Costumes Movie Reviews
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Excellent historical perspective
Very Good, not perfect
I Love this DVD, A Must But for Violin Enthusiasts

Shocked by the Power of Great MusicI like this DVD, the tracks are very good performed. There's good dancers and also backstage footages! Very good material indeed! Kylie sings also the classic songs like "Put Yourself in My Place", "Hand on Your Heart", "Better the Devil You Know" etc.
The new songs and old classic sound good together. Maybe the only bad thing is that there's no "Loco-Motion" and the classic track "I Should Be So Lucky" is very short and peaceful. I recommend the DVD "Live in Manchester". It has those songs very good performed! Especially "Loco-Motion".
The Track list:
Love Boat
Kookachoo
Hand on Your Heart
Put Yourself in My Place
On a Night Like This
Medley:
[Step Back In Time
Never Too Late
I Wouldn't Want to Change a Thing
Turn it into Love
Celebration]
Can't Get You Out of My Head
Your Disco Needs You
I Should Be So Lucky
Better the Devil You Know
So Now Goodbye
Physical
Butterfly
Confide In Me
Kids
Shocked
Light Years
What Do I Have to Do?
Spinning Around
+promo video "Spinning Around"
PERFECT CONCERT!I LOVE YOU KYLIE!!!!!!!!!!!!
Aussie Diva has the world in her handsHow to sum up Kylie: Live in Sydney?? If you have the DVD or when you purchase it. Pay attention to the the song "Shocked" -watch out for a young girl about 8 yrs old in a pink top.. her Facial expression says it all!!! with mouth and Eyes wide open, she looks like shes about to jump out of her skin with pure joy and excitement!
This DVD is a must! here is what some leading Aussie news papers have to say-
"To the delight of the screaming crowd she sings her latest hits, including her number one single Spinning Around. Its an intoxicating mix of pop, cabaret, camp, glitz and glamour and adoring crowd - Throngs and throngs of Gay men, Couples and teenagers Lap up every single foot-tapping minute of it. Kylie is in her element, revelling in her status as the Queen of Pop - a Woman at the Apex of her Career" - Daily Mail
"...Tonights show scales heights of theatrical aceness...GENERATION K..has glimpsed heaven. And, that is just slightly wonderful." NME
"...If her sell-out concerts and stunning performances are any measure, Kylie's Pop Crown looks safe for many years to come". Sunday Mirror.
"..As well as a formidable singing voice, she has a personality all her own, and its shines best amid Hi-NRG beats, Sliver tassels and six inch stiletto heels...its Riotous fun...a fantastic encore..has the audience screaming themselves silly" The independant.
and i would like to say-
"Buy this DVD and become apart of Generation K, and Enjoy the Experiance which is Kylie, The Aussie Diva. " - Me :-)

These are small points, but for the treatment of the Fledermaus music, without other considerations, I would pick another Covent Garden video production, the 1984 gala, starring Kiri Te Kanawa, Hermann Prey, and Benjamin Luxon, with Placido Domingo conducting and, in the last act, singing a few notes.
That becomes irrelevant, however, because this production preserves a very special occasion: the 1990 New Year's Eve Gala in which Joan Sutherland made a cameo appearance--her Covent Garden farewell performance--during the party scene. She brought with her two of the outstanding partners in her career, Marilyn Horne and Luciano Pavarotti. All were in very good voice, and they rose to the occasion with some extraordinary singing. Highlights of the hors d'oeuvres include Sutherland's simple, eloquent "Home, Sweet Home," Horne's performance of "Mon coeur s'ouvre a ta voix" from Samson et Dalila, and Sutherland and Pavarotti in the heart-breaking duet "Parigi, o cara" from La Traviata. --Joe McLellan

