H Movie Reviews


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Family movie reviews for "H" sorted by average review score:

SpongeBob SquarePants - Sponge Buddies/Nautical Nonsense
Released in DVD by Paramount Home Video (13 May, 2003)
MPAA Rating: G (General Audience)
Directors: Walt Dohrn, Sherm Cohen, Jay Lender, Dan Povenmire, Aaron Springer, C.H. Greenblatt, Paul Tibbett, and Sam Henderson
Split pants, bad breath, and time travel are just part of the nonsense the animated sponge and his undersea buddies are up to in this installment of the popular Nickelodeon series. The cheerfully inept SpongeBob splits his pants while hoisting marshmallows in a weightlifting competition, to the amusement of the crowd. So if it's funny once, it must be funny five times, right? Next, Squidward gets trapped in the Krusty Krab freezer and time travels to a future of Spongetrons and back to a prehistoric SpongeBob and Patrick--not a pretty sight. There's also a cure for Sandy the squirrel's homesickness for Texas, underwater ghost stories when SpongeBob and Squidward work the night shift, and the sponge's aforementioned sea onion breath in this 10-episode compilation. Don't look for any double-entendres to amuse the parents here; this two-hour collection of goofing around is strictly for kids, ages 4 to 10. --Kimberly Heinrichs
Average review score:

Nautical nonsense is what I wish
SpongeBob is good for all ages. He's entertaining for the kiddies, and there is a lot going on that you have to be an adult to understand. SpongeBob is just the latest of many great cartoons. But unlike South Park (which you should never show your kids), and Ren & Stimpy (another cartoon I loved, but I really don't think it was fit for children), this is a cartoon the children can enjoy (like The Simpsons, but easier for them to understand). And this dvd contains over two hours of SpongeBob and his friends. There are 10 episodes, including some of SpongeBob's best: 'Ripped Pants,' 'Something Smells,' 'Jellyfishing,' 'Wormy,' and 'F.U.N.' (with Plakton). And also on this dvd is 'Texas,' which is not only the funniest SpongeBob episode, but one of the funniest things I've seen. And you can watch this with the Backstage Pants featurette, where you can branch out and watch some behind-the-scenes footage while viewing the episodes. There is also the Violent Femmes singing Sponge Bob and all kinds of extra behind-the-scene footage. 2 hours of SpngeBob and Patrick. How can you pass this up? Especially with the classic 'Texas' alone worth the price of the dvd.

F.U.N. for those who think its funny.
Included on this disc are 10 hilarious episodes of Spongebob Squarepants. Once you buy this, you have 2 hours of Spongy-ness at your fingertips. Just pop it in and hit "play all 10" and there's an evening of entertainment right there! This DVD includes everything on the two VHS tapes (Nautical Nonsense & Sponge Buddies) available now so DVD is definitely the way to go. The episodes are as follows and in this order: "Ripped Pants", "SB-129", "Texas", "The Graveyard Shift", "Something Smells", "Jellyfishing", "Dying for Pie", "Wormy", "F.U.N.", and "Club Spongebob". The extra features are "Backstage pants" -an optional feature that you switch on before watching and at certain points in the episode you may go backstage to meet characters and crew, "More Spongebob Secrets" - a look at things like recording the voices, animation process, and sketching characters, and the Violent Femmes sing "Spongebob Squarepants". The DVD is great fun and if you or your kids love it, its worth the buy! The only gripe I have is that I wish they (Paramount/Nickelodeon) would have just brought out the first season of the series and then subsequent series after that. I think they would have sold just as well that way. Anyway get this DVD soon!

Some things you will hear on this DVD:
"I BURNT MYSELF!!!...at night."
"Are you ready now?, How bout now?, now?"
"Can we say that shoes from Texas are dumb?"
"Get a dog little oggie."
"Am I ugly?...Am I ugly?...Am I ugly?"

Something you will learn from this DVD:
You may not be ugly, it could be your ketchup, onion, and dirt breath!

Something you will do while watching this DVD:
Laugh hard enough to rip your pants!

At last-they've got SpongeBob on DVD
Wow! Now people without cable can see some episodes of SpongeBob SquarePants! This DVD contains some popular episodes, such as "Texas" with the song "I Want To Wake Up In Texas", and the episode, "F.U.N." with the FUN song. The DVD also has the episode, "The Graveyard Shift" which would have been good for the next DVD, "Halloween."


