Non-Fiction Movie Reviews


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Family movie reviews for "Non-Fiction" sorted by average review score:

Chris Rock - Bring The Pain
Released in DVD by Universal Music & VI (01 October, 2002)
MPAA Rating:
Director: Keith Truesdell
Average review score:

FUNNY CAMEO
After putting off watching this cameo from Chris for a long time, because the sound on the DVD I bought was so unclear (and this is a staged live performance), I finally decided to stick with it and watch it on a leisurely Sunday.

Guess I was spectacularly wrong about this performance, there's some real side-splitting stuff in here!

Chris takes on drunk politicians, drugs, the innocence (or not) of OJ, subtleties of relationships between men and women and what makes each different, the ills of domestic abuse, the lack of popularity of books among the African-American community etc etc.

Pronto-Purchase material, this. Perhaps even the absolutely best stand-up material I have seen from Chris Rock EVER. Hilarious!

Why is this unavailable in the UK?
Brilliant, just brilliant. It's such a shame that Chris Rock videos/cassettes aren't widely available in the UK, especially considering that what Rock has to say isn't exactly culture-bound. Sure, some of the humour is US-specific and related to the racial and political issues of 1996, but what Rock taps into is the nasty underbelly of life that we ALL like to think doesn't exist.

His passion, his anger (and maybe frustration) all pour out onto the screen and you really get the impression that the man is laying himself bare - the sort of exhaustive stage-performance that you only really expect to see once in every comedian's life... but for Rock, it's just another killer routine.

I could predictably warn people about his choice of language and the way in which his vocabulary is peppered with 'obscenity' - but like the finest of comedians, Rock's material is so rich and it's delivery is so slick, that swearing merely compliments what he says, rather than overpowering it. And quite frankly, if you're buying a Chris Rock video, you probably know what you're buying.

A true comedy classic.

fantastic
This show was Chris Rock's first hour long special on HBO. As Rock as remarked, it is this show that really launched his career. Before this, he had made a movie or two (CB4) and had a shorter comedy special, but his career had pretty much hit a plateau. "Bring the Pain" changed this. The show is incredibly funny and the material was very fresh when it was first broadcast. Unfortunately, some of the humor is dated (comments about the Million Man March and the OJ Simpson murder trial). However, even with some of the jokes being dated, they are still funny. There is quite a bit of race humor (which while funny, as a white man I can't repeat any of it) and also sexual/relationship humor. While Rock does curse (often at times), he does not lose sight of the fact that the humor is in the joke, not the language. Rock's delivery is perfect and this is a much watch DVD for a fan of Chris Rock. It is also a great introduction to Rock for anyone who is not familiar with his work.


Eddie Izzard - Dress to Kill
Released in DVD by Anti (26 November, 2002)
MPAA Rating: NR (Not Rated)
Director: Lawrence Jordan (II)
In Dress to Kill, Eddie Izzard spins free-flowing jokes about San Francisco (where the comedy concert was filmed), transvestitism, squirrels, American optimism, Hitler, the British royal family, mass murder, and Stonehenge--and that's only the first 30 minutes. It's as if this ingenious comedian says whatever comes off the top of his head, but giving that impression demands cunning and skill; Izzard romps through human history and transforms surprisingly complex ideas into biting satire--as well as knockout bits of sublime frivolity, like describing the movie Speed entirely in French. His mercurial patter is sprinkled with four-letter words, but his twinkling glances make this more mischievous than crude. Izzard has delivered some excellent performances in movies (like Velvet Goldmine and The Cat's Meow), but it's on stage that he really explodes with daffy wit and charisma. Simply brilliant and completely addictive; you will want to watch this over and over. --Bret Fetzer
Average review score:

Ingeniously Hilarious
To come straight to the point, Eddie Izzard is one the funniest comedians around. He uses many references to history to make the greatest jokes. Many people get turned off by his attire, but personally, I think that it only helps him obtain the atmosphere that he is trying to win. Watching this DVD is two hours of non-stop laughing and you will find yourself repeating his jokes time and time again. A definite must to add to your DVD collection.

Hysterical
No doubt about it - this is the most brilliant comedy show captured on film in the last decade. Izzard rambles through every conceivable topic in his zany way, from the history of the British empire to the weather in San Francisco (where the show was taped). He touches on Paganism, alternative sexualities in the military, squirrels with makeup, slogans of the NRA, Engelbert Humperdink, the EU, the Pope on a scooter, and cannibalism. Bizzarre, and yet the routines flow so seemlessly into one another you almost can't believe it. While watching this, I would estimate that I fell out of my chair laughing so hard that I was crying at least once every 5 minutes. This trumps Chris Rock, George Carlin, Robin Wiliams, you name it. Not only is Izzard funny, but he has a very keen eye for social and political commentary as well. Simply put, this is the smartest, funniest DVD you could possible own and you should not consider yourself a true comedy fan unless you have seen it.

