Costumes Movie Reviews
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Funny Stand-up

Bravo, Jose Cura!His performance on this DVD is so focused, so dynamic it is exhilirating to watch. His voice is so powerful yet exquisitely beautiful.
This DVD would have received 5 stars if the audio quality would be better. The recording is in 5.1 dolby digital however, there is an odd microphone buzz evident in some of the quieter moments. Why can't opera and concerts like this have the same excellent audio quality as the One Night Only Bee Gees DTS DVD? However, despite some audio quality qualms, it is a very realistic sounding DVD, it really sounds as if you are in the church audience.
I highly recommend this DVD, Jose Cura is an exceptional artist.


Music for everyone's ears.

worth buying

A Good Renaissance Opera Production

Un 'Rapto' para disfrutar.La produccion escenica, del Maggio Musicale Fiorentino, es muy bella visualmente, con notables decorados y vestuario, y detalles de muy buen gusto (la llegada del barco, el cocodrilo...)
ZUBIN METHA dirige a la orquesta con suma correccion, lo que termina de cuajar una version muy recomendable de la gran opera mozartiana.


Defending against a knife attackThe film covers the basics very well, and in detail. All the techniques they instruct are very simple, and you get the impression that that's all that is needed (I haven't been in a knife fight, so I have no experience myself). The instructors (Marc Mac Young and Richard Dodson) explain very well all the techniques, and they also demonstrate why these techniques are good and effective. There is also much humor in the film, making the film enjoyable to watch.
The instruction of the film is very good, but the production is not of the same standard. With better production, this film would be worth 5 stars.
Run time: 59 minutes
DVD extra: Winning a street knife fight (59 minutes). Also available separately on VHS; see separate review.

The opening scene of La Vie Parisienne takes place in a railroad station around the year 1860; tourists are pouring in from all parts of the world, many in colorful foreign costumes, including a Swedish woman, the Baroness Gondremark, who is chosen as the target for a seduction attempt. An elaborate series of deceptions fills out the plot and--more important--supplies opportunities for a dazzling variety of clever song and dance numbers. --Joe McLellan

Tasteful, But Slightly 'Dry'But note I have given this DVD 4-stars. If you like Hoffman and modern Paris drama sung in French, this DVD might interest you. The acting and the costumes are intriguing, as is the storyline. You have to give these performers a lot of credit, for the lines they sing are incredibly challenging in terms of syllabic structure, rapidity, and intonation. These are expert thespians and I would love to watch them perform in something more 'rich' than this slightly dry "La Vie Parisienne.'
This can hardly be called an opera, however, for it really is more like a play which is sung. When I think of 'opera', I think of 'Lakme,' 'Madame Butterfly,' or 'Turandot,' not 'La Vie Parisienne.'

The plot involves a gang of 19th-century robbers lurking in the Alps to trap travelers, but this production recasts them as modern gangsters in Chicago. It works well enough, except that the text keeps referring to mountain passes, tunnels, etc. while the scenery shows what looks like the lobby of a luxury hotel. Still, the music is delightful and the singing and acting are excellent, notably Michel Trempant as the bandit leader and Valerie Chevalier as his daughter. --Joe McLellan

Although not wellknown, the music is so enchantingThe disappointment only lies in the contemporary costumes which leave us no imagination of the crude and rough gang of bandits, as in here they just look like a bunch of office executives and employees on a union strike rather than a gang of robbers. They were dressed in ties and jacket or pullovers,while the daughter Fiorella and the other ladies were dressed in the contemporary Parisienne's way. Furthermore, the background set consisting of a glass building, fails to describe the sinister hills and woods in which robbers usually live in the old days. When the Duke of Mantua was lost and came crashing down the hill into the valley, he actually came crashing down the ceiling like an ordinary workman, while he misplaced Fiorella as a shepherdess dressed in an elegant formal suitdress. It may be the newest trend to modernized the performance this way, however for this kind of story it would be more fascinating if presented in the original form.
Nevertheless, forget inappropriate costumes or background set, the singing and the music is so delightful and excellent that we enjoy it so much.

The musical direction is in the safe hands of Wolfgang Gönnenwein, who favors the occasional swift tempo as in the "March" to Act II. The cast includes one exceptional singer, the soprano Ulrike Sonntag as Pamina, happily partnered by Deon Van Der Walt as Tamino. Thomas Mohr is the characterful Papageno, and Andrea Frei as the Queen of the Night does well with the coloratura runs of her fiendishly difficult arias, though she sounds less secure in her slow music. As Sarastro, Cornelius Hauptmann makes up for some wooden acting with his sonorous bass. One takes away from watching this production a renewed admiration for Mozart and his librettist for an opera that, in its mixture of spoken dialogue and musical numbers, anticipates by 150 years the musicals of Rodgers and Hammerstein. --Adrian Edwards