V Movie Reviews

Devoted Star Trek fans will surely cite the "even number" rule in evaluating the Original Crew Movie Collection, but all six of these films qualify as rousing entertainment. Undeniably, the even-numbered films in Paramount's lucrative Trek franchise tended to be the best, as demonstrated by the superiority of The Wrath of Khan, The Voyage Home, and The Undiscovered Country. And yet each film has something to offer die-hard Trekkers, beginning with the epic-scale wonders of the first Motion Picture (presented here as a two-disc special edition). Evolving from Gene Roddenberry's aborted attempt at a second Star Trek TV series, the effects-laden Motion Picture divided fans while proving that Star Trek had a promising big-screen future. Nicholas Meyer's The Wrath of Khan made good on that promise, reviving the Star Trek spirit and proving, in the case of Mr. Spock, that beloved characters "never really die." It's widely regarded as the best of these half-dozen features.

With its deadly Klingon confrontation, the Leonard Nimoy-directed Search for Spock was a thrilling (albeit contrived) excuse for Spock's inevitable resurrection, and its somber tone was readily countered by the Earth-based humor of Nimoy's The Voyage Home, combining a planetary crisis with a lively--and phenomenally popular--time-travel plot line. Unfortunately, William Shatner then lobbied for the director's chair, and The Final Frontier--an uneasy mixture of cheesy humor and grandiose themes--was the regrettable outcome. Paramount rallied by inviting Nicholas Meyer to repeat his Khan success, and Meyer rose to the occasion with the sharply scripted thrills of The Undiscovered Country. By ending the film with an official signature send-off from the "classic Trek" cast, the original crew brought their big-screen legacy to a graceful and upbeat conclusion, setting the stage for a transitional adventure in Star Trek: Generations. --Jeff Shannon

Go Fish won acclaim in its initial release in 1994, probably because of its irreverence in gazing at the lives of a group of young lesbians in Chicago. The film was directed and cowritten by Rose Troche, who went on to make Bedrooms and Hallways with the help of Guinevere Turner, her then-partner and star of this film. (Turner later appeared in several films and collaborated with director Mary Harron to bring the nearly unadaptable Bret Easton Ellis novel American Psycho to the big screen.)

Go Fish is an audience film in that it needs a crowd to make its in-joke mentality pulse. In fact, it's hard to believe the film transcended its target demographic despite the fact that in its heart of hearts it's an old-fashioned love story. It feels amateurish upon solo home viewing, though retaining an iota of charm for its low-budget clunkiness and funkiness. While it basically tells the story of a young lesbian (played by Turner) looking for Ms. Right, and conforms to a standard scenario in that love is always found where it's least expected, it benefits mostly from Troche's ability to wring some wit out of "dyke drama" and, with her insider's point of view, poke gentle fun at it with a relatively sharp stick. --Paula Nechak

Movie critic Roger Ebert summed it up very succinctly: "Of all of the Star Trek movies, this is the worst." Subsequent films in the popular series have done nothing to disprove this opinion; we can be grateful that they've all been significantly better since this film was released in 1989. After Leonard Nimoy scored hits with Star Trek III and IV, William Shatner used his contractual clout (and bruised ego) to assume directorial duties on this mission, in which a rebellious Vulcan (Laurence Luckinbill) kidnaps Federation officials in his overzealous quest for the supreme source of creation. That's right, you heard it correctly: Star Trek V is about a crazy Vulcan's search for God. By the time Kirk, Spock, and their Federation cohorts are taken to the Great Barrier of the galaxy, this journey to "the final future" has gone from an embarrassing prologue to an absurd conclusion, with a lot of creaky plotting in between. Of course, die-hard Trekkies will still allow this movie into their video collections; but they'll only watch it when nobody else is looking. After this humbling experience, Shatner wisely relinquished the director's chair to Star Trek II's Nicholas Meyer. --Jeff Shannon

Movie critic Roger Ebert summed it up very succinctly: "Of all of the Star Trek movies, this is the worst." Subsequent films in the popular series have done nothing to disprove this opinion; we can be grateful that they've all been significantly better since this film was released in 1989. After Leonard Nimoy scored hits with Star Trek III and IV, William Shatner used his contractual clout (and bruised ego) to assume directorial duties on this mission, in which a rebellious Vulcan (Laurence Luckinbill) kidnaps Federation officials in his overzealous quest for the supreme source of creation. That's right, you heard it correctly: Star Trek V is about a crazy Vulcan's search for God. By the time Kirk, Spock, and their Federation cohorts are taken to the Great Barrier of the galaxy, this journey to "the final future" has gone from an embarrassing prologue to an absurd conclusion, with a lot of creaky plotting in between. Of course, die-hard Trekkies will still allow this movie into their video collections; but they'll only watch it when nobody else is looking. After this humbling experience, Shatner wisely relinquished the director's chair to Star Trek II's Nicholas Meyer. --Jeff Shannon