Do you have a flag?
Eddie Izzard is hilarious. I haven't laughed so hard in a long time. As a historian i really appreciate how accurate he is history wise, and how funny he makes it. This is with out a doubt the best HBO special since Dana Carvey.


Blue Collar Comedy Tour: The Movie
Released in DVD by Warner Home Video (03 June, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: C.B. Harding
Starring: Jeff Foxworthy, Bill Engvall, Ron White, and Larry The Cable Guy
It had to happen: A national tour of redneck comedians culminating in this frequently funny concert film, shot in Phoenix. Ron White's scotch-and-tobacco-fueled, fatalistic world view gets things off to a good start. ("That last engine had just enough power to get us to our crash site.") Larry the Cable Guy's creepy-silly persona helps deliver a set long on gross-out humor. ("I've been seein' a good-lookin' girl. But now I lost my binoculars.") Bill Engvall balances the tone with his family-man shtick. ("There needs to be a teenage driver's lane lined with tires and mattresses.") Main event champ Jeff Foxworthy offers fresh material about the act of ice-fishing as an out-of-body experience for fish, describes the bizarre sight of a leaf blower among items confiscated by airport security and, of course, renders his trademark re-re-re-definitions of what constitutes a redneck ("a glorious absence of sophistication"). Lots to enjoy here. --Tom Keogh
Average review score:

The funniest stand up movie ever!
This is definitely the funniest stabnd up DVD ever.Also,there are no swear words,so almost any English-speaking person can watch this!There is very mild crude humor,but not enough to not let a kid watch this.Here is my review of each comedian here:
Ron White starts this show. he jokes about advertising,tubing,and advertising.He is my third favorite on here.
Larry The Cable Guy continues this show.He has a very thick Southern accent.Most of his routine is about women.Here is is funniest joke:

"I once dated a girl who had nine earrings in this ear,seven in this ear,a ring in her nose and a bolt in her tongue.It felt like making love and working on my truck at the same time.I didn't know if I should kiss her or adjust the torque in her buttcrack.He is deinitely my second favorite on here.
Bill Engvall is next.He is nowhere near as funny as the other three.Most of his routine is about his family,mainly his sixteen year old daughter.I thought his routine was too long.
Jeff Foxworthy closes this show.He talks about the words rednecks use,women and tells a story about a guy he met in Atlanta whose wife's brother got his nipple bitten off by a live beaver.("That mus have been the first time that the words "Beaver" and "Nipple" could be said in the same headline without offending anybody".)He is defintely my favorite on here.At the end,they all get together.Ron White and Larry The Cable Guy tell stories,Bill Engvall tells some "Here's your Sign" jokes,("My car started overheating and a guy asked me "Did your car breakdown"?I said,"It wanted a cigarette,so I gave it one".),and Jeff Foxworthy tells some "You Might Be A Redneck If... jokes.The funniest one is:
"If you've ever stared at a bottle of orange juice because it said concentrate,you might be a redneck.

Tears coming down my face
My husband and I could not stop laughing. Tears were coming down our faces and we could hardly breathe. Highly recommend this for anyone who just wants to laugh for two hours

The 'Possum Pack Entertains So Well
Remember the Rat Pack? A group of guys that entertain better than anyone else and also enjoy each other's company?

Well, now we have the 'Possum Pack. These 4 guys are so funny it hurts. They work the audience better than any group of entertainers I have ever seen. Toward the end of the show, it's just like you might see in daily life - the guys get together to discuss life and hammer each other. The stories are funny because they are (mostly) true. You might come away from some of the bits thinking "Hey, I went to school with a guy that did the same thing."

One of the funniest lines (no spoiler, only a teaser): "It's a good thing those things don't come in biscuits & gravy flavor."

The coverage of humor is not so much southern humor, but good ole boy humor which applies to every state in the U.S.

Holy Moley - this video is already a classic.


Blast!
Released in DVD by PBS Home Video (08 May, 2001)
MPAA Rating: NR (Not Rated)
Starring: Blast
If your favorite part of a football game is when the marching band takes the field, then you're going to love Blast. Think of the most rousing, in-sync band that you ever saw, turn them way up, add cool costumes and a black-and-white checkered stage with colored spotlights, throw in a good helping of the Stomp vibe, and you've got Blast.

