Costumes Movie Reviews
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Not so good, but...
A most enjoyable concert

The greatest stand up TV Show!
25 Year-old Comedy FanThere is a whole lot of cussin' and swearin', so if you're faint of heart with regards to profanity, you're going to want to avoid this whole series. Definitely, this DVD is worth the money. I had several friends who used to tape every episode when it used to come on HBO. This saves us a lot of trouble. The picture quality is good considering it was ten years ago and the sound is great. If you like good African American comedy, pick up this DVD. I'm going to check out the rest of the series.


Not as good as volume 1
Tucker, Mac slaughtered it!!! Rock was lacklustreA great buy!!!


Rapid fire instructionThe large amount of techniques forces Habermehl to go through them in a hurried manner, not explaining the techniques fully. More detailed treatment would have increased the rating of the film. Another problem with this many techniques is that if you try to learn them all, you end up not knowing any of the techniques properly. Therefore, it would be wise to choose some of the techniques to learn, and discard the rest (at least until you have mastered the ones chosen first). The techniques itself seem quite realistic, and there are some very interesting variations.
I don't recommend this film to a beginner. Not because the techniques are hard, but because they are not instructed in enough detail. This film would serve best, if someone with enough skill in self defence would see it through, and then choose some of the techniques, and pass them on.
Run time: 2 hours
Awesome MaterialWorth every penny!!!


Puccini-Tosca
Splendid production

Barbara Hendricks - La Voix si Belle

Interesting, But Not What I Thought I Was BuyingAs a documentary, it's very, very good. Eddie Izzard, Parkinson, Dustin Hoffman, Whoopi Goldberg, Robin Williams, Dame Judi Dench and Billy, himself, turn up in interviews here.
But don't buy it if you are wanting to just see his standup.

Death in Venice distills themes found throughout Britten's work: the loss of innocence; the relation between illusion and reality; tensions between society and the alienated individual; mysterious encounters that defy rational explanation. This carefully organized production offers virtuoso performances by Robert Tear as the writer and Alan Opie as a sort of doppelganger in a half-dozen cameo roles. It will delight hard-core Britten enthusiasts, but is not the most suitable way to begin an acquaintance. Those approaching Britten's operas for the first time are advised to start with the witty Albert Herring, the spooky Turn of the Screw or the tragic Peter Grimes, all of which exist in good video recordings. --Joe McLellan

Excellent production but problem with storyAlthough this is in English, I wish subtitles were available, as they would have made it decidedly easier to understand the entire opera. Fast moving choruses are indecipherable without them. I definitely got more out of this by reading through a libretto as I watched. Still, if you can embrace the story, this is recommended. By the way, the production is not from 1973 but from 1990.

The cast is small and excellent: Robert Gard is the aging writer, Christoph von Aschenbach, whose genius has dried up but seems about to revive in the contemplation of an aristocratic boy he encounters in Venice. John Shirley-Quirk contributes equally to the effect in a half-dozen cameo roles that he pioneered in the first production under Britten's supervision. Steuart Bedford conducted that premiere, working closely with the composer. Director Palmer takes full advantage of the film medium's freedom to make Venice a character--monumental and crumbling buildings, seascapes, canals, bridges, and gondolas; the visuals are often breathtaking. --Joe McLellan

Tadzio Too Robust
L'Etoile has a silly, complicated plot that the Opera de Lyon's cast handles with the right light touch--particularly Georges Gautier as Ouf I, ruler of an imaginary kingdom, and Colette Alliot-Lugaz, performing brilliantly in the trouser role of the little peddler Lazuli, who is chosen to be executed in celebration of Ouf's anniversary. --Joe McLellan

Chabrier L'Etoile
Well, you can find reasons to buy this one: first of all, the music - although these two works deserves better interpretations, here we can listen some pleasant moments. Isn't a first class perfomance (like in Messiah's DVD with Cleobury, or The Creation's DVD with Schreier), but an accetable one. Other reasons are a good work from a young conductor, the quality of soloists, good sound and images (a beautiful church in Paris), and the director's work.
So, if we don't have a definitive version of this couple, let's enjoy this one (two curiousities: mistakes at subtitles informing the dates of the death of both composers, and there is interventions of woman's choir at some parts of Stabat).