and the Italian language uncut version. Considered by many to be the greatest mondo doco of all time, the crew head of into Africa during it's transition from colonial control. While the majority of this focuses on the interactions of white and black and some long sequences on the fate of wildlife with laws protecting them diminished (countless animals are gunned down and speared in these scenes and hippos are dismembered) what sets this apart is the aftermath of several massacres caught on film. Later the crew hook up with a group of mercenaries (these nuts look as though they just walked of col. Kurtz's compound in 'Apocalypse Now') and go on a mission, filming a couple of executions.
After the English language print was recut to exclude much political commentary and the censored version was released the film makers came under fire and accused of exploitation, racism and some even called them murders (accusing them of paying for the executions). Being labeled racists must have really angered Jacopetti and Prosperi resulting in them making Addio Zio Tom (Goodbye Uncle Tom) in order to prove that they are not racist.
The next 2 discs are Goodbye Uncle Tom in the cut English version and Italian Language directors cut (this disc alone in worth the price of the set). The butchered English version done little to mend their reputations as in order to have it released alternate versions of scenes were shot and some extreme (but easily justified) politics were omitted. In essence it became a different movie.
The director's cut of Goodbye Uncle Tom is one of the most amazing films I have ever seen. While some scenes are mondo filmed modern 70's events in America, the majority of this film is a departure of the mondo formula as they have made a regular motion picture with actors and sets under the pretense of them traveling back in time to shoot a mondo doco on the slave trade in America pre civil war. All these scenes are set up based on factual accounts and are unsparingly brutal and authentic, literally using 1000s of extras. The sweeping photography and epic scale of this film as we are taken into various aspects of slavery make for a simply breathtaking motion picture experience.
Some people have claimed these scenes are a false representation, by pointing out silly little things like "there probably wouldn't be so many slaves in the house" and "they wouldn't be allowed to jump on the bed like that" as well as others who are infuriated by this film claiming that "it was never as depraved as this" but once again this film is clearly well researched quoting writers of the time and besides how could any people who kept slaves not be "depraved" anyway? Gone With the Wind this certainly is not. Roots, while well made and genuinely heartfelt, is pure sacarine by comparison. Steven Speilberg made the typically cowardly film 'Amistaad'. How can this courtroom drama depicting Europeans as being cruel to slaves and Americans liberating them via the righteous legal system be hailed as "tackling slavery head on" when it completely ignores the 200 years of slavery in America? Goodbye Uncle Tom is clearly a one of a kind spectacle and in my humble opinion the best disc in the set.
The final disc is a doco on the filmmakers themselves, rounding out what is an awesome boxset!
Super-Mondo Collection!
Interviewees range from A-list stars like Meryl Streep and Morgan Freeman to such veteran character actors (and Eastwood regulars) as Geoffrey Lewis and Pat Hingle. Extra time is appropriately devoted to Unforgiven, which Eastwood describes as "not an anti-Western, but a myth-breaking Western" in its handling of violence. Rounding out with Space Cowboys and some closing comments by Eastwood and his daughter, Alison, this edition of The Directors is, like many of the others, a concise and informative overview for anyone who wants to learn more about this great American filmmaker. --Jeff Shannon