Color is the theme that threads the different musical pieces together. Beginning with Ravel's Bolero, the audience is pulled into this new music/dance/theatre experience as the band takes the stage marching, twirling, and weaving. The performers aren't simply musicians--they dance, sing, act, and play their brass and drums. "Loss," in the Blue section of the color wheel, is particularly touching. Even the flag team--a very sexy and talented flag team--is represented. The Green section melds into a sober and lovely rendition of "Simple Gifts," then concludes quietly with Copland's Appalachian Spring. In the black light of "Battery Battle," you're pulled into the rhythm of the lone drummer, then dueling snare drums, and finally a row of energetic, blindfolded drummers who never miss a beat. "Medea" combines movement and music in a dramatic interpretation of Samuel Barber's piece, and, set to a dance-club beat, "Lemon Techno" is a flurry of yellow flags, poles, and sensuous movement. A spectacularly sultry "Malaguena" drenched in red ends the program.

It's easy to see why Blast is a PBS favorite. It's an amazing new type of performance--one that every high school marching band member will want to emulate. Included here is a 25-minute documentary, Music in Motion: The Making of Blast, which takes you behind the scenes to the conception of the show and into the ensemble's homes and lives as they perform in London's West End. --Dana Van Nest

Average review score:

I saw BLAST! live...
I saw BLAST! and the BLAST! master class when it came to my city. All I want to do is say that it was one of the most amazing and mind-boggling experiences of my life. I want to reccomend this DVD to anyone who loves music, marching band(props to marchers everywhere) or lovers of DCI drum corps type shows. This is an amazing example of where music (and marching band!) can take you. I encourage all musicians or marchers to watch this show- you will be thoroughly amazed and inspired. Enjoy! ~Kat =^^=

GREAT for kids!!!
Our 3 year old son saw segments from Blast at Disneyland and was completely mesmerized. We bought the DVD for Christmas last year and he has literally watched it (he gets to pick three songs a night) every single night this entire year!

As parents, it is rare to find something that is equally interesting (OK, tolerable!!) for adults and children, but Blast has kept us all entertained, through many, many viewings. This is the perfect DVD to inspire young and older musicians alike.

No Contest
For those of you who do not appreciate this fine piece of work it takes some pure steel balls, I mean come on, marching band meets ballet meets anything else you could possibly want. Coming from my own experiences with Blast (seeing them preform live [Raleigh, NC 2003]) nothing can top this except seeing them live like i have..... you must enjoy the craftsmanship and talent it takes to do all the complicated manuevers that they do and while playing all that MEMORIZED music. Keep this DVD on your shelfs at all times


Platinum Comedy Series: Dave Chappelle - Killin' Them Softly
Released in DVD by Ventura Distribution (15 July, 2003)
MPAA Rating: NR (Not Rated)
Starring: Dave Chappelle
Average review score:

COMEDIC GENIUS!
From where I am, I do not see Chapelle on HBO. But I saw this gentleman on Conan o'Brian's late night show, and was hooked. He was comfortably slumped in Conan's chair and displayed a natural sense of comic timing. A quick search on Amazon revealed that there were DVDs of his shows. I ordered. Was in store for a ribtickling hour or so. This guy is good!

In this particular cameo, he comfortably treads the line of race, social commentary, kids, the presidency, relationships and some other miscellaneous things. I could go on about the material in and of itself, but that'd only serve to spoil something that you should have no idea is coming at you.

Highly recommended for anyone who likes humor.

solid comedy
I would actually give this DVD 4 1/2 stars. It is HILARIOUS, but does have its dull moments. Chappelle did great work in this performance in Washington, D.C. a few years ago. With bits ranging from "Sesame Street" to Bill Clinton to "Downtown Washington, D.C," this DVD is a guarantee to keep you laughing for a long time. A definite buy if you are a fan of Dave Chappelle. He does great stand-up work.

A HILARIOUS DVD!!!
This is definietley one of the funniest stand up specials I have ever seen.The only one that is better is Chris Rock's "Bigger And Blacker",but not by that much.I also checked out "Cedric The Entertainer's Starting Line Up",and "D.L. Hughley Live",and this is the best!This guy tells it like it is.He talks about everything from the police to Bill Clinton to drugs to sex to cultural differences,EVERYTHING!!!!!!!!!!!"Scared of the police" is one of the funniest stand up routines I have ever heard.He is a whole world better than Jamie Foxx.There is A LOT of swearing,so if you have young children,DO NOT let them come CLOSE to this.I'm signing off for now.In the mean time,check out the rest of the Platinum Comedy Series,including "Starting Line Up 2" which comes out October 21st.Also check out some episodes of "Chappelle's Show".I guarantee you will like it.