Pettyness is unforgivable at anytime
Most festive farewell to Dame Joan, Prima Donna AssolutaThe bonus is the retirement of the one and only La Stupenda. Who, at 63 still raises the temperature of the House when she entered it. Along with Pavarotti and Horne (both of whom adore her), they sing up a storm. No, Sutherland had sung better. But this is her retirement. She was all choked up. Pavarotti and Horne sung stupendously in their tribune to one of the most celebrated and beloved of all opera singers.
Bravisima, La Stupenda, we adore you. And agree with the countless opera fans who consider you,
Prima Donna Assoluta, for all time.
Sutherland remain Prima Donna Assoluta...per sempreThis is the party of the year. I dare say the biggest and funnest fanfare I've ever seen. I'll be sure to watch this every New Year's eve.
I can't help but be sad at all these terrible remarks from bashers that are uncalled for. Please, I beg you, stop. No one deserve a one star review unless the reviewer wants blood. That is just unfair. I understand the anger, but please take it out by writing positive reviews of your favorite diva rather than taking it out and writing negative reviews of your favorite singer's rival.
Is it one basher, two, three,four bashers, or more? That, I don't know, but they are doing Dame Joan a lot of harm. I wonder if these people know that they're actually causing pain for a lot of Sutherland's fans as well as for the Dame herself, that is just unfair.
Sutherland, Callas and Sills are three of the most respected singers of our time. We should be happy that so many recordings preserved for our enjoyment and for future generations of enjoyments. Let's compromise, hear me out please.
I can see both side. But the Callas and Sills fans bashed Sutherland's roles for over a month before any really bad reviews of one star started to go the Callas domains. I see this by reading the reviews and the dates.
I ask for a compromise at least. I don't think that Callas, Sutherland or Sills ever deserve one star reviews. That's for really terrible singers. If you really want to criticize or demean another singer. Three stars should be enough. To continue this is to hurt others. And that's just not right.

The performances date from Sutherland's prime years; the material was selected to show her at her best, carefully staged and sensitively filmed. For the ensemble numbers (the Quartet from Rigoletto, the Sextet from Lucia, and the climax of Act II of Tosca), she was given ideal performing partners (notably Tito Gobbi and Nicolai Gedda), but the most spectacular number is a solo, a mad scene from Lucia, telecast in 1962 and lasting nearly a quarter-hour. All except the first two numbers are filmed in color. --Joe McLellan

A testament of a great singer
Great sound and picture of a historic DVDThis is the most spectacular display of singing I've ever heard. I hate saying it, it sounds like a cliche. But I have no way of stating what is the absolute truth. This recital is nothing sort of phenomenal. Everything you've heard about Dame Joan being the greatest coloratura on the planet I will echo. And I can't even find words to describe just how stupendous this Dvd is. All I can say is, get it, listen to it, and you'll fall in love with it.
GOOD PICTURE! GOOD SOUND! STUPENDOUS SINGING!The highlights are too many to name. But for sure the mad scene from Hamlet is one of them. She tosses off coloratura scales and runs like they were nothing, staccatos like a machine gun, and her high notes are awesome! They are huge... yet full of ring and they are as clear as can be. Oh, yeah, they're also dead on and effortless. As for her celebrated trill, it's in full bloom here. She can do it flawlessly with ease and as high as high B!
Absolutely the highlight of the entire set is another mad scene, the one from "Lucia di Lammermoor". Dame Joan sings this better than both of her legendary recordings for Decca Records. You have to see this one to believe it. I personally had my jaws dropped on the floor for the entire scene. Actually my jaws were dropped from the first aria of this monumental DVD to the last. This really is Dame Joan Sutherland in her prime. The very best.
I give this the highest recommendation I can make.


I loved the interpretation of the opera.
Best Traviata
Seeing is BelievingAs for the rest of the cast, I must agree with one of the other reviewers in saying that a more lyric tenor then Lopardo would have been better. Alagna would be an obvious choice for me given his voice and his ability to compliment Gheorghiu's voice and vice versa. Doming would have been wonderful, however he is too old at this point for the role opposite Gheorghiu. Having said this, Lopardo does a credible job and does not detract from the performance though he is not spectacular. Nucci is fantastic as alfredo's father. His voice is in great form, and his performance is very refined. A wonderful choice for the role.
As for the rest of the production, Solti's conducting was rock solid as usual despite his advanced age. He was deeply involved in the production, and the orchestra showed it. The set was traditional, and the costumes were some of the best I have ever seen.
I must comment briefly here on those reviewers that rank this performance as a one or two star effort. These people are those that dislike Gheorghiu for whatever reason. They will never like anything she does because of a personal dislike for her, rather then the quality of her performance.
All in all this is a must buy.

