Actuarial Science Movie Reviews

The One
The One sets a martial arts milestone by pitting action star Jet Li against his greatest enemy: himself. This sci-fi thriller establishes a "multiverse" consisting of countless parallel universes, each populated by variants of every individual. Li plays a renegade from the Multiverse Agency, illegally traveling through "quantum tunnels" to eliminate all versions of himself until only two remain, each sharing the cumulative strength of their "parallel universe versions." This mumbo-jumbo inspires a variety of dazzling special effects, and director James Wong (with cowriter and fellow X-Files alumnus Glen Morgan) injects clever humor into the Matrix-derivative premise. Carla Gugino is wasted as the "good" Li's obligatory love interest, but The One will appeal to action fans with its fast-paced pursuit between the evil Li and two agents (Delroy Lindo, Jason Statham) assigned to stop his trans-universal killing spree. It's a one-gimmick movie, best enjoyed with your brain in neutral. --Jeff Shannon

Meltdown
Mild-mannered Jet Li is bodyguard and secret stunt double to Jackie Chan-like action-movie superstar Jacky Cheung in this action-packed spoof of the Hong Kong movie industry. Li, playing a former demolition squad commander haunted by the loss of his family, takes a job with the womanizing Cheung, an action hero with a reputation for performing all his own stunts. Li surreptitiously performs the most dangerous bits with quick-switch secrecy, but when a TV journalist catches sight of him sneaking from a spectacular fall they suspect an elaborate publicity conspiracy. The showbiz scandal becomes sidetracked when high-tech jewel thieves take them all hostage in a skyscraper heist that smacks of Die Hard. Li turns stealth fighter, stalking perimeter guards and taking out the heavily armed bad guys with a smooth display of acrobatic martial arts moves, while glory hound Cheung proves his own skills in a brave confrontation with the thieves. The swipes at Jackie Chan are mean-spirited and undeserved, but Cheung's manic, mugging performance is awfully funny (unlike much Hong Kong humor), and Li plays his usual moral backbone with quiet authority, impressive agility, and explosive fireworks. Meltdown is broadly played and Wong Jing directs bluntly, but the movie packs plenty of explosions, great martial arts work, and a driving sense of energy. --Sean Axmaker

The One
The One sets a martial arts milestone by pitting action star Jet Li against his greatest enemy: himself. This sci-fi thriller establishes a "multiverse" consisting of countless parallel universes, each populated by variants of every individual. Li plays a renegade from the Multiverse Agency, illegally traveling through "quantum tunnels" to eliminate all versions of himself until only two remain, each sharing the cumulative strength of their "parallel universe versions." This mumbo-jumbo inspires a variety of dazzling special effects, and director James Wong (with cowriter and fellow X-Files alumnus Glen Morgan) injects clever humor into the Matrix-derivative premise. Carla Gugino is wasted as the "good" Li's obligatory love interest, but The One will appeal to action fans with its fast-paced pursuit between the evil Li and two agents (Delroy Lindo, Jason Statham) assigned to stop his trans-universal killing spree. It's a one-gimmick movie, best enjoyed with your brain in neutral. --Jeff Shannon

The 6th Day
For a movie about cloning, it's only appropriate that The 6th Day, starring Arnold Schwarzenegger, is instilled with a strong sense of déjà vu, namely from Arnold's previous "Who am I?" outing, Total Recall. In that movie, Arnold is a normal Joe who discovers that his entire reality has been co-opted by an evil conspiracy, and has to take his life back by force. The same premise applies here for Roger Spottiswoode's clever if overlong sci-fi thriller--Arnold thinks he's a regular guy leading a regular life, until a twist of fate puts him on the lam from a vast conspiracy that's replaced him with a clone. While he's trying to evade the evil genetics corporation--and its trendy, deadly, clone-friendly assassins (who don't care how many times they're killed: there's more where that came from)--his double is snuggling at home with his wife and daughter. And new legislation outlaws the existence of human clones, so somebody's got to go. But who gets to be live and who gets to be the dead Memorex man? Why does said genetics corporation want to clone people? How does the kindly scientist (Robert Duvall) fit in? What's the mystery behind the slick billionaire (Tony Goldwyn) who runs everything? It's all kind of irrelevant in the end, as long as it provides a chance for Arnold to indulge in some energetic mayhem and explosive action. What distinguishes The 6th Day is its sneaky, humorous--and chilling--look at the near future, taking everyday technological advances and turning them up just a couple notches, envisioning an era with cloned pets, virtual girlfriends, and computers running most everything, from the refrigerator to your car. Arnold is supposed to be a throwback to the "real" world--you can tell because he cherishes his vintage, navigation-system-free Cadillac--but as usual, he just brings his behemoth presence to the role and not much else. Still, he's a friendly enough hero, and he rolls with the punches (literally) all the way through to the end. Too bad the film overstays its welcome by about half an hour--a little shorter and it could have been a breezy sci-fi/action romp. With scene stealers Michael Rooker, Sarah Wynter, and Rod Rowland as the trio of cloned assassins who always come back--again and again. --Mark Englehart