Barnum
Released in DVD by Water Bearer (27 February, 2001)
MPAA Rating: NR (Not Rated)
Directors: Terry Hughes and Peter Coe (II)
Average review score:

Michael Crawford IS the Greatest Showman on Earth!
I saw first Barnum on TV at the age of five on Christmas Day, 1990: now, 13 years later, it is still my favourite escapist retreat. Michael Crawford- whether walking the tightrope, sliding down a 60 foot drop, setting fire to himself, or waltzing on stilts- proves once again his immense ability to excel in the most physically demanding roles. He is a fine actor (real tears pour down his face when his beloved, patient Chairy dies) and a tremendous amount of fun! His vocal ability (which surfaces especially on numbers like 'The Prince of Humbug') is undoubted. He makes this show.

Well... him and a terrific, talented cast of singers, dancers and acrobats all rolled into one, and marvellous co-stars: of especial note are Eileen Battye as Chairy and the wonderful Ringmaster. The dialogue is often very funny and sometimes extremely moving, the songs unforgettable, and the colours-- beyond description. This is the story of a wonderful American entertainer; let him live again on your TV screens through Michael Crawford.

Five stars.

Excellent, A true classic !
Barnum is one of them productions where you have to watch it several times because it is so good. The show stars Michael Crawford (Phantom, EFX) as Phineas Taylor Barnum in this lavish 1986 London production of the hit circus-musical.

This title was deleted in the UK back in 1992, so anyone who wants to own it needs to buy the Region 1 DVD or NTSC VHS. A re-release in the UK would be nice. !

Buy Barnum on VHS or DVD now ! Because it may get deleted in the US too !

BUY NOW !

Great entertainment for anyone!
It's really a shame that more productions like this aren't available. Back in 50's musicals like "Of Thee I Sing" and "Once Upon a Mattress" aired on CBS with stars like Carol Burnett and Carroll O'Connor in major roles. With so much wonderful entertainment virtually lost to new generations, BARNUM was a real treat to behold. Michael Crawford shines as circus flim-flam man P.T. Barnum and proves that he's more than just a great singer, he's a true crowd pleaser. The rest of the cast does a fine job in keeping up with the whole circus atmosphere. It would be nice if they would put the original cast with Jim Dale and Glenn Close (before she was the star she is now) on video so we can see an American production as well. Some of the script changes due to locale tend to water the text down a bit, but not enough to dampen the fun. I highly recommend this to anyone who loves theatre, the circus, Michael Crawford, or to anyone who just wants to watch something "a little different".


Sweeney Todd in Concert
Released in DVD by Image Entertainment (14 May, 2002)
MPAA Rating: NR (Not Rated)
Director: Lonny Price
The San Francisco Symphony Orchestra's 2001 concert production of Stephen Sondheim's witty shocker is musically superb and (even without scenery) theatrically effective. The performers are in costume and use a few essential props such as Todd's razor, but more than these details the quality of their singing and acting makes this production stand out. It looks like a final seal of approval at the end when Sondheim comes out, smiling, to take a bow.

Sweeney Todd evokes a special balance of horror and comedy because injustice, revenge, and cannibalism are the subjects of its grisly humor, balanced with moments of romantic idealism. George Hearn in the title role and Patti LuPone as the enterprising, utterly amoral pie seller Mrs. Lovett are both brilliant, with an excellent supporting cast. Members of the orchestra are occasionally seen behind the action, but frequent, effective close-up shots of the singers generate a dramatic atmosphere. --Joe McLellan

Average review score:

A refeshing turn on a Sondheim classic
Having seen the Lansbury/Hearn "Sweeney Todd" on VHS, I approached this re-make with a certain reluctance. A mistake on my part. Neil Patrick Harris is a delight as Tobias, Patti LuPone is a sultry, bitchy Mrs. Lovett (though she does tend to indulge in operatic pyrotechnics). On the other hand, the San Francisco version includes the infamous monologue of Judge Turpin, which was cut from the film version of the musical. For me, the final determinant was Neil Patrick Harris' heart-breakingly beautiful rendition of "Not While I'm Around." Purchase "Sweeney Todd in Concert." You won't be disappointed.