For Collectors of Clint.....A Must SeeWinstar and the AFI have put together a collection of documenteries depicting the films of some of the greatest directors. Naturally being a film lover I was interested in these film makers who do such a wonderful job of bringing the films to us. And even more naturally, my first view was to be the one of Clint Eastwood. I am a huge fan of his(if you have seen my review pages you already know this about me), not only of the films he starred in, but of his acclaimed direction as well.
So this tape deals exactly with that..the films Eastwood has directed. If you are looking for more of a biography or a complete filmography of Clint, you won't find that here. Although it begins with a short bio of how he started in the film world, most of this tape that runs close to an hour delves into his films including "Play Misty For Me","High Plains Drifter", "The Outlaw Josey Wales", 'Sudden Impact"(The only Dirty Harry he directed), "Bird", "Unforgiven", "True Crime,"Space Cowboys" and more.
Awesome stars are awed by working with Clint. Meryl Streep,Ed Harris, Morgan Freeman(who made me smile when he described his feelings at just being asked to work on one of Clint's films) and Laura Dern, are among those who have nothing but praise when it comes to talking about working with Eastwood. Clint himself devotes alot of time to this documentary, talking about his views on not just the films, but about how he is able to seperate himself from acting when he is also directing. Most of the actors describe this Hollywood Icon as "just a regular guy" who makes working on the set a pleasure.
I very much enjoyed this entertaining tape that kept me interested for the entire length, with all the interviews and film clips. I also enjoyed hearing Allison Eastwood describe her dad as sometimes being a "goofball". It really showed what a down to earth person he is.
For years Clint Eastwood has given us the gifts of his talents and it was a joy to see him speak about them on film. He seems as enthusiastic and energetic as ever and I'll be looking foward to more of his work in the future. If you are a fan of his work, you will find this documentary well worth the view.
enjoy...Laurie


Great American Director, Great DVDScorsese was once bedridden for a long period of time in his youth with a severe case of asthma. You can see with the time he had on his hands that filmmaking and cinema history became his passion. Although, most of his films have a rugged, hyperkinetic, and fragmented look to them; Scorsese, in my opinion, has a more thorough vocabulary of shot selection than any director working today. His shot selection in any film he shoots comes from years and years of studying the masters in their past films.
I strongly recommend this DVD. It is a great buy. Also, Buy it as soon as possible. I could not find this DVD anywhere!


THE BADDEST FILM MAKER IN TOWNWho is this Spike Lee? Although this video is a profile it doesn't go into the details of Spike's life. Its focus is on his works and how he views it through the course of time. He was born in Atlanta, GA but grew up in Brooklyn, NY. He of course went to college and then went onto acquire a MFA in film in New York.
Spike won a prize for a film he produced in graduate school and thought Hollywood would come knocking at his door because of his brilliance. It never happened and Spike learned how to become an independant film maker. "She's Gotta Have It" was Spike's first commercial success which garnered him notice and from there he turned film making upside down.
You will see scenes from his works where he shattered the myths regarding race, sexuality and class in all of his films. No topic was too sacred for Spike to explore and expose it for what it was worth even when the mainstream film industry said he was making a mistake.
Spike exudes an aura of confidence (some would say arrogance), takes risks, and is at the top of his game in his craft. Listening to this man critique his films and sharing what he perceives to be their impact on culture is great. Spike is determined for African-American film makers to have a voice in how they are portrayed in the media. Enjoy this profile of one of the greatest African-American film makers of our time.


Motocross historyIf you had to buy one video this is it. You get everything. Ricky Carmichael, James Stewart and Travis Pastrana when they are like 10 or so in Terrafirma 1. Awesome to see that also.... Highly recommed this. 2 disc set also.


good but could have been betterAll of his feature films are covered and many of the actors he's worked with over the years, from Jon Voight to Christopher Plummer, are interviewed. My only complaint is that it's too short! Clocking in at just under an hour, this documentary barely scratches the surface -- I mean, an entire hour could have been spent on The Insider alone!
That aside, this documentary is a solid introduction to the films of Michael Mann, definitely worth purchasing for the fans and worth a look for people interested in getting into his movies.
A GREAT AMERICAN FILM DIRECTOR!!!
Excellent DVD, but more coverage of "The Keep" needed.I was particularly pleased to see that Manhunter was given detailed analysis (including an interview with William L Petersen, who is clearly a BIG fan of Mann's work)
I was disappointed however, that perhaps Mann's most interesting movie - "The Keep" - is hardly discussed at all. Whilst it's true that this movie is somewhat obscure and unknown, it would have been useful if they had researched into that particular time in Mann's career in more detail.
Mind you, at this price I should not ask too much, and the coverage of all of his other work is excellent. ALI is not mentioned though really, because I suspect this DVD was in production before ALI filming was complete.
Overall, this DVD product is an essential purchase for any fans of Michael Mann or his movies and despite cutting a couple of corners here and there, it thoroughly deserves the 5 star rating at this bargain price.