The visual challenges of Turandot are formidable, and they are met spectacularly in this production, filmed on location in the Forbidden City, where the story takes place. Turandot is a princess to die for. Dozens of foreign princes have literally lost their heads after seeking her hand in marriage and failing to solve three riddles. Ideally, a Turandot should have the voice of Birgit Nilsson, she should have the looks and acting skills of Teresa Stratas in her prime, and it's nice if she at least appears Chinese. Soprano Giovanna Casolla scores a B-plus on these requirements, and that's about the best we can expect. Among other principals, tenor Sergej Larin sings well, looks right, and doesn't really try to act (probably a wise decision). Soprano Barbara Frittoli is superb and the supporting cast is generally good. But what makes this production unique is the setting; you are there in ancient Peking, with its real buildings, flags, armor and uniforms, costumes, and statues of dragons and other legendary monsters.
This is one of the first operas intended for original release on DVD; others were initially issued in more limited formats and have kept their original limitations in the new format. The wider range of options on DVD is significant. Those who will settle for audio-only recordings, which cost about the same and offer much less, should try either of Birgit Nilsson's CD editions (with Björling or Corelli) or Joan Sutherland's. Both of these great divas are, alas, visually inappropriate, offering another argument for this striking visual re-creation. --Joe McLellan.

Wonderful sets, poor acting.
One Of A KindThe main cast, unfortunately, is hard to stand out in such a grand production and on such a huge stage, well maybe with Barbara Frittoli's Liu as an exception. She sings beautifully and wholeheartedly, and she acts. Sergej Larin has a brilliant voice, but his "Nessun dorma" lacks the intensity if compared to Pavarotti's. Turandot is portrayed by Italian soprano Ciovanna Casolla, who sings the character quite well, but hard to fit in the image of a Chinese princess. The three ministers, each of them holding a prop that's kind of confusing: a woman's handkerchief, a calabash (used as wine bottle in old China), and a Chinese abacus, are good to listen but not really nice to watch.
Although relatively highly priced, this DVD has loads of bonus material, including a nice quality PCM audio track of the entire production. After all, this is all about Puccini's music, and Zubin Mehta and the Orchestra & Chorus of Maggio Musicale Fiorentino have made it all the more worthwhile.
Piece of Opera History

Funniest Comedian of this Time
Halarious!!
The greatest stand up video ever!

unbeatable!
The best stand up I have seen !!
Sheer Brilliance!

Altogether Quite a Disappointment1) filmed in 1989, Domingo had well past his prime, hugely different from his own Manon Lescaur , or his Hofmannn with The Royal Opera. It's not just his voice, but also the way he sang: there isn't any freshness to say the least. He nonetheless deserves 4 stars, if not 5;
2) Domingo voice at this age doesn't, nor does any other voice here, mix well with Aprile's ( I'm not comparing her with Schwarzkopf or even with Nuccia Focile);
3) stage settings are unnecessarily dull. For the first part the chorus singers were just human properties standing there virtually without any action/movement even when they sang. A sharp contrast to Careras' Carmen with Baltsa;
4) photography is poor, not much better than B/W. Very often singer(s) were about 1/10 of the size of the screen, or else close-ups of the singer to cover only half his chest, without his hands and then shot at an awkward angle etc. Lighting is so poor that often the texture and colour of some of the facial expressions, costumes and properties are indistinguishable.
5) More is desrirable of the balance between the orchestra with the vocal. I miss Vienna Philharmonic, say those under the baton of Furtwangler e.g. Don Giovanni.
6) Dolora sang beautifully but the Egyptian king was not too gratifying...
Even though Aida is one of my favourite operas, I don't feel like going back to it, at least not for quite sometime.
"Aida" Exemplary of Metropolitan At Its Best
Get it
I especially enjoyed a performance brought together by the filmmaker which was comprised of a seamless sequence of audio and video montages, sections of which were performed by differing masters allowing the viewer to directly compare and contrast the unique sounds and playing style of each master. Bravo!
I purchased this DVD to inspire my 12-year old son to in his violin practice and performance as well as to provide some wonderful musical role models. This DVD definitely fit the bill. In fact, now I am ready to take up the violin too!