This is the one
For many years it was hard for me to attend to the tale of
Sweeney; I suffered from that affliction of many fans of
masterworks - my definitive version was the first one I
attended and since it was the production mounted in Sydney
in 1988, I had no recording of it to reprise.
Yes, you yanks, we do stage musicals in Australia.
It was about as different from this production in musical
forces as you can get. However, it shared the absolute
*focus* on tragedy that this production keeps.
I couldn't come at the lauded 1982 recording with my heart,
pleasing enough though the musicality and Grand Guignol shocks were; I couldn't feel the apprehension which the Sydney performances maintained from the first screaming whistle.
Then a couple of months ago, I caught this production on our
public broadcast channel.
It is *the* Show. In every way.
The big band with big operatic voices is a revelation.
The staging with pared down props and action is still the full

story.
And the new judge's stuff adds to the whole.
The camera is so clearly scripted. It is as much a stage tool as the clever ramps.
The shocks are still delivered but they are more from the musicians now.
I am very glad the dvd is in stock at my favourite US store.
It has been played here after dinner every night this week.

If you haven't experienced a Sweeney performance yet,
then make sure you see this one first.

The cast appear to enjoy their outing immensely and for

those who persist in comparing the very professional LuPone
with Lansbury - I consider that LuPone's self-absorbed,
maniacal manipulation of a distracted Sweeney works in this
production where a 'softer' Lansbury would have been
underwhelming. Besides, LuPone's Mrs Lovett is much closer to that of Geraldine Turner in Sydney - and everyone who saw Turner wouldn't allow Lansbury a look-in.
The director of this San Francisco show knew what he was doing.

Technically, the sound on the dvd is clean and clear enough
for my old amplifier to handle and the video is seamless.

A "Sweeney Todd" with more of a sense of gravity than before
I only caught the end of "Sweeney Todd in Concert" when it appeared on the local PBS station, so I was gratified to see that the production is available for mass consumption. "Sweeney Todd: The Demon Barber of Fleet Street" remains one of my favorite Broadway shows (I really consider it an opera, but Stephen Sondheim says if you insist on having a label call it an operetta with a strong black comedy element, so I will just avoid using any word beginning with "o" and avoid the debate). I saw the story on "60 Minutes" about the production and picked up the record album and played it endlessly once it was available. I saw a road show production starring June Havoc, better known as "Baby June," the older sister of Gypsy Rose Lee; we are talking a professional vaudevillian comedienne who sang everything about an octave lower than it was written. But after watching the tour-de-force performance of "Epiphany" I was down in the lobby at intermission buying tickets for the next night. When the 1982 road show with George Hearn and Angela Landsbury was shown on television I taped it, and now we have this concert performance.

The main attraction for me is that both the orchestra and chorus are bigger and better. The difference this makes in our enjoyment of the show is clear as soon as the company launches into the "Prologue." As for the performers I have to admit that I did not know that the title role was originally supposed to have been played by Bryn Terfel, so I was not aware that the majority of principle singers were trained more in opera than musical theater. After all, the recognizable names are those of a pair of Broadway veterans, George Hearn and Patti Lupone, plus a television dramedy star, Neil Patrick Howser, er, I mean Harris. Hearn, of course, knows the part of Sweeney Todd well, and Lupone puts her own stamp on Mrs. Lovett, making the pie shop owner's romantic feelings for the barber more believable. Director Lonny Price calls Harris the definitive Tobias and I would not be inclined to argue the point.

Again, there is more of a sense of realism to the production, and less of the theater of the macabre, and I think this is due to the casting choices rather than to the stripped down performance of the show where there are no sets, but costumes and props. I think that the subtle differences in Hearn's performance is as much a reaction to the cast he is singing with as much as his take on the role two decades later. I can go through the cast of singers and point to the marked differences between these voices and those of the original Broadway cast and find a much greater sense of gravity, from Timothy Nolen as Judge Turpin and Davis Gaines as Anthony Hope to Lisa Vroman as Johanna and Stanford Olsen as Pirelli. This production of "Sweeney Todd" unveils new depths to the story. There seems an invaluable less here and it certainly suggests that having "opera" singers do other pieces of a similar type would bear similar fruit. I know this was done before with "West Side Story" and other Rodgers & Hammerstein shows, but it seems that maybe the music of Sondheim or Andrew Lloyd Webber might be better suited to such attempts than the American musical theater of the 1950s.

