C Movie Reviews
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WHO LIVES IN A PINEAPPLE UNDER THE SEA???
Nautical nonsense is what I wish
At last-they've got SpongeBob on DVD

Everyone can find this filled with laughsEven you are alone you may be laughing out loud.The Blue Collar Comedy Tour was recommended to me by an African-American so it wasn't offensive to him either as he thought it funny-This is definitely not just for rednecks but for everyone.This is not just southern humor-the comedy is universally appealing. Buy it,rent it,don't miss out.You don't have to have a job with a nametag on it to enjoy this one.It doesn't matter who you are- this one's funny.It't not covered in moles.No one will literally throw you out of a place.There's your sign-You might be a redneck but you don't have to be one to laugh at this comedy.
Kings of Country Comedy!!!
Blue Collar Comedy Tour: The Movie

Everyone can find this filled with laughsEven you are alone you may be laughing out loud.The Blue Collar Comedy Tour was recommended to me by an African-American so it wasn't offensive to him either as he thought it funny-This is definitely not just for rednecks but for everyone.This is not just southern humor-the comedy is universally appealing. Buy it,rent it,don't miss out.You don't have to have a job with a nametag on it to enjoy this one.It doesn't matter who you are- this one's funny.It't not covered in moles.No one will literally throw you out of a place.There's your sign-You might be a redneck but you don't have to be one to laugh at this comedy.
Kings of Country Comedy!!!
the comedy tour
The strength of the film lies in Takahata's evenhanded portrayal of the characters. A sympathetic doctor, the greedy aunt, the disinterested cousins all know there is little they can do for Seita and Setsuko. Their resources, like their country's, are already overtaxed: anything they spare endangers their own survival. As in the Barefoot Gen films, no mention is made of Japan's role in the war as an aggressor; but the depiction of the needless suffering endured by its victims transcends national and ideological boundaries. --Charles Solomon

Very Disappointing..However, despite the boy's refusal to work or do anything but play with his sister (this is the relative's only reason for resenting having to feed and house them) it's made to seem tragic when he decides to leave the house rather than help support himself.
Later in the movie, when his sister becomes sick from malnutrition - this is the supposed saddest part and turning point of the story - the effect is ruined by the fact that the boy could simply have apologized to his relatives, who may not have been happy to take him back, but certainly would have. A farmer even tells the boy this, yet he refuses to return. What follows is no one's fault but his own.
The only emotion this movie inspired in me was a growing frustration at the boy's inablilty to swallow his pride and save his sister's life. There's nothing tragic in a movie about a character who could save his life at any time, but refuses to do so.
Why DO fireflies have to die?
This is a must for teachers of English and Social Studies!