Searching For Bobby Fischer
Released in DVD by Paramount Home Video (11 July, 2000)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Steven Zaillian
Starring: Joe Mantegna and Ben Kingsley
Steve Zaillian, the Oscar-winning screenwriter of Schindler's List, made his directorial debut with this critically acclaimed but little-seen drama based on the nonfiction book by Fred Waitzkin, about a father (Joe Mantegna) who discovers that his seven-year-old son (Max Pomeranc) is a genius at playing chess. The boy plays chess for fun, but when he's tutored by a former champion (Ben Kingsley) and entered into high-pressure competitions, an enjoyable pastime becomes a source of tension and resentment, forcing the father to reconsider his parental priorities. A poignant study of the difference between parental idealism and proper parenting, the movie is also an observantly witty portrait of a precocious child who is still, after all, a child, and still eager for the joyful discoveries of youth. While offering a fascinating look into the world of competitive chess, the movie's dramatically engrossing and extremely well-acted by a brilliant cast that also includes David Paymer, William H. Macy, and Dan Hedaya in memorable supporting roles. --Jeff Shannon
Average review score:

Review by Mrs. Landsman's 9:40 Summer Class (3rd-5th grades)
What if you were one of the best kid players at chess in the U.S.? It started off pretty unusually for you. You learned chess so quickly by simply watching people play in the park. Now, people are saying that you play like Bobby Fischer, who was one of the most amazing chess players ever. What would you be like if this was happening to you? This is what occurs in the movie, Searching for Bobby Fischer.

This movie had a great plot, and it also had a super screenplay. The characters were interesting. Some of the acting of the scenes was excellent. It really made sense how the characters developed. The climax was intriguing and the denouement was satisfying. There was some humor in it, too.

There were also some little flaws in the film. Some parts were upsetting. There was not a lot of action in this film. This movie may not be so good for kids that are younger than 7 years old because they may not understand it.

We recommend Searching for Bobby Fischer to kids and adults. However, if you like action a lot, then you wouldn't really be interested in this movie. We liked it through the whole movie and we hope you enjoy it, too.

No, it's not really about chess....well, not just chess.
This is not a movie only about chess any more than "Field of Dreams" was only about baseball. This is about a father who wants his son to excel, and about a son who just wants his father's love and approval just to be a "normal" kid. "Chess" in this movie could have been a metaphor for any special "gift" or talent, but it is important to mention that this film is based on real-life persons and events.

This is a story about finding one's character and courage in the face of mounting pressure and high expectations. It's about a very young boy who wants to be sure his father loves him for who he is, not just for what he can do.

Written and directed by Steven Zaillian (who wrote, among other things, the screenplay for Spielberg's "Schindler's List"), SFBF is a heartwarming movie that has you rooting and cheering. And young Max Pomeranc is a real fine young actor! Multiple Oscar-nominee Joan Allen plays the boy's mother in this film, and here she continues to solidify her position as one of the most wonderful actresses working today. Will she EVER get the widespread recognition she deserves?

Great Photography
Just a note about cinematography. This is the most amazingly natural look in a film that I have ever seen, and to have assisted at a talk given by Conrad Hall it sounsd like he was more pleased with his photography work in this movie than that in "American Beauty" for which he received an oscar for Best Photography. The beauty of this film is that you son't realize how beautiful it is untill you watch it a second time, the first time you're too occupied with the story and the sheer "naturality" of it, but look at it again, look at the scenes in the boy's bedroom, the first time you saw it you were probably induced into thinking that they got the this kid's room in an actual house and just pointed the camera and shot, the second you realize the excruciating care put into lighting this scene. But also, and more importantly, the scenes in the Chess halls, when Ben Kingsley instructs the child the contrasts between background and foreground, dark areas and bright area is absolutely perfect. Just beautiful!


The Gods Must Be Crazy
Released in DVD by (1980)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Jamie Uys
Starring: N!xau
Three separate story lines set in Africa eventually come together in this 1980 film by Jamie Uys. (The film wasn't released in the U.S., where it became a huge hit, until 1984.) Story one involves a bushman whose discovery of a Coke bottle causes consternation among his tribe, story two concerns an awkward romance between a clumsy scientist and a sweet schoolteacher, and the third plot involves a group of terrorists on the run. Slapstick, satire, romance, violence--it's all here in a somewhat bumpy but entertaining movie. --Tom Keogh
Average review score:

The Gods must be crazy - First edition
Dear Lord, this is by far the funniest, fun, and educated movie that has come out of Africa. I can never get enough of it. Thus far, I have watched this movie three times and I am dying to see The Gods must be crazy 11. My only question is, when will Amazon get both films in DVD version? I cannot wait to by both of them once the DVD version is released. Please get out there and rent the Gods must be crazy film. It is truly entertaining for the entire family. I am totally crazy about this movie.

One of the BEST movies I have EVER seen!
Not only is this movie hilarious, it is an excellent illustration of why it is SO IMPORTANT to always be ready and willing to delay, or even suspend judgement, especially when viewing something that seems strange or unusual. That it is so easy to misinterpret what we see, and act from our assessments in ways that stifle, injure, even crush, what is (or might be) beautiful, innocent, joyful. The story centers on a Kalahari bushman who is on a journey to the edge of the earth where he hopes to return an item that he believes belongs to the Gods. The sweetness, gentleness, and innocence of this bushman acts as a litmus test of the current state of 'civilized' humankind -- a test that is failed by all but those who possess the kind of heart and spirit that tends to not fit well into society.

We see in this simple man the simple pleasure that we all seek. A reminder of what we were taught to forget. A reminder of how little real life exists in modern life, and how much is missing from the structres that exist in that life.

For those willing to look, the reward surpasses all the fame and riches of the world.