As with any taped "stage" performance, one of the advantages is that the camera can get us close enough to see what the expressions on the faces of the characters. Yes, it is somewhat disconcerting to see the orchestra behind the characters, but you forget them after a while. After all, it is singing that you want to hear. That is why it must be added that the only reason to buy "Sweeney Todd in Concert" on VHS instead of DVD is that you do not have a DVD player. However, since this is the 21st century, that should not be a problem. The whole point of a concert is the SOUND and that plays to the strength of the DVD (plus you have three options on the sound to pick the one that best suits your system requirements.


Mozart - Die Zauberflote (The Magic Flute) / Levine, Battle, Serra, Metropolitan Opera
Released in DVD by Uni/Deutsche Grammophon (12 December, 2000)
MPAA Rating: NR (Not Rated)
Director: Brian Large
Average review score:

Simply Fantastic!
I have just watched this performance, and I have to say that this is simply fantastic. The characters that really stand out from the show are Manfred Hemm's Papageno and Luciana Serra's Queen of the Night.

Hemm delivers the best Papageno I have ever seen, with not only a great voice (solid baritone - lovely!) and also commendable comic acting. Serra blew me away the moment she sang her first aria "O zittre nicht mein lieber Sohn..." It is note-perfect and flawless. She sings those scales as if they are a piece of cake, and she hits the high F perfectly, even in "Der Holle Rache". She falters just a teeny weeny little bit in the latter, but perhaps I'm picky. I've been wanting to find the perfect recording of "Der Holle Rache", but I haven't been in luck yet. (the version sung in the movie "Amadeus" was pitch-perfect, but incomplete and not available in the soundtrack.) But understandably, the Queen of the Night is one of the most difficult opera parts to sing, and Serra already pulls it off remarkably well, delivering an overall brilliant and astounding performance. (I thought she looked beautiful as QOTN too.) Of course, besides these two, there's Kathleen Battle as Pamina, perfect as always, Francisco Araiza as Tamino and Kurt Moll as Sarastro to look out for.

I have to share 4 of my favourite scenes here. 2 belong to the Queen of the Night's 2 arias, 1 is the scene where Monostato's slaves and himself are under a spell from Papageno's Glockenspiel, and they really "totter" away harmlessly. That scene is absolutely hilarious, with them going "lalalala" and dancing away, exiting at stage right. The final one is the finale duet with Papageno and Papagena (Barbara Kilduff)in "Pa-pagena! Pa-Pageno!". Hemm's and Kilduff's voices blend very well together. I love that song.

Thumbs up to this beautifully recorded performance, conducted by James Levine. I highly recommend this recording. It is definitely worth the money, and worth rewatching again and again.

It DOESN'T get any better than this . . .
This DVD of Mozart's "Magic Flute" is one of the best I ever seen (over-shadowed only by the CD set with Gedda, Janowitz, Berry and Popp). I approach this opera with skepticism as all the roles are incredibly difficult to sing (coming from experience singing the role of Tamino in college). Araiza's vocal expertise and physical stature make him a convincing Tamino. Battle's ever-innocent features make her a perfect Pamina (check out her Zerlina also). In my eyes nothing could ever surpass Lucia Popp in the role of the Queen of the Night but Serra certainly gives it run for the money. Her features (the "beautiful villainess" reminiscent of Malificent from Disney's "Sleeping Beauty") and the sheer vocal power of her Queen makes her as stunning as she is beautiful. This is one of the BEST casts I've ever seen put together.

Magic Battle
This opera is fantastic. The fact Kathleen Battle is in it makes it 5 stars. What a voice and what beauty. Don't forget to buy her CD'S also.


Ranma 1/2 - Anything Goes Martial Arts - The Complete Second Season Boxed Set
Released in DVD by Geneon Entertainment (09 April, 2002)
MPAA Rating:
This set of 22 episodes constitutes the second broadcast season of Rumiko Takahashi's gender-tweaking slapstick comedy. The many combat scenes are executed in slightly fuller animation than in the OAVs, and there's a little more nudity in the bath scenes, including a shot of Ryoga's bare buns. But the freewheeling mixture of mayhem, metamorphoses, and martial arts continues--with just a touch of sentiment to leaven the insanity. When Ranma and Akane have a run-in with a pair of champion figure skaters, they reduce the rink to a wading pool, with a little help from the geographically challenged Ryoga. Shampoo the Chinese Amazon returns with her wizened Great-Grandmother Cologne, who teaches the cast a variety of ancient fighting techniques. Ranma and Ryoga battle kendo champion and gasbag Kuno, his twisted sister Kodachi, ninja Sasuke, and Happosi in their frantic search for a Japanese Nan'niichuan (Enchanted Drowned Man Spring)--only to discover it's a franchise that's gone out of business. Even the redoubtable Ranma has a weakness: he's afraid of cats. But he breaks through his fear and demonstrates his mastery of the recherché technique of "Cat-Fu." Ranma often acts like a jerk, but he assuages Akane's hurt feelings by eating the cookies she baked, even though he knows ptomaine will follow. At a time when many American animated series are imitating live action, Ranma 1/2 is a zany reminder of the special fun only animation can provide. Unrated; suitable for ages 12 and up: Slapstick violence, nudity, mildly risqué humor. --Charles Solomon
Average review score:

Good overall, but the series is starting to loose something
I love the first season of Ranma, but this second season has lost some of what made the first season great. Instead of a continuous story, the second season is comprised of many short story arcs. One can see that the series is becomming more episodic, and loosing sight of the overall story.

I don't want to give the impression that it isn't enjoyable though. The Ryoga episodes in particular are hillarious, and worth the price of the box set. On the other hand, the episodes featuring Happosai reuse the same gag ad nauseam. Happosai is so one-dimensional that his character can be a big turn-off. Overall, this season is a bit hit-or-miss for me: with some really great episodes mixed in with some mediochre ones.

However, the relatively low price for a full season of anime may make this box set attractive. Also, the picture quality struck me as a bit higher when compared to the first season. I still noticed some compression problems, but they weren't obvious enough to detract from the content. The only other thing I should point out is that Viz is reusing the title screens from the VHS, for the beginning of the episodes; and it looks awful. Though they're only on screen for about three seconds so it may not bother you much.

Ranma has a (well-deserved) strong following; but I felt that I should warn potential buyers that the second season lacks some story elements found in the first season--specifically continuous character development. In fact, I've often heard it said that you can watch any Ranma anime (TV episodes, movies, or OVAs) after seeing the first season. So, if you're thinking of introducing friends to Ranma, the first season is a must-buy, and the second season is less necessary.

Getting better...
Okay, with the second season of Ranma 1/2(or the first, since this in Japan they started a new Ranma series beginning with this season), we can see that the characters are starting to get more in place, and although Akane and Ranma are still slightly out of character from the comic, they aren't treated as bad as they were in the first season. Ranma switches outfits in this season to the one he usually wears(in the comic, although he has a blue shirt instead of a red one). More of the characters are introduced, including Mousse, Happosai, Cologne, and Sasuke, who is an original character(voiced by Shigeru Chiba, who also voiced Raditz in Dragonball Z and Kuwabara in Yu Yu Hakusho). I do feel Sasuke is a bit out of place(I would have preferred Hikaru Gosunkugi from the beginning), but I can adjust. The animation gets a bit screwy at times, but it's pretty good, more or less. The dub actors seem to be getting a bit more in tune with the characters, although Ranma at times sounds really screwed up, like when he screams, "I'm REALLY angry!," at Mikado. But, the series is getting improved. Well, on to season 3!

Looking for good laughs buy this!
if you're looking for good laughs you should by the Ranma1/2 Series one of the funniest shows in tokyo. Im 17 and i just got into ranma1/2 this was the 1st ranma season boxset i bought. Other good series are Tenchi muyo, Sailor moon, Cardcaptor Sakura, love hina, and blue seed. But this is the funniest anime series ive ever seen.


Puccini: Madama Butterfly
Released in DVD by Columbia Tri-Star (26 February, 2002)
MPAA Rating: NR (Not Rated)
Director: Frédéric Mitterrand
Like the finest of film scores with its fluid beauty and succession of intensely romantic tunes, Puccini's opera Madame Butterfly has a surprisingly cinematic feel. In 1995 director Frederic Mitterand exploited this quality of the story, exposing a young woman's disillusionment against a backdrop of cultural chasms. Shot on location, with Tunisia doubling convincingly as a turn-of-the-century Nagasaki, this Butterfly shines with fragile beauty. The house becomes a brilliantly used set, at once airy and full of the scent of flowers and at the same time a cage for the trapped woman. Archive footage of bygone Nagasaki is used skillfully to underline the distance between the 15-year-old bride and Pinkerton.