RECOMMENDED IF YOU'RE NOSTALGIC FOR THE 80sI WILL come out and say the one good thing about this film is that it sent me back to reading the original book (I'd endured two adaptations that year--this, and the first Muppet version, from '92 with Michael Caine). But the script for this one simply PRETENDS to be a faithful adaptation: it's told primarily from Scrooge's perspective.....we're supposed to "bah" to his every "humbug" and vice versa. And Scott's performance is worthy of a Nicholson in "The Shining"--all high camp, with the star sparing no opportunity to chew the scenery and mug shamelessly at every close-up. Needless to say, the Great Scott's done better elsewhere. There's no real RANGE to this performance--even at the climactic meeting with the Ghost-Of-Christmas-Yet-To-Come, he seems unfazed. Scott's Scrooge doesn't seem to be a changed man in the end--I'm fully expecting him to FIRE Bob Cratchit Dec. 26!!
The lesson to be learned here? Ebenezer Scrooge isn't Wile E. Coyote.
A Handsome retellingthere's no smirking from the sidelines.This is a businessman who would try to get "blood out of rock" for profit.Even on Christmas Day. The 1984 version of A CHRISTMAS CAROL is stellar and the supporting cast(David Warner; Susannah York; Frank Finley)work to make this ghost story one of the greatest morality tales ever penned, while combining its Tiny Tim heart-string-pulling ambience to make most viewers, indeed, want to carol "JOY TO THE WORLD!" at the end.
The Christmas Ghosts who come to serve Scrooge his moral warrant are played straight without self-deprecating irony or pseudo-hipness. When Scooge climactically faces the grim Wraith of Christmas Future to peer at the damning judgment to be rendered on his selfish, emotionally barren life, most viewers will breathe an empathetic sigh of relief when he's granted a SECOND CHANCE.
This is a handsome, high production values version of Dicken's classic. It is brought to the screen again with enough class and verve to drive-out the bad Scrooge, and bring-out the good Scrooge in us all.
MERRY CHRISTMAS!!!
My favorite adaptation of my favorite Christmas taleThis timeless tale works extremely well on its own, but the unsurpassed acting skills of Scott make it almost more than real. The change wrought in him during the course of the night, as he changes from a man of crass materialism and unkindness to a repentant soul pleading for a chance to change his ways, is powerfully presented and really touches the viewer emotionally. The simple happiness revealed in the lives of Bob Cratchit and others are as heart-warming as the forgotten mistakes and pains of a younger Scrooge are agonizing. If there is any heart out there that is not touched by the goodness and courage of Tiny Tim, I don't even want to know about it. No matter how many times you watch this movie, it proves itself capable of bringing a tear to your eye, a lump in your throat, and ultimately the very spirit of true holiday cheer and Christian charity that Dickens intended it to convey.
I cannot say I have seen every adaptation of A Christmas Carol, but I really cannot believe any other version could exceed the quality and emotional impact of this one. No matter how many times I read the story or watch the movie, it remains a source of eternal joy to me. This is more than a movie for me; it is an important and necessary part of each and every Christmas holiday season.


Simply The Best
Still Great After Nearly Seventy Years
Best Movie Ever! (Really)This is a terrifically funny movie that tells a great story. Along the way, the movie offers up a snapshot of 1934 American life that is true and vanished.
Everyone loves this movie. People who hate black and white movies love this movie. Even cool 19 year old boys who only relate to the Sopranos love this movie. I have never known anyone who watched this movie who didn't also love it.


A Sucker for Kurt RussellThis dvd is presented in 1.85:1 anamorphic widescreen and is pretty decent. Don't expect reference quality but it pretty good for this flick.
It features a 2.0 Dolby surround standard issue sound mix. Dialogue is clear and crisp and surrounds are next to none.
No bonus features included. :(
While some bonuses would have been nice (even just the trailer!)I can still recommend this one for the movie alone. If you're looking to have 90 minutes of fun, pick this up.
Captain Ron
That's okay, Boss, it could happen to anyone!

Excellent movie, somehow disappointing DVDThe DVD:
Picture and sound are perfect. The menu is nicely done, with animated stills from the movie. The comments by Mike Massey and the display of shots from the film are somewhat interesting but you can't really call it an explanation of the shots. Various camera perspectives or slow motion would have been more helpful. The trailers are interesting, the picture gallery is very very short. The featurette gives some insights, but doesn't go very deep.
Now the main criticism, the (as it says on the box) "Various audio commentaries": You can't do audio commentaries worse. An interviewer asks one of the commentators a question, eg What was your impression of Robert Rossen? or How was it working with ...? After the question has been answered by that person, the next one is asked the same question. This becomes boring pretty fast, especially because some of the answers are not worth to listen to. Stefan Gierasch, Richard Schickel and Jeff Young give only short statements, making you wonder why they're there anyway. Carol Rossen tells some interesting stories, but you get the impression she has a very subjective point of view that doesn't tell everything. Ulu Grosbard delivers a lot of informations. Paul Newman is the biggest disappointment, because he is rarely asked and all in all says about 10 sentences. This is beaten by Dede Allen, the editor, who most of the time ignores the questions and starts to tell all kinds of stories about herself and her experiences in the movie and editing business. This is definitely the best and most interesting part of the commentary, if you're interested in insider stories about movie making and editing. The bad thing about the commentary is that it never relates to the movie which is running in the background. The commentators don't commentate because they don't see the film. They're simply answering questions, which definitely is not the purpose of such a commentary. You have to ask yourself if complete interviews with the persons would not have been better (since they're obviously done as interviews and are also part of comments in the featurette).
In the end you get to know some facts about the movie, basically nothing about Robert Rossen and a lot about Dede Allen. This could have been really better.
Absorbing! Realistic! Riveting! Fantastic!A perfect cast has been assembled here, with Paul Newman a knockout in the lead role of pool shark "Fast Eddie" Felson. Piper Laurie, George C. Scott, Murray Hamilton, and Myron McCormick give strong support to Newman. And there's a very controlled and somewhat subdued Jackie Gleason as "Minnesota Fats". Jackie doesn't have a huge part here, but he pulls off his role as "Fats" with style.
There are a lot of quiet moments in this picture ... when just visuals propel the story. I like that in movies! Sometimes there's too much dialogue in a film, in places where nothing needs to be said at all. It just seemed to me that the producer/director (Robert Rossen) knew when to keep the actors quiet here.
The Hustler will forever remain a Classic to me!!
Some Hustler stats:
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Running Time: 135 minutes.
Debut in theatres: September 25, 1961.
Nominated for Best Picture of 1961. (Beaten out by "West Side Story".)
Paul Newman nominated for Best Actor of 1961. (Beaten out by Maximilian Schell--Judgment at Nuremburg.)
Both George C. Scott and Jackie Gleason were nominated for Best Supporting Actor in 1961 for this film. (Both beaten out by George Chakiris--West Side Story.)
Piper Laurie nominated for Best Actress in '61. (Beaten out by Sophia Loren--Two Women.)
Film won two 1961 Oscars --- Best Cinematography and Best Art Direction/Set Decoration (B&W).
Billiard champ Willie Mosconi, 14-time world champion from 1941-1957, was a key technical adviser on the set of The Hustler, literally teaching Mr. Newman how to play the game of pocket billiards, right down to his grip on the cue stick. Newman became quite proficient by the end of the shooting of the picture.
Newman reprised his role as Fast Eddie in 1986's sequel, "The Color of Money", co-starring Tom Cruise. Newman DID win the Oscar for Best Actor that year.
Hustle this one into your collection, quick!!!The film is a gritty, uncompromising character study and tragic love story that is set in the world of pool hustlers. Piper Laurie; as an alcoholic floozy who falls hard for Fast Eddie; and George C. Scott as the cold hearted manipulative gambler, Bert Gordon,-- contribute two additional flawless supporting performances. It was directed by the controversial Robert (All the King's Men) Rossen (he resisted but eventually named names during the infamous blacklist of the 50's).
The film focuses on the arrogant, unsympathetic exploits of a con man as he uses his charm, looks and pool playing skills to hustle enough money to challenge Minnesota Fats, only to be humiliated in defeat. As 'Fast Eddie' attempts to raise money for a re-match, he meets and almost falls in love with Sarah a fellow alcoholic. At first Fast Eddie refuses to be managed by Bert Gordon, but after a pool hall hustle ends up with Fast Eddie having his thumbs broken, he reconsiders. Before the re-match with Minnesota Fats, a warm up high stakes game in Louisville has tragic consequences.
The film dares to focus on a-typical anti-hero characters who live by amoral codes. Very little Hollywood style gloss is to be found anywhere in this stylistic gritty masterpiece which wound up being nominated for 10 Academy Awards (West Side Story won most of them that year). Cinematographer Eugene Shufftan deservedly won an Oscar for his moodily lit, beautiful black and white images. Harry Horner's and Gene Callahan's intricately art direction, production design and set decoration were also awarded with Oscars. Pool legend Willie Mosconi taught Newman how to look and act the part of a pool hustler and also made Newman's trick shots in the film. Jackie Gleason was already an excellent pool player. There really was an Aames pool hall in New York City and it is used for the film's most riveting scenes. Boxer Jake LaMotta (of 'Raging Bull' fame) plays a bartender in the film.
Director Rossen who began his career as a screenwriter made only one other film (1964's Lilith) after 'The Hustler'. Rossen died in 1966. Martin Scorcese directed the 1986 sequel Color of Money, with Newman reprising his Fast Eddie role (and this time Newman won a best Actor Oscar for his efforts) as he teaches an up and coming hustler (Tom Cruise) the ropes. The sequel doesn't come close to being as good as the original (despite its stylistic flourishes, cast and director).
Interesting to note that the characters in The Hustler were fictitious and an above average pool player legally changed his name to Minnesota Fats AFTER the film was released. The real life 'Minnesota Fats' eventually played a nationally televised (hosted by Howard Cosell) pool exhibition with William Mosconi in the 1970's more than 10 years after this 1961 film.
DVD IMAGE AND SOUND
The film has been digitally re-mastered in 2.35:1 anamorphic widescreen. The films looks to be in excellent shape with very little print damage observed. The look of the film is smoky and gritty and the shadow details are rich indicating strong black levels present. This is a very sharp looking black and white film. The sound will not impress but the dialogue, sound effects and occasional music is crisp and usually centered..
DVD EXTRA'S
In addition to two trailers for the film, there are a few interesting featurettes some production stills and the superb commentary track.
Richard Schickel hosts the too short documentary The Hustler: The Inside Story which gives us some details on how the film came to be made, and delivers some we were there stories from some of the film-makers and a few surprise guests.
"How to Make the Shot," and "Trick Shot Analysis by World Artistic Champion, Mike Massey"
are two shorts demonstrating and showing viewers how to make some trick shots on the pool table.
There is a superb commentary track which features the reminisces, and perspectives from actors: Paul Newman, and Stefan Gierash (Preacher), Dede Allen (film editor), Ulu Grosbard (assistant director), Carol Rossen (the director's daughter), Richard Schickel (film critic, Time), and Jeff Young (film historian). The comments cover all aspects of the making of the film. Newman's comments as one might expect are few.
The film looks and sounds great, the extras compliment the classic film very well. Along with Hud, and Nobody's Fool, The Hustler has, what for me, is one of the three best Newman performances on film. Considering the supporting cast are superb, there's little for anyone to fault with this film.
Christopher J. Jarmick, is the author of The Glass Cocoon with Serena F. Holder a critically acclaimed, steamy suspense thriller...


Pirates are BEAUTIFULIn this movie, I thought keira knightley did an exellent job as elizabeth. At first i was soo green with envy that she got to KISS orlando and dance drunkedly around a fire with johnny, but she was so good at playing the governors daughter who isnt your ordinary damsel in distress -- i had to admire her. It is her idea to go back and save the man that she truly loves from the undead pirates of the caribbean. She was an exellent addition to this film.
I also think geoffrey rush was the IDEAL man for the part of captain barbossa. He was so good at bringing out the essential evilness of the pirate that even hell couldnt handle. He as well brought a fair share of comedy to the movie, and i really enjoyed the swordfight between him and johnny depp.
I would recommend this movie to ANYONE without a second thought. Its a wonderful piece of art that deserves many, many awards. I hope everyone that gets this DVD is as pleased and as overjoyed as i will be.
.. a side note .. this is the first review ive ever done .. so if its like totally not what im supposed to do .. uhh .. im really sorry. Hope you enjoy what i wrote though.
HAVE FUN WITH PIRATES OF THE CARIBBEAN !!
2 words. Johnny Depp.
two words: johnny deppbut credit also goes to the scriptwriters for maintaining the authenticity of the 18th century Caribbean. The dialogue is witty and the action sequences well thought out for the best dramatic effect to get your pulse racing
i went into the cinema anticipating a repeat of Orlando Bloom's fantastic work in Lord of the Rings but came out amazed at how swaggering Depp outdoes everyone in this highly enjoyable flick


A very good, if not great movie
Amazing!The two stand-out performances of this film are undoubtedly Johny Depp, who has made it a career of selecting roles for himself which are not only very suitable, but in which he shines and steals the show. This time, however, he has heavy competition in that department. Orlando Bloom, known for his role as Legolas in the Lord of the Ring movies, dazzles the movie-goer with his acting capabilities, looks and fighting skills. It seems a romantic hero is born in this movie...lets hope Mr. Bloom can keep shining and outperforming his co-stars.
The verdict? The only reason I wouldn't give this movie 5 stars is that I have seen a few better movies, in terms of story and other things. However, it is certainly one of the best movies I have seen this year! And well, as you can oly give full stars on Amazon, I'll give it all five...as I did truly love it...
2 words. Johnny Depp.