I was crushed when I saw that this movie is out of print -- BRING IT BACK, the world needs it!!!

Ingenious!!! A comic masterpiece....
My mom and dad and I watched this movie one Sunday afternoon (a few years ago...). We didn't realize we had the channel on HBO...we thought we were watching a documentary about Bushmen at first. Then, with the Coke bottle, the crazy British guy who loses his cool around women, and the scene with the rhino and the fire, we were nearly peeing in our pants! The wry British humor and the fact that the characters take themselves too seriously make it even more funny. And the Bushmen, what a hoot! They live life so simply and unhindered by our modern day conveniences that their naivety makes them equally funny...and sweet.

While the movie is hilarious and touching, it is also a great way to see Africa's wilds. And this is one of those movies that is funny not only the first time you see it, but every single time afterward. I love showing this to friends and people who've not heard of it. I get the same reactions everytime -- they nearly die laughing. Buy this movie and add it to your "Favorites". I guarantee you'll chuckle...


Meet Me in St. Louis
Released in DVD by (January, 1945)
MPAA Rating: Unrated
Director: Vincente Minnelli
Starring: Judy Garland and Margaret O'Brien
One of the finest American musicals, this 1944 film by Vincente Minnelli is an intentionally self-contained story set in 1903, in which a happy St. Louis family is shaken to their roots by the prospect of moving to New York, where the father has a better job pending. Judy Garland heads the cast in what amounts to a splendid, end-of-an-era story that nicely rhymes with the onset of the 20th century. The film is extraordinarily alive, the characters strong, and the musical numbers are so splendidly part of the storytelling that you don't feel the film has stopped for an interlude. --Tom Keogh
Average review score:

"Meet Me in St. Louis!!"
Judy Garland comes through again in this marvelous end of an era movie about a family who lives for the St. Louis Fair, and Margaret O'Brien is splendidly cast as the precocious little sister who upsets an entire household with her antics.

"The Trolley Song," "Meet Me in St. Louis," and the ensemble songs and cast makes this a marvelous edition to anyone who likes to collect classic musicals. Enthralling and enchanting!

A Technicolor Postcard From The St. Louis World's Fair
Why isn't this on DVD yet? "Meet Me In St. Louis" is a 1940s look back to a year in the life of the Smith Family of St. Louis, the year preceding the 1904 World's Fair. This movie is visually stunning. The Technicolor photography and the camera setups are amazing (the late-night candle distinguishing is all one shot), a testiment to the talent of Vincente Minnelli and his wonderful cast, particularly his soon-to-be wife Judy Garland, who was at her most beautiful and could transform any song into something magical.

Garland gives generously to her costar, Margaret O'Brien, a sort of Shirley Temple for the forties, who is nothing short of brilliant as the morbid youngest daughter Tootie, with the fascination for "dead" dolls. Her Halloween scene is remarkable and hilarious. The minimalist plot--Will Dad take the job in New York? Will Esther marry the boy next door, John Truitt? Will Rose wind up an old maid, like Katie?--never gets in the way of the lavish staging of the musical numbers. "The Trolley Song" is like a great music video, and "Have Yourself A Merry Little Christmas" is still a standard. Great for the Holidays or any day, this movie is always sure to bring a smile. Watch for a very young June Lockhart ("Timmy and Lassie", "Lost in Space")as Lucille Ballard, the much-maligned New York socialite.

One of the best musicals to have ever been made
This is probably my all time favorite movie and musical. The entire cast is spectacular together. This movie will bring out every emotion you can have, it will make you smile, laugh, and even cry. It is about a family living in St. Louis, whose life is turned upside down by the idea of having to move to New York City. It portrays each characters life, the diferences between them, and everything that they go through. The musical numbers are encredible and very memerable!! They flow with the movie. It does not seem as if they are just randomly put in to make the movie a musical. Judy Garland's voice and dance numbers will give you chills, especially when she sings "Have a Merry Little Christmas." If you like musicals, I believe that you will truely Love this one. I would recommend this movie to everyone.


Mr. Smith Goes to Washington
Released in DVD by Columbia/Tristar Studios (22 February, 2000)
MPAA Rating: NR (Not Rated)
Director: Frank Capra
Starring: Jean Arthur and James Stewart
Political heavyweights decide that Jefferson Smith (James Stewart), an obscure scoutmaster in a small town, would be the perfect dupe to fill a vacant U.S. Senate chair. Surely this naive bumpkin can be easily controlled by the senior senator (Claude Rains) from his state, a respectable and corrupted career politician. Director Frank Capra fills the movie with Smith's wide-eyed wonder at the glories of Washington, all of which ring false for his cynical secretary (Jean Arthur), who doesn't believe for a minute this rube could be for real. But he is. Capra was repeating the formula of a previous film, Mr. Deeds Goes to Town, but this one is even sharper; Stewart and Arthur are brilliant, and the former cowboy star Harry Carey lends a warm presence to the role of the vice president. Bright, funny, and beautifully paced, Mr. Smith Goes to Washington is Capra's ode to the power of innocence--an idea so potent that present-day audiences may find themselves wishing for a new Mr. Smith in Congress. The 1939 Congress was none too thrilled about the film's depiction of their august body, denouncing it as a caricature; but even today, Capra's jibes about vested interests and political machines look as accurate as ever. --Robert Horton
Average review score:

A Masterpiece
Frank Capra and Jimmy Stewart may be gone, but their movies will live on forever. Both men were at the peak of their powers when they made this powerful film about corruption in our government. This film has all the elements of a classic: a quality screenplay that is both moving and funny, marvelous direction, and a supurb cast that includes Stewart, Jean Arthur, Claude Rains, Edward Arnold, Thomas Mitchel, and Harey Carey. Stewart is Jefferson Smith, an optimistic young scoutmaster who is called upon by corrupt government officials (Arnold and Rains) to take a seat in the U.S. Senate. They assume he will be easy to control. However, when Smith introduces a bill that would build a camp for boys on the same land they need for their own illeagal activities, they try to destroy him. Realizing the corruption around him, but still holding true to his idelas, Smith, with some help from his secratary Saunders (Arthur), takes his case to the floor of the Senate, and hope he can bring out the humanity still left in the other Senators. Every good American should see this movie at least once. As he would later do in "It's a Wonderful Life," Capra strikes a chord that everyone watching can relate to. Don't be surprised if this film brings out the optimist in you!

A James Stewart and Frank Capra Movie- What Do You Expect?
It isn't hard to imagine that our founding fathers envisioned politicians like Jefferson Smith. Of course we all know that a man with such integrity and idealism could never achieve political office. The reason: It's right there in this movie. The Jim Taylors and Sen. Paines would never allow it. Mr. Smith Goes To Washington isn't as artistic a film as Citizen Kane or One Flew Over the Cuckoo's Nest, but it's quite simply the most entertaining and moving film I've ever seen. The reason: It's right there in the movie. The greatest film actor of all time, in arguably his greatest performance, and, in terms of commercial success, the greatest director in arguably his greatest film. The reason I say arguably is because these two teamed up for another film called It's A Wonderful Life. However, I think Mr. Smith is a better movie. It's able to elicit the same emotion and sentiment as It's A Wonderful Life, but it has a powerful message that drives it. More importantly, Frank Capra believes in his subject and his message. Some people accuse him of making commercial movies, not venturing into deeper subject matter, and painting the world in unrealistic ways. But how many of those same critics aren't completely engrossed in the movie when Stewart filibusters before congress, one of the most powerful scenes in film history. I guess Capra believed that there is a little good in all of us and it takes a Mr. Smith to bring it out of us. That may be commercial, shallow, and unrealistic but it's a nice thought anyway. And I certainly don't want to be the one to prove Mr. Capra wrong. So what's wrong with a movie that believes in Americanism and idealism, especially when it is as well-made and well-acted as Mr. Smith.

Great classic that has stood the test of time
Amazingly, I only just rented this movie and saw it for the first time this week, and I was pleased to see how well this legendary Frank Capra and Jimmy Stewart classic had held up. Stewart won the Academy award for best actor in 1939 for his performance as the idealistic young senator from Montana who triumphs against dirty politics and overwhelming odds--including the collusion and corruption of those who he admired and thought to be his friends--such as his fellow Senator Paine, played by the great Claude Rains. I was equally impressed by Rains's part, and his dramatic reversal of his position toward Stewart at the very end and confession in the Senate chamber about his cooperating with the corrupt Taylor political machine has to be one of the most moving, climatic scenes in cinema--except that Stewart had just passed out from exhaustion after his marathon filibuster--so he didn't get a chance to witness it himself.

I was discussing the movie with someone who knows more about film than I do, and they said that the movie showed what tremendous range Stewart had, from joy to despair, from energetic exhuberance to exhaustion, and from his initial naive idealism about Washington to his quickly wising up about the realities of politics. They said Stewart really never had a chance to show as great a range of emotion during much of the rest of his career, since he was often cast in light-hearted and humorous roles after that. I thought this was an interesting comment about one of America's most famous and loved actors, as his part in Rear Window was certainly a very serious role, but again, I'm not an expert on film history so I offer this comment for what it's worth.

Overall, still a great classic that has stood the test of time, and a must see for fans of old movies, especially Jimmy Stewart, Claude Rains, and Frank Capra fans. And I can't forget to mention the rest of the supporting cast--Jean Arthur, Thomas Mitchell, Edward Arnold, and Guy Kibbee--are also superb.


M*A*S*H - Season Two (Collector's Edition)
Released in DVD by Twentieth Century Fox Home Video (23 July, 2002)
MPAA Rating: NR (Not Rated)
Starring: Alan Alda and Loretta Swit
M*A*S*H redux. Sign up for another stint with the 4077th. This three-disc set contains all 24 episodes from the superb second season (1973-74) of the series ranked by TV Guide as among the top 25 television shows of all time. The season opener, "Divided We Stand," is a deft reintroduction to these now iconic characters: bleeding-heart surgeon Hawkeye Pearce (Alan Alda in his signature role), kindred misfit spirit Trapper John (Wayne Rogers), clueless administrator Henry Blake (McLean Stevenson), buttoned-up Frank Burns (Larry Linville), and unbuttoned head nurse "Hot Lips" (Loretta Swit). In this episode, a visiting psychiatrist evaluates the 4077th to determine whether the unit "can function as a team." His evaluation can serve as this series' mission statement: "These impossible people are in an impossible place doing totally impossible things. They're mad--quite mad." M*A*S*H experienced no sophomore slump from its Emmy Award-winning first season. It continued to subvert sitcom convention with multiple-story episodes such as "Radar's Report." Scenes in the operating room play without a laugh track (this DVD gives viewers the option of watching entire episodes minus the intrusive chuckles and guffaws). M*A*S*H also tackled such issues as racism ("Dear Dad... Three," "L.I.P.--Local Indigenous Personnel"), homophobia ("George"), and war atrocities (Hawkeye and Trapper try to get the Army to take responsibility for the accidental shelling of a South Korean village). Not that M*A*S*H forgot how to be funny. "Five O'Clock Charlie" and "For Want of a Boot" are strictly for laughs. Hawkeye and Hot Lips memorably exchange flu shots in "Carry On, Hawkeye." Loyal viewers will note the emergence of several supporting characters, including Jamie Farr's Klinger and William Christopher's Father Mulcahy. One also sees the (to some) unfortunate transformation of Gary Burghoff's savvy, crackerjack clerk Radar into a naïve innocent. Allan Arbus makes his first appearance as compassionate psychiatrist Dr. Sidney Friedman in "Radar's Report." This second-season set is representative of why M*A*S*H was a cut above. --Donald Liebenson
Average review score:

Great set is missing something, but still great.
The ability to watch every episode without the laugh track is a major bonus. It adds a completely new dimension to each show. For me it actually expands on each character, such as sarcasm is sarcasm instead of a funny or dumb line. If you've ever watched a sitcom without a laugh track that originally aired with a laugh track, you'll know what I mean. The laugh track is ON by default, meaning you'll need to turn it off if you change discs (at least on my 5-disc player).

The DVD set, through the original release of the season two DVD set, does not contain any extras, such as behind the scenes commentary.

The 3-disc DVD set comes in a wonderful keep-case; all plastic. It includes a booklet with all episode chapters, but no extra documentation.

As of this date, there is a long period between the release of each season's DVD set.

I would have liked a "Play All Episodes" option to keep from having to start each episode manually. You may have seen this option on other DVDs where you can play all deleted scenes automatically.

Remember, always release the DVD by pushing on the center post to keep from bending or cracking the disc.

M*A*S*H is Great...DVD needs work
This DVD, as far as the episodes go, is great. I had never seen these episodes unedited before. So for those of you (which is probably most of us) who have been watching it in Syndication, you are in for a real treat. The picture and sound are, well, DVD quality! The original didn't look and sound this good!

However, as far as the "packaging" and extras go, it leaves a LOT to be desired. The only extra to speak of is the ability to delete the laugh track. There are no bloopers, no cast interviews, no "behind the scenes" nor any other of the "extras" almost all DVD's come with. The insert is plain and boring. The episode descriptions are extremely limited, and look as though they were written by someone who had never even watched the show. There is little or no additional information about, for example guest cast or directors, etc.

As for the release schedule, well, come on FOX ... get with the program. Your loyal M*A*S*H fans do not want to wait six or seven years for the last season to finally come out. Take a lesson from Paramount and how quickly they got the entire series of Star Trek: The Next Generation out on DVD. Make it your resolve to get out all 11 seasons of M*A*S*H by the end of 2003 and give us the DVD we really want.. no, deserve!

And, make sure you include the final episode "Goodbye, Farewell, and Amen" as part of the package!

M*A*S*H is back
After spending years waiting for TV reruns, we are finally able to watch our favorate episodes whenever we want. Excellent production.


Harvey
Released in DVD by Universal Studios (06 February, 2001)
MPAA Rating: NR (Not Rated)
Director: Henry Koster
Starring: James Stewart
It's always a small surprise to revisit this movie and realize what a subtly dark performance James Stewart gives as an alcoholic who claims he keeps company with a six-foot-tall, invisible rabbit. As Elwood P. Dowd, the actor emits a faint whiff of decay and spirits, yet Stewart also embraces Dowd's romanticism and grace with splendid ease. Based on a hit play and directed by Henry Koster, the film is terribly funny at times, especially whenever Elwood decides it's only polite to introduce Harvey to complete strangers. The supporting cast can't be beat. --Tom Keogh
Average review score:

Harvey- A Timeless Phenomenon
I owe my introduction to Harvey, and Jimmy Stewart, to my dad who's turning 50 this winter. He wasn't even alive when this movie came out, but it's one of his all time favorites. I'm buying it for him for Christmas and I was so pleased to see that it had come out on DVD. This is such a heartwarming and hilarious film. It's definately one of my favorites.