Purists may prefer a more traditionally robust, stage-bound Butterfly, but you'd be hard-pressed to find a more visually heartbreaking interpretation. Chinese soprano Ying Huang doesn't rock the rafters with her vocal power; hers is a tender, delicately observed performance. Tenor Richard Troxell's self-seeking Pinkerton is well sung. Overall, this is a haunting cinematic treatment of an enduringly popular opera. --Piers Ford

Average review score:

A Butterfly in a Cage
"I am like the goddess of the moon,
the little goddess of the moon
who comes down by night on the bridge of the sky." ~Butterfly

I love this romantic escape into a fantasy world of dreamy opera and sometimes the singing can literally make you heady. I fell completely in love with this story after listening to a 1987 London recording from the library.

The story begins near Nagasaki, although this movie was filmed in Tunisia. A Japanese house, terrace and garden is situated on a hill overlooking the harbor. There is a sense of serenity and peace, but this does not fully represent the future.

Lieutenant Pinkerton (Richard Troxell) is selecting a home and Goro brings him into the house to show him all the benefits of the house. He in turn thinks the house is "as delicate as a puff of wind." Which could rather be used to describe his commitment to his new bride, Butterfly (Ying Huang). We can't quite figure out why this naval officer wants to buy a bride when he is just going to leave her trapped in a beautiful cage for three years.

Is this not the entire fantasy of the knight who rescues a woman and then puts her in a tower? Yet, here the knight and the maiden don't seem to share the same commitment to one another and when the knight leaves, he seems to forget to even send a note back to the maiden.

The love duets are magnificent and beyond compare. The world literally dissolves when you watch this movie. The letter scene gives you hope and yet the sheer tragedy of the situation reaches new levels when Butterfly tosses Sharpless out of the house due to his heartless comments about her accepting a proposal from Yamadori.

I also love Butterfly's sweet innocence when she asks when the robin builds his nest in her husband's country, because in her country it has built a nest three times and she can't understand why her husband has not returned. He promised he would return when the robin was building his nest.

Butterfly has many opportunities to escape her cage with a variety of suitors, yet stays completely faithful. She lives with her maid, Suzuki. They almost run out of money while waiting for Pinkerton to return. When she realized Pinkerton has finally returned, she takes flower petals (peach-blossom, violet, jasmine) and strews them all over the house. She then falls asleep, exhausted from waiting up all night.

"Oh, the bitter fragrance
of these flowers
spreads in my heart like poison.
Unchanged is the room
where our love blossomed.
But the chill of death is here.
My picture...
Three years have passed
and she has counted the days and the hours!" ~Pinkerton

"Madame Butterfly" is an exquisite and faithful cinematic adaptation of Giacomo Puccini's Opera "Madama Butterfly" set in Japan in 1904. It is really a heart-wrenching story of a young geisha who sacrifices her religion, family and life with a more suitable partner, like Prince Yamadori, while she waits for Lieutenant Pinkerton to return.

Unfortunately, a rash decision does not allow her heart to heal. This movie is just mesmerizing, heart breaking and terribly romantic. If you want to create a romantic atmosphere, watch on a rainy afternoon with a jasmine scented candle and jasmine tea.

You can find the following items here at Amazon: Jasmine Yin Hao Tea, One Dozen Jasmine Honey Votive Candles, Jasmine Sensual Body Massage Oil, Butterfly Notebook, Crackler Butterfly "cat toy," Water color butterfly rug, Tiffany Butterfly Light, Butterfly Serenity Sphere, Lenox Butterfly Meadow Enamel-Coated Steel Tea Kettle and a Butterfly Cookie Cutter.

~TheRebeccaReview.com

Exquisite
I cannot imagine a better movie treatment of Madama Butterfly than this. In fact, it may be a long time before another one is attempted, simply because this is one tough act to follow. The setting, the costumes, and above all, the casting ... it is so obvious that everything in this production was planned and executed with tender loving care.
My teenage niece was captivated by this opera (after telling me she wouldn't like it!) She has since bought her own copy and it has opened up a whole new world for her.
This DVD never fails to give me goosebumps ... even when I just THINK about some of the scenes and arias!! It accomplishes the essential B and P of opera--Beauty and Passion--wonderfully. "Madama Butterfly" is one of my three favorite operas on DVD--the other two being "Otello" with Placido Domingo, and of course, Ingmar Bergman's "Magic Flute."

A Deeply Moving Production of Remarkable Beauty
Madam Butterfly is the story of a young Japanse woman of great determination who marries an American sailor in the Japan of a century ago. The haunting tale is captured in the delicate and poignant music of Puccini. Scorsese's production is remarkable no only in the excellence of its sound but in its visual power. It brings Pinkerton (her husband), Butterfly, and traditional Japan to life. I believe that all those who know and love the opera will be enthralled by this production and that those new to opera will find no better place to explore it.


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