Vaughn, Robert Movie Reviews

Akira Kurosawa's rousing Seven Samurai was a natural for an American remake--after all, the codes and conventions of ancient Japan and the Wild West (at least the mythical movie West) are not so very far apart. Thus The Magnificent Seven effortlessly turns samurai into cowboys (the same trick worked more than once: Kurosawa's Yojimbo became Sergio Leone's A Fistful of Dollars). The beleaguered denizens of a Mexican village, weary of attacks by banditos, hire seven gunslingers to repel the invaders once and for all. The gunmen are cool and capable, with most of the actors playing them just on the cusp of '60s stardom: Steve McQueen, James Coburn, Charles Bronson, Robert Vaughn. The man who brings these warriors together is Yul Brynner, the baddest bald man in the West. There's nothing especially stylish about the approach of veteran director John Sturges (The Great Escape), but the storytelling is clear and strong, and the charisma of the young guns fairly flies off the screen. If that isn't enough to awaken the 12-year-old kid inside anyone, the unforgettable Elmer Bernstein music will do it: bum-bum-ba-bum, bum-ba-bum-ba-bum.... Followed by three inferior sequels, Return of the Seven, Guns of the Magnificent Seven, and The Magnificent Seven Ride! --Robert Horton

Elizabeth Taylor has never been sexier than as Tennessee Williams's hot-blooded Maggie "The Cat" Pollitt, prowling around her boudoir in a slinky white slip. That's how you know her alcoholic, ex-football-player husband, Brick (Paul Newman), must have more than just his leg in a cast. It's the 65th birthday of wealthy (but dying) southern patriarch Big Daddy (Burl Ives), and his sons Gooper (Jack Carter) and Brick have come to suck up to him for $10 million in inheritance money. Gooper is a family man and father to a brood of "no-neck monsters"; youngest boy Brick is papa's favorite (as if you couldn't tell from the fellow's names), but hasn't sired progeny. Maggie is definitely in heat, but Brick refuses to sleep with her because he suspects her her of being unfaithful with his best friend, who recent committed suicide. Although toned down for the movies, Cat on a Hot Tin Roof is vintage Tennessee Williams. The film was directed by Richard Brooks (In Cold Blood, Blackboard Jungle, Elmer Gantry). --Jim Emerson

Elizabeth Taylor has never been sexier than as Tennessee Williams's hot-blooded Maggie "The Cat" Pollitt, prowling around her boudoir in a slinky white slip. That's how you know her alcoholic, ex-football-player husband, Brick (Paul Newman), must have more than just his leg in a cast. It's the 65th birthday of wealthy (but dying) southern patriarch Big Daddy (Burl Ives), and his sons Gooper (Jack Carter) and Brick have come to suck up to him for $10 million in inheritance money. Gooper is a family man and father to a brood of "no-neck monsters"; youngest boy Brick is papa's favorite (as if you couldn't tell from the fellow's names), but hasn't sired progeny. Maggie is definitely in heat, but Brick refuses to sleep with her because he suspects her her of being unfaithful with his best friend, who recent committed suicide. Although toned down for the movies, Cat on a Hot Tin Roof is vintage Tennessee Williams. The film was directed by Richard Brooks (In Cold Blood, Blackboard Jungle, Elmer Gantry). --Jim Emerson

Gross-out comedy reached its peak (or nadir, if you will) when this celebration of juvenile crudeness was released in the summer of 1998. There's Something About Mary was a surprise box-office smash at the same time, and it's a much funnier and (dare we say it?) more intelligently conceived comedy, but there's something to be said for a couple of dudes who blissfully embrace bad taste and improper decorum. As they proved with their popular cartoon series South Park, Trey Parker and Matt Stone are shameless purveyors of scatological humor, and no bodily function escapes their baser instinct for gutter-level guffaws. Here they play a couple of guys who are fed up with the hyper-commercialism of professional sports, so they invent "baseketball"--a hybrid of baseball and basketball--and soon find themselves in the middle of a booming national craze. As baseketball leagues thrive, so does the movie's appetite for puerile shock-jokes and disgusting gags. There are some great throwaway lines and a lot of funny cameos by the likes of Bob Costas, Al Michaels, Jenny McCarthy, Robert Stack, Reggie Jackson, and others, but let's face it--a little of this stuff goes a long, long way. If you laugh a lot, you may be suffering (as Parker and Stone clearly do) from an acute case of arrested development. --Jeff Shannon

This typical but well-made action movie, which spawned numerous sequels, means to combine the best elements of the disaster movie with the hard-boiled attributes of traditional action-adventures. When a plane is hijacked to the Middle East by Palestinian terrorists, the Pentagon calls into action the Delta Force, an elite squad of highly trained commandos led by tough guy mainstay Lee Marvin and karate-action-star Chuck Norris. Their mission is simple: to thwart the terrorists and rescue the hostages, and the plot concentrates largely on just that, as the team uses its experience and fighting skills to get the job done. Its sometimes preachy patriotic bent occasionally gets in the way of the action, and Norris is a one-dimensional figure who at times takes himself too seriously, but his rapport with easygoing veteran Marvin moves the film over some implausible rough spots. While not a groundbreaking contribution to the genre, Delta Force impresses with its straightforward tough-guy style. --Robert Lane