It tells the story of a man named Elwood P. Dowd who loves to drink, but it doesn't affect his friendly personality. Meanwhile, his sister and niece find him an embarrassing nuicance who is standing in the way of his niece, Myrtle May's, introduction into high-class society. However, Elwood seems oblivious to their behavior towards him and never has anything but a kind word for anyone. Everyone outside his family seems to adore him and his family would love him too if it wasn't for his best friend. A best friend that no one can see. Except Elwood. A 6-foot-tall white rabbit named Harvey. As Elwood goes throughout his day, inviting bums from bars back to their fancy home for dinner, buying people he doesn't even know countless drinks, and giving them his card before introducing them to Harvey, his sister finally decides that that's the last straw and she decides to get rid of him. So she goes to a mental institution to begin the process of having him admitted. And that's where all their problems really begin...

This is a wonderful movie that my entire family makes a ritual of watching at least a couple times a year. My little sister who recently turned 8 right up to my parents adore it and laugh and cry with the characters. I hope you'll love it too.

Classic james Stewart Comedy!
Each time I watch this wonderful movie about the shades of gray we use to cement together the brickwork of our lives, I think of James Stewart's comment in the trailer at the beginning of the movie as he describes doing the original play on the road, when invariably some kid in the audience would loudly ask, "Where's the rabbit"? Where is he indeed! I wanna see the damned rabbit, too! Yet this thought-provoking parable about what is real and what isn't and the shades of each we use to try to live our lives as best we can, remains one of the all-time favorites of people who love to watch movies.

James Stewart portrays Elwin P. Dowd as a more than slightly-tipsy drinker who happens to enjoy the company of his constant company Harvey, a six-foot- something invisible (and imaginary?) rabbit. Now all of the terrific character actors in the film are of one opinion or another about the rabbit, but all agree that Dowd is an altogether pleasant man who everyone enjoys having around. Yet his incessant and insistent ramblings about Harvey make him an embarrassment, and some of them are honestly concerned about him. So what to do about Elwin? And what do you think about the rabbit?

As for me, I prefer to think the rabbit is real, but chooses to be invisible. More interesting that way. And you have to admit the porch swing does rock without anyone else on it in the last scene, after all. I've tried the rabbit routine a few times when in a particularly whimsical mood, and it always brings smiles and conversation. So what's wrong with having a big albeit invisible rabbit as a drinking chum? A guy could do a lot worse. See the movie; it is a bona-fide classic. I have to give this one two thumbs WAY UP! Enjoy!

DELIGHTFUL COMEDY - DAZZLING TRANSFER!
"Harvey" is the tale of an elegant gentleman (James Stewart) whose best friend just happens to be a six foot, 3 inch rabbit. Naturally, his family thinks he's crazy and this leads to a comedy of errors, whereby Stewart is slated for committment inside a mental institution. The film is a delightful blend of comedy and drama and blessed with a magic that is in short supply in filmdom these days.
TRANSFER: Stunning! The black and white DVD exhibits ideal picture quality. Blacks are black. The gray scale is superbly balanced. There's really nothing more to say about the transfer, other than, it is simply one of the best you are likely to encounter of a vintage classic on the digital format. The audio is Mono but nicely balanced.
EXTRAS: An introduction by James Stewart that is a bit on the long side but too short to be considered a documentary. You also get the film's theatrical trailer.
BOTTOM LINE: A shame that Universal didn't give us a documentary but at least we have this classic preserved for future generations in a DVD transfer that is stunning!


Sunset Boulevard (Special Collector's Edition)
Released in DVD by Paramount Home Video (26 November, 2002)
MPAA Rating: Unrated
Director: Billy Wilder
Starring: William Holden and Gloria Swanson
Billy Wilder's noir-comic classic about death and decay in Hollywood remains as pungent as ever in its power to provoke shock, laughter, and gasps of astonishment. Joe Gillis (William Holden), a broke and cynical young screenwriter, is attempting to ditch a pair of repo men late one afternoon when he pulls off L.A.'s storied Sunset Boulevard and into the driveway of a seedy mansion belonging to Norma Desmond (Gloria Swanson), a forgotten silent movie luminary whose brilliant acting career withered with the coming of talkies. The demented old movie queen lives in the past, assisted by her devoted (but intimidating) butler, Max (played by Erich von Stroheim, the legendary director of Greed and Swanson's own lost epic, Queen Kelly). Norma dreams of making a comeback in a remake of Salome to be directed by her old colleague Cecil B. DeMille (as himself), and Joe becomes her literary and romantic gigolo. Sunset Blvd. is one of those great movies that has become a part of popular culture (the line "All right, Mr. DeMille, I'm ready for my close-up," has entered the language)--but it's no relic. Wow, does it ever hold up. --Jim Emerson
Average review score:

Well, I'll be a monkey's pallbearer!
Screenwriter Bill Holden is trying to lose the repo men on his tail when he coasts up a little used driveway on Sunset Boulevard. The inhabitants angrily yell at him to come into the house, which he does, only to find that they've mistaken him for an undertaker for the funeral of a dead monkey. Times like this, you should know to back out and get going, but he decides to hang around as an "advisor" to monkey mourner Gloria Swanson, a faded silent movie star who has spent years penning her comeback movie script. Doesn't take long for him to move up (or is it down?) to being her gigolo, and be filled with self-loathing in the process.

I greatly enjoyed seeing "Sunset Boulevard" only a few months ago at NYC's Film Forum. I had a dim recollection of it from years before, so I was glad to catch it again on the big screen. Swanson is just wonderful in her role as Norma Desmond, who "used to be big", according to Holden. It's a crying shame that this movie didn't result in a true comeback for her, as she obviously was capable of being a first-rate sound actress. On hand as her chauffeur and one-time director (and husband!) is Erich von Stroheim, himself the mad director who was arguably responsible for the crack-up of Swanson's career with the notorious "Queen Kelly" movie produced by Swanson's then-lover Old Joe Kennedy. These two--Swanson and von Stroheim--really had a lot of guts to set aside past differences to make this film about silent movie has-beens, which both of them were considered by 1950. Just watch the subtlty of von Stroheim's acting, which is often centered, of all places, in his hands. Only a veteran director/actor of a silent screen era would think of conveying that much with his appendages!

How about Holden? Well, he's good certainly as this heel of a guy. The only qualm I have about him is that he doesn't suggest an extremely young man, which is an important plot device in this movie. The audience is supposed to be reviled by the idea of the older woman pursuing so relentlessly this younger man--and she's successful, to the point where she does manage to land him sexually if not emotionally! Bill is younger than Gloria, yes, but since the actress was in remarkably good condition physically, he doesn't seem like so many years her junior. Interesting, now of course from year 2003, to see how this idea of the older woman/younger man romance is supposed to appall you, when the 1950s would showcase two actresses--Grace Kelly and Audrey Hepburn--whose movies always seemed to link them romantically with years-older leading men like Cooper, Grant, Bogart, Crosby, Astaire. How come that's okay, but this Swanson character's desire is supposed to repel you? Sexism, sexism, sexism.

Kick that idea to the curb, and set about enjoying "Sunset Boulevard" and the great performances offered by Swanson, von Stoheim, and Holden.

A personal favorite
As a film critic says in one of the interviews on this splendid special edition, Billy Wilder not only had the craft, style and elegance we associate with classic Hollywood, he also had a biting wit that appeals to the sensibilities of today. This film has aged much better than it's central villian, the demented starlet portrayed to perfection by real-life demented starlet Gloria Swanson. William Holden's (literally) dead-pan narration as a two-bit screenwriter of B-movies is as sad and funny as it ever was.

The documentary on the disc does a good job of demonstrating just how unique the tone of this story is, how it perfectly navigates between funny and sad. Not everyone in Hollywood saw the funny side when it was released, and it lost to ALL ABOUT EVE at that year's Oscars. So what? With this disc, SUNSET BOULEVARD is finally getting it's due.

Besides the documentary, you can read two screenplay drafts of an excised opening sequence, explore 1950's Hollywood with an interactive map and watch the film with audio commentary by a critic and historian. All these features are secondary, of course, to the movie. It looks gorgeous. The black and white picture is rich and crisp, the sound is re-mastered and the story is as compelling as ever. The special features only do what all good special features should do on a DVD. They add to the richness of the film. You may already know that Eric von Stroheim (who plays a character who directed Gloria Swanson's character in silent films) directed Gloria Swanson in silent films. But did you know that the drugstore where all the screenwriter's hang out in the movie is the drug store where F. Scott Fitzgerald had a heart attack in 1940? One of the reasons I love this movie is because it is so rich with Hollywood history.

I can't recommend this disc highly enough. Kudos to Columbia for doing right by a classic, a real film lover's film. I love this movie and I love this disc! 5/5 stars.

Nobody loved her..
I don't think most people understand Sunset Blvd. Many look at William Holden as the sympathetic character and see Norma as mad and obsessive. I don't think this is the fault of the film, but perhaps people misunderstand it. Norma Desmond is the sympathetic, vulnerable character. Her career was thrown away as she became older (something that still happens to actresses today) and nobody loved her. It is tragic as she falls in love with William Holden's cynical character, and even more tragic when people feel sorry for him and not Norma! Norma is a reflection of the ideal, and how the ideal can lose reality in a cynical, hurtful world. Holden is simply careless towards Norma and uses her. Because we have come to expect this stereotype of men being careless and insensitive, many people acknowledge Holden as the normal character, when in fact he is very, very flawed. And we see the ideal qualities of compassion and heartbreak in Norma as scary or possessive. That is, of course, until she goes over the edge at the end of the film - but wouldn't you, too? Contrast these ideas with the perception of Joan Crawford (Mommie Dearest) that we have today.


It's a Wonderful Life
Released in DVD by Republic Studios (26 March, 2002)
MPAA Rating: NR (Not Rated)
Director: Frank Capra
Starring: James Stewart and Donna Reed
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
Average review score:

It's a Wonderful DVD!
Perhaps because it's such a wonderfully resonant story as well as an annual Christmas "ritual" in many American homes, "It's a Wonderful Life" has been well received despite the frankly horrible quality of thousands of circulating 16mm film prints and VHS tapes. Once the copyright on the film expired, putting it in the public domain in the early seventies, duplicate prints were being struck from duplicate prints, and new, cheap VHS versions were being produced and sold by multiple distributers for under $5. Despite the "muddy," distorted look and absence of "grey scale," we tolerated the inferior print quality in exchange for the magic of the movie.

This DVD version, struck from the original print, makes it possible for the first time to enter Bedford Falls and fully inhabit its sparkling world. It's like seeing the film for the first time all over again. In fact, it may be better. Formerly I thought of the movie as talky and even loud at the expense of visual language, but now I'm able to appreciate Capra's photographic eye as well as the meanings that are purely cinematic.

The flip side of the disc contains interviews with Capra and Stewart, behind-the -scenes information on the making of the film, and some history of the film's conception and reception. It's frequently repetitious, but a nice bonus nonetheless.

This movie will lift your spirits !!
I have seen hundreds of movies that move me, but "It's a Wonderful Life" has been my favorite as long as I can remember. Many people find it corny and old fashioned, I find it uplifting and as true in content today as the day it was made. No one could have portrayed the character of George Bailey like the unforgettable Jimmy Stewart....and Donna Reed and the entire cast.......Wow!! I think Frank Capra must have had a sixth sense when it came to knowing who would cast well with whom. I cannot count how many times I have viewed this movie, and every time I do it's as though it's the first time I have seen it. I am hard pressed to pick a favorite scene, but if I did I think it would be when the druggist, Mr. Gower, realizes that George did not deliver the capsules that contained poison, and hugs him. Without being asked, George tells him he will never tell a living soul......and does not. In closing, I would say there is probably not a person alive that could not benefit from the message in this movie. If you have not seen this film you are truly missing out.

original aspect ratio
To the reviewer below who asked why they don't release a widescreen version, the answer is that they didn't start making movies with "widescreen" aspect ratios (1.85:1 or 2.35:1, usually) until the 1950s, to compete with television. Before that movies were made with the "Academy Standard" ratio of 1.33:1, which is the same proportions as non-widescreen TVs (although before the 1930s it was 1.37:1). What this means is that the DVD actually is showing you the original aspect ratio, as the director intended it to be seen.


It's a Wonderful Life
Released in DVD by Republic Studios (07 September, 1999)
MPAA Rating: NR (Not Rated)
Director: Frank Capra
Starring: James Stewart and Donna Reed
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
Average review score:

It's a Wonderful DVD!
Perhaps because it's such a wonderfully resonant story as well as an annual Christmas "ritual" in many American homes, "It's a Wonderful Life" has been well received despite the frankly horrible quality of thousands of circulating 16mm film prints and VHS tapes. Once the copyright on the film expired, putting it in the public domain in the early seventies, duplicate prints were being struck from duplicate prints, and new, cheap VHS versions were being produced and sold by multiple distributers for under $5. Despite the "muddy," distorted look and absence of "grey scale," we tolerated the inferior print quality in exchange for the magic of the movie.

This DVD version, struck from the original print, makes it possible for the first time to enter Bedford Falls and fully inhabit its sparkling world. It's like seeing the film for the first time all over again. In fact, it may be better. Formerly I thought of the movie as talky and even loud at the expense of visual language, but now I'm able to appreciate Capra's photographic eye as well as the meanings that are purely cinematic.

The flip side of the disc contains interviews with Capra and Stewart, behind-the -scenes information on the making of the film, and some history of the film's conception and reception. It's frequently repetitious, but a nice bonus nonetheless.

This movie will lift your spirits !!
I have seen hundreds of movies that move me, but "It's a Wonderful Life" has been my favorite as long as I can remember. Many people find it corny and old fashioned, I find it uplifting and as true in content today as the day it was made. No one could have portrayed the character of George Bailey like the unforgettable Jimmy Stewart....and Donna Reed and the entire cast.......Wow!! I think Frank Capra must have had a sixth sense when it came to knowing who would cast well with whom. I cannot count how many times I have viewed this movie, and every time I do it's as though it's the first time I have seen it. I am hard pressed to pick a favorite scene, but if I did I think it would be when the druggist, Mr. Gower, realizes that George did not deliver the capsules that contained poison, and hugs him. Without being asked, George tells him he will never tell a living soul......and does not. In closing, I would say there is probably not a person alive that could not benefit from the message in this movie. If you have not seen this film you are truly missing out.

original aspect ratio
To the reviewer below who asked why they don't release a widescreen version, the answer is that they didn't start making movies with "widescreen" aspect ratios (1.85:1 or 2.35:1, usually) until the 1950s, to compete with television. Before that movies were made with the "Academy Standard" ratio of 1.33:1, which is the same proportions as non-widescreen TVs (although before the 1930s it was 1.37:1). What this means is that the DVD actually is showing you the original aspect ratio, as the director intended it to